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Carrot nest with mozzarella "eggs" and ladybug made from little tomato and black olive. Video tutorial available on www.amouseonthetable.com
Re-THINGing Gesture in Contemporary Sculpture Practice displayed at Esplanade Jendela (Visual Art Space).
Outlook WebApp is the updated version of the Outlook webmail UI. After years with the clunky old version I was looking forward to improvements.
It's generally better, except for one deceptively small but surprisingly important aspect: Every time you want to add a recipient to an email, it takes you to a new screen where you have to repeat the above process for every person you wish to add.
It actually looks more simple than it is in this illustration. In reality steps are further broken by page reload (so you dont' really know where you are suppose to be looking at next). Not to mention this is completely de-contextualized from the email you were initially writing. It took me several puzzled tries to figure out that once on this screen I had to go outside the core application area and start with the search box at the top.
At least in the old version, you opened a new email, clicked on [TO] and a pop-up would appear where these things were take place (without all the reloading and poor layout and awkward element placement). Not beautiful or fancy in any way, but much more elegant solution because I DIDN'T HAVE TO THINK ABOUT THIS.
Microsoft, what were you thinking?
Nuevos Caminos de exploración visual
La imagen en movimiento sucumbe los espacios desintegrados por un sistema modular de imagenes que se interlanzan y crean un bit secuencial de paranodia visual.
Mama quiero un contralador para mezclar en esta navidad.
Serpentine Pavilion London
Architectural Model
BIG Bjarke Ingels Group exhibition Hot & Cold at Deutsches Architekturmuseum Frankfurt 2016/17
photographed by
Frank Dinger
BECOMING - office for visual communication
Examining the central visual field (VF) grey scale of the right eye alone may be confusing, as there is no specific pattern to the field defect. However, looking at the two grey scales together reveals a left central field defect, signifying optic neuritis. In this case, looking at the rest of the printout data (statistical package) may be useless, as it is designed to analyse glaucoma defects only.
Published in: Community Eye Health Journal Vol. 25 No. 79.80 2012 (Online only) www.cehjournal.org
CONCRETE POETRY AND ITS CONTEXTS.
edited by Nicholas Zurbrugg.
Brisbane (Australia), Museum Of Contemporary Art, 1989. ISBN 1-86267-oo8-o.
8-3/16 x 1o-9/16, 38 sheets white bond perfectbound in white claycoat card wrapprs, all except inside cvers printed blck offset with grey, blue & red additions to front cover.
cover by Robert Lax.
7o contributors ID'd:
Pierre Albert-Birot, Davida Allen, Ronaldo Azeredo, Gordon Bennett, Max Bense, Dusan Bojic, Jean-François Bory, Peter Burgess, William S.Burroughs, Lourdes Castro, Guglielmo Achille Cavellini, Henri Chopin, Laurie Clark, Thomas A.Clark, Bob Cobbing, Francesco Conz, Augusto De Campos, Guy Debord, Paul De Vree, Jas H.Duke, Malcolm Enright, Ian Hamilton Finlay, Pierre Garnier, Diena Georgetti, Jochen Gerz, Paul-Armand Gette, Eugen Gomringer, Brion Gysin, Michael Harvey, Raoul Hausmann, Gary Hincks, Dom Sylvester Houédard, Jeanelle Hurst, Isidore Isou, Kitasono Katué, Robert Kinder, Shane Kneipp, Robert Lax, Peter Lyle, Chris Mann, Zeliko Maric, Hansjörg Mayer, Edwin Morgan, Maurizio Nannucci, bpNichol, Pi O, George Oliver, Tom Phillips, Decio Pignatari, Alan Riddell, Bridget Riley, Luke Roberts, Mimmo Rotella, Gerhard Ruhm, Isaia Sarenco, Alex Selenitsch, Michel Seuphor, John Sharky, Madonna Staunton, Thalia Stormborn, Richard Tipping, Hiram To, Shimizu Toshihiko, Ben Vautier, Edite Vidins, Edgard Antonio Vigo, John Waller, Mark Webb, Adam Wolter, Nicholas Zurbrugg.
includes:
i) Le Chien Bleu (p.42; concrete poem)
also includes:
ii) B.P.NICHOL, by Nicholas Zurbrugg (p.42; prose with quotes by Nichol from "concrete can become as big a trap as anything...")
ANNAPOLIS, Md. (Oct. 7, 2022) The U.S. Naval Academy holds the third formal parade of the season on Worden Field. Parades are a visual presentation of the military discipline, professionalism and teamwork necessary to succeed as a member of the U.S. Navy and Marine Corps, and have been a part of Naval Academy training since its establishment in 1845. (U.S. Navy photo by Stacy Godfrey)
The pattern standard deviation (PSD) is the difference between the expected data (the straight line at the top) and the patient’s own data (the irregular line beneath it). The sum of the differences is here is 1.7 which reflects a much smoother hill of vision with a more normal pattern to the visual field.
Published in: Community Eye Health Journal Vol. 25 No. 79.80 2012 (Online only) www.cehjournal.org
Banner Externo - 185x428cm.
Projeto de comunicação visual desenvolvido para a Exposição de Arte e Tecnologia LIFE on LINE of LIFE, realizada da Galeria Olido - São Paulo.
Softwares: Corel Draw
Autores: Edineide de Oliveira e Nathália de Sousa Costa.
I love graphic design, but I also love decorating interiors from the finishes to the furniture to the colors on the wall, and of course, the accessories, too! I had a good time working with my client, Dr. Rajul Patel, DDS, in developing the look of her new dental office.
To see more custom design projects, visit www.designwithchon.com
Like me on Facebook! www.facebook.com/DesignWithChon
.............................
Design With Chon (DWC), a boutique design studio with defined niches in (1) visual communication, (2) event design and (3) interiors. Each of these industries are huge in themselves, but DWC has an understanding that bridges them together — color, balance, texture, order and a good eye for design. DWC’s goal is to achieve good design in all its various forms, whether it’s from the branding of your business to saying “I do” to transforming a dwelling in your home. Let me, “Chon," be your go-to person for good design, color, great photography and art. A balanced environment makes you feel good, and I am here to inspire your surroundings.
If you’re interested in sharing an idea or a project, drop me a line at designwithchon[at]gmail.com to start the conversation.
©Design With Chon. All Rights Reserved.
Original Sources of the images:
1. Olmec head: based on picture in class textbook, p. 12.
2. Maya Worker
3. Aztec Warrior from the Florentine Codex
4. Inca — Emperor Pachacuti and Wiracocha
This first brief requires you to play on the idea of gender reversal and visual puns. The brief is set to challenge and enhance work that you have created within your vintage-themed personal ‘style’ in the past. Themes of irony should run through a series of four images which are displayed collectively on one final piece to be submitted. You should interpret the brief in relation and response to recent practitioner’s work of a similar style.
Amongst other practisioners, I looked at the work of YBA's; Tracy Emin and Sarah Lucas for inspiration.
Each of the four images I created is based on or around a visual pun and/or gender reversal.
This is a favorite area for students to sit at a table. You can reach out and take a look at oddities or clip art or figure reference.
A festive shop of gorgeous books in a mid-century Førest, dreamed up by Sabrina Lee Hammon.
If Visual Editions grew trees, they would be covered in fluorescent wool, with books falling from the trees like ripe fruits ripe for giving.
A festive December shop of great looking stories, where the Førest fairies never bite.
Førest London
115 Clerkenwell Road
EC1R 5BY
Photography by the very talented Andrew Corrigan.
2012 © Visual Editions
VISUAL LIBRARIES - Leave your Mark.
A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.
A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.
You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes. Just borrow it on your library card with other books and materials. If you are not already a member, just ask the staff to help you.
45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.
In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens
For Further Details: claire.sambrook@port.ac.uk