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Logo designed for The Association for Political Theory.
Surveys of APT members reflecting on conferences show that many of them think what stands out most about the Association is the extended conversation and interaction among members and the diversity of their approaches and interests, and the relatively intimate scale of the conferences. They also appreciate the discovery of unexpected connections between different approaches or areas of research.
It was these four qualities—interactivity, diversity, closeness, and serendipity—that I chose to try to capture in the logo.
I rejected a more traditional approach to the design—one based on a shield, badge, or medallion—because it tends to produce designs that are too anodyne, univocal, monumental, or complacent, none of which qualities describe the APT. I also ruled out a purely typographical monogram, for many of the same reasons, and a purely
gestural or abstract graphic (like the APSA’s, for example) was out because it is very hard to create such graphics that are interesting, memorable, and connected to the organization.
The logo contains a graphic and a wordmark. The graphic is an abstracted monogram of the Association created from overlapping rectangles. The overlaps create a number of separate and unique shapes that can be colored together or individually, or used
to frame other graphics or images. It is the shape and configuration of the collected images, not their color or content, that distinguishes them together as the logo’s graphic. Allowing multiple colors is better in keeping with the diversity of approaches and interests of the members of the association the logo represents.
The wordmark uses the small capitals of a typeface called Ludwig, created by a Dutch type designer, Fred Smeijers, and released just this year by OurType in Belgium. The face is a contemporary reinterpretation of late 19th- and early 20th-century German
‘grotesque’ or sans-serif typefaces. It has the property of seeming at once novel and established, charming and (especially in these weights) sturdy.
Blind Eye propaganda
Graffiti today is more visible, less cryptic and communicates to a wider audience. Sometimes images speak louder than words as they reflect the world around it.
Details of personal work.
I realized yesterday, sitting around with no power, that I hadn't posted many pictures from Hollywood Studios (it's still MGM to me!) yet. And therefore, I had to fix that, especially now that I have power back after a week without.
I was really trying hard to find angles that hadn't been done on the big guitar outside Rockin' Roller Coaster. At first, I got really stuck on keeping the wordmark legible and totally in the shot, but I realized that was limited what I could do with the shot. So I said "forget the wordmark" and had a lot of fun. I had a fair amount of time to take my shots, too. As a staunch non-roller-coaster person (I tried Space Mountain a year ago just to make sure, and that certainly reminded me that I didn't like them), I let my sister go crazy on the coasters, freeing me up to take pictures without annoying her by slowing us down (or, you know, focusing on a manhole cover while people stumbled over me and cursed).
Have a great Sunday, folks. Thanks for all the interest, comments and favorites over the past two days. Getting Explored is always an honor!
PROJECT: This design was inspired by adventure and traveling. Photography throughout the guide leads the participant on a journey from the ticket counter to the final destination.
DESCRIPTION: This Great-West Retirement Services education guide teaches the participant about saving and investing through employer retirement plans.
Brand identity for Cashmere startup 'Wholly Goat', who produce a premium, socially and environmentally conscious product, imported from Nepal.
Along with writing the positional statement, commissioning and art directing the logotype and photography, and compiling comprehensive brand guidelines, my role also included producing all marketing materials including a short film detailing the Wholly Goat 'journey',
Photography
Amy Murrell (Location)
Tony Hay (Studio)
Wordmark
Alison Carmichael
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© Judge 2010
Adjustable, Structured, High Crown, Normal Bill
Primary Design - Raised Embroidery Letter on Front Middle
Back Design - Flat Embroidery Wordmark on Center
www.snapbacksclub.com/san-francisco-giants-new-era-mlb-ba...
Custom build instructions for all Bronco models, including the 60th Anniversary are available from @buildmybrickbronco on instagram
On August 11, 1965, Ford introduced the Bronco and coined the phrase “sport-utility.” Over the past six decades, Bronco has redefined what an SUV can be with its capability and off-road performance. Now, Ford is celebrating that pioneering role with the 2026 Bronco 60th Anniversary Package.
The Bronco 60th Anniversary Package blends bolder colors and accents in the cabin, timeless visuals on the exterior, and the same uncompromising off-road capability owners expect. All so customers can enjoy a Built Wild SUV that’s fit for any lifestyle.
Bold Legacy-Inspired Design
Capability is core to Bronco’s DNA. The Bronco 60th Anniversary package starts with the Outer Banks series with either a standard 2.3-liter EcoBoost four-cylinder or optional 2.7-liter EcoBoost V6.
Only available with the Sasquatch package, which adds an Advanced 4x4 system with high-clearance suspension, a more aggressive final drive ratio, and electronic-locking front and rear differentials, this celebratory Bronco features 35-inch Goodyear rugged terrain tires matched with unique new 17-inch Gravity Gray alloy wheels. A contrasting Vermilion Red center cap with a Bucking Bronco logo in the middle and “1966,” the model year of the first production Broncos, on the outside ring.
The wheel design and the contrasting Vermilion Red center cap harken back to the original hubcaps on the 1966 Bronco.
A new grille draws inspiration from the original design but pairs it with Warm Alloy paint and modern Vermilion Red “BRONCO” lettering. Wimbledon White, a historic Ford color available on the original Bronco, is available with a matching roof. Customers can select a contrasting Ruby Red body with a Wimbledon White roof, as well.
A Vermilion Red graphic on the body sides starts at the front with the Bronco 60th Anniversary logo, while prominent 60th Anniversary badging, inspired by the same classic cloisonné badging found on the Mustang 60th Anniversary package, sits on the fenders and leaves little doubt about this special Bronco’s provenance.
And as with all Broncos, the Ford Design team has hidden an Easter egg or two for this special edition package.
Premium Touches
The Bronco 60th Anniversary package has the style and capability owners expect. But it’s bringing a richer, more premium cabin experience to market, too, with the combination of Ebony leather upholstery on the seat outers and bolsters, along with Alpine leather inserts and embossed 60th Anniversary logos on the seatbacks.
Alpine marine-grade vinyl arm rests add to the experience, and Alpine stitching on the leather-topped dash pairs well with Bronco Red accents on the instrument panel and grab handles.
The 60th Anniversary Package adds standard wheelbase-length running boards to aid ingress and egress and also introduces new A-pillar-mounted grab handles, available on all 2026 Bronco models. And at the rear, a new hard-center rear tire cover, finished in Wimbledon White and featuring a Vermilion Red “BRONCO” wordmark, introduces a more premium look to the rear of the vehicle, as does a matte black Ford badge on the tailgate.
Sector
Mobile Customer Relationship Management
Info
Delivering time critical information to mobile handsets
Project
Brand new venture
Role
Brand identity designer
Authorship
Brandmark, brandstyle (look and feel), proprietary typeface and final artwork for key items
Implementation of Ana Dominguez Studio's graphic design throughout several supports (banners, wall labels, entrance vinyl, exhibition leaflet, public space, city transport, etc) for the exhibition “Panorama 21. Apunts per a un incendi dels ulls” (“Panorama 21: Notes for an Eye Fire”), MACBA Museu d'Art Contemporani de Barcelona, 22 October 2021–27 February 2022. Curated by Hiuwai Chu and Latitudes. Photo: Ana Dominguez Studio.
Ana Domínguez’s graphic design concept for the exhibition series Panorama, as well as its first edition, Notes for an Eye Fire, is an integral part of the projects’ communication, linking the physical exhibition with its online counterpart.
Domínguez worked closely with Lara Coromina for both commissions, along with Pau Geis and Ana Habash, all members of her studio’s team.
The Panorama identity is based on a customised version of the Du Nord Macba typeface and a stamp-like circular wordmark. Developed for the web and social media, the design expands the letters of “panorama” into a series of black-and-white switchbacks and arabesques that recall concrete poetry.
The graphic concept for Notes for an Eye Fire reflects the vitality and heterogeneity of the exhibition’s participants, and draws on some of the key refrains from Gabriel Ventura’s homonymous 2020 poetry collection — not least the notion of creative insurgency, the power of the word, and the thwarting of sight. Through a visual language of volcanic eruptions, billowing smoke screens, and motion lines, Domínguez and her team use illustration to break apart the title and fire off allusions to the exhibition.
www.macba.cat/en/exhibitions-activities/exhibitions/notes...
FedEx is organized into operating units, each of which has its own version of the wordmark, designed by Lindon Leader of Landor Associates, in 1994. The Fed is always purple and the Ex is in a different color for each division. The original "FedEx" logo had the Ex in orange; it is now used as the FedEx Express wordmark. The FedEx wordmark is notable for containing a hidden right-pointing arrow in the negative space between the "E" and the "X".
Sector
Retail
Info
Iconic South African superbrand
Project
Brand transformation
Role
Brand identity designer
Authorship
Brandmark and brandstyle (look and feel)
Sector
Mobile Customer Relationship Management
Info
Delivering time critical information to mobile handsets
Project
Brand new venture
Role
Brand identity designer
Authorship
Brandmark, brandstyle (look and feel), proprietary typeface and final artwork for key items
The idea behind this logo was to highlight a star as the symbolic representation of the spirit of the games.
This mark promoted the 2000 Winter USA Jr. Olympic Hockey Festival.
This was my very first attempt at HDR last February but I didn't own the Photomatix program so it had the wordmark all over it. I went back to it when it appeared as one of my screensavers (I use My Pictures for my screensaver rotation).
Hey!
Are you looking for a Professional Logo and Brand Identity Design for your Business or Company? I'm available for your freelance work.
Let's talk about your projects.
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Hire me on Fiverr: bit.ly/2UvfWAq
If you like my design then appreciate me and don't forget to follow me.
Thank you.
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Brand: Hot Wheels
Series: 2022 Car Culture - Team Transport 44
Livery: Detailed headlamps and taillamps, black accents, "11", "ADVAN", "MOTUL", "LB WORKS", "LB★PERFORMANCE", "LBWK" on sides, "LBWK" on splitter, "MOTUL" on hood, "NISSAN" windshield banner, "NISSAN" on wing, "NISSAN" wordmark on wing supports, "LB★PERFORMANCE", Hot Wheels logo on fender
Scale: 1/64
Base: Black metal - ©2021 Mattel
Collector/casting number: HCJ81
Country of manufacture: Thailand
Place/date of purchase: Wal-Mart 2022
Condition: Minty fresh 10/10
Remarks/comments:
This a Logo design for CBD Business for Global Green Sciences.
I created it for one of my best clients.
Sector
Events management
Info
Event destination brand
Project
Rebrand
Role
Brand identity designer
Authorship
Brandmark and brandstyle (look and feel)
Sector
Mobile Customer Relationship Management
Info
Delivering time critical information to mobile handsets
Project
Brand new venture
Role
Brand identity designer
Authorship
Brandmark, brandstyle (look and feel), proprietary typeface and final artwork for key items
Sector
Events management
Info
Event destination brand
Project
Rebrand
Role
Brand identity designer
Authorship
Brandmark and brandstyle (look and feel)
Brooklyn, CUNY, City Tech, City University, City University of New York, College of Technology, Downtown Brooklyn, July, NYC, New York City, New York City College of Technology
Brand identity for Cashmere startup 'Wholly Goat', who produce a premium, socially and environmentally conscious product, imported from Nepal.
Along with writing the positional statement, commissioning and art directing the logotype and photography, and compiling comprehensive brand guidelines, my role also included producing all marketing materials including a short film detailing the Wholly Goat 'journey',
Photography
Amy Murrell (Location)
Tony Hay (Studio)
Wordmark
Alison Carmichael
—
© Judge 2010
Sector
Eco-clothing
Info
Crowdsourcing and crowdfunding company – paid membership logo design competition entry
Project
Logo (Brandmark) design
Authorship
Brandmark
Hey guys, if anyone would be willing to design me a new header for the new YouTube One layout I would greatly appreciate it!! I would give you a shoutout whether its here on flickr or YouTube, subscribe to your channel, and more!! So if anyone could design something cool such as a wordmark with my logo in it and some cool designs I would love you forever!! xD
Ok, the project has officially started (super excited :) ).
We had a great time last night, but right now situation is kinda dif.. :) so i`ll keep it short.
Happy New Year, ppl! I wish you all the best! Cheers!
pluralistic.net/2025/05/01/its-not-the-crime/#its-the-cov...
A giant rotten apple behind sepia-toned prison bars. A worm descends from the prison's ceiling to perch on the apple. The scene is surmounted with Apple's 'Think Different.' wordmark.
Image:
Alex Popovkin, Bahia, Brazil from Brazil (modified)
commons.wikimedia.org/wiki/File:Annelid_worm,_Atlantic_fo...
CC BY 2.0
creativecommons.org/licenses/by/2.0/deed.en
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Hubertl (modified)
commons.wikimedia.org/wiki/File:2015-03-04_Elstar_%28appl...
CC BY-SA 4.0