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I haven't uploaded journal pages in a while, mostly because I haven't been journaling.

Kazú: Estamos de volta. Não que isso acrescente algo na sua vida vazia.

 

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HAUHAUAHU -Q Kazú A_______A

Ok, nós voltamos /o/ Na verdade não tínhamos ido a lugar nenhum, só que eu estava sem internet mesmo rs

 

Também não estou conseguindo tirar fotos ultimamente. Aqui em Belém estamos num período de "final de inverno" que está chovendo toda hora D:

 

Bye Nyappy o/~

This is the first challenge in a while that I actually took time to sketch out some ideas for. Most of mine were visual puns and this was the easiest one so I did it first.

 

One of them I actually laughed out loud while I was sketching it out. I hope it turns out as funny as I think it is :-D

Herjólfsbærinn (Herjólfur´s farmhouse), Herjólfsdalur (Herjólfur's valley), Vestmannaeyjar (Westman Islands), Iceland

 

www.virtualtourist.com/travel/Europe/Iceland/Vestmannaeyj...

 

The farmhouse in Herjólfsdalur is a prototype of what might have been the oldest human habitation signs in Iceland.

 

The remains of the farm was discovered in 1924, when the first director of the National Museum was doing excavation work in Herjólfsdalur valley. He discovered 3 ruins; one long-house and two smaller houses. It seems like it was the long-house of Herjólfur Bárðarson, the first settler of Vestmannaeyjar islands. So the old remains might date back to the early 9th century.

 

An extensive digging took place in Herjólfsdalur from 1971-1983 - being delayed by the volcanic eruption in Heimaey in Vestmannaeyjar islands in 1973. The remains of 8 houses were discovered from 4-5 building periods. The conclusion was that the oldest remains might date back to the 8th or even 7th century. Iceland was considered to be settled around 874, so this is controversial.

 

In 2006 a farm was built in Herfjólfsdalur in the liking of the farm that stood here in the 10th century. The farm is a long-house and an outhouse, built with rocks and turf.

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Herjólfsdalur is also the site of Þjóðhátíð, an annual Icelandic camping festival:

 

On the last weekend of July or on the first weekend of August, some 10,000 people flock to the only inhabited Westmann island for a music festival. Scandinavian bands like Sigur Rós take to the stage, but the music is perhaps the least remarkable aspect of the event.

 

The stage is in the shadow of a volcano, which last erupted in 1973. The chilly climate induces an extreme degree of heart- and hide-warming camaraderie, with singsongs rolling across the site between sets. At night, the festival hotfoots it to the huge bonfire halfway up the volcano.

 

www.dalurinn.is/en/page/history

 

www.dalurinn.is/en/page/festival-songs

 

www.dalurinn.is/en/page/video

 

In Iceland, last weekend of July or on the first weekend of August, Icelanders have their annual shopkeeper's holiday, named Verslunarmannahelgi. The most known as well as the biggest one is Þjóðhátíð, located in Westman Islands, an island outside the mainland with the capacity of around 4200 people.

 

At Þjóðhátið people get together in one purpose; to have fun and enjoy life over the weekend. It is very important that you had some sleep before entering the island since sleep is only possible occasionally as you will be busy attending this 24/7 party over the weekend as well as the camping place is located at the heart of the action.

 

Although some people look at this festival as a music one, some even say that the music doesn't matter; it's all about the atmosphere. There are three highlights during the weekend, beginning with the unbelievable bonfire at the Friday evening, followed up by an incredible firework exhibition on the Saturday night. Finally, the last but not the least, the Sunday sing-along event with Árni Johnsen, one of Westman island´s famous persons, who gathers people to sit in the hillside and sing along with him as he goes through Icelandic folk songs. As midnight approaches, the atmosphere rises to something indescribable and hits its peak when the valley lightens up in visual highlights, which is an eruption of red torches, representing the island's volcano flames.

 

One can not describe the festival without mentioning the people of Westman Islands. You would expect the residents to be less than tolerant when the massive invasion begins but the truth is that you will discover people one of their kind. Hospitality such as theirs can not be found anywhere else in the world. As the locals have their own white "house" tents in the middle of the valley, all in white, guests are invited for their so-called private parties inside of them where the residents will welcome you gladly with smoked puffin or homemade brownies swallowed down with something appropriated. Remember not to be afraid to ask for more, they are very lavish.

 

Þjóðhátíð is for each and every one of us as long as we are looking for the greatest party ever, and luckily for us Icelanders, that happens annually in Westman Islands.

Text: Arnar B. Sigurðsson

office wall at work

 

(Soledad + Los Nocheros + Chaqueño Palavecino) para VJ Nico Bernaudo

Photographies by Omar Coloma

Pages done for Decorated Page Workshop, Lesson 4 Cutouts and Addons plus Patterns and Motifs, also Lesson 3 stamped background.

 

My big Roman numeral ten is both a cutout and an add on. I got to use my new embossing gun here. The silver was done with a rubber stamp that I made by just cutting an eraser with a serrated knife.

 

The X's/Roman numeral 10 serve as both motif and pattern. The hand carved stamp that I stamped with my new Versamark inkpad is also patterning. I love the Versamark! I'm going to get a lot of use out of that one.

New "Visual Narcotics Anonymous" stickers now available with all sticker pack orders. www.20mg.com

Etiquetas.

Cor da Pele. Rio Grande-RS

girls before visual-kei gig at shibuya, tokyo

The Skills Show 2013 - Spotlight - Hear About It

Theo Paphitis and Fiona Dunsmore talking visual merchandising.

One of the main reasons I'm doing this 365 is to learn, to grow and to become the type of 'photographer' that I crave becoming. I don't want to be a pro, I just want to create images that I love. But I also want to document our lives for a whole year. To document the little things that are so easily forgotten. To make visual memory box deposits every day so that we can look back and remember those 'little things'. So this morning, on the coldest day so far (-1) we started training for my 2015 Challenge, The Tough Mudder. This year I wanted to challenge myself to something more than the Moon Walk or the 10k (which are under the old belt!) - I want to push myself further, and I want to do it because I can. Because I have my health, and my life, the life I always wanted. The life that some people never have. So for you Missy Mulberry, I will run through 20k of mud, jump into ice baths and leap off 20ft platforms - and I'll do it in your name, for the charity that made the last days of your life less unbearable. And by my side will be my husband, running at my pace and cheering me on, understanding why I'm doing something I said I would never do.

Performing & Visual Arts

 

Credit: Lance Hayashida/Caltech Marcom

 

Photo taken May 2014

A visual tour of Dupree Lakes.

Cartão Postal - 15x10cm.

 

Projeto de comunicação visual desenvolvido para a Exposição de Arte e Tecnologia LIFE on LINE of LIFE, realizada da Galeria Olido - São Paulo.

 

Softwares: Corel Draw

 

Autores: Edineide de Oliveira e Nathália de Sousa Costa.

John Creamer con la Federación de Mujeres Campesinas e Indígenas “Bartolina Sisa”.

Someone forgot to add a cancel button!

www.dsksic.com/animation/news_animation

 

DSK Supinfocom offers animation courses based on a standard approved by the CNCP (National Commission for Professional Certification in France). CNCP is directly under the supervision of the office of the Prime Minister of France. On successful completion of the course, students get awarded the Digital Director Certificate.

DSK Supinfocom’s foundation course empowers the students in the use of computer graphics tools and develops their creativity through a process of discovery, expression and communication. Subjects include image Conception, 2D and Video Software Tools, Academic Drawing, Modeling, Introduction to Animation, 2D/3D Graphics, Film Analysis, Visual Communication, Video and Composition, History of Art and Communication, Preparation of Animation and Live-action Screenplays and more.

 

model: karoliina saatpalu

mua: emilia elizabeth kruusmann

style&wardrobe: diana kull

location: patarei prison (tallinn, estonia)

PNCA MFA in Visual Studies Spring Open Studios

Saturday, April 18th

Noon - 2:00pm

 

815 NW 13th Ave. Portland, Oregon (Stagecraft Building above PNCA sculpture facilities)

 

MFA in Visual Studies Candidates:

Amory Abbott, Sean Barnes, Rachel Brown-Smith, Rebecca Carlisle, Maggie Condit, Maria Davidoff, Liz Fuller, Alex Godbold, Anastasia Greer, Lucas Haley, Tessa Heck, Evan Isoline, Candace Jahn, Aaron Johnson, Marisa Lee, Kelly McGovern, Jung Min, Bertrand Morin, Annie Oldenburg, Nicholas Patton, Katie Piatt, Veronica Reeves, Caitlin Rooney, BriAnna Rosen, Dylan Schietinger, Micah Schmelzer,Tait Simonson, Lauren Stumpf, Jason Berlin Thomas, and Nikki Vene.

 

About the MFA in Visual Studies:

PNCA’s Masters of Fine Arts in Visual Studies is a multi-disciplinary and mentor- based program. Its flexible character allows students to work within a singular discipline or to pursue a combined practice that bridges disciplines and media. This generalist structure compliments PNCA’s educational philosophy of supporting independent inquiry and encouraging cross-disciplinary dialog. Students also benefit from a dynamic national and international roster of visiting artists and designers.

 

Photos by Joe Greer

Collection

Visual~Hime

 

designer: Lucero / Kasumi Nishimura

photography: Karen Gomez

Vigil for Charleena Lyles, pregnant, 30-year-old mother of three, killed by Seattle Police officers in her apartment in the morning of Sunday June 18, 2017: Brettler Family Place 3, 6818 62nd Ave NE, Magnuson Park area, Seattle, Washington, Sunday, June 18, 2017.

DAVOS/SWITZERLAND, 26JAN13 - Visualization of the Session 'The Food Security Equation' at the Annual Meeting 2013 of the World Economic Forum in Davos, Switzerland, January 26, 2013..

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Copyright by World Economic Forum.

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swiss-image.ch/Photo Michael Wuertenberg

San Jose 2010

  

tech info:

Olympus E-1 + ZD 50mm f/2 Macro

ISO 100 @ f/4 @ 1/500 second

The need to facilitate orientation and communication through visual organization principles, was the starting point for the design of the uniforms of official personnel during the Olympic Games.

 

A contest judge had to look different from a ticket controller, a health worker from a technician. All told 88 groups of persons needed special uniforms. To make this multitude clearly understandable the personnel was categorized in superordinate groups under the aspect of related functions:

 

Personnel of the Organizing Committee

Contest judges

Technical services

Hostesses

Doctors and health personnel

Security guards

Sport site personnel

Cleaning personnel

 

Cartão de visitas.

Cor da Pele. Rio Grande-RS

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