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If you look at the four previous photographs, you'll be able to see how the the framework of notes on the whiteboard, and the drawn images, became this final page of notes. You can read more about this in this entry on my blog at andrewbwatt.wordpress.com
Original Sources of the images:
1. Olmec head: based on picture in class textbook, p. 12.
2. Maya Worker
3. Aztec Warrior from the Florentine Codex
4. Inca — Emperor Pachacuti and Wiracocha
The 2023 Visual Effects Society Awards, VES Awards, on February 15, 2023 at the Beverly Hilton in Los Angeles, California. Photo by Danny Moloshok/Moloshok Photography, Inc.
Takeshita Street (竹下通り Takeshita-dōri?) is a pedestrian-only street lined with fashion boutiques, cafes and restaurants in Harajuku in Tokyo, Japan. Stores on Takeshita Street include major chains such as The Body Shop, but most of the businesses are small independent shops that carry an array of styles. The shops on this street are often a bellwether for broader fads, and some are known as "antenna shops," which manufacturers seed with prototypes for test-marketing.
Takeshita Street was a reliable place to go and purchase fake Japanese and American street brand goods from the early 1990s to 2004. Since 2004, a stronger metropolitan government stance on counterfeit merchandise has led to a decrease of such items being available to the public.
Located directly across from the exit of JR Harajuku Station, Takeshita Street is very popular with young teenagers, particularly those visiting Tokyo on school trips, or local young people shopping for small "cute" goods at weekends.
Harajuku is known for the patrons that visit the area every Sunday. Every Sunday, many young people dress in a variety of styles that include gothic lolita, visual kei, and cosplay, among others and spend the day in Harajuku socializing. The fashion styles of these young people frequently vary and are rarely conformist to one particular style and are usually a mesh of many. Most young people gather on Jingu Bridge, which is a pedestrian bridge that connects Harajuku to the neighboring Meiji Shrine Area. [1] However, Harajuku is not just known for its Sunday visitors. It is also a well-respected fashion capital of the world renowned for its unique street fashion.[2] Harajuku street style is promoted in Japanese and international publications such as Kera, Tune, Gothic & Lolita Bible and Fruits. Many prominent designers and fashion ideals have sprung from Harajuku and incorporated themselves in to other fashions throughout the world. Harajuku is also a vast shopping district that includes luxury western designers like Louis Vuitton, Harajuku native designers, and affordable shops catered to youths.
VISUAL magazine 03. Cajamarca - Perú
Foto: Ana García Suarez - Carvallo / Galacia / España.
Edición virtual:
Outlook WebApp is the updated version of the Outlook webmail UI. After years with the clunky old version I was looking forward to improvements.
It's generally better, except for one deceptively small but surprisingly important aspect: Every time you want to add a recipient to an email, it takes you to a new screen where you have to repeat the above process for every person you wish to add.
It actually looks more simple than it is in this illustration. In reality steps are further broken by page reload (so you dont' really know where you are suppose to be looking at next). Not to mention this is completely de-contextualized from the email you were initially writing. It took me several puzzled tries to figure out that once on this screen I had to go outside the core application area and start with the search box at the top.
At least in the old version, you opened a new email, clicked on [TO] and a pop-up would appear where these things were take place (without all the reloading and poor layout and awkward element placement). Not beautiful or fancy in any way, but much more elegant solution because I DIDN'T HAVE TO THINK ABOUT THIS.
Microsoft, what were you thinking?
I really enjoy my sketch books and journals because you don't need to be to precious,I just go for it,quick and colourful!
Nuevos Caminos de exploración visual
La imagen en movimiento sucumbe los espacios desintegrados por un sistema modular de imagenes que se interlanzan y crean un bit secuencial de paranodia visual.
Mama quiero un contralador para mezclar en esta navidad.
You can use this image for your website or blog, but please include credit via the following clickable hyper link: www.dhub.com
CONCRETE POETRY AND ITS CONTEXTS.
edited by Nicholas Zurbrugg.
Brisbane (Australia), Museum Of Contemporary Art, 1989. ISBN 1-86267-oo8-o.
8-3/16 x 1o-9/16, 38 sheets white bond perfectbound in white claycoat card wrapprs, all except inside cvers printed blck offset with grey, blue & red additions to front cover.
cover by Robert Lax.
7o contributors ID'd:
Pierre Albert-Birot, Davida Allen, Ronaldo Azeredo, Gordon Bennett, Max Bense, Dusan Bojic, Jean-François Bory, Peter Burgess, William S.Burroughs, Lourdes Castro, Guglielmo Achille Cavellini, Henri Chopin, Laurie Clark, Thomas A.Clark, Bob Cobbing, Francesco Conz, Augusto De Campos, Guy Debord, Paul De Vree, Jas H.Duke, Malcolm Enright, Ian Hamilton Finlay, Pierre Garnier, Diena Georgetti, Jochen Gerz, Paul-Armand Gette, Eugen Gomringer, Brion Gysin, Michael Harvey, Raoul Hausmann, Gary Hincks, Dom Sylvester Houédard, Jeanelle Hurst, Isidore Isou, Kitasono Katué, Robert Kinder, Shane Kneipp, Robert Lax, Peter Lyle, Chris Mann, Zeliko Maric, Hansjörg Mayer, Edwin Morgan, Maurizio Nannucci, bpNichol, Pi O, George Oliver, Tom Phillips, Decio Pignatari, Alan Riddell, Bridget Riley, Luke Roberts, Mimmo Rotella, Gerhard Ruhm, Isaia Sarenco, Alex Selenitsch, Michel Seuphor, John Sharky, Madonna Staunton, Thalia Stormborn, Richard Tipping, Hiram To, Shimizu Toshihiko, Ben Vautier, Edite Vidins, Edgard Antonio Vigo, John Waller, Mark Webb, Adam Wolter, Nicholas Zurbrugg.
includes:
i) Le Chien Bleu (p.42; concrete poem)
also includes:
ii) B.P.NICHOL, by Nicholas Zurbrugg (p.42; prose with quotes by Nichol from "concrete can become as big a trap as anything...")