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My quick concept sketch which was sent to the dollmaker with instructions, compares with the final scene created by StudioM at our workshop in 2004 and seen in other photos. Original sketch and specification notes remains with StudioM as does copyright.
My Brother-in-law was a minister here and my sister used to work with the youth group. This exterior window is the side of the sanctuary; the pulpit is actually to the left if you were looking straight in that window.
Fairfield, Connecticut.
Window display for Mountain Equipment coop. I usually concept the design of the window as well as paint the mural and install the maniquin.
copyright all rights reserved 2009.
Scottystevy@yahoo.com
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A Sultan Battery may get things going with lots of mice pumping. The sawn off legs of Grandelf's rocker with knitting,cuppa,glasses and a good book - with page open at 'Thou shalt not steal' page. Scene designed and created by StudioM in 2005 at our studio. Copyright held. The attributions to the true designers are listed on the books under the mouse pumping the Sultan Battery as indicated in note. The scene was later sold to a promotions company which added some simple motion to the scene by inserting overhead a rotating shaft and cam system. The promotions company has exhibited the scene in various sites and media since but any claims by the company or its puppeteer director to being 'the mastermind' or the 'creative force' behind it are COMPLETELY FALSE, deliberately misleading and an infringement of StudioM's copyright.
Juanita made mice to our drawing, design and instructions. All original drawings, design sketches and specifications are retained by StudioM.
A thrift sourced tv painted yellow is wired to loop John Waters cult classic, "Pink Flamingo's" with pink letter box!!! Flamingos frame the show!!!
Sneers at passersby as he sits at The Thanksgiving table that is set with thrift sourced items and a blow up turkey!
The first workshop that I designed and made, and also one of the first that I made at our studio -the few earlier scenes I made elsewhere. A blackened chimney sweep elf appears and disappears from the chimney of the doll house. This scene has been displayed many times by the people who bought it from us. Designed and made by StudioM. Copyright held. Claims by others to be the creative force and masterming behind it are false and illegal.
Juanita Wellings in Clifton made the elves - some to my specifications.
The first mouse that I commissioned Juanita to make for the scenes. She was reluctant at first until she saw the drawings and instructions on how I wanted them to look and how to make them.
Juanita's elves. I requested this material be used for them to enhance the midnight elusion.
Photo taken at StudioM's workshop before the scene was sold to a promotions company, which has exhibited it widely since. However, subsequent claims by this company and its puppeteer director to being the scene's creator, the 'creative force' and 'mastermind' behind it are COMPLETELY false, deliberately misleading and an jnfingement of StudioM/s copyright. All original drawings, sketches and specification notes are retained by StudioM as the copyright holders.
The original sketch which accompanied the detailed instructions and specifications for making the Santa head. These plus sketches and notes for the making of the hands were sent to the dollmaker in Clifton that StudioM commissioned to make especially for the 'Hairraising of Santa' scene StudioM designed and made. All originals of the sketches, specifications, instructions and scene design are retained by StudioM along with copyright.
A bent bicycle rim is turned into an urban wreath with multi colored flowers made from plastic soda and water bottles!
Bird's-eye view of Michelangelo's design for the Campidoglio, 1569
Étienne Dupérac
Etching, first state
Michelangelo became involved in plans to renovate the Capitoline Hill (Campidoglio) in the 1530s. Finally, in the 1560s, he transformed this unwieldy site into a stately piazza by renovating the Palazzo dei Conservatori. Construction began in 1563, barely a year before his death. Michelangelo reworked an old window design from the Palazzo Farnese (on the nearby plinth) to design a niche within the new palace.*
From the exhibition
Michelangelo the last decades
(May – July 2024)
In 1534, Michelangelo left Florence for Rome, never to see his native city again. He was 59, which many contemporaries regarded as old, but for Michelangelo this move marked the beginning of a dramatic new chapter which would fundamentally shape his experiences as an artist and as a man.
This exhibition looked at the last 30 years of Michelangelo's remarkable life, when his return to Rome – having been summoned by Pope Clement VII to paint a fresco of the Last Judgment in the Sistine Chapel – brought him new commissions and reunited him with some of his closest friends.
Having secured his reputation with works including his famous statue of David, Michelangelo was already the most celebrated artist in Europe. But, rather than resting on his laurels, his Christian faith, intellectual engagement and hope for salvation propelled him to produce some of the most striking works of his career. Forceful preparatory drawings for the Last Judgment, which were on show, as well as the monumental Epifania – one of only two surviving cartoons by Michelangelo – demonstrate his renewed energy and desire to challenge himself.
These works were displayed alongside studies for Michelangelo's grand architectural projects as well as drawings, poems and intimate letters that reveal his personal passions and anxieties. Rather than showing an artist in decline, this exhibition showed the astonishing dynamism that Michelangelo brought to his work in the final decades of his life as he explored salvation and confronted his mortality.
[*British Museum]
Taken at the British Museum
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