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**Max, at Work.**
Watching him paint was, for me, much more than simply a photographic opportunity.
It meant entering his world, respectfully and on tiptoe. A world made of silence, thoughts, glances, gestures, and that deep concentration that belongs to someone who has devoted an important part of his life to creativity.
While he paints, Max seems almost to forget everything around him. He is immersed in his own time, in his ideas, in the emotions that slowly take shape on the canvas.
And perhaps this is the most fascinating part: not knowing what is passing through his mind, yet somehow being able to perceive that something is happening.
What he sees and feels belongs only to him. It comes from sensitivity, experience, empathy, and everything that, throughout his life, has settled within him.
I simply tried to capture a few moments of that experience, allowing his gestures, his eyes, and his work to tell what words cannot fully explain.
Because sometimes, there is no need to explain what happens inside.
**It is enough to look.**
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**Max, al lavoro.**
Guardarlo mentre dipinge è stato, per me, qualcosa di più di una semplice occasione fotografica.
È stato entrare, con rispetto e in punta di piedi, nel suo mondo. Un mondo fatto di silenzi, pensieri, sguardi, gesti e di quella concentrazione profonda che accompagna chi ha dedicato una parte importante della propria vita alla creatività.
Mentre dipinge, Max sembra quasi dimenticare tutto ciò che lo circonda. È immerso nel suo tempo, nelle sue idee, nelle emozioni che lentamente prendono forma sulla tela.
Ed è forse questo l'aspetto più affascinante: non sapere cosa stia attraversando la sua mente, ma riuscire comunque a percepire che qualcosa sta accadendo.
Quello che vede e sente appartiene soltanto a lui. Nasce dalla sensibilità, dalle esperienze, dall'empatia e da tutto ciò che, nel corso della vita, si è sedimentato dentro di lui.
Io ho semplicemente cercato di fermare alcuni istanti di quel momento, lasciando che fossero i suoi gesti, i suoi occhi e il suo lavoro a raccontare ciò che le parole non riescono a spiegare.
Perché, qualche volta, non serve raccontare ciò che accade dentro.
**È sufficiente guardare.**
The latest work in progress is a pair of young African Elephants in graphite on A3. Loads of work to do still!
The sole remaining train that still sports a caboose. Although the B&B gang still use a caboose they need the company work train to move it from location to location. On occasion if they don't have too far to travel the B&B crew will move their cars with a locomotive crane.
Good photography is hard work. Carrying your lenses and cameras that weight 20kg or more. Finding locations to shoot. Dealing with people. Working at night and on the weekends.
A pair of heavy steel toe, steel plate black leather work shoes. They are huge! I don't wear them too often because they are so heavy and a little too big for me. My regular feet size is 10 US.
Size: 11 US
I went past this in February, things have moved on a lot since then.
www.flickr.com/photos/44506883@N04/50966253186/in/album-7...
Better viewed large and thank you for your favourites.
週末愉快～
Have a wonderful weekend :)
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©2014 Len Chung, All rights reserved. Please don't use this image without my permission.
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Had the pleasure to work with Vilde Indrehus again!
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taken by a dear friend about a year ago. i love this picture-technology meets manual labor,black meets white(literally and figuratively).
An old International truck sits at the Minnie Miller farm. It appears to have been a work truck for the farm.