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The same query as in the previous image, only 16 hours later...
More info here: postspectacular.com/work/socialcollider/start
Part of the official Google Chrome collection of original experiments demonstrating the superior JavaScript performance of Google's browser, the Social Collider reveals cross-connections between conversations on Twitter.
With the Internet's promise of instant and absolute connectedness, two things appear to be curiously underrepresented: both temporal and lateral perspective of our data-trails. Yet, the amount of data we are constantly producing provides a whole world of contexts, many of which can reveal astonishing relationships if only looked at through time.
This experiment explores these possibilities by starting with messages on the microblogging-platform Twitter. One can search for usernames or topics, which are tracked through time and visualized much like the way a particle collider draws pictures of subatomic matter. Posts that didn't resonate with anyone just connect to the next item in the stream. The ones that did, however, spin off and horizontally link to users or topics who relate to them, either directly or in terms of their content.
The Social Collider acts as a metaphorical instrument which can be used to make visible how memes get created and how they propagate. Ideally, it might catch the Zeitgeist at work.
Credits
Karsten Schmidt - concept, design & programming
Sascha Pohflepp - concept, design
Follow us on Twitter for updates:
From: www.connectedaction.net
Link: www.flickr.com/photos/marc_smith/6225446144/
Connections among the Twitter users who recently tweeted the word #occupywallstreet when queried on October 8, 2011, scaled by numbers of followers (with outliers thresholded). Connections created when users reply, mention or follow one another.
See: occupywallst.org/
Layout using the "Group Layout" composed of tiled bounded regions. Clusters calculated by the Clauset-Newman-Moore algorithm are also encoded by color.
A larger version of the image is here: www.flickr.com/photos/marc_smith/6225446144/sizes/l/in/ph...
Betweenness Centrality is defined here: en.wikipedia.org/wiki/Centrality#Betweenness_centrality
Clauset-Newman-Moore algorithm is defined here: pre.aps.org/abstract/PRE/v70/i6/e066111
Top most between users:
@maddow
@motherjones
@aclu
@zerohedge
@mmfa
@spread4freedom
@diggrbiii
@angelsavant
@marychastain
@katiepavlich
Graph Metric: Value
Graph Type: Directed
Vertices: 1000
Unique Edges: 3835
Edges With Duplicates: 916
Total Edges: 4751
Self-Loops: 1109
Connected Components: 311
Single-Vertex Connected Components: 301
Maximum Vertices in a Connected Component: 678
Maximum Edges in a Connected Component: 4327
Maximum Geodesic Distance (Diameter): 9
Average Geodesic Distance: 3.283708
Graph Density: 0.003408408
NodeXL Version: 1.0.1.179
More NodeXL network visualizations are here: www.flickr.com/photos/marc_smith/sets/72157622437066929/
NodeXL is free and open and available from www.codeplex.com/nodexl
NodeXL is developed by the Social Media Research Foundation (www.smrfoundation.org) - which is dedicated to open tools, open data, and open scholarship.
The book, Analyzing social media networks with NodeXL: Insights from a connected world, is available from Morgan Kaufmann and from Amazon.
Marc Smith on Twitter.
made by frontop
the lines in the right side just showing that there is a building there, but to show the target building in better effects, we just show the outline of that building, pls kindly note.
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Sea ice extent grows in the summer and shrinks in the winter. While the sea ice extent might look similar from year to year, thickness data show dramatic thinning (shown in dark blue). Visualizations like this clip from an image sequence, generated with ICESat data acquired between Feb. 17 and March 21, 2008, are helping scientists and the public better comprehend the complex, dynamic evolution of Earth's sea ice and ice sheets.
Credit: NASA Goddard's Scientific Visualization Studio
PROJECT:Jinhui Park
DESIGNED BY SCDRI
RENDERED BY FRONTOP
Frontop creates 3d rendering, architectural rendering, architectural visualization and architectural animation for architects, designers, real estate developers and much more.
Superimposed visualization of cumulated activity on Google search engine, by 19 users of french group "The Web Explorers". Realized by Luc Legay ru3.com for a study case lead by The Web Explorers. Built with individual data collected on Google History page : www.google.com/history/trends - july 2008 - Creative Commons Attribution-Share Alike 2.0 Generic
This is a small visualization about my self I did last year at a university course. Did it with photoshop! :)
Satellite: Sentinel-2. Sensor: MSI (MultiSpectral Instrument).
Visualization RGB: Index NDSI (Normalised Difference Snow Index) Based on combination of bands (B3 - B11)/(B3 + B11)
La imagen tiene 168 km de ancho (aprox.)
El NDSI (Indice Diferencial Normalizado de Nieve)permite distinguir las nubes (en blanco en la imagen) de la cubierta de nieve (en azul celeste) porque la nieve absorbe la luz infrarroja de onda corta (NIR) y refleja la luz visible, mientras que las nubes reflejan ambas longitudes de onda
The Sentinel-2 normalised difference snow index can be used to differentiate between cloud and snow cover as snow absorbs in the short-wave infrared light, but reflects the visible light, whereas cloud is generally reflective in both wavelengths. Snow cover is represented in bright vivid blue.
Las aguas del lago Manicouagan ocupan los restos de un antiguo cráter de impacto, originado por el impacto de un asteroide de 5 km de diámetro, que excavó un cráter de unos 100 km de diámetro originalmente. En la actualidad el diámetro del cráter se ha reducido a 72 km debido a la erosión y a los procesos sedimentarios, aunque sus dimensiones le hacen ser el quinto cráter conocido de la Tierra por tamaño. El Monte Babel se interpreta como la cima originada por el rebote del suelo fundido tras el impacto. (es.wikipedia.org/wiki/Lago_Manicouagan)
Esta imagen ha sido procesada con el navegador EO Browser (apps.sentinel-hub.com/eo-browser) de Sentinel Hub. Sentinel Hub es un motor de procesamiento de datos satelitales, dentro del programa de observación de la Tierra Copernicus (copernicus.eu) de la Unión Europea, operado por la empresa Sinergise. EO Browser es gratuito y fácil de usar. El norte siempre está arriba.
This image has been processed using the EO Browser (apps.sentinel-hub.com/eo-browser) by Sentinel Hub. Sentinel Hub is a satellite data processing engine, within the European Union's Earth observation programme Copernicus (copernicus.eu), operated by the Sinergise company. EO Browser is free and easy to use. North is always up.
**I DID NOT CREATE THIS ANCHOR CHART***
i found this cool anchor chart on pinterest and repinned it. the original link is to an image on slide.com...which is no longer in existence.
NOTE: If this is your anchor chart...please let me know so i can give you proper credit. I am only storing it here so i can still have it for reference.
Plotting the Rhythm of Female Fertility.
seen on Dutch Design Week 2010.
Design student Brigitte Coremans has developed a pair of clocks [brigittecoremans.com] that visualize the female reproductive cycle. The pieces titled 'Life Clock' and 'Menstruation Clock' question how much women should naturally know, understand, and feel still of their own menstrual cycle.
'Menstruation Clock' plots the woman's daily body temperature value unto a scrolling roll of paper, similar to those found in lie detectors and those old-fashioned ambient temperature monitoring devices. This clock aims to reconnect a woman with her own personal rhythm, which itself is sensitive to various factors, including stress, exercise, under- or overweight and artificial lighting. Naturally, one can easily imagine other usage scenarios for such a device as well, ranging from communicating fertility chances to providing men some insight into eventual mood swings.
The 'Life Clock' counts down 500 ceramic beads, which represents the average amount of chances a woman can conceive. Each 28 days, the clock counts down 1 bead from the necklace. The colors of the beads vary according to the age and quality of the egg. For instance, the dark beads show the amount of deviated eggs when a women turns 40.
Via Fastcodesign.
Louis Vuitton - Objets Nomades - Lounge chair by Marcel Wanders
How to promote a product with one perfect, captivating image!
To what extent can media companies employ predictive analytics and other data driven approaches to improve content performance? This event, organized by NYC Media Lab and hosted by Bloomberg on February 25, fused short 5 minute presentations and discussion from startups, media companies and university researchers advancing the state of the art in a variety show intended to provoke discussion and debate on opportunities in this fast-moving field of interest.
Speakers included Brian Eoff, Lead Data Scientist, bitly; Ky Harlin, Director, Data Science, BuzzFeed; Mor Naaman, Associate Professor, Cornell Tech and Co-founder and Chief Scientist, Seen.co; Simon Smith, Senior Vice President, Platforms, News Corp; Joshua Schwartz, Lead Data Scientist, Chartbeat.com; and Lisa Strausfeld, Global Head of Data Visualization, Bloomberg LP.
Photos by Yang Jiang.
Learn more about NYC Media Lab at www.nycmedialab.org.
Today I launched the tech tool support web site for our Bachelor study program and still needed a header photo.
Having done a visualization with Lego building blocks once, I wanted to do something similar. I got the Lego blocks out and put my ideas into this visualization.
For an explanation, see Visualization for "Support in Using ICT".
This is a visualization of Moscow 2009 Eurovision Final votes. Each color represents a country and each link represents a vote. Color of the vote represents the awarded country and the weight of the link represents vote’s value.
www.esv.org/blog/2008/01/harrison-visualization/
not a social networking visualization, but this website has many, many other types of visualizations
Visualizing the various features of the SwiftRiver distributed reputation and veracity functionality. The most classic scenario of ‘gaming’, is spam, bots or human individuals who are trying to vote bogus content ‘up’ so it will be weighted higher than other content. Section “A” represents User 1. Section “B” represents the activity of User 2 (our spammer). Section “E” represents the community within this particular Swift instance. Section “F” represents the users of our distributed trust system River ID or the global SwiftRiver economy. Section “C” represents individual content items. Section “D” represents the source that content is coming from.
The thickness of the lines connecting the users to the content and the source, represents how they’ve voted on those particular things. The thickness of the line for User 2 tells us that he’s rating these things very highly. Perhaps they come from his blog, and he wants them at the top! The thickness of the lines from the local community of the SwiftRiver instance as well as the global users tells us that these content sources are suspect. We can see that User 1 (who represents our average, active user) is voting closer to the how the community is voting, in fact even harsher than the community votes both the content and the source (represented by thinner lines).
This dynamic relationship between users and their interactions with content (in contrast to the local and global community) is considered when scoring users, content, and the sources. In this case the person voting against the tide is actually damaging his or her own reputation both locally and globally. However, this isn’t the only thing we consider, otherwise it would encourage conformity which also isn’t good (sometimes the outlier knows something the rest don’t.)
My infographics students are full of great ideas but they do have bad orthography. Is it necessary to have good orthography to make a good ifographic? Could you make a great infographic even if you dont know how to read and write?
3-D Visualization and Animation
(High School)
Front row L to R: High School medalist teams—Silver-David Vedova and Benjamin Smalley, Suncoast Technical College (Fla.); Gold-Brennan Militello, Center for Technology (Vt.); and Bronze-Christopher Powell and Kylie Loyal, Maxwell High School of Technology (Ga.).
Ascent Penthouse
Client: Mr Dung - IAM Architecture
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@ Long Nguyen & Thu Nguyen
Architecture - Interior Design & 3D Visualization
0979 962 864, Ho Chi Minh City
advlongnguyen@gmail.com
This image visualizes the discovery of asteroids from 1801 to 2000. The Solar System is shown in a logarithmic scale to allow both the main asteroid belt and Kuiper objects to be shown. Asteroids are shown in the position of their perihelion. This makes it easier to separate the various families.
I also plotted the histogram of how many minor planets were discovered each year, the semi-major axis, and excentricity on the right panels. The left panels show the excentricity and inclination as a function of semi-major axis, this is again to show how the various asteroid families were defined based on their orbits.
Data source: www.minorplanetcenter.net/
Youtube visualization: youtu.be/QOdrRX-IScc
Field curvature is an undesirable property of photographic lenses in which the center and borders can't be brought into sharp focus at a single focus setting. Lenses of simple design focus sharply onto a bowl-shaped surface. (See first comment below for an illustration.) They misbehave when we ask them to focus their images on a flat sensor or piece of film.
A lot of smart people, mostly with German and Japanese names, worked from the 1880s to the 1950s to perfect multi-element lenses that could project a sharp image onto a flat surface. We've now come to take flat-field lenses for granted.
I just posted an article at dpreview.com on field curvature with some images that demonstrate how it works. I did the experiments using a Fujian 35mm f/1.7 CCTV lens that exhibits the worst field curvature I've ever encountered. It's a $25 lens that makes dreamy-looking portraits with a sharp center frame. It's a huge bargain if you don't care about the borders being in focus.