View allAll Photos Tagged VISUAL
These are the ones! 6200 photo submissions to the OC Visual Arts Competition. I entered only a few this year because I traveled less due to moving, and some personal fitness goals. Feeling so privileged that these three made the cut . Can't wait to complete my 2016 photography / travel goals 😃
School of Art and Art History at University of Iowa in Iowa City, Iowa. Designed by New York City architect Steven Holl Architects.
These pages are made from scraps on my work table. The
challenge was to make order from waste -- & not throw away even the smallest scrap.
Press L to view on a black background.
You can see more on my Flickr Photostream or on my Web site.
This image is mine. You may not use it anywhere or for any project without my express permission. Rates for commercial applications are available on request.
Please contact me if you would like to arrange a commercial use, or purchase a print of this photograph.
acuso mi austeridad a la innovación y amordazo el nihilismo de todo tiempo pasado. descuartizaré este presente, que nunca avanza, en hedonismo sensorial.
Here's my digital visual, coloured in photoshop from a sketch in my sketch book, formed the basis of my Samurai graff piece, prefer this sketch, but i am NEVER HAPPY!!!!! :)
Each of these, in its own way is like a visual haiku to me.
"Winter is that time of year, when so much has been taken away, that what is left is even more beautiful."
Garrison Keillor - Prairie Home Companion
My first piece of Visual Art - from Grindelwald in Switzerland. The scenery there was just amazing while I had to wait for my train to Interlaken. I had 15minutes to wait so it was clear to take some long exposure shots!
For more check out my website (www.mscgerber.com) or my Instagram (@mscgerber)
A series of assemblages and mixed media paintings by Chiew Sien Kuan (Singapore) displayed along the Esplanade Tunnel during A Little Love Story in Singapore.
I was sitting on the sidewalk in front of my usual perch trying to get some dramatic shots. It was uncomfortable and I stayed just a few minutes.
Love Park
Philadelphia, Pennsylvania
A new visual journal -- courtesy the talented Norma Lydon -- that I just began, having completed the other.
With the weather turned grey and the spring flowers just starting to poke through, it is nice to view again some fall blooming flowers from a lovely front porch garden in Neskowin, Oregon.
Hasselblad 503CX with Carl Zeiss Sonnar 180mm F4 T*
Film: Ektar 100
It's too much, isn't it?
It blocks our breath.
(highly amazed by the Sonnar Lens. More great resolution pics to come. :) )
And just what do we really know about any thing. I think about his fact a lot.
Mike
Look me up on Facebook.
Let me know you know me from here.
I begin my photographic creative journeys with my son AJ at my side because he adds inspiration into the visual experience. I attach several objects to a mobile in our living room and turn up some music. Then I basically dance with my camera in hand, hoping to catch the wonderful flickers of beautiful colors, shapes and movements from the spinning and dancing motion that takes place. Then I use my Macintosh computer with Photoshop to enhance several images and combine them into the final composite prints. Some of the images are not composites but are always enhanced in some way that I feel might be beautifully aesthetically pleasing images to enjoy. These images can really feel and look as if they have been painted by a magic brush. I feel a rush of great joy in seeing one printed and hung on the wall. I feel like they sing, dance and play for my eyes and consider the finished works to be fine art photography. What intrigues me most about all photography are the colors, shapes, and patterns which give me mini vacations and provide great rest and relaxation. My great hope is that I can also offer this same joy to everyone who see my photographs. When it comes to making lasting images and having a great investment in photographic art, the best prints possible are now found to be on aluminum. The colors are vibrant and the luminescence is breathtaking. The detail and resolution are incredible. So you will get from my abstracts just fantastic eye popping art . Paper based prints will last about 20 years. The Aluminum prints are about 150 years for the true color stability. This makes it possible for even your grandchildren to enjoy them. But the best part is this can be a great investment for your love of photographic art. Some of my prints are in limited editions. If you would like to make an investment in my art prints for yourself, please let me know.
AJ Patnode - A Journey of Hope (documentary):
www.youtube.com/watch?v=OR7m8QFcmRM
This shows how we do the Camera work:
www.youtube.com/watch?v=fmjVVGraUVw
AJ'S blog:
Communicating through images today is fast & easy — with your smart phone you can tell the world where you are, what you’re doing & what you’re eating with just a few button presses. But has that cost us something?
Does the sheer amount of mundane images we see make good photos matter less?
Read more on my blog.
Visual notes from JSB's keynote at the 2010 NMC Summer Conference, captured using Autodesk SketchBook Pro on my iPad.
Taken June 12, 2010.
#AB_FAV_FREE_
I had been 'playing' with this concept for a while in my head. I called it (instead of the Silence of the Lambs) the Silence of the Bird. When I had the final result, it came to me immediately: VISUAL SILENCE.
I don't often 'dive' into the digital 'magical' darkroom that photoshop can be, but for certain projects it is a great creative tool!
Here, in the case of visual silence, what is being absorbed is not sound but gaze.
If silence is the absence of noise, then this visual silence is defined as the gradual absence, the vanishing, of what surrounds it, where we burrow from the visible surface to the invisible core.
Our focus on the image involves a diminution of the optic field:
in this sense, visual silence is like a poem, its power arising from its sheer vulnerability.
The image cannot be penetrated even by the most powerful of gazes because it is already open, in full view... and yet the transparency of the image, one that does not attempt to hide anything, is still capable of mystery.
Visual silence arrests us because it is the interface between two realms of partial knowledge: between he who does not know he is being watched and those who do not know what they are watching.
Some images leave us speechless, we watch them in silent awe.
Ultimately the camera is merely an extension of the human eye, it only sees and cannot wholly know what it is seeing.
Each time I think... that's it, there's only so much you can do with flowers... and yet again and again, I'll see something new.
Being creative is not a choice... it is an urge in me.
May PEACE be with you and thanx for everything, M, (*_*)
For more of my other work visit here: www.indigo2photography.com
Please do not use any of my images on websites, blogs or any other media without my explicit permission. © All rights reserved
feathers, indigo, eyes, blue, flowers gerbera, daisy, post-processed, digital, square, studio, visual-silence, visual-art, Hasselblad, Zeiss, Magda indigo
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By doing the Visual Study from the beginning I felt that it was not going the way I wanted, not having control of the charcoal, It was hard for me to take on the shape and the spaces that I needed. I was struggling but managed to continue on the basic shape of the art work in front of me and little by little I have managed to give few details also creating waves of patterns by using the charcoals as well as using shadowing in my work which made the visual project stand out more.