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Da/from www.facebook.com/iononmilasciofregare/info/?tab=page_info:
IO NON MI LASCIO FREGARE
#iononmilasciofregare
Questo appello nasce dalla volontà di ricordare cosa è successo il 19 novembre 2015 a Verona...un appello che abbiamo scritto a più mani in maniera ANONIMA e che vuole essere una "chiamata alle armi" per amici artisti di buona volontà.
IN BREVE
Presso il Museo Civico di Castelvecchio sono state trafugate 17 opere di grandissimo valore: Tintoretto, Mantegna, Rubens solo per citare alcuni autori, in pratica un piccolo museo per intero (le foto delle opere rubate le trovate nel nostro album a questo indirizzo: www.facebook.com/media/set/?set=a.1064799210228843.107374....)
L’operazione è durata quasi un’ora e mezza ed è stata condotta con molta tranquillità. Un vero scandalo! Poche le parole spese dai media in seguito all’accaduto, le Istituzioni hanno messo in scena il solito scaricabarili e la raccolta firme on-line ha avuto poco seguito.
Ma un pezzettino di quelle straordinarie opere è anche MIO, è ANCHE VOSTRO! Io rivoglio il nostro pezzettino di MANTEGNA, TINTORETTO, BELLINI, etc! Non so se ve ne siete accorti ma si stanno rubando il passato e soprattutto IL FUTURO!
Io non ci sto, noi non ci stiamo! Portiamo un segnale fuori, per le strade e in rete per tenere viva l’attenzione su questo caso letteralmente scomparso, senza lasciare traccia.
Ci rivolgiamo quindi agli amici artisti: quello che sappiamo fare è dipingere, non perdiamo tempo, facciamolo. L'idea che ci è venuta è di adottare ognuno di noi una delle 17 opere e di realizzare un murale (ma anche un poster o una qualsiasi installazione urbana) reinterpretando a modo nostro il lavoro originale. Sfrutteremo l'interesse dei media per l'arte urbana per poter denunciare ad alta voce insieme questo incredibile furto!
Vi chiediamo di farlo liberamente, ognuno con i propri mezzi, ognuno con le proprie capacità,
Siete invitati a partecipare tutti e di farlo in maniera ANONIMA senza firmare le opere che lascerete nelle nostre città, per far parlare direttamente i vari TINTORETTO, MANTEGNA, PISANIELLO ETC, coinvolgendo chi volete (le realtà che oggi hanno a disposizione spazi non mancano, quindi destinatarie di questo messaggio e di certo non abbiamo niente da insegnarvi su come si può fare arte per strada...).
Quando avete fatto mandateci le foto a questo indirizzo:
iononmilasciofregare@gmail.com
o postatele su questa pagina
www.facebook.com/iononmilasciofregare/
sarà nostra cura farle girare il più possibile perchè #iononmifacciofregare
Ecco la lista dei nostri 17 capolavori da adottare:
1 Antonio Pisano detto Pisanello, Madonna col bambino
2 Jacopo Bellini, San Girolamo penitente
3 Andrea Mantegna, Sacra Famiglia
4 Giovanni Francesco Caroto, Ritratto di giovane con disegno infantile
5 Giovanni Francesco Caroto, Ritratto di giovane monaco benedettino
6 Jacopo Tintoretto, Madonna allattante
7 Jacopo Tintoretto, Trasporto dell’arca dell’alleanza
8 Jacopo Tintoretto, Banchetto di Baltassar
9 Jacopo Tintoretto, Sansone
10 Jacopo Tintoretto, Giudizio di Salomone
11 Cerchia di Jacopo Tintoretto, Ritratto maschile
12 Domenico Tintoretto, Ritratto di Marco Pasqualigo
13 Bottega di Domenico Tintoretto, Ritratto di ammiraglio veneziano
14 Peter Paul Rubens, Dama delle licnidi
15 Hans de Jode, Paesaggio
16 Hans de Jode, Porto di mare
17 Giovanni Benini, Ritratto di Girolamo Pompei
-----------------------------------------
(eng)
I WON'T GET SCREWED OVER
# Iononmilasciofregare
This call arises from the desire to remember what happened on Nov. 19, 2015 in Verona, a call that we have written many hands in an ANONYMOUS way and that wants to be a "call of duty" for artist friends and people of good will.
THE FACT
17 works of great value were stolen from the Museum of Castelvecchio: Tintoretto, Mantegna, Rubens just to mention a few painters, basically a real small museum (photos of stolen works can be found in our album to this address: https: //www.facebook.com/media/set/....)
The operation lasted nearly an hour and a half and it was carried out with extreme calm. A real scandal! A few words spoken by the media after the incident, the institutions have staged the usual buck and the online sensibilization campaign has had little success.
A part of those extraordinary works is also MINE, is also YOURS! I want back our piece of MANTEGNA, TINTORETTO, BELLINI, etc! I do not know if you are aware of that but they are stealing our past and our FUTURE!
I do not accept it, do you? Let's transmit a signal on the streets and in the internet to keep attention focused on this case that risks to disappear without a trace.
We appeal to artist friends: what we do is painting, do not waste time, let's do it. The idea is to take each of us one of the 17 works and create a mural (or a poster or any urban installation) reinterpreting our own way the original work. Let's exploit the media interest in street art to denounce loud together this incredible theft!
We ask you to do it freely, each with their own means, each with their own abilities,
You are all invited to attend and do it in an ANONYMOUS way, without signing the works that you will leave in our cities, to speak directly to TINTORETTO, MANTEGNA, PISANELLO, etc, involving those who want to participate.
Once you did it, please send photos to this address:
iononmilasciofregare@gmail.com
or post them on this page
www.facebook.com/iononmilasciofregare/
We will spread them as much as possible, because:
I WON'T GET SCREWED OVER
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Opened August 5th, 1993; originally Murphy's Mart (October 3rd, 1973-1986), later Ames (early 1987-April 1993)
I found all this at Value Village, all told for $72 No sets are complete, all are missing at least 1 or two minifigs, smaller items in the set, and a couple cases had some glue on them, most notable the TIE advanced. Still one heck of a deal.
Knowledge networking in an Enterprise 2.0 becomes visible if it yields fruits - if the action makes a difference.
(Compare to www.flickr.com/photos/michaelheiss/6889352598/in/photostream - the pure network)
clickeventonline.com/event/cultura/150930-FromMotherstoDa...
We live in a hyper-technological society in which family life is failing, a world where we can learn anything except how to be parents; how to raise children with values and limits, how to say No more often, how to discipline them.
It is said that we must raise children in freedom. No demands on them. Let them dictate their own rules and do as they please. These are well-intentioned mistakes whose consequences we are paying for daily: children and adolescents who run away, commit suicide, kill and drug themselves.
The absence of the mother in the home and the weakening of fatherly authority have become a central issue of a daily reality that threatens to destroy the family as an institution. Alone, in front of a computer our children grow up in a state of emotional emptiness. Consequently, they do not grow up. Christina Balinotti provides an enlightening handbook designed to show mothers (and fathers) how to lead and strengthen the family. It is a defense of the most important and significant event of human experience: parenthood.
Christina Balinotti is an Argentine author and lecturer. She holds a bachelor’s degree in the social sciences with graduate studies in Psychology including three years of special studies in Philosophy and Literature in her native Buenos Aires. She also has ample knowledge in the field of quantum physics.
She has resided in Miami since the year 2000, where she works as an international analyst on TV and Radio, investigating the crimes and suicides of our young people and their relationship to maternal absence during a child’s early years in this and in other developed societies.
Through her Foundation, Holistic Femininity, Christina Balinotti organizes conferences and annual workshops at several Florida universities (FIU, UM, SUAGM) as well as in important venues in Miami for the purpose of educating women in the essential recovery of family values and in the pathways of holistic femininity, all free of charge.
In 2013 she hosted a radio show at Radio Nova Internacional as well as a weekly TV Show at Telemiami in which she, together with other professionals, including sociologists, historians and psychologists, analyzed the role of women in Western cultures. Proud mother and grandmother.
In the Young Women organization of the LDS church, girls age 12-18 years old are encouraged to set worthwhile goals, and complete projects in each of 8 categories. Each of those categories, or values, is assigned a color.
White = Faith
Blue = Divine Nature
Red = Individual Worth
Green = Knowledge
Orange = Choice and Accountability
Yellow = Good Works
Purple = Integrity
Gold = Virtue
I have the privilege of working with the fine young women in our congregation, and I made this for them.
I have just come back from Marrakech where my boyfrend and I stayed at Riad dar Najat which was great. An authentic house with three floors and a fabulous roof terrace. Our bedroom was decorated with local artwork. It took us a few days to take everything in - a delight to anyone who has an interest in other cultures. The roof terrace was a perfect place to relax in the morning sun while having breakfast or pre-dinner drinks (the rose is the best ) while listening to cool jazz or Buddah Bar type music. Moo Moo (Mustafa) was always there when we needed anything and Siad the local celebrity who has recently worked alongside Tom Hanks is also a bit of eye candy for the ladies. We had a fabulous time in Marrakech, certainly helped by choosing this fab riad.
My only other suggestion would be, is to take some warm clothes as it is very cold at night once the sun has gone down
How valuable is a Kuba Cloth? They are not too expensive. I have seen them priced up to $300 depending upon the condition and the design. That's our value or a value according to an American standards.
But consider its Congo value. A good Kuba Cloth could be worth school tuitions for a family of six children. That's the value of a year of education at a primary or secondary bush school. It does not take must to send a child to school for a year. But if you are poor, it could be like a million dollar debt. It is out of the reach of many people in rural Congo.
www.endingextremepoverty.org/2009/12/the-real-value-of-a-...
On the north side of the chancel is a near identical recess to one on the south wall, which contains the effigy of a knight wearing chain armour including a coif de mailles, and a belted surcoat reaching to the knees; his legs are crossed.
Next to him but outside the recess is the effigy of a lady with wimple headress.
Both effigies are of mid 13c / early 14c,, the words "Dominus (Sir) Robertus Moton" were at one time still visible on the stone surround. This kind of chain mail armour went out of usage after c 1305 - 1320s - the guide thought he could be "the late 13c Sir Robert who was first patron of the church". The lady carved in softer sandstone is thought to be of a slightly later date possibly 1320 - 1330
(The first patron Robert Moton son of William Moton was still a minor when his father died c1217. This Robert was killed on 4th August, 1265, at the battle of Evesham, fighting on the side of Simon de Montfort his overlord, and his estates were consequently forfeited. The Patent Rolls dated 12th of January, 1266. says certain lands in Peckleton were granted to Robert's widow for the maintenance of herself and her family for life. The grant was made, " by way of grace and humanity, to Juliana late the wife of Robert Moton, the king's enemy, killed at the battle of Evesham, that out of the lands of the said Robert in Pecklinton which the king lately gave to William Bagod and [which] have been extended [i.e. valued] at £11 Is. 6d. a year, she shall have 3j virgates of land with their appurtenances of the demesne, extended at 35s. a year, and 3£ virgates with their appurtenances of the villeinage extended at 30s. a year", for maintenance, as stated above.
The forfeited possessions of Robert Moton were afterwards restored to William Moton 1260 - 1318 his son and heir
William's heir was his son William c1200 - 1331 who m Joan c1337 daughter of William de la Zouch & Maud Lovell; They were the parents of Robert Moton c1337 - 1367 m Alice 1378 daughter of Sir Ralph 1st Baron Basset of Sapcote by Sibell Astley)
It may well be that these effigies, possibly as the guide says of Robert Moton & wife Julian were made later after their son William regained his estates
www.le.ac.uk/lahs/downloads/PeckletonPagesfromVolume17.pdf
www.geni.com/people/Sir-Robert-Moton-I/6000000022351069383
www.hinckleytimes.net/news/local-news/past-times-history-...
- Church of St Mary Magdalene, Peckleton Leicestershire
In the style of Banksy if not actually by him.
Found on Hawley Road, Camden
Referring to the 2013 horsemeat scandal.
Blue Value
Dave Bärtsch / Guitar & Vocal
Peter Oberholzer / Guitar
Paddy Nobs / Bass
Chris Glarner / Drums
Live Concert: 07.10.2022 Bogenkeller, Bluesclub Bühler
Foto / Video by Fredi Schefer
Foto by Fredi Schefer
Aufnahme mit Nikon Z7 II
Bearbeitung mit Camera RAW
I will have the moral courage to make my actions consistent with my knowledge of right and wrong. (YW Personal Progress). Models: Krista and Kendra Bass.
I found all this at Value Village, all told for $72 No sets are complete, all are missing at least 1 or two minifigs, smaller items in the set, and a couple cases had some glue on them, most notable the TIE advanced. Still one heck of a deal.
For COVID-19 Situation you will get a big Discount!
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I just recently aquired a really nice, vintage Besson Cornet - Details as follows:
Bell marked:
CLASS A
50 Medals of Honour
FB
Besson & Co.
"Prototype"
198 EUSTON ROAD
LONDON
(with Single star symbol below)
On receipt I gave it a really good CLA (I managed to get the seized 3rd valve bottom cap off). It is now playing fairly well with good tuning.
If I am feeling wealthy later in the year I might get it professionally serviced to get it playing the best it can and sort out that dent in the bell.
Description & History:
--------------------------------
An authentic Besson & Co. Brevet cornet, manufactured around 1911 (serial number 85515). Renowned for their craftsmanship and rich tonal quality, Besson Class A instruments of this era were designed for professional use and have become highly sought after by collectors and players alike.
The last owner purchased it from a lady in Yorkshire whose grandfather played this instrument, she said initially in the Halifax Fire Brigade band then after the war Mexborough Fire Brigade band. The last owner bought it to play the Last Post at Newcastle Emlyn Remembrance service on 10 November 2024. That was its most recent outing.
The instrument is in good condition, with all components functional. The bell has a couple of dents (does not affect playability).
Included Accessories:
1. Original Hard Case (Poor Condition): Structurally intact but shows significant wear, consistent with its age.
2. Set of 7 vintage mouthpieces:
“Salvation Army No. 1”
“Hawkes & Son. 1 Model” (marked with a 5)
“Hawkes & Son. 2 Model”
"Selmer Range-finder Air-cooled - 16D" (Modified shank)
"Selmer Range-finder Air-cooled - 17D" (Boxed)
"Kilchen & Co Leeds - KOOLKUP 3"
Unmarked Trumpet mouthpiece
3. Silver Transitional Adapter (“512” Marked) - facilitates compatibility with different mouthpiece designs, enhancing the instrument’s versatility.
4. Brass Transitional Adapter (Unmarked): - A second brass adapter designed for additional configurations.
5. S.B.I. Co Lyre: -A genuine Salvationist Brass Instrument Company lyre, used for holding sheet music during performances.
Condition Summary:
-----------------------------
Instrument: Good condition, with couple of small dents in the bell and minor wear from age.
Case: Structurally intact but in poor cosmetic condition. Retains original clasp and internal compartments.
Accessories: All items are vintage, functional, and rare, significantly enhancing the set’s value.
Notes:
---------
The big air-cooled mouthpieces are bonkers and too much for the horn but they work nicely on my flugel horn!
Out of all the mouthpieces I think the beaten up Hawkes 1 model (5) and Sally Army No. 1 play the best... I guess that is why they are the most beaten up!
Mariette DiChristina, Editor-in-Chief, Scientific American, USA.during the Session: "Ethics and Values in 2030 " at the World Economic Forum, Annual Meeting of the Global Future Councils 2017. Copyright by World Economic Forum / Benedikt von Loebell
Leicht Orlando Tenessee Walnut units with Sensa Abyss Black granite worktop. Miele ovens with Neff hob and hood. Blanco sink with Dornbracht Tara tap. Svelt coloured toughened glass. The colour scheme was inspired by colours found in a forest and gives a rich yet calm feel. www.kitchenkind.co.uk
Value City (90,000 square feet)
837 J Clyde Morris Blvd, Newport Square, Newport News, VA
Opened August 5th, 1993; originally Murphy's Mart (October 3rd, 1973-1986), later Ames (early 1987-April 1993)
Everything I think seems to have a little strain of chaos, that buzzing happening of a brain that won't give itself a break. It keeps me thinking that I've done too much, even if there's not much truth in the matter. I'm the wrong one to ask about how to relax, you'll find me running on a tightrope and talking up the meditative value. Always about what's next, what's now, intensely impatient to reach it. If I ever seem calm, it's because I've found a fever pitch at its greatest, and stood still on a precarious peak before tumbling. Steadily swaying sort of sickly, thoughts that call me craving speaking, nothing I tend to keep inside for long. When I'm about to fall asleep, I know how much I need the rest.
May 14, 2022
Beaconsfield, Nova Scotia
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