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Visual Magick made these adorable inflatable shark mods!!!! Look at that face! Those hand holds! I want to float away somewhere when I wear this mod! There is even a walker included with squeeky sounds! Comical! Rubber! Adorable! Check-ch-check-check-check-ch-check it out! What-wha-what-what-what’s it all about?! Link: marketplace.secondlife.com/p/VM-Slugger-Shark-Inflatable-...
I’m deliriously tired so that might have been a strange review lol.
30 Days of Perception - Day 6
"Movement through gesture is a form of communication.
All phenomena are animate and expressive."
Kim Manley-Ort
As we express ourselves through gesture, movement and body language, so do all living things, including plants.
I cut a small branch of ivy to put in a vase to illustrate how the graceful movements suggest body language. I notice how the tiny new branches take directions of their own away from the main stem and how each leaf has its own personal expression. When I observe the movement of the branch, I enter into communication with the way it expresses itself. It's as if I can feel a movement and sway.
A veces cuando estoy ante estas “estampas” visuales me da por pensar que parecen una imagen irreal, una foto donde se puede observar una belleza que no ha sido creada ni diseñada por nadie, un momento único que solo se plasma de la manera más maravillosa en nuestras retinas y que ninguna cámara puede captar. Hemos puesto tanto empeño en modificar, mejorar, diseñar nuestra vida y lo que la rodea que a veces estas visiones naturales hasta nos parecen artificiales. Rayos de sol filtrándose entre nubes con formas caprichosas que amenazan lluvia por encima de nuestras cabezas, olas que se deleitan deslizándose por las rocas un millón de veces, el viento cambiante que vuela por encima del océano hasta llegar al horizonte y volver…etc. Impertérrita una escalera colocada por el hombre permanece inmóvil en medio del espectáculo, cuya única finalidad parecer recordarnos que ni siquiera allí la naturaleza ha podido zafarse del “progreso humano”.
Ubicación: Cabo Cervera (Torrevieja)
Equipo utilizado: D7000, Sigma 10-20, trípode, disparador remoto, portafiltros LEE y filtro degradado inverso Hi-Tech 0.9.
Técnica utilizada: Prioridad a la velocidad para conseguir efecto seda en el agua (normalmente utilizo la velocidad de 1/2 a 1/3 segundos). ISO al mínimo para evitar la aparición de ruido.
Postprocesado: ajuste del horizonte, aumento del contraste y redimensionar para web.
Jökulsárlón is a visual dream if you like landscapes or even if you don't....:) The sunset was extremely spectacular that evening and although the wind was too fierce for cool sunset reflection shots, it was still a real nice photographic moment...
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© VanveenJF Photography
I'd like to share this panorama today to try and have a small break from some haunting images of Syrian refugees that I cannot get out of my head. The sunrise in this little village of Jamnik, Slovenia was mesmeraising and I hope it can provide a little rest to your thoughts.
Hoy me gustaria compartir este panorama para darle un breve descanso a mi mente que no deja de traerme imágenes desgarradoras de los refugiados sirios. El amanecer en la pequeña aldea de Jamnik, Eslovenia, fue cautivador y espero que os pueda dar un pequeño respiro visual y emocional.
Prints, workshops and more
Presentation is what it's all about sometimes, and Millennium Gold was the perfect subject to pull this off.
The original image can be found on my instagram account if your interested in seeing that (mfstafford_photography). I'm not really into heavy editing but sometimes I like to go crazy with it! It's fun!
Will pilots be ready to fly us where we want to go once the pandemic is over?
but first don't worry, it's melting snow coming down on a glass table.
Contacte visual Los encuentros con la fauna salvaje son siempre mágicos, pero cuando establecen contacto visual y además se muestran confiados y no huyen…Eso ya es lo máximo para nosotros como fotógrafos, y más con una lechuza campestre.
Les trobades amb la fauna salvatge són sempre màgics, però quan estableixen contacte visual i a més es mostren confiats i no fugen…Això ja és el màxim per a nosaltres com a fotògrafs, i més amb un mussol marí.
The encounters with wild animals are always magical, but when they make eye contact and also show confidence and don’t flee… That’s already the ultimate for us as photographers, especially with a short eared owl.
#nikonsD500 #sigma150600contemporary #nikonistas #svo #seobirdlife #natgeoyourshot #devesalbuferafoto #birding #albuferadevalencia @nikoneurope @nikonistas @sigmaphotospain @devesalbuferafoto @seobirdlife.cvalenciana @svornitologia
As I told you before and in the last post , I do everyday one little illustration . Here you can see the starlings I saw today in front of my window, some flowers and that yellow girl is my vision of Amanda Gorman, the United States' first-ever youth poet laureate. She recited a powerful poem at the inauguration of President Joe Biden and Vice President Kamala Harris.
Here are some of her words.:
"When day comes we step out of the shade,
aflame and unafraid,
the new dawn blooms as we free it.
For there is always light,
if only we're brave enough to see it.
If only we're brave enough to be it."
I love that message of hope.
thank you www.flickr.com/photos/colorfulexpressions/ for making me pay attention to this moment.
from the visual journal that I've been working on, started on '09 and now continued. Most of the images in the 2022 section come from a French children's book on zoology, "Pour les tout Petits,Lectures sur les Animaux."
#AB_FAV_FREE_
I had been 'playing' with this concept for a while in my head. I called it (instead of the Silence of the Lambs) the Silence of the Bird. When I had the final result, it came to me immediately: VISUAL SILENCE.
I don't often 'dive' into the digital 'magical' darkroom that photoshop can be, but for certain projects it is a great creative tool!
Here, in the case of visual silence, what is being absorbed is not sound but gaze.
If silence is the absence of noise, then this visual silence is defined as the gradual absence, the vanishing, of what surrounds it, where we burrow from the visible surface to the invisible core.
Our focus on the image involves a diminution of the optic field:
in this sense, visual silence is like a poem, its power arising from its sheer vulnerability.
The image cannot be penetrated even by the most powerful of gazes because it is already open, in full view... and yet the transparency of the image, one that does not attempt to hide anything, is still capable of mystery.
Visual silence arrests us because it is the interface between two realms of partial knowledge: between he who does not know he is being watched and those who do not know what they are watching.
Some images leave us speechless, we watch them in silent awe.
Ultimately the camera is merely an extension of the human eye, it only sees and cannot wholly know what it is seeing.
Each time I think... that's it, there's only so much you can do with flowers... and yet again and again, I'll see something new.
Being creative is not a choice... it is an urge in me.
May PEACE be with you and thanx for everything, M, (*_*)
For more of my other work visit here: www.indigo2photography.com
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