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By doing the Visual Study from the beginning I felt that it was not going the way I wanted, not having control of the charcoal, It was hard for me to take on the shape and the spaces that I needed. I was struggling but managed to continue on the basic shape of the art work in front of me and little by little I have managed to give few details also creating waves of patterns by using the charcoals as well as using shadowing in my work which made the visual project stand out more.
I'm entering this in a call for visual journals by the Brooklyn Sketchbook Library to be put in a time capsule for 50 years (!). I've decided the theme will be birds, with the Emily Dickinson quote in mind, "I hope you love birds too. It's economical. It saves going to heaven."
Cada placa de esta pared lleva un número diminuto pintado en un círculo blanco, como si fuera parte de un juego de mesa gigante. En un extremo de la calle, unas grandes placas hacen las veces de índice: un catálogo que permite buscar el nombre correspondiente a cada pieza. Sin ese índice, la pared es pura anarquía visual —una máquina de escribir oxidada, un rostro esculpido en piedra, un círculo con forma de laberinto, una placa amarilla con la palabra "ELVIS!" en letras de cómic, dos figuras de metal que parecen bailar—. Con el índice, cada objeto recupera su nombre y su historia.
Lo interesante es que la pared no distingue jerarquías. Un poeta lituano del siglo XIX puede estar junto a un fan declarado de Elvis Presley, una caligrafía japonesa junto a un objeto abstracto imposible de descifrar sin ayuda. La lámpara que cuelga del alero ilumina el centro de la composición con un halo casi religioso, como si fuera un altar dedicado a la letra impresa. Ese contraste entre el orden numerado del catálogo y el caos aparente de la pared es, quizás, la mejor metáfora posible de lo que es una biblioteca: un desorden que solo tiene sentido cuando alguien se molesta en clasificarlo.
(Texto creado con ayuda del modelo Sonnet 5 de Claude AI)
Foto hecha con el móvil.
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Vilna, Lituania.
When it's 100 during the day, people come out at night. Even in the rain! These streets were full of little restaurant, bars, and tourist traps. Plenty of county fair type games, and even a few traditional Japanese archery rooms.
Fireworks over the 2021 Visual Arts Centre in Scunthorpe, North Lincolnshire, to celebrate the Christmas lights switch-on.
Switzerland is known to produce some of the most famous chocolates in Europe. It is such a pleasure for the eyes.
Zürich, Switzerland
Taken over the China Sea (or around the area of Subic/Olongapo) in Maynard Halili's Beechcraft Baron. Shot through a dirty aircraft window.
© 2002 Bong Manayon | FB: Bong Manayon Photography
Pentax MX + SMCP A 35-70/4 + Fuji Reala 400
05.04.08 22.11.29
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This photo has made it to explore! Rank #146 on 2008-06-24 .
Visual art made from sand collected at Ventura Beach California. I made it from wood, hose, cardboard and wall spackle.
This is a set of 5 over-sized postcards of some of my visual journal pages. Each glossy postcard represents a journal spread, and is 8.5" x 5.5". The printing quality is so good, you can read my writing and feel what I was feeling when I created the journal page. Keep it for yourself for art inspiration, or mail it. The back is blank, except for my information, so you can write a note and address it.
A natural history of birds
London :Printed for the author, at the College of Physicians in Warwick-Lane,MDCCXLIII-MDCCLI [1743-1751, i.e. 1750-1776?]
from the visual journal that I've been working on, started on '09 and now continued. Most of the images in the 2022 section come from a French children's book on zoology, "Pour les tout Petits,Lectures sur les Animaux."
any unusual visual expereiences recently.
A hallucination, in the broadest sense, is a perception in the absence of a stimulus. In a stricter sense, hallucinations are defined as perceptions in a conscious and awake state in the absence of external stimuli which have qualities of real perception, in that they are vivid, substantial, and located in external objective space. The latter definition distinguishes hallucinations from the related phenomena of dreaming, which does not involve wakefulness; illusion, which involves distorted or misinterpreted real perception; imagery, which does not mimic real perception and is under voluntary control; and pseudohallucination, which does not mimic real perception, but is not under voluntary control. Hallucinations also differ from "delusional perceptions", in which a correctly sensed and interpreted genuine perception is given some additional (and typically bizarre) significance.
Hallucinations can occur in any sensory modality — visual, auditory, olfactory, gustatory, tactile, proprioceptive, equilibrioceptive, nociceptive, thermoceptive and chronoceptive.
A mild form of hallucination is known as a disturbance, and can occur in any of the senses above. These may be things like seeing movement in peripheral vision, or hearing faint noises and/or voices. Auditory hallucinations are very common in schizophrenia of the paranoid type. They may be benevolent (telling the patient good things about himself) or malicious, cursing the patient etc. Auditory hallucinations of the malicious type are frequently heard like people talking about the patient behind his back. Like auditory hallucinations, the source of their visual counterpart can also be behind the patient's back. Their visual counterpart is the feeling of being looked-stared at, usually with malicious intent. Not infrequently, auditory hallucinations and their visual counterpart are experienced by the patient together.