View allAll Photos Tagged Work
Today was a “working outside in the hot “ kind of day. I had some stuff that really needed to get done, and I wanted easy footwear. . Taken for the Jules’ Photo Challenge Group
Inside of a silo, they're going to build apartments inside em (or so they say..)
Hasselblad 500C/M + Distagon 50/4 FLE, Fuji Neopan Acros, Rodinal.
I stepped out of work just in time today to find 2 CN westbounds in a row, each under proper cowl leadership. First up is crosstown drag freight L53691-27, riding the elevated chicanes between Corbett Street and Senour Avenues. Bridgeport, Chicago.
Work and play are words used to describe the same thing under differing conditions.
Mark Twain
tones: Bärbel's PS/PSE actions
texture: SkeletalMess
wish you a good weekend :)
Art Work with sunflare taken at the 18th Biennale of Sydney,
Cockatoo Island, Sydney.
(better view in black)
An overcast day shooting work boats and the dock side structures.
Yes, this is an HDR image done with the Efex product set.
Thanks for your visits and comments. I really appreciate both.
Diese Foto ist im Einkaufszentrum PEP in München am letzten Samstag vor Heiligabend entstanden. Ich wollte sehen wie verschiedene Menschen diesen Tag in einem EKZ erleben, was da passiert so kurz vor dem Fest und dieses Bild finde ich beschreibt die Gegensätze ganz gut. Im Hintergrund sieht man groß die Werbung mit einem Model das einen betrübten Blick hat. Davor sieht man eine Familie? Im Vordergrund ist eine Reinigungskraft die ihrer Arbeit nachgeht und von den anderen Besuchern des EKZ sicher nicht wahrgenommen wird.
adding images of roots and sky to the history textbook I had in 1989. The book describes world events after 1945 through the lens of GDR ideology.
up early, 0530, ready for some work on the boat..................well maybe the bucket is but I'm not.........................I'd rather be sailing!
our dailychallenge; work
7DOS - "7 Days of Shooting" "Week #24 - Preparations " "Unusual POV Thursday"
ODT - BOTTLE/S is the topic for Thursday 10th May 2012
In Explore 9th January 2010
flickr.com/explore/interesting/2010/1/9/page38
The word focussed at the centre of the picture reads e-pish meaning "work". It is a detail of a lexical list containing Sumerian terms in a left column and their Akkadian equivalants on the right. One can compare those lexical lists with modern dictionaries, but the sequence of this specific "dictionary" follows the pronunciation of the Akkadian terms.
Just a view more weeks and the build of the Kenniscluster in Arnhem is finished. There are some asome stairs in this new building!
Had the chance to take a sneak peak :)
... not only the face up but the character as a whole. ;] I started to blush his face and defining the eyebrows this afternoon... I'm a bit lost with this guy, still not sure if he's going to be blond or dark haired... I like this blond wig better cause the black ones that I have are too big for his head... besides, almost all my dolls have dark hair and I'd like to try something different with him... would need blond/brown lashes.
If in the end I decide for a black wig I can darken the eyebrows right? o.o
I hope I will have time to continue with the face up tomorrow and officially introduce him to Flickr friends soon!!! Oh yes, I have a name in mind for him already! ;D
Freehand machine embroidery illustration on canvas
"Life isn't about waiting for the storm to pass, it is about learning to dance in the rain"
:)
shouldn't we stay together
we can work it out
are there any changes coming
sure i'd love to change it all
Did you ever think of just driving your car as far away as you can instead of going to work in the morning? It's a thought that captivates me, and that's how I imagine someone could end up after driving until they no longer have gas in the tank.
I had wanted to try astro-landscape portraits for a while now. For my first try, I asked my old student, coworker and friend to drive out really far to go see the Milky Way.
We ended up at Churn Creek Protected Area, a gorgeous location I encourage people to visit. But beware, the last 80km or so are done on a dirt path snaking between hills and overlooking cliffs.
Once you arrive on location, you end up in an arid area where the Churn Creek canyon intersects with the Fraser canyon. This place is amazing.
For our shoot, I was hoping the night would get pitch black, but we were far enough in the North that it actually didn't and I was able to navigate without using my flashlight despite that night being moonless and the location a 1 or 2 on the Bortle scale of light pollution. Despite the night being surprisingly bright and slightly cloudy at the same time, details were still visible in the Milky Way.
But it means I'll have to return at the end of the summer, when days will become shorter again and nights longer.
This shoot was done with my Sony A7R, my LA-EA3 adapter, my Sigma ART 35mm, Yongnuo Flashes (3) and flash trigger and a Pixel remote camera trigger.
I configured the shot before sunset, placing the car and the camera so that I could take a shot with enough exposure difference to be able to separate the sky and the foreground in a masking shot. I then waited patiently for the night to fall, and when it started getting dark but before the Milky Way really appeared, I arranged the shot with my model. I purposefully had the flashes have a blueish temperature compared to the white balance, and I pointed two of them at the model and the front of the car, while a third gelled flash gave some colors to the inside of the car. Next, I took series of photos of the Milky Way, which was faint but nevertheless detailed because of how bright the night was. And finally, I did a 24:40 exposure to expose the background (the mountains and parts of the canyon).
After all that, I just had to put everything together. The sky is noisier than I would have liked, because I had to separate it from the sun's light pollution.
Anyway. I'm pretty happy with that first try. I know it's a composite shot, and taking it in one shot would have been easier, but I didn't want everything to be grainy because of the high ISO, so I preferred compositing the image to hopefully end up with a higher image quality compared to similar in-camera shots. I could have used a slightly lower ISO by using a wider angle lens, but I really wanted the Milky Way to look big in the sky.