View allAll Photos Tagged Wordmarks
PROJECT: Pangaea Designs wanted to highlight the diversity of their company by creating a unique shaped piece that spoke to all of the studio’s talents.
DESCRIPTION: Pangaea Designs, a company that specializes in custom fabricated models, fossils, and exhibitry components for natural history museums, parks, visitor centers, zoos, and aquaria.
Weedy leafy panel sketch
Inspired by it’s beauty and diversity, this exhibit followed the path of a family that was exploring Australia for the first time. A journal that recorded their findings would serve as wayfinding signage, leading the visitor through various interactive exhibits and tanks.
This exhibit would have featured fish, plants, and animals, all native to Australia.
2010 is the 20th Anniversary of the Americans with Disabilities Act and AIGA Colorado is celebrating it with this year's Giving Voice Poster Project. It is a collaboration between AIGA Colorado, VSA Arts of Colorado/Access Gallery and the partnership with Colorado Cross Disability Coalition.
"Advocate For Equality", a propaganda-style poster that's meant to live on the city streets, in full view of the public eye. Street-wise bullhorns rise above the gathering crowd, informing us that EQUALITY is a universal right.
Two interactive components show the impact and importance of everyday water conservation. A series of before and after photos that follow the course of the Colorado River are synchronized to light up in unison with fiber optics, showing the depleation of water.
A large scale exhibit that highlights before and after effects that dams and aqueducts have on the Colorado River.
Continuing in my Arrested Development tributes, I've created a logo for the brief business established by GOB and Tobias: Gobias Industries. I kept the wordmark simple, although I did add my own personal touch with the "BI" in "GOBIAS." As fans know, GOB and Tobias' sexual preference was always in question--more so with Tobias than GOB.
Ok, www.365logoproject.com will be ready & up pretty soon so i wanna prepare the field on the time. One of the features is gonna be a monthly collabo followed with the detailed blog post that`ll include feature of the other designer who will work with me for that month, our initial ideas regarding the theme, brainstorming sessions, sketches and the final designs. A whole process as you can see. The idea is to connect with designers, share ideas, feature and have fun of course. Since, this is initial and fresh idea, i`m open to hear your thoughts on this and any suggestions that you guys might have. Thanks in advance.
p.s. it`s a custom font :)
GACKT's name is now in all-capitals. The Gackt logo/wordmark, however, remains the same and uses both uppercase and lowercase letters.
Adjustable, Structured, High Crown, Normal Bill
Primary Design - Raised Embroidery Letter on Front Middle
Back Design - Flat Embroidery Wordmark on Center
www.snapbacksclub.com/pittsburgh-pirates-new-era-mlb-base...
pluralistic.net/2024/12/04/its-not-a-lie/#its-a-premature...
Uncle Sam in a leg-hold trap. The trap is staked to a log, against which rests a sign bearing the MAKE AMERICA GREAT AGAIN wordmark. In the background is a halftoned image of a waving US flag amidst the clouds.
Custom build instructions for all Bronco models, including the 60th Anniversary are available from @buildmybrickbronco on instagram
On August 11, 1965, Ford introduced the Bronco and coined the phrase “sport-utility.” Over the past six decades, Bronco has redefined what an SUV can be with its capability and off-road performance. Now, Ford is celebrating that pioneering role with the 2026 Bronco 60th Anniversary Package.
The Bronco 60th Anniversary Package blends bolder colors and accents in the cabin, timeless visuals on the exterior, and the same uncompromising off-road capability owners expect. All so customers can enjoy a Built Wild SUV that’s fit for any lifestyle.
Bold Legacy-Inspired Design
Capability is core to Bronco’s DNA. The Bronco 60th Anniversary package starts with the Outer Banks series with either a standard 2.3-liter EcoBoost four-cylinder or optional 2.7-liter EcoBoost V6.
Only available with the Sasquatch package, which adds an Advanced 4x4 system with high-clearance suspension, a more aggressive final drive ratio, and electronic-locking front and rear differentials, this celebratory Bronco features 35-inch Goodyear rugged terrain tires matched with unique new 17-inch Gravity Gray alloy wheels. A contrasting Vermilion Red center cap with a Bucking Bronco logo in the middle and “1966,” the model year of the first production Broncos, on the outside ring.
The wheel design and the contrasting Vermilion Red center cap harken back to the original hubcaps on the 1966 Bronco.
A new grille draws inspiration from the original design but pairs it with Warm Alloy paint and modern Vermilion Red “BRONCO” lettering. Wimbledon White, a historic Ford color available on the original Bronco, is available with a matching roof. Customers can select a contrasting Ruby Red body with a Wimbledon White roof, as well.
A Vermilion Red graphic on the body sides starts at the front with the Bronco 60th Anniversary logo, while prominent 60th Anniversary badging, inspired by the same classic cloisonné badging found on the Mustang 60th Anniversary package, sits on the fenders and leaves little doubt about this special Bronco’s provenance.
And as with all Broncos, the Ford Design team has hidden an Easter egg or two for this special edition package.
Premium Touches
The Bronco 60th Anniversary package has the style and capability owners expect. But it’s bringing a richer, more premium cabin experience to market, too, with the combination of Ebony leather upholstery on the seat outers and bolsters, along with Alpine leather inserts and embossed 60th Anniversary logos on the seatbacks.
Alpine marine-grade vinyl arm rests add to the experience, and Alpine stitching on the leather-topped dash pairs well with Bronco Red accents on the instrument panel and grab handles.
The 60th Anniversary Package adds standard wheelbase-length running boards to aid ingress and egress and also introduces new A-pillar-mounted grab handles, available on all 2026 Bronco models. And at the rear, a new hard-center rear tire cover, finished in Wimbledon White and featuring a Vermilion Red “BRONCO” wordmark, introduces a more premium look to the rear of the vehicle, as does a matte black Ford badge on the tailgate.
After the stop at the services we swap seats.
You know when you've been behind the wheel too long when the 'twin-tailed siren' starts talking to you.
The Starbucks logo is an image of a "twin-tailed mermaid, or siren as she's known in Greek mythology". The logo has been significantly streamlined over the years. In the first version, which was based on a 16th-century "Norse" woodcut, the Starbucks siren was topless and had a fully visible double fish tail. In the second version, which was used from 1987–92, her breasts were covered by her flowing hair, but her navel was still visible. The fish tail was cropped slightly, and the primary colour was changed from brown to green. In the third version, used between 1992 and 2011, her navel and breasts are not visible at all, and only vestiges remain of the fish tails.
In January 2011, Starbucks announced that they would make small changes to the company's logo, removing the Starbucks wordmark around the siren, enlarging the siren image, and making it green.
MY2011 Mercedes-Benz E350 4MATIC Wagon interior in Almond/Mocha with Burl Walnut Wood Trim at the Washington DC auto show on January 28, 2011. The wordmark in the rocker plate lights up. [α900-03834]
One of those days when you just want to sleep over. However, working on this design helped me to get in a better mood which can be seen from the colors i guess.. How`s your sunday going?
What Lurks Beneath exhibit puts visitors under the dock and just below the water’s surface to observe how human action affects various aspects of sea life.
This exhibit features five habitats, which contain discarded items such as cans, bottles, fishing poles, lobster traps, car tires, and even a toilet.
What Lurks Beneath exhibit puts visitors under the dock and just below the water’s surface to observe how human action affects various aspects of sea life.
This exhibit features five habitats, which contain discarded items such as cans, bottles, fishing poles, lobster traps, car tires, and even a toilet.
Christ Church Outdoor Signage
The goal was to create a dynamic sign that retained the historical look and integrity of the building. Brushed steel mixed with the structures old blonde and red brick, bring about a unique and progressive result.
Christ Church is located in Denver, Colorado, at 7th & Colorado and was established in 1927.
Lars Wallin is arguably Sweden's most well-known fashion designer, and the country's only true couturier. Royalties and pop singers alike proudly wear his creations, which are recognised by their elaborate detailing, exclusive materials and impeccable finish. After having created the Nobel Banquet gowns for Crown Princess Victoria in 2000, 2003 and 2006, and for Princess Madeleine in 2008, he can even claim to be a Swedish Royal Court designer.
After having extended his couture practice to include a jewellery line, Lars Wallin and his atelier decided to set out on a new exciting journey by launching a prêt-à-porter line. The vision was to create collections which would maintain the level of finish that has become Wallin's trademark, but to make them available to at a wider audience. Seeing that the waiting list is long for a couture dress from Wallin, and that these can cost up to €30.000 to make, wearing a Wallin creation had up to this point been a privilege enjoyed by a select few.
Lars Wallin commissioned Lundgren+Lindqvist to name the new line, and to design its visual identity.
The transition from couture to prêt-à-porter is indeed an exercise in reduction. With the naming and the new visual identity, our aim was to find a way of illustrating that while the ready-to-wear collection manifests a simplified form of Wallin's expression, the core of the designer's uncompromising approach stays true from one collection to the other.
The key to our solution was found in the designer's name and in the very center of the existing wordmark for the Lars Wallin atelier. With the distinct, two-part 'W' of the wordmark having been used as a monogram by the brand for many years, this constituted a reasonable departure for thinking about the new brand. When the left stem of the 'W' was once disjointed from its other half, in order to create the stylized monogram which has become synonymous with the atelier, a 'V' was left dead-center in the wordmark. In a way, the transition from a 'W' to a 'V' represented a perfect analogy for the journey from couture to prêt-à-porter. Since ancient history, the letter 'V' has been a symbol of femininity. In Roman and Greek mythology, goddesses were often given names starting with a 'V'; like Venus, the Roman goddess of love, beauty, desire, sex, fertility, prosperity and victory. It is also meaningful to the couturier in a more personal way as Lars Wallin was born in the Swedish city of Västerås, and got his first break as a designer when designing a dress for the famous jazz singer Sylvia Vrethammar. From a visual perspective, the 'V' also tells the story of the master craftsman, by resembling the pencil that meets the paper, or the scissors shaping the toile. It also carries resemblance to the champagne glass - a symbol of celebration and festivities, which has become the theme for the new line.
Consequently, 'Lars Wallin V' became the new name for the designer's prêt-à-porter line. As the 'V', albeit hidden, already had such a prominent position within the existing wordmark, our main challenge was to find a way of emphasising it. Wallin was keen on avoiding for the new brand to come across as too clean-cut or safe, especially since the new line, at least in part, is aimed at a younger demographic. The solution was to simply circle the 'V', as one would circle something to remember, or the best idea in a series of sketches. Without paying too much consideration to the surrounding letters partly overlapped by the intrusive circle, it becomes a symbol of freedom and youthfulness.
The project for Lars Wallin soon grew to encompass adjustments of the range of existing wordmarks for Lars Wallin Collection, Lars Wallin Jewellery and Lars Wallin Wedding, as well as a more comprehensive update of the visual identity, subsequently collected in a new brand manual. Lundgren+Lindqvist also designed a range of patterns, for use on textiles and in packaging applications and art directed a series of images of the new collection.
This was a test to see how well the logomark would hold up laser engraved in wood. It will presumably be applied to a bunch of materials in different techniques.
Logo design for Rainer and Tobias Kyburz, furniture and product designers.
The logomark («R&TK») is also used on its own to mark objects, products and furniture.
Fat initials were drawn by myself, ampersand slightly tweaked from Dala Floda, wordmark set in Supria Sans.
What Lurks Beneath exhibit puts visitors under the dock and just below the water’s surface to observe how human action affects various aspects of sea life.
This exhibit features five habitats, which contain discarded items such as cans, bottles, fishing poles, lobster traps, car tires, and even a toilet.
Brand identity for Cashmere startup 'Wholly Goat', who produce a premium, socially and environmentally conscious product, imported from Nepal.
Along with writing the positional statement, commissioning and art directing the logotype and photography, and compiling comprehensive brand guidelines, my role also included producing all marketing materials including a short film detailing the Wholly Goat 'journey',
Photography
Amy Murrell (Location)
Tony Hay (Studio)
Wordmark
Alison Carmichael
—
© Judge 2010
I was asked to do some logos for a ad spot for Danner Boots military boots "Rivot" inspired by the badge of honor but looking at how could that be broken up and possibly taken away or given away. Check out the video
Weedy leafy panel sketch
Inspired by it’s beauty and diversity, this exhibit followed the path of a family that was exploring Australia for the first time. A journal that recorded their findings would serve as wayfinding signage, leading the visitor through various interactive exhibits and tanks.
This exhibit would have featured fish, plants, and animals, all native to Australia.
Weedy leafy panel sketch
Inspired by it’s beauty and diversity, this exhibit followed the path of a family that was exploring Australia for the first time. A journal that recorded their findings would serve as wayfinding signage, leading the visitor through various interactive exhibits and tanks.
This exhibit would have featured fish, plants, and animals, all native to Australia.
Here is another typography concept that experiments with the nature of symmetry. Similar to the China wordmark, this design will be integrated in illustrations later on.
For more designs, please visit designtaneous.com
The wood texture and 3D bevel look lame, but hypothetically the map/directory would be a separate porcelain enamel panel mounted into the larger wooden frame, and the "Kensington Market" wordmark would be painted on or something.
Roughly 3.5' x 4.5', Chris Ware inspired
This logo captures the kinetic energy in today’s modern wheelchair sports.
CWS is a year-round program that offers the chance for athletes to engage in a full spectrum of confidence building sports.
What Lurks Beneath exhibit puts visitors under the dock and just below the water’s surface to observe how human action affects various aspects of sea life.
This exhibit features five habitats, which contain discarded items such as cans, bottles, fishing poles, lobster traps, car tires, and even a toilet.
Lars Wallin is arguably Sweden's most well-known fashion designer, and the country's only true couturier. Royalties and pop singers alike proudly wear his creations, which are recognised by their elaborate detailing, exclusive materials and impeccable finish. After having created the Nobel Banquet gowns for Crown Princess Victoria in 2000, 2003 and 2006, and for Princess Madeleine in 2008, he can even claim to be a Swedish Royal Court designer.
After having extended his couture practice to include a jewellery line, Lars Wallin and his atelier decided to set out on a new exciting journey by launching a prêt-à-porter line. The vision was to create collections which would maintain the level of finish that has become Wallin's trademark, but to make them available to at a wider audience. Seeing that the waiting list is long for a couture dress from Wallin, and that these can cost up to €30.000 to make, wearing a Wallin creation had up to this point been a privilege enjoyed by a select few.
Lars Wallin commissioned Lundgren+Lindqvist to name the new line, and to design its visual identity.
The transition from couture to prêt-à-porter is indeed an exercise in reduction. With the naming and the new visual identity, our aim was to find a way of illustrating that while the ready-to-wear collection manifests a simplified form of Wallin's expression, the core of the designer's uncompromising approach stays true from one collection to the other.
The key to our solution was found in the designer's name and in the very center of the existing wordmark for the Lars Wallin atelier. With the distinct, two-part 'W' of the wordmark having been used as a monogram by the brand for many years, this constituted a reasonable departure for thinking about the new brand. When the left stem of the 'W' was once disjointed from its other half, in order to create the stylized monogram which has become synonymous with the atelier, a 'V' was left dead-center in the wordmark. In a way, the transition from a 'W' to a 'V' represented a perfect analogy for the journey from couture to prêt-à-porter. Since ancient history, the letter 'V' has been a symbol of femininity. In Roman and Greek mythology, goddesses were often given names starting with a 'V'; like Venus, the Roman goddess of love, beauty, desire, sex, fertility, prosperity and victory. It is also meaningful to the couturier in a more personal way as Lars Wallin was born in the Swedish city of Västerås, and got his first break as a designer when designing a dress for the famous jazz singer Sylvia Vrethammar. From a visual perspective, the 'V' also tells the story of the master craftsman, by resembling the pencil that meets the paper, or the scissors shaping the toile. It also carries resemblance to the champagne glass - a symbol of celebration and festivities, which has become the theme for the new line.
Consequently, 'Lars Wallin V' became the new name for the designer's prêt-à-porter line. As the 'V', albeit hidden, already had such a prominent position within the existing wordmark, our main challenge was to find a way of emphasising it. Wallin was keen on avoiding for the new brand to come across as too clean-cut or safe, especially since the new line, at least in part, is aimed at a younger demographic. The solution was to simply circle the 'V', as one would circle something to remember, or the best idea in a series of sketches. Without paying too much consideration to the surrounding letters partly overlapped by the intrusive circle, it becomes a symbol of freedom and youthfulness.
The project for Lars Wallin soon grew to encompass adjustments of the range of existing wordmarks for Lars Wallin Collection, Lars Wallin Jewellery and Lars Wallin Wedding, as well as a more comprehensive update of the visual identity, subsequently collected in a new brand manual. Lundgren+Lindqvist also designed a range of patterns, for use on textiles and in packaging applications and art directed a series of images of the new collection.
PROJECT: Denver University’s Center for Teaching International Relations identity represents one of the leading departments in the country, focusing and emphasizing the impact of policy on human welfare.
DESCRIPTION: Part of the Josef Korbel School of International Studies, Denver University’s Center for Teaching International Relations prepares our nation’s youth for increasingly global economic, environmental and political realities.
Sketchbook illustrations
Characters, creatures and letterforms fill volumes of sketchbooks in the Beindorff Design studio. Sketches are a central part of the working method as preliminary concepts evolve into final artwork.
Details of personal work.
Custom build instructions for all Bronco models, including the 60th Anniversary are available from @buildmybrickbronco on instagram
On August 11, 1965, Ford introduced the Bronco and coined the phrase “sport-utility.” Over the past six decades, Bronco has redefined what an SUV can be with its capability and off-road performance. Now, Ford is celebrating that pioneering role with the 2026 Bronco 60th Anniversary Package.
The Bronco 60th Anniversary Package blends bolder colors and accents in the cabin, timeless visuals on the exterior, and the same uncompromising off-road capability owners expect. All so customers can enjoy a Built Wild SUV that’s fit for any lifestyle.
Bold Legacy-Inspired Design
Capability is core to Bronco’s DNA. The Bronco 60th Anniversary package starts with the Outer Banks series with either a standard 2.3-liter EcoBoost four-cylinder or optional 2.7-liter EcoBoost V6.
Only available with the Sasquatch package, which adds an Advanced 4x4 system with high-clearance suspension, a more aggressive final drive ratio, and electronic-locking front and rear differentials, this celebratory Bronco features 35-inch Goodyear rugged terrain tires matched with unique new 17-inch Gravity Gray alloy wheels. A contrasting Vermilion Red center cap with a Bucking Bronco logo in the middle and “1966,” the model year of the first production Broncos, on the outside ring.
The wheel design and the contrasting Vermilion Red center cap harken back to the original hubcaps on the 1966 Bronco.
A new grille draws inspiration from the original design but pairs it with Warm Alloy paint and modern Vermilion Red “BRONCO” lettering. Wimbledon White, a historic Ford color available on the original Bronco, is available with a matching roof. Customers can select a contrasting Ruby Red body with a Wimbledon White roof, as well.
A Vermilion Red graphic on the body sides starts at the front with the Bronco 60th Anniversary logo, while prominent 60th Anniversary badging, inspired by the same classic cloisonné badging found on the Mustang 60th Anniversary package, sits on the fenders and leaves little doubt about this special Bronco’s provenance.
And as with all Broncos, the Ford Design team has hidden an Easter egg or two for this special edition package.
Premium Touches
The Bronco 60th Anniversary package has the style and capability owners expect. But it’s bringing a richer, more premium cabin experience to market, too, with the combination of Ebony leather upholstery on the seat outers and bolsters, along with Alpine leather inserts and embossed 60th Anniversary logos on the seatbacks.
Alpine marine-grade vinyl arm rests add to the experience, and Alpine stitching on the leather-topped dash pairs well with Bronco Red accents on the instrument panel and grab handles.
The 60th Anniversary Package adds standard wheelbase-length running boards to aid ingress and egress and also introduces new A-pillar-mounted grab handles, available on all 2026 Bronco models. And at the rear, a new hard-center rear tire cover, finished in Wimbledon White and featuring a Vermilion Red “BRONCO” wordmark, introduces a more premium look to the rear of the vehicle, as does a matte black Ford badge on the tailgate.