View allAll Photos Tagged Volume
Volume knee length skirts
Sold in packs of 10
Available in colours : Mulberry, Pack contains size: uk14
Brand - La vie
Dark mulberry colour • pull on waistband • volume pleat fabric • Puffball hem •
Material content - 93% viscose 7% elastane
£3.20 per item £32.00 per pack
PLUS FREE UK MAINLAND DELIVERY
So i haven't really seen a volume 2 glee cover done this way and i decided to do one. Im quite happy with how it turned out :) Certain characters are not on this as i copied what people where on the official cover. I however added sue in as i felt she should be on there to :D
Title: Two Millionth Volume
Date: 1994
Description: Two millionth volume was recorded by Olivia Madison; and in this picture we have: Dennis Wendall, Judy Hoffman, Tyler Walters, Renee Tesdall, Ed Goedeken. Photo was taken in 1994. 12.6cm x 8.8cm
ID: RS-25-3-E.Library.2050-01-01
Copyright 2013, Iowa State University Library, University Archives
For Reproductions: www.lib.iastate.edu/spcl/services/photfees.html
I have several strips done but even more pieces cut (see right bottom of photo). I'm not sure if I define "low volume" in the same way that other people do. My idea of low volume is fabric with a mostly white or nearly white background - thus all the bright colors in some of the pieces.
Volume up and down keys surround the voice control key (which doubles as the mute key during phone calls).
Seanchai Library opened in March of 2008, presenting stories live in voice at the former West of Ireland charity estate. Over the years, thousands of stories and a variety of presenters have contributed to a community built on sharing literature: novels, stories, and poetry.
On Sunday, March 19th (2023) The Library celebrated 15 years in #Secondlife
Image by Caledonia Skytower
With so much product to fit into denim and not enough room we decided to give cashmere it's own moment by the cashwrap.
Volume by United Visual Artists and one point six at the Victoria & Albert Museum in London.
Photo of Dr. Babasaheb Ambedkar extracted from the frontispiece of his Collected Writings & Speeches
This is my low-volume pillow for the X Factor Pillow Swap. I hand-stitched diamonds into this design using a variety of low volume prints. I used a black cross-hatch print for the background.
Blogged at pitterputterstitch.blogspot.com/2013/11/my-pillow-for-x-f....
Plump and pucker up your lips. Drench your lips in this revolutionary, irresistible, juicy gloss that range from sheer to semi-sheer.
Part of Azzedine Alaïa: The Couturier
(May to October 2018)
The mastery with which Azzedine Alaïa invented and deployed stretch fabrics earned him the nickname the ‘King of Cling’ in the 1980s. But Alaïa’s interest in the hyper-fitted form was by no means single-minded – it expressed a fascination with exploring volume, creating sculptural shapes that could redefine a woman’s body. This idea is pushed to the extreme in these voluminous ballgowns.
These styles also underline Alaïa’s life-long fascination with fashion history and his respect for the past. These pieces re-examine the grandeur of costume in the 17th and 18th centuries, re-imagining their shapes and effects through contemporary technologies and attitudes to the body. They are not a revival, but a re-evaluation. Alaïa’s volume is achieved through intricate technique.
Echoing the work of Cristóbal Balenciaga, he seldom used internal structures such as boning or petticoats, instead exploring the qualities of the fabrics themselves to achieve deceptively complex shapes that float weightlessly around the body.
Conceived and co-curated with Monsieur Alaïa before his death in November 2017, the exhibition charts his incredible journey from sculptor to couturier, his nonconformist nature and his infectious energy for fashion, friendship and the female body.
Unlike many of his contemporaries, Alaïa personally constructed each garment by hand and refused to bow to the pressures of fashion week deadlines, instead working to his own schedule. His collaborative approach earned him an esteemed client list, including Greta Garbo, Grace Jones, Michelle Obama and Rihanna.
Rather than a retrospective, the show interlaces stories of his life and career alongside personally selected garments, ranging from the rare to the iconic and spanning the early 1980s to his most recent collection in 2017.
[Design Museum]
the VOLUME project
September 11–20, 2014, Beirut
Have libraries become obsolete in the digital age? Can we conceive public libraries as something other than a collection of books? When does a library begin and end?
Started as a long-term research project in November 2013, the VOLUME project investigates the potential of libraries as sites for artistic creation and production of knowledge, as well as for the formation of critique and dialogue. For nine days, international and local artists, theorists, curators and librarians will engage the public library as a space and a concept, through a series of performances, ad-hoc interventions, talks, literary writings and installations. Events will take place at 98weeks Project Space, Assabil Libraries, and in public spaces around Beirut.
The multiplicity of interventions composing the VOLUME project mirrors the complexities that the library embodies, both as a physical and theoretical subject. Newly commissioned artworks and a program of talks will be reflecting the many facets of the library as a public space, political agent, vehicle for memory, conceptual entity, cataloguing system, fantasy and knowledge generator. What is a library after all? Something so vivid and yet so elusive. Something physical and yet conceptual. Container and content. A singular encompassing multitude. Potentially infinite and intrinsically unfinished.
The library symbolizes the human ambition to amass and preserve all the knowledge of the world, the utopia of a totality at hand. In its physical manifestation, it displays the modern rationality trying to tame the episteme under categories, inventories or parameters of acceptance. It raises questions related to the accessibility to knowledge and how libraries’ collections reflect political choices. The library feeds the desire to know, but also the desire to forget.
VOLUME’s upcoming session in September will present an occasion to share and discuss with the public these and further issues, in what we hope will be an intensive and thought-provoking series of events and encounters. A live publishing platform called “Vologue” will accompany the project. Two writers/witnesses, Roger Outa and Lina Mounzer, will react to talks, events, and performances. Their accounts will appear daily in printed form and on VOLUME’s website.
All the interventions and their ramifications will eventually coalesce into a single publication — the VOLUME — which will be donated to Beirut’s public libraries. VOLUME is therefore the artists’ measuring device and connector. It is part and whole. It is inside the library. It is the library. It is what the library is missing.
Ad hoc interventions and performances by Mounira Al Solh (LB/NL), Andrew Beccone (US), Pauline Curnier Jardin (FR), Aldis Ellersdóttir Hóff (SE), Per Hüttner (SE/FR), RYBN.ORG (FR), Walid Sadek (LB).
Talk Series with Stefanie Baumann, Antoine Boulad (Assabil Association), Jessica Khazrik & Monica Basbous (Ashkal Alwan Library), Marcell Mars, Maud Stephan (Lebanese National Library).
the VOLUME project is a collaboration between Vision Forum, Assabil Association and 98weeks Research Project and is curated by Sara Giannini together with 98weeks.
- Compare volumes of different sizes/shapes
- Compare metric and standard
- Find equivalents (using sand or water)
- Recognize difference between volume and weight
53/365 Better on black
OK, so I took yesterday off with the jogging thing (reminder, when I say jogging I am being generous at this point, but I think if I keep calling that it might start looking more and more like actual jogging). I have class on Tuesday evenings, so it's nearly impossible, plus, for my body's sake, I should probably do something similar to my soul mate (2 days on 1 day off). At this point though, I'd just be happy with 4 days a week.
So...that means tonight I was back on. I was so unbelievably tired when I got home from work, but with encouragement from my supportive partner (what would I do without him?), I went out. Three more miles for the week! Woot!
Tonight the iPod was on fire! Bob, Jayhawks, Zoot Daze, Mark & Stacey, Gillian, and G. Love! Awesome!
February's Alphabet Fun : v is for volume at eleven
Evil stalker child... yoinks!
es.youtube.com/watch?v=TGUYKvrCMWU
Had to make one more visit as it ends this week and probably never see it again... sigh }:0)>
My interest in playing the guitar tends to ebb and flow, but I do enjoy tinkering with the mechanics of it all. I've recently modded my amp, a Marshall JCM 2000 DSL, and made some changes to my effects setup. The result is that I'm really enjoying rocking out with this guitar at the moment.
But I'm not your keeper
I don't have a key
I got a piano
I can't find the 'C'
Come one, turn up the sun
Turn it up for everyone
Turn up the sun - Oasis
Part of Azzedine Alaïa: The Couturier
(May to October 2018)
The mastery with which Azzedine Alaïa invented and deployed stretch fabrics earned him the nickname the ‘King of Cling’ in the 1980s. But Alaïa’s interest in the hyper-fitted form was by no means single-minded – it expressed a fascination with exploring volume, creating sculptural shapes that could redefine a woman’s body. This idea is pushed to the extreme in these voluminous ballgowns.
These styles also underline Alaïa’s life-long fascination with fashion history and his respect for the past. These pieces re-examine the grandeur of costume in the 17th and 18th centuries, re-imagining their shapes and effects through contemporary technologies and attitudes to the body. They are not a revival, but a re-evaluation. Alaïa’s volume is achieved through intricate technique.
Echoing the work of Cristóbal Balenciaga, he seldom used internal structures such as boning or petticoats, instead exploring the qualities of the fabrics themselves to achieve deceptively complex shapes that float weightlessly around the body.
Conceived and co-curated with Monsieur Alaïa before his death in November 2017, the exhibition charts his incredible journey from sculptor to couturier, his nonconformist nature and his infectious energy for fashion, friendship and the female body.
Unlike many of his contemporaries, Alaïa personally constructed each garment by hand and refused to bow to the pressures of fashion week deadlines, instead working to his own schedule. His collaborative approach earned him an esteemed client list, including Greta Garbo, Grace Jones, Michelle Obama and Rihanna.
Rather than a retrospective, the show interlaces stories of his life and career alongside personally selected garments, ranging from the rare to the iconic and spanning the early 1980s to his most recent collection in 2017.
[Design Museum]
Volume wheel on an old General Electric walkman type cassette player. If you know what that is, you are probably an old f*^t like me.
184/366 Monday 2 July 2012 - So tired today. I did manage to pull some low volume fabrics. Not sure whether I'm going to be using them or not together.
Blogged at: isisjem.blogspot.co.uk/2012/07/farmer-and-i-have-split-up...
Cover ebook A Game of Thrones: The Graphic Novel: Volume One by George R. R. Martin, Daniel Abraham & Tommy Patterson in ift.tt/1Ut2SRq
Copyright deposits from Canadian photographers, sent to Britain between 1895 and 1924, contain many depictions of Canadians' experiences of the First World War. Either produced by photographers on home soil or individuals in Europe employed by Lord Beaverbrook's 'Canadian War Records Office' the photographs provide a wide ranging account of the many Canadians involved in and impacted by the war.
Reference: l.r.233.b.57.v1
Identifier: l.r.233.b.57.v1_f080r
This image is part of the Europeana Collections 1914-1918
Date: 1920
See also:
- View this at the British Library's site
- Find out more about Lord Beaverbrook's 'Canadian War Records Office'
- Picturing Canada on Wikimedia Commons
- Canada Through A Lens (Public Domain Review)
-