View allAll Photos Tagged Winning
After winning back a coal contract from the UP, BNSF reactivated its Nebraska City subdivision from Lincoln to Nebraska City, NE, on January 1, 2021. I managed to catch one of the first daylight runs on the "Arbor Line", with BNSF 8581 and 8580 leading east.
Winning name for Charles' Creature Cabinet's upcoming new baby piggy: **PUDGE**
1st Prize FREE PUDGE, congratulations Fairygirl (RC) !!
2nd Prize **Praliné** 25% discount on puDge
3rd Prize **Beans** 25% discount on puDge
Thank you all for your wonderful name suggestions.
PUDGE 6cm pig anthro Tiny BJD, Coming Soon!
I believe this is the oldest neon sign in the Museum of Neon Art's collection. It's a beautiful sign and the animation is wonderful!
The driver and possibly owner of one of the winning Bugatti's doing a circuit of the water fountain lake, lots of cameras pointing and photographs being taken as the two ladies did a drive round. Beautifully turned out Blue Bugatti with German number plates.
Image taken with Nikon Z9 and Nikon Z 100-400mm VR S @ f/5.0, ISO 1400, shutter 1/800th, focal length 240mm. Processed in Lightroom Classic.
What can I say? I was just in a photo combining mood this morning, that's all...😘
I typically do multiple "takes" of photos to make sure I get a good one...but if they all look as good as these, why not just stick 'em together?
An intermodal pull down, Train 199, and another pull down are all head to head just before Scott Street in Franklin Park.
Marathon Oil Tower is a skyscraper in Uptown Houston.
Each year Marathon Oil Tower celebrates the opening of the Houston Live Stock Show and Rodeo with an award-winning event.
An EMD cab unit, with a set of Leslie SuperTyfons sitting proud on the nose, does it get any better? Oh yes, V/Line orange as well.
Romanian postcard by Casa Filmului Acin, no. C.P.V.S. c-sa 53066.
American film actor Paul Newman (1925-2008) was a matinee idol with the most famous blue eyes of Hollywood, who often played detached yet charismatic anti-heroes and rebels. He was nominated for nine acting Academy Awards in five different decades and won the Oscar for The Color of Money (1986). He was also a prominent social activist, a major proponent of actors' creative rights, and a noted philanthropist.
Paul Leonard Newman was born in 1925, in Shaker Heights, Ohio, a suburb of Cleveland. He was the second son of Arthur Sigmund Newman and Theresa Fetsko. His father was a Jewish businessman who owned a successful sporting goods store. His mother was a practicing Christian Scientist with an interest in the creative arts, and it rubbed off on her son. At age 10, he performed in a stage production of 'Saint George and the Dragon' at the Cleveland Play House. He also acted in high school plays. By 1950, the 25-year-old Newman had been kicked out of Ohio University, where he belonged to the Phi Kappa Tau fraternity, for unruly behavior (denting the college president's car with a beer keg), served three years in the United States Navy during World War II as a radio operator, graduated from Ohio's Kenyon College, married his first wife, actress Jacqueline "Jackie" Witte, and had his first child, Scott. That same year, his father died. When he became successful in later years, Newman said if he had any regrets it would be that his father was not around to witness his success. He brought Jackie back to Shaker Heights and he ran his father's store for a short period. Then, knowing that wasn't the career path he wanted to take, he sold his interest in the store to his brother and moved with Jackie and Scott to New Haven, Connecticut. There he attended Yale University's School of Drama. While doing a play there, Newman was spotted by two agents, who invited him to come to New York City to pursue a career as a professional actor. After moving to New York, he acted in guest spots for various television series, and in 1953 came a big break. He got the part of understudy of the lead role in the successful Broadway play 'Picnic' by William Inge. Through this play, he met actress Joanne Woodward, who was also an understudy in the play. While they got on very well and there was a strong attraction, Newman was married and his second child, Susan, was born that year. During this time, Newman was accepted into the much admired and popular New York Actors Studio, although he did not actually audition. In 1954, a film Newman was very reluctant to do was released, the failed costume drama The Silver Chalice (Victor Saville, 1954). He considered his performance in this costume epic to be so bad that he took out a full-page ad in Variety apologising for it to anyone who might have seen it. He immediately wanted to return to the stage, and performed in 'The Desperate Hours'. In 1956, he got the chance to redeem himself in the film world by portraying boxer Rocky Graziano in Somebody Up There Likes Me (Robert Wise, 1956) with Pier Angeli. The role of Rocky was originally awarded to James Dean, who died before filming began. Critics praised Newman's performance. Dean also was signed to play Billy the Kid in The Left Handed Gun (Arthur Penn, 1958), but that role was also inherited by Newman after Dean's death. With a handful of films to his credit, he was cast in The Long, Hot Summer (1958), an acclaimed adaptation of a pair of William Faulkner short stories. His co-star was Joanne Woodward. During the shooting of this film, they realised they were meant to be together and by now, so did his then-wife Jackie, who gave Newman a divorce. He and Woodward wed in Las Vegas in January 1958. They went on to have three daughters together. They raised them in Westport, Connecticut. In 1959, Newman received his first Academy Award nomination for Best Actor, in Cat on a Hot Tin Roof (Richard Brooks, 1958), based on the Pulitzer Prize-winning play by Tennessee Williams. Well-received by both critics and audiences, Cat on Hot Tin Roof was MGM's most successful release of 1958 and became the third highest-grossing film of that year.
Paul Newman traveled back to Broadway to star in Tennessee Williams' 'Sweet Bird of Youth'. Upon his return to the West Coast, he bought himself out of his Warner Bros. contract before starring in the smash From the Terrace (Mark Robson, 1960) with Joanne Woodward. Exodus (Otto Preminger, 1960), another major hit, quickly followed. The 1960s would bring Paul Newman into superstar status, as he became one of the most popular actors of the decade. In 1961, he played one of his most memorable roles as pool shark "Fast" Eddie Felson in The Hustler (Robert Rossen, 1961) with Jackie Gleason and Piper Laurie. It garnered him the first of three Best Actor Oscar nominations during the decade. The other two were for the Western Hud (Marin Ritt, 1963), and the superb chain-gang drama Cool Hand Luke (Jack Smight, 1967). He also appeared in the political thriller Torn Curtain (Alfred Hitchcock, 1966) with Julie Andrews. The film, set in the Cold War, is about an American scientist who appears to defect behind the Iron Curtain to East Germany. Other minor hits were the mystery Harper (Jack Smight, 1966), with Lauren Bacall, and the Western Hombre (Martin Ritt, 1967), based on the novel by Elmore Leonard and co-starring Fredric March. In 1968, his debut directorial effort Rachel, Rachel (Paul Newman, 1968) was given good marks. He directed three actors to Oscar nominations: Joanne Woodward (Best Actress, Rachel, Rachel (1968)), Estelle Parsons (Best Supporting Actress, Rachel, Rachel (1968)), and Richard Jaeckel (Best Supporting Actor, Sometimes a Great Notion (1971)). Newman won a Golden Globe Award for his direction of Rachel, Rachel (1968). 1969 brought the popular screen duo of Newman and Robert Redford together for the first time when Butch Cassidy and the Sundance Kid (George Roy Hill, 1969) was released. It was a box office smash. Through the 1970s, Newman had hits and misses from such popular films The Sting (George Roy Hill, 1973) with Robert Redford, which won the 1973 Best Picture Oscar, and the star-studded disaster epic The Towering Inferno (John Guillermin, 1974), to lesser-known films as the Western The Life and Times of Judge Roy Bean (Robert Altman, 1972) with Jacqueline Bisset, to a cult classic, the sports comedy Slap Shot (George Roy Hill, 1977) with Michael Ontkean. In 1978, Newman's only son, Scott, died of a drug overdose. After Scott's death, Newman's personal life and film choices moved in a different direction.
Paul Newman's acting work in the 1980s and on is what is often most praised by critics today. He became more at ease with himself and it was evident in The Verdict (Sidney Lumet, 1982) with Charlotte Rampling, for which he received his sixth Best Actor Oscar nomination. In 1987, he finally received his first Oscar for The Color of Money (Marin Scorsese, 1986) with Tom Cruise, almost thirty years after Woodward had won hers. Friend and director of Somebody Up There Likes Me (1956), Robert Wise accepted the award on Newman's behalf as the actor did not attend the ceremony. Previously, Newman had been nominated as the same character in The Hustler (Robert Rossen, 1961). In total, he was nominated for the Oscar nine times: Best Lead Actor for Cat on a Hot Tin Roof (Richard Brooks, 1958), The Hustler (Robert Rossen, 1961), Hud (Marin Ritt, 1963), Cool Hand Luke (Stuart Rosenberg, 1967), Absence of Malice (Sydney Pollack, 1981), The Verdict (Sidney Lumet, 1982), The Color of Money (Martin Scorsese, 1986), Nobody's Fool (Robert Benton, 1994)) and finally for Best Supporting Actor in Road to Perdition (Sam Mendes, 2002). In 1994 Newman also played alongside Tim Robbins as the character Sidney J. Mussburger in the Coen Brothers comedy The Hudsucker Proxy. Films were not the only thing on his mind during this period. A passionate race car driver since the early 1970s (despite being color-blind), he was a co-founder of Newman-Haas racing in 1982. He also founded 'Newman's Own', a line of food products, featuring mainly spaghetti sauces and salad dressings. The company made more than $100 million in profits over the years, all of which he donated to various charities. He also started The Hole in the Wall Gang Camps, an organization for children with serious illness. He was as well known for his philanthropic ways and highly successful business ventures as he was for his legendary actor status. Newman's marriage to Woodward lasted a half-century. Connecticut was their primary residence after leaving Hollywood and moving East in 1960. Renowned for his sense of humor, in 1998 he quipped that he was a little embarrassed to see his salad dressing grossing more than his films. During his later years, he still attended races, was much involved in his charitable organisations, and in 2006, he opened a restaurant called Dressing Room, which helps out the Westport Country Playhouse, a place in which Newman took great pride. In 2003, Newman appeared in a Broadway revival of Thornton Wilder's 'Our Town', receiving his first Tony Award nomination for his performance. The animated Disney-Pixar comedy Cars (John Lasseter, 2006) was his final film. It was the highest-grossing film of his career. In 2007, while the public was largely unaware of the serious illness from which he was suffering, Newman made some headlines when he said he was losing his invention and confidence in his acting abilities and that acting was "pretty much a closed book for me". A smoker for many years, Paul Newman died in 2008, aged 83, from lung cancer. With his first wife Jackie, he had three children, Scott, Stephanie, and Susan. Susan Kendall Newman is well known for stage acting and her philanthropic activities. His three daughters with Joanne Woodward are actress Melissa Newman, Nell Potts, and Claire Newman. Nine years after Paul Newman's death, he reprised his role as Doc Hudson in Cars 3 (2017): unused recordings from Cars (2006) were used as new dialogue.
Sources: Tom McDonough/Robert Sieger (IMDb), Jason Ankeny (AllMovie), AllMovie, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
Canadian pilot EB Lee flashes a big smile while standing beside his crashed Sopwith Camel C 1576 on March 18, 1918. Lee was engaged in combat with aircraft of Jasta 11 when he was brought down. The credit was given to Vzf. Edgar Scholtz. Lee was a loser in the air but is still alive and happy to be so. His opponent would not be so lucky, Scholtz would crash and be killed near Cappy in May. Previous research by Brett, Tom Wictor and others reflects that the German pilot also in the photo is not Scholtz as he was flying a Fokker DRI and not an Albatros DIII at this time.
© Wil Wardle
www.wilwardlephotography.co.uk
Do not use this or any of my images without my permission.
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Little Hugo wishes to be a Formula One pilot! He imagines winning all the races! He imagines how his formula goes the fastest of all formulas! The grandstands are full of his fans! He goes very fast, the trees disappear in the distance! Oh! He already sees the target!
Hugo: Oh! That was a great race!
Happy Monday my dear flickr friends! ♥♥
LONDON, ENGLAND - MARCH 24: Sir Ben Ainslie and Sir Martin Sorrell speak during Winning: Sir Martin Sorrell and Sir Ben Ainslie, part of Advertising Week Europe, Piccadilly, on March 24, 2015 in London, England. (Photo by Tim P. Whitby/Getty Images for Advertising Week)
A Virgin Pendolino speeds away from a galloping horse, Wolverhampton.
10.45 Wolverhampton to Euston
Copyright Geoff Dowling: All rights reserved
I needed the right motivation to start shooting again, so I started with my first diorama.
Brita is always a winning choice, I feel at home playing with her!
Natalia participates in the "Paseo Floral" beauty pageant, held every Friday in Lent in the city of Oaxaca.
We all know why is Rio so special this year...
There were many amazing sportsmen and sportswomen competing in 2016 OIs and I believe we were all impressed by their strength, determination and finally results. I'd like to congratulate them all and wish them luck in their future careers. They are the true presenters of our countries worldwide.
My winning team is of course Serbia, so I ' d like to send them one big, special THANK YOU for the way they presented us in Rio ❤ ❤ ❤
Tonight is the last chapter :
Serbia vs. USA
ИДЕМООООО!
"Citius, Altius, Fortius"
Sarebbe stato l’ultimo giro, si giocava oramai tutta la notte e le bottiglie vuote di montenegro la dicevano lunga sul numero delle mani giocate.
Sarebbe stato l’ultimo giro, anche perché la conta delle mie vittorie, incominciava a rendere tedioso il gioco, e le sconfitte più che tali, erano calcolati gesti di cavalleria.
Per questo avevo deciso di esagerare, spingendo tutto il mio avere verso il piatto.
Sicuro come non mai, scoprii le mie carte, mostrando con un certo orgoglio un tris d’assi, e già allungavo la mano verso il premio, quando lei con sorriso fiero mostro' le sue di carte.
Con tutta la superficialità del mondo, pensai un tris di donne :”bene”, senza accorgermi che in effetti mi aveva battuto con un poker.
Non feci nemmeno in tempo a dire una parola che lei tiro a se il piatto, ed io scoprii un po’ troppo tardi che su quel piatto, che lei aveva vinto c’era anche il mio cuore.
Those two that won the fashion stakes on that day .. Adena and friend .. sadly I don't know her name the girl in the polka dot bikini .
GreazeFest
Brisbane
German postcard by H.S.K.-Verlag, Kölm (Cologne), no. 505. Photo: Paramount. Ray Milland in Copper Canyon (John Farrow, 1950).
British actor and director Ray Milland (1905-1986) had a screen career that ran from 1929 to 1985. He appeared in many Hollywood movies as the archetypal, unflappable British gentleman. Milland is best remembered for his gut-wrenching, Academy Award-winning portrayal of an alcoholic writer in The Lost Weekend (1945), for the murder-plotting husband in Dial M for Murder (1954), and as Oliver Barrett III in Love Story (1970).
Ray Milland was born Reginald Alfred John Truscott-Jones on a mountain called Cymla, above the town of Neath in Wales in 1905. Milland was the son of Alfred Jones and Elizabeth Annie (née Truscott). As a child, he took the name of his stepfather, Mullane, and was known in his early career as Jack Mullane. He later took his stage name Raymond Milland from the flat area of land called the mill lands in Neath, which he remembered fondly from his youth. In 1925, Milland enlisted as a guardsman with the Royal Household Cavalry in London. As part of his training, he became skilled in fencing, boxing, horsemanship and marksmanship. An expert shot, he became a member of his company's rifle team, winning many prestigious competitions, including the Bisley Match in England. When his duty service was completed in 1928, Milland stumbled into acting when a British filmmaker spotted him at a party and offered the 22-year-old a bit part in the romance The Plaything (Castleton Knight, 1929). More small and big roles in the British cinema and on stage followed. Among his British films were the silent ‘backstage’ drama Piccadilly (Ewald André Dupont, 1929) starring Anna May Wong, the adventure The Flying Scotsman (Castleton Knight, 1929) and the drama The Informer (Arthur Robison, 1929). Raymond Milland was discovered by a Hollywood talent scout while performing on the stage in London, and travelled to America under a short-term contract with MGM. MGM shortened his first name to Ray and continued casting the acting novice in minor supporting roles. MGM agreed to loan him out for more substantial parts in Will Rogers' Ambassador Bill (Sam Taylor, 1931) at Fox in which he tries to overthrow the boy-king of a fictional European country, and Warner Bros.' Blonde Crazy (Roy Del Ruth, 1931) in which he competes with con-artist James Cagney for Joan Blondell's affections.
When his contract with MGM expired, Ray Milland bounced around taking whatever roles he could get, including a supporting part in Fox's Charlie Chan in London (Eugene J. Forde, 1934). He returned to England for roles in This Is the Life (Albert de Courville, 1933) with Gordon Harker and the comedy Orders is Orders (Walter Forde, 1934), a satire on Hollywood movie-making. Finally, based on the strength of two films he made with Carole Lombard - Bolero (Wesley Ruggles, 1934) and We’re Not Dressing (Norman Taurog, 1934) - as well as the endorsement of his leading lady, Paramount Pictures signed Milland to a long-term contract. He would remain with the studio for some twenty years. Charming and debonair, he can be seen as suave, self-assured romantic leading man in a number of excellent drawing-room comedies, mysteries and adventures, including The Big Broadcast of 1937 (Mitchell Leisen, 1936), The Jungle Princess (William Thiele, 1936) featuring Dorothy Lamour, Beau Geste (William Wellman, 1939) with Gary Cooper, and I Wanted Wings (Mitchell Leisen, 1941) with Veronica Lake. At Film Reference, Frank Thompson writes: “The quintessential Milland performances of the ‘leading man’ variety are contained in Leisen's delightful Easy Living and Kitty. The darker, more sinister side of his personality first came to the fore in Farrow's Alias Nick Beal, a film in which Milland plays the Devil himself.” Easy Living (Mitchell Leisen, 1937) was a depression-era screwball comedy and social satire written by Preston Sturges and starring Jean Arthur. Reel Classics calls it “an often-overlooked delight”. Kitty (1945, Mitchell Leisen) was a variation on Pygmalion, in which a London aristocrat (Milland) takes it upon himself to make a lady of a guttersnipe (Paulette Goddard). Milland had a terrible accident during the filming of Hotel Imperial (Henry Hathaway, 1939) with Isa Miranda, when, taking his horse over a jump, the saddle-girth broke and he landed head-first on a pile of bricks. His most serious injuries were a concussion that left him unconscious for 24 hours, a 3-inch gash in his skull that took 9 stitches to close, and numerous fractures and lacerations on his left hand. When the Second World War began, Milland tried to enlist in the U.S. Army Air Forces, but was rejected because of his impaired left hand. He worked as a civilian flight instructor for the Army, and toured with a United Service Organisation (USO) South Pacific troupe in 1944.
Ray Milland had made over 60 feature films by the time he won an Oscar for his portrayal of an alcoholic trying to kick the booze in Billy Wilder's The Lost Weekend (1945). It would be pinnacle of Ray Milland's career and an acknowledgement of his serious dramatic abilities. The surprise shown by the critical establishment at Milland's proficiency in the role suggests that nothing much had ever been expected of him. Milland was the first Welsh actor to ever win an Oscar. He was also the first actor not to have spoken a single word during his acceptance speech, preferring to simply bow his appreciation before casually walking to the stage exit. For this performance, he was also given an award at the first Cannes Film Festival. Five years later, he gave a strong performance in Close to My Heart (William Keighley, 1951), starring with Gene Tierney as a couple trying to adopt a child. As Milland grew older and his value as a romantic lead began to wane, the more sinister aspects of this self-assuredness became more evident. In 1954, he starred as the suave and mannerly accomplice opposite Grace Kelly in Dial M for Murder (Alfred Hitchcock, 1954). Other films that exploited the murderous glint in Milland's eloquent eyes include The Thief (Russel Rouse, 1951) a Film Noir without any dialogue, and The Girl in the Red Velvet Swing (Richard Fleischer, 1955) with Joan Collins. He made many television appearances. He starred as a professor in the CBS sitcom Meet Mr. McNutley (1953-1955). The program was renamed in its second season as The Ray Milland Show. From 1959–1960, he starred in the CBS detective series Markham. In the late 1960s, he hosted rebroadcasts of certain episodes of the syndicated western anthology series, Death Valley Days under the title Trails West.
In 1955, Ray Milland started directing films, such as the western A Man Alone (Ray Milland, 1955) with Raymond Burr, and the well-paced espionager Lisbon (1956, Ray Milland) with Maureen O’Hara for Republic Pictures that he also produced and starred in. He did it with surprising proficiency, but the films failed to make him successful. He achieved more success with directing for television. According to Kit and Morgan Benson at Find A Grave, he “was considered a solid and capable director and producer.” Milland returned as a film character actor in such fascinating low-budget horror films as The Premature Burial (Roger Corman, 1962) and The Man with the X-ray Eyes (Roger Corman, 1963), the latter providing Milland with the wittiest, most energetic role of his later career. He appeared in the TV classic Daughter of the Mind (Walter Grauman, 1969) in which he was reunited with Gene Tierney, and he played Ryan O'Neal's father in the hit tearjerker Love Story (Arthur Hiller, 1970). He can also be seen in such dreadful horror films as The Thing with Two Heads (Lee Frost, 1972), the British Crazy House/The House in Nightmare Park (Peter Sykes, 1973), and Terror in the Wax Museum (Georg Fenady). One of the best of that bad lot is Frogs (George McCowan, 1972), a surprisingly enjoyable entry from the ‘nature-run-amok’ horror subgenre. Milland wrote an autobiography, Wide Eyed in Babylon, published in 1974. Toward the end of his life, he guest starred in TV series as Battlestar Galactica (Glen A. Larson, 1978-1979) and the Harold Robbins’ adaptation The Dream Merchants (Vincent Sherman, 1980). His last film was the Spanish fantasy-adventure The Sea Serpent (Gregory Greens, 1986) with Timothy Bottoms, after which his declining health forced him to retire. A book-loving homebody, Milland kept away from the Hollywood glitter and was rarely mentioned in the gossip columns. At 81, he died of lung cancer in Torrance, California in 1986. He was survived by his wife, Muriel ‘Mal’ Weber, to whom he had been married since 1932. They had a son, Daniel, and an adopted daughter, Victoria. Frank Thompson at Film Reference: “Hollywood never quite knew what it had in Ray Milland, but he continuously showed himself to be an adventurous artist, always interested in exposing his established image to radical and surprising lights.”
Sources: Frank Thompson (Film Reference), Lynn Dougherty (Classic Movie Favorites), Kit and Morgan Benson (Find A Grave), Reel Classics, AllMovie, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
UP SD40N 1583 leads a local west through North Platte, NE with four more standard cab EMDs trailing!
Jersey Wolfenbarger from Fort Smith Northside releases the winning shot at the buzzer in the Arkansas 6A Girls State basketball Championships against Bentonville.
I am a little out of my normal shpooting mode this week. I had myself at so many different events & this is the Motorcross shot taken at:
Camera Canon EOS REBEL T3i
Exposure 0.006 sec (1/160)
Aperture f/4.0
Focal Length 50 mm
I was using a 24-105 L Series Lens. What a wonderful difference this lens makes on EVERYTHING!
Rider was 30+ feet in the air.