View allAll Photos Tagged Visual
Photo Title: Visual Discomfort
Submitted by: jaylord plaza
Category: ♥ HOPE
Country: Philippines
Organization: N/A
Photo Caption: taken from the remote area of kolhapur city of india. i saw this old man participate a Haldi festival its culture celebration of hindu people.
Professional or Amateur Photographer: Amateur
Country where the photo was taken: India
Photo uploaded for the #LoveYourEyes Photo Competition on iapb.org held for World Sight Day 2021.
Photographer: Jaylord plaza
Proyecto de Diseño visual enfocado al Diseño Industrial.
Diseño de un objeto para apoyar el cuerpo humano (Silla, puff, cojín, etc.)
Modelo: Pepa Agudelo
Fotografía: Juan Camilo Bedoya Vargas.
Trabajo Académico (Fundación Universitaria Bellas Artes)
Realizado en el año 2012.
The exhibition is organized annually by the University Library. KAUST community members are invited to submit their visual artwork for consideration in the form of paintings, photography, or sculptures.
Llum BCN es un festival europeo de referencia en el ámbito de las artes lumínicas y un acontecimiento cultural muy apreciado por la ciudadanía de Barcelona. Organizado por el Ayuntamiento de Barcelona, en Llum BCN convergen las intervenciones de creadores y creadoras de todos los ámbitos de las artes visuales: del arte contemporáneo al diseño o la arquitectura, y de la tecnología al diseño de iluminación.
"Circadian Nocturne"
Parc del Centre del Poblenou (Espai Voltes) - Av. Diagonal, 130
Anna Ridler
#circadian_nocturne
La obra Circadian Nocturne, de Anna Ridler, se sirve de complejos algoritmos para explorar formas no humanas de medir el tiempo y presenta animaciones generadas por inteligencia artificial de plantas de floración y aroma nocturnos: cactus orquídea, flor de luna, galán de noche o alhelí crepuscular. Pictóricos pétalos florecen lentamente en un jardín de ensueño, como relojes cronobiológicos que contrastan con las estructuras mecánicas y digitales que marcan el ritmo de nuestras vidas actuales, y todo ello gracias a una máquina de alta tecnología capaz de cronometrar el tiempo a nivel atómico. Circadian Nocturne —la versión de un proyecto anterior titulado Circadian Bloom— combina también métodos modernos e informatizados de cronometraje con las a menudo impredecibles e imprecisas imágenes creadas por un programa digital autónomo. Esta pieza forma parte de un proyecto en curso que explora el tiempo y la tecnología. Aprovechando esta tensión, Ridler oculta visualmente la precisión de base tecnológica con algo más orgánico y en sintonía con el paisaje natural.
Anna Ridler
Anna Ridler es una artista e investigadora residente en Londres. Su interés se centra en los sistemas de conocimiento y en cómo se crean tecnologías para entender mejor el mundo. Le interesan especialmente las ideas en torno a la medición y la cuantificación y su relación con el mundo natural. En su proceso, suele trabajar con recopilaciones de información o datos, sobre todo conjuntos de datos autogenerados, para crear narrativas nuevas e inusuales en distintos medios y explorar cómo pueden utilizarse las nuevas tecnologías (como, por ejemplo, el aprendizaje automático) para trasladarlas al público. Su obra se ha expuesto ampliamente en centros culturales de todo el mundo, como el Victoria and Albert Museum, The Photographers’ Gallery, el Barbican Centre de Londres, el Centro Pompidou de París, el HEK de Münchenstein/Basilea, el ZKM de Karlsruhe y el festival Ars Electronica de Linz.
Anna Ridler's Circadian Nocturne uses complex algorithms to explore non-human ways of measuring time and features artificial intelligence-generated animations of nocturnal flowering and scenting plants: orchid cactus, moonflower, night gallant, and wallflower. twilight. Pictorial petals slowly bloom in a dream garden, like chronobiological clocks that contrast with the mechanical and digital structures that set the pace of our current lives, and all thanks to a high-tech machine capable of timing time at the atomic level. Circadian Nocturne—the version of an earlier project titled Circadian Bloom—also combines modern, computerized timekeeping methods with the often unpredictable and imprecise images created by a stand-alone digital program. This piece is part of an ongoing project that explores time and technology. Taking advantage of this tension, Ridler visually conceals the technologically based precision with something more organic and in tune with the natural landscape.
Anna Ridler
Anna Ridler is a London-based artist and researcher. Her interest focuses on knowledge systems and how technologies are created to better understand the world. She is especially interested in ideas around measurement and quantification and their relationship to the natural world. In his process, he often works with collections of information or data, especially self-generated data sets, to create new and unusual narratives in different media and explore how new technologies (such as machine learning) can be used to translate them into the public. His work has been widely exhibited in cultural centers around the world, such as the Victoria and Albert Museum, The Photographers' Gallery, the Barbican Center in London, the Center Pompidou in Paris, the HEK in Münchenstein/Basel, the ZKM in Karlsruhe and the Ars Electronica festival in Linz.
Identidade visual para restaurante especializado em carnes.
Atendimento: Rafaella Schmidt
Direção de Arte: Kadu Fregossi
visuales también a cargo de:
Elian, Seba, Pablo, Lules, Mati, Sol, Valentino, Marcos, Tebez, el Raba y yo.
This is the Frank Gehry designed University of Toledo Center for the Visual Arts. It is connected to the Toledo Museum of Art.
Photographed on Kodak Vision 3 5219 motion picture film using a NIkon F with the FTN finder with a Nikkor 35-70mm f/3.5 lens and a Wratten 85 filter. Bleach bypass (silver retention) processed in the Kodak ECN-2 chemistry formulated from raw materials.
VCAD was hosting Concept Fashion Show, on July 17, 2013. The event provided an opportunity for the emerging talents to share what they have learned at VCAD while interacting with experienced professionals in the fashion industry. The show featured VCAD graduate Olivia S., Zoe C., Nicole F., Shaunique S., Ross V. and Evan D. designs, and included a discussion panel afterwards. The event took place at the Scotiabank Dance Centre in Vancouver, BC
Subscribe and watch VCAD videos:
www.youtube.com/subscription_center?add_user=VancouverVCAD
Visual College of Art and Design
500 - 626 West Pender St.
Vancouver, BC
V6B 1V9
CANADA
This is how I spent my New Year's Eve. I was almost through with my other journal, so I decided to start a new one for the new year. I decided to stay in the Time Life series of the "Life World Library". This book is on India. For some reason I never did anything to the covers of my other visual journals. I thought arting up the cover of this one would be a good start to a fresh start. I really like how it turned out.
This is the 2021 Visual Arts Centre in Scunthorpe, photographed earlier today. I used a 10 stop ND filter to extend the shutter speed in order to make the sky more interesting. I then just had to wait for the sun to break through the clouds and illuminate the building for a few seconds.
Canon 5D MKII.
Canon EF L 24-70 @ 24mm.
20sec @ f16 @ ISO400.
LEE Big Stopper plus Polariser.
Manfrotto 190CXPRO3 plus Geared Head.
This story was selected the best story in the "Tell a story in 5 frames group"
click here to view the story : www.flickr.com/groups_topic.gne?id=11404
Jeff and Drew making the visual approach back into Dover after nearly 5.5hrs of air refueling local training. We're all beat, but we got 100% training complete with just a bit more than 75 min on the boom. To put that in perspective, if we had taken gas that entire time we could've taken about 500,000 lbs, or 1.5 times what Freddy can hold total!!!
Blue Skies is actually two layers. You have the demolished looking inside of a building with blue skies out the window. A dsolate sceen going to a nicer one. Camera was an Olympus E500 and it was illustrated in Corel and transferred to Exposure 2 for a Kodak Ektachrome 100vs film simulation