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AB FAV for today…
www.facebook.com/groups/1148438991917313/
I had been 'playing' with this concept for a while in my head. I called it (instead of the Silence of the Lambs) the Silence of the Bird. When I had the final result, it came to me immediately: VISUAL SILENCE.
I don't often 'dive' into the digital 'magical' darkroom that photoshop can be, but for certain projects it is a great creative tool!
Here, in the case of visual silence, what is being absorbed is not sound but gaze.
If silence is the absence of noise, then this visual silence is defined as the gradual absence, the vanishing, of what surrounds it, where we burrow from the visible surface to the invisible core. Our focus on the image involves a diminution of the optic field:
in this sense, visual silence is like a poem, its power arising from its sheer vulnerability. The image cannot be penetrated even by the most powerful of gazes because it is already open, in full view... and yet the transparency of the image, one that does not attempt to hide anything, is still capable of mystery.
Visual silence arrests us because it is the interface between two realms of partial knowledge: between he who does not know he is being watched and those who do not know what they are watching.
Some images leave us speechless, we watch them in silent awe.
Ultimately the camera is merely an extension of the human eye, it only sees and cannot wholly know what it is seeing.
May PEACE be with you and thanx for everything, M, (*_*)
For more of my other work visit here: www.indigo2photography.com
Please do not use any of my images on websites, blogs or any other media without my explicit permission. © All rights reserved
Renfe Mercancías ha puesto en marcha, junto a las principales empresas ferroviarias europeas, una importante campaña de concienciación sobre el papel determinante del tren en la lucha contra el cambio climático. Esta campaña se ha personalizado el Tren de Noe,200 metros de contenedores pintados a todo color con los principales ejemplares de la fauna europea que lleva recorriendo el viejo continente desde que se fletó en la última cumbre del clima, celebrada en Katowice en diciembre de 2018.
El Tren de Noé, que ha llegado a España transportado por Renfe Mercancías, llega hoy a la estación de Francia de Barcelona donde se podrá visitar hasta el 15 de septiembre. Con 200 metros de longitud, está considerado como la obra de arte más larga del mundo.
Se trata de una campaña que ha sido impulsada por la alianza Rail Freight Forward, RFF, de la que Renfe Mercancías forma parte, y tiene como objetivo llamar la atención sobre la necesidad de lograr un incremento de la cuota modal del tren en el transporte de mercancías del 18% actual al 30% en 2030. Transfesa Logistics y Captrain España están colaborando con Renfe Mercancías en la iniciativa.
El Tren de Noé está formado por contenedores pintados con imágenes de animales, una campaña visual que ha puesto en marcha Rail Freight Forward, RFF, la alianza integrada por 16 empresas europeas de transporte de mercancías, además de CER y la UIC. Los contenedores que forman el tren han sido pintados por artistas urbanos de todos los países involucrados en la iniciativa. En España, Renfe Mercancías incorporará al tren dos contenedores que han pintado Sabek y MisterPiro, artistas españoles de reconocido prestigio.
La campaña pretende llamar la atención sobre la necesidad de incrementar en Europa la cuota del tren en el transporte de mercancías desde el 18% hasta el 30 % en la próxima década como una importante aportación medioambiental. En este contexto, la política de Responsabilidad Social Corporativa de Renfe se encuentra alineada con la agenda 2030 y los Objetivos de Desarrollo Sostenible auspiciados por la ONU, en especial con los que se enuncian con los números 7 y 13: Energía asequible y no contaminante y Acción por el Clima respectivamente.
El transporte de mercancías por ferrocarril es un elemento clave para conseguir limitar el incremento global de la temperatura a 1,5 grados tal como se estableció en el Acuerdo de París.
In dreams, I see shapes and colors like these and I hear music as the shapes and colors change. It seems perfect to imagine those feelings and sensations with fractals.
Jeepers! January's almost over and I haven't taken a picture in over a month! Lame! Stopped off at my favourite pond and whipped up this rather uninspired, rushed shonky mess. Better than nothing I guess...
Small cheapo torch, cathodes and sparklers. No photoshopping/visual adjustments, just shrunked.
PSAREA Villas - Kamilari - Crete - videomapping by genelabo - second great evening with good friends and water in the pool!
see a video here: www.youtube.com/watch?v=FYshO_fNVNo
not sure what to say about this image......simply messing around yesterday with old photos and this is one of the things that happened.
Well I’m sure it’s pretty obvious where this started from, not.
It’s another great photographic idea that flopped on implementation and subsequently to be repurposed for Sliders Sunday. Originally it was a picture of water boiling in the bottom of a pan, taken on a whim while on holiday.
Great idea. Pity about the steam clouding the image, lol.
The Topaz Glow filter, for me, is a bit like a banned substance I guess (and I have to guess ;) )...I have withdrawal problems if I don’t get a regular dose of it...
Glow needs two things to work well at this abstract end of its possible uses: some sort of linear structure to seed its collagen building algorithms and some interesting colour. The boiling water (so the idea went) was all interesting circles for the structure, but the question was how to add colour, zap, zing, pizazz and general psychedelia?
So I created a layer formed from two overlaid conical rainbow gradients and blended that with the bubbles using Soft Light. I then used a Mirror distortion filter with 6 mirrors to get the sixfold symmetry (I’ll link to the original bubbles and this interim stage - where you can just still make the bubbles out - in the first comment).
Then the real fun started. Into Topaz Glow starting with one of the Neon presets, and then sliding the sliders to taste…
Back into Affinity Photo for mangling with the hue, saturation, contrast, colour curves (LAB) and a bit of Clarity filter. And there you have it, well apart from a black frame and a blue internal shadow :)
Thanks for taking the time to look. I hope you enjoy the image (legally) :) Happy Sliders Sunday!!
San Francisco is noted for it's hilly street's so I thought I would put the car's close to being level which gives an idea with the slanted homes how steep this road is. My wife and I walked endless miles on the hilly streets of this great city, of course we stopped for a beer or two along the way to take care of our insatiable thirst.
Perfomance with Oregon Painting Society on December 12th, 2008 at Rotture
watch the video!
Visual is a dance troupe that consists of (not exclusively)
Morgan Alexandra Ritter
Dana Dart-McLean
Kersti Jan Werdal
Brenna Murphy
Barbara Kinzle
Lynn Dunham
Asia Wong
Molly Pringle
Much of my time these days is spent on work and family and photography has totally taken a backseat for many months now. In fact, my impatient 9 year old daughter was waiting and whining behind me as I was making this shot. I had to find ways to resuscitate my lost creativity nowadays and continue my visual journey...
My apologies for the very rare visits to your streams nowadays.
IR Modified Canon EOS 50D ı Canon EF-S10-22mm f/3.5-4.5 USM ı 10mm ı 1/40s ı f/8 ı ISO 200
©Rik Amar 2014. All Rights Reserved
some of my long time flickr friends may "get"
this more readily , knowing that most often i
can be found in a garden , either whenever
the seasonal maintenance & climate allows
OR
-- those regions of my mind may propel --
ps: HFF and happy positive resolutions 😃
"Losing someone is like when the sun comes through a window, moving across the room with each hour, until night falls and all you can do is try to remember the soothing shapes it made.” Stewart Lewis
Holstebro, Denmark – February 2024.
During most of 2024 Holstebro will be celebrating it's 750 year anniversary.
This is from the opening night.
I don't know what Marbled Hot Springs Rd. would be without the American Bitterns! While we were there the reeds hadn't had a chance to grow very tall so the Bitterns were pretty easy to spot. Raising their heads up generally in position with the vertical reeds I'm sure they are imagening they are hidden from sight...I didn't realize until this picture what an incredible 'visual perspective' they have of everything around them in this position!
My favourite time of year is Fall because it is such a visual delight. The wonderful colors, the smell in the air and everything that goes with it. This area of Fish Creek shows a river gently winding through an area of colorful trees.
Without visual references to compare its size, it's difficult to say if this is a real lighthouse or a model. What do you think, is it real?
Showing at Putney Library at the RPS SW London 'Minimal' exhibition - August 2018. Taken in Myanmar, during a fantastic trip with Tim Mannakee in January 2017. Submitted into RPS Visual Arts Exhibition 2019 selection - deadline November 2018. rps.org/events/2018/august/20/minimal----an-exhibition-of...
Photographer - Visual Distress MM#510136
Model - Myself - Red Rhapsody MM#375616
Hair/MU/Wardrobe - Myself
Location - Primal Stare Studios
*because I gave this title to a photo back in 2002 (see first comment)
© 2020 Bong Manayon | FB: Bong Manayon Photography
Pentax K-3 + HD DA 16-85/3.5-5.6 ED DC WR
RAUM - Martin Kälberer live - 3D Sound Installation - Immersive Audio live
Live aus den Groundlift Studios am Ammersee.
Produktionsleitung: Daniel Betz
Technische Leitung: Julius Drescher
Regie: Michael Praetorius ( @michaelpraetorius )
Kamera: Robin von Mendel, Stefan Stelzer, Michael Schöpf,
Mattias Meinl, Matthias Maier, Savannah Nixon
Visuals: Gene Aichner
Licht: Daniel Kleine-Albers
Ton: Julius Drescher, Michael Müller-Jin
Broadcast: Fabian Mannberger
Künstler-Management: Béla Rieger
hier gibt es eine Vorgeschmack auf youtube: www.youtube.com/watch?v=BnoaJH3vRYw
bodegón
cerca de mí
Y mi bebe de miel
En un italiano
Ristorante
y sin embargo
Alguien había
Un buen sentido
De diseño visual
Su elección
En vinos
Chupado
-- Miguel deO
[still life
next to me
and my honeybaby
in an italian
ristorante
and though
someone had
a good sense
of visual design
his/her choice
in wines
sucked}
"Bad B***** to the left, money b****** to the right..."
You are the visuals, baby...
TAXI:
maps.secondlife.com/secondlife/Sunrise%20Beach/79/187/1006
"Bee" Set - It comes in 12 colors. 3 extra colors are in the FATPACK ONLY! - Fatpack include color HUD. Maitreya (Lara), Legacy (Original), eBody (Reborn) and Kupra (Original).