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The first mouse that I commissioned Juanita to make for the scenes. She was reluctant at first until she saw the drawings and instructions on how I wanted them to look and how to make them.
Juanita's elves. I requested this material be used for them to enhance the midnight elusion.
Photo taken at StudioM's workshop before the scene was sold to a promotions company, which has exhibited it widely since. However, subsequent claims by this company and its puppeteer director to being the scene's creator, the 'creative force' and 'mastermind' behind it are COMPLETELY false, deliberately misleading and an jnfingement of StudioM/s copyright. All original drawings, sketches and specification notes are retained by StudioM as the copyright holders.
A bent bicycle rim is turned into an urban wreath with multi colored flowers made from plastic soda and water bottles!
The original sketch which accompanied the detailed instructions and specifications for making the Santa head. These plus sketches and notes for the making of the hands were sent to the dollmaker in Clifton that StudioM commissioned to make especially for the 'Hairraising of Santa' scene StudioM designed and made. All originals of the sketches, specifications, instructions and scene design are retained by StudioM along with copyright.
This sketch along with a list of instructions and specifications on his construction - retained by StudioM - that StudioM sent to the doll maker when we commissioned her to make the chap as seen in the school scene that StudioM designed and created. This scene was later sold to a promotions company whichhas exhibited it widely. Copyright on it remains with StudioM.
Bird's-eye view of Michelangelo's design for the Campidoglio, 1569
Étienne Dupérac
Etching, first state
Michelangelo became involved in plans to renovate the Capitoline Hill (Campidoglio) in the 1530s. Finally, in the 1560s, he transformed this unwieldy site into a stately piazza by renovating the Palazzo dei Conservatori. Construction began in 1563, barely a year before his death. Michelangelo reworked an old window design from the Palazzo Farnese (on the nearby plinth) to design a niche within the new palace.*
From the exhibition
Michelangelo the last decades
(May – July 2024)
In 1534, Michelangelo left Florence for Rome, never to see his native city again. He was 59, which many contemporaries regarded as old, but for Michelangelo this move marked the beginning of a dramatic new chapter which would fundamentally shape his experiences as an artist and as a man.
This exhibition looked at the last 30 years of Michelangelo's remarkable life, when his return to Rome – having been summoned by Pope Clement VII to paint a fresco of the Last Judgment in the Sistine Chapel – brought him new commissions and reunited him with some of his closest friends.
Having secured his reputation with works including his famous statue of David, Michelangelo was already the most celebrated artist in Europe. But, rather than resting on his laurels, his Christian faith, intellectual engagement and hope for salvation propelled him to produce some of the most striking works of his career. Forceful preparatory drawings for the Last Judgment, which were on show, as well as the monumental Epifania – one of only two surviving cartoons by Michelangelo – demonstrate his renewed energy and desire to challenge himself.
These works were displayed alongside studies for Michelangelo's grand architectural projects as well as drawings, poems and intimate letters that reveal his personal passions and anxieties. Rather than showing an artist in decline, this exhibition showed the astonishing dynamism that Michelangelo brought to his work in the final decades of his life as he explored salvation and confronted his mortality.
[*British Museum]
Taken at the British Museum
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RGM of StudioM. Designed and created all of the scenes shown on these pages at her home workshop in Tinbeerwah/ Cooroy hinterland.
The collaborative window design project uses found objects, vintage paper, re-envisioned materials. Designed for the Carol Roeda store in Grand Rapids, MI.
Designers Laurie Cirivello & Holly Bechiri. It portrays the joy in the creative journey.
Elfysaurus and Duyuthinkhesaurus at work.
This original scene designed and made by StudioM in our Tinbeerwah home workshop in 2005 copyright held. Moral rights/ copyright held RGM StudioM. Others claiming to be the mastermind and creative force behind it are false, misleading and illegal
Juanita Wellings made mice and elves to our specifications in her Clifton home
The elf worker is unaware as to the fragility of it all and what could happen. Meanwhile others give a new perspective to air brushing.
Scene designed and made by StudioM at our workshop in 2005 - copyright held RGM StudioM. Others claiming to be the mastermind and creative force behind it are false, misleading and illegal
Juanita Wellings in Clifton made mice and elves to our specifications
Written test for an elf. The book titles show the required reading for all.
Juanita made elf and professor
This window is on a historic building. The art exhibit was in The Studio Around The Corner--part of this building.©2013 Nightpirate