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At the top of this street used to sit George Yard Buildings, where Martha Tabram was found murdered on the 7th of August 1888. Some believe Tabram to be the first Ripper victim, but she is not classed as one of the Canonical Five.
Lighthouse at Peggy's Cove, Nova Scotia, Canada.
I needed to wait a LONG time to get a shot without tourists (like myself) swarming the base of the lighthouse.
The California State Capitol during blue hour on April 8, 2022. Not far from here, I swore my oath during my naturalization ceremony. That was a bit more than a year ago, during a COVID-19 wave. To me it feels like all of that happened a long time ago…
Returning from salmon fishing on the Pacific on a small boat.
EF-S17-55mm f/2.8 IS USM
0.004 sec (1/250) @ f/6.3
FL 17 mm, ISO 100
© All rights reserved
With a long history as an anchorage for fishing boats, Fish Harbor (part of the Port of Los Angeles) is a rare place one can get very close to the fishing fleet.
One of my five photos (five allowed) entered in the Flickr World Photography Day Contest 2022 (as of 9/14/2022) www.flickr.com/groups/worldphotographyday2022/ WPD22Objects
Santa Caterina d'Alessandria or Saint Catherine of Alexandria is a Roman Catholic church with a main facade on Piazza Bellini, and a lateral Western facade facing the elaborate Fontana Pretoria, in the historic quarter of Kalsa in the city of Palermo, region of Sicily, Italy. In front of the main facade, across the piazza Bellini, rise the older churches of San Cataldo and Santa Maria dell'Ammiraglio (or the Martorana), while across Piazza Pretoria is the Theatine church of San Giuseppe and the entrance to the Quattro Canti. Refurbished over the centuries, the church retains elements and decorations from the Renaissance, Baroque, and late-Baroque (Rococo) eras. This church is distinct from the Oratorio di Santa Caterina found in the Olivella neighborhood.
In 1310, the rich Benvenuta Mastrangelo in her last will endowed the foundation of a female Dominican convent. The monastery was dedicated to Saint Catherine of Alexandria, and was sited on the location of the former palace of George of Antioch, admiral of Roger II of Sicily.
In 1532, it was decided to refurbish and enlarge the church, a work that took place mainly between 1566 and 1596 under the supervision of the Mother Prioress Maria del Carretto. In the past, the design was attributed to Giorgio di Faccio, architect of the Palermitan church of San Giorgio dei Genovesi. However, recent studies show the involvement of the architects Francesco Camilliani of Florence and Antonio Muttone of Lombardy, who were also engaged in the reassembly of the Fontana Pretoria. The new church was inaugurated on 24 November 1596. Many years later, on 16 March 1664, the church was consecrated by the archbishop of Palermo Pietro Martinez y Rubio in the presence of the Viceroy of Sicily Francesco Caetani, 8th Duke of Sermoneta.
During the 19th century the church was damaged on several occasions: during the uprising of 1820-1821; the Sicilian revolution of 1848; the Gancia revolt and the Siege of Palermo in 1860; and the Seven and a Half Days Revolt in 1866.
This is part of a splendid vaulted ceiling at the National Trust’s Fountains Abbey, North Yorkshire.
The interlocking between Washington Terminal's Line to Union Station and CSX's Landover Line late one very cold night on February 15, 2007. The M St tunnel is far in the distance and the Southeast/Southwest Freeway occupies the right portion of the photograph.
In a few years this southern portion of the Landover Line would become the northern end of the RF&P Subdivision after the interlocking here at CP Virginia was rebuilt which added an additional freight main increasing capacity at this choke point between passenger and freight trains. This negative frame is from the very last roll of Agfapan 25 as the film had been discontinued once Agfa had gone out of business.
Agfapan 25, Nikon FM2N
Lost Place en Miniature, eine alte Feldscheune 100% Eigenbau aus Holz , Pappe und Farbe. Past zu H0 (1:87). Ausgeschmückt mit einem Opelblitz LKW und einem Wanderer Oldtimer
A Yemeni man crosses the famous early 17th-century Shahara bridge, Yemen, as the mist rolls in from the right.
CUEVA 2022 @ AES (MetzeSchmelz) - Marc Soisson
The Cueva collective has as line of conduct, to artistically occupy places, intended to demolition or rehabilitation.
The invited artists have total freedom in their expression.
This year, 32 artists have invested the main alley of "Metzeschmelz" and will revive this former steel plant, closed since the end of 2012.
Marc Soisson: marcsoisson.tumblr.com/
Metze Schmelz: lb.wikipedia.org/wiki/Metze_Schmelz
ARBED-Esch-Schifflange (AES): www.industrie.lu/UsineEschSchifflange.html
ARBED: en.wikipedia.org/wiki/ARBED
Il Palazzo Estense di Varese fu una residenza di Francesco III d'Este, Duca di Modena e Reggio, amministratore, capitano generale e poi governatore della Lombardia austriaca. Il 20 settembre 1755 il duca venne per la prima volta a Varese con il suo seguito, ospite del marchese Menafoglio; durante questo soggiorno maturò forse la decisione di scegliere Varese per costruire il suo palazzo estivo.
Successivamente, il 23 giugno 1765, riuscì ad ottenere Varese come feudo non trasmissibile dall'imperatrice Maria Teresa d'Austria. Nel parco, modellato a somiglianza di quello del palazzo imperiale di Schönbrunn, si fondono i caratteri del giardino romantico con quello alla francese, ricco di parterres. Protagonista centrale è un ninfeo, posto su un'altura, costituito da tre nicchie rivestite da concrezioni in tufo e statue. Per soddisfare la passione del Duca per la caccia, si adattò una parte del parco a roccolo con querce, olmi e castagni. Le numerose conifere, il magnifico cedro del Libano, alcune magnolie, camelie e tuje furono poste nell'Ottocento su intervento del Robbioni ed eredi.
Sul confine con la proprietà, in continuità con i giardini di palazzo estense, si erge Villa Mirabello, edificata nel corso del XVIII secolo dal Conte Gaetano Stampa di Soncino, nel luogo dov'era stato eretto dal duca il teatrino all'aperto.