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Utilizing the gallery exhibition space where wall meets floor, Horochowski reconstructs site-specific landscapes consisting of sculpture, digital photography, sound, fluorescent lights, carpeting, and other synthetic materials. Manufactured objects serve as proxies for nature that acknowledge the history of landscape painting, while sculptural objects function as props that can be continually rearranged, suggesting multiple narratives. Each sculpture is completed by the architecture of the gallery and the visitor.
Confounding more traditional attitudes towards sculptural material, powder coats, sprayed chrome, and auto paint enamels mask bronze, brass, and iron. Emphasizing process over product, Horochowski invites visitors to interact with each sculpture, and imagine its origin and evolution.
Artifact Shore presents Living Cloud Cave, the Brooklyn-based group’s original four-part music and video experience inspired by Horochowski’s Cloud Cave.
Presented by Burnet Gallery and Le Méridien Chambers Minneapolis
Photograph Patrick Kelley, courtesy Northern Lights.mn
In this picture, the drainage area is actually blended in with the landscape solution to create an attractive and functional drainage culvert.
This is my machine running Firefox 3, Pidgin and Banshee. The operating system is Xubuntu 9.04 and as you can tell, it is very efficient about it's RAM and CPU usage.
Machine specs:
Core i7 920 (2.66GHz)
6GB DDR3 RAM
300GB 10,000RPM HDD
2x 600GB 7,200RPM HDD
Nvidia GeForce 9800GT w/ 1GB GDDR3 video memory
Utilizing just the windows light, our model poses for a moment before the shoot. A slightly different post treatment.
You can utilize this massage to assist you with retaining your awareness or to assist you with escaping from the everyday routine. It tends to be a method for wiping out huge numbers of the issues and throbs that you might look regularly, simply through a basic massage. This little device can be the contrast among progress and disappointment through the mitigation of strain that is may accommodate you and anybody that you might be related with.Call Us 055 632 9798 & 04 221 2163 For More Detail Visit Our Website www.yuranspadubai.com/
Utilizing the gallery exhibition space where wall meets floor, Horochowski reconstructs site-specific landscapes consisting of sculpture, digital photography, sound, fluorescent lights, carpeting, and other synthetic materials. Manufactured objects serve as proxies for nature that acknowledge the history of landscape painting, while sculptural objects function as props that can be continually rearranged, suggesting multiple narratives. Each sculpture is completed by the architecture of the gallery and the visitor.
Confounding more traditional attitudes towards sculptural material, powder coats, sprayed chrome, and auto paint enamels mask bronze, brass, and iron. Emphasizing process over product, Horochowski invites visitors to interact with each sculpture, and imagine its origin and evolution.
Artifact Shore presents Living Cloud Cave, the Brooklyn-based group’s original four-part music and video experience inspired by Horochowski’s Cloud Cave.
Presented by Burnet Gallery and Le Méridien Chambers Minneapolis
Photograph Patrick Kelley, courtesy Northern Lights.mn
Participants utilized a maximum of 100 index cards, 30.5cm of transparent tape and 18 minutes to construct a 70cm tall tower that could support the stuffed walrus toy for at least 30 seconds.
Alvaro Toledo. First International Experts Workshop on Pre-breeding Utilizing Crop Wild Relatives, ICARDA, Rabat, Morocco, 24-26 April 2019. Photo: Michael Major/Crop Trust
Once the pack is too steamed, it can be connected to the body which enables the pores to open and the herbs to be effectively taken in through the skin. The warmth from the pocket likewise quiets and mollifies the delicate tissue and joints.For More Detail Visit Our Website www.signaturespadubai.com/
The Hanover Theatre’s Mighty Wurlitzer is the largest theatre pipe organ in New England, and is recognized by staff and board members as one of the most fabulous gifts made to the organization.
As a distinguishing feature, the Wurlitzer Organ enhances the preservation of our rich history and the traditions of the era of luxurious, vaudeville theatres. We will continue to utilize the organ for ceremonial events, during our annual production of A Christmas Carol and as pre-show entertainment at select performances throughout the season.
Learn more at TheHanoverTheatre.org/wurlitzer.
The Soldiers of the 207th Regional Support Group utilized modern technology to conduct vital combat training while at Camp Roberts, California during their annual training deployment July 15-Aug. 4, 2017. The Soldiers completed combat convoy training utilizing three virtual simulator training areas while at Camp Roberts, ranging from computer based training to actual converted vehicle simulators. The training systems consisted of the Virtual Battlespace Simulator (VBS), the Reconfigurable Vehicle Tactical Trainer (RVTT) and the HMMWV Egress Assistance Trainer (H.E.A.T). The Soldiers were able to perform multiple rotations and were met with multiple real life scenarios. (U.S. Army Reserve photo by Capt. Terry Williams)
The 14th Annual Conference INGRoup Interdisciplinar network for group research took place at ISCTE-IUL, 17-20 of july 2019.
About the conference
Societies are dependent on the formation and utilization of groups and teams, making them relevant to countless aspects of life. Accordingly, scholars who study groups can be found across a wide array of disciplines (e.g., anthropology, communication, education, engineering, history, information systems, medicine, nursing, organizational behavior, philosophy, psychology, political science, public health, sociology, economics). The Interdisciplinary Network for Group Research (INGRoup) was created to provide a context for scholars to:
Promote communication about group research across fields and nations
Advance understanding about group dynamics through research
Advance theory and methods for understanding groups
Promote interdisciplinary research
The 14th Annual INGRoup Conference will be held so scholars across disciplines can come together, share information, and learn from one another. The conference program will include paper, poster, symposia, and panel sessions, a keynote address by last year's McGrath Award winner, Dr. Linda Argote, and a business meeting open to all members so the future of INGRoup can be collectively planned and shaped.
Fotografia de Hugo Alexandre Cruz.
A teleprompter is a unit utilized in video, movie and TELEVISION that propels stars for lines that might be forgotten or missed out on. I have actually been a teleprompter operator for long times in Northern California and have deal with hundreds of sets and helped hundreds of producers, directors, CEO's, political leaders, stars. I have the ability to work well with all types of talent, from broad variety of ethnic and varied backgrounds with various speech patterns, dialects and characters.
I'm Jim Thylin and I'm right here to show you exactly how I might have the ability to assist you with your teleprompting requirements. A teleprompter is a unit utilized in video, movie and TELEVISION that propels stars for lines that might be forgotten or missed out on, additionally utilized for speeches and for offering info such as a news anchor or reporter. Teleprompter operators have to have a great working expertise of the language being utilized in the movie, should have outstanding organizational, time management and communication abilities. If you wish to speak now call me at 408-930-3600 www.teleprompterjim.com/teleprompter/
"Utilizing Cultural Diplomacy to Unite the World's Cultures Before Hard Power takes the Lead"
(New York City; May 26th - 30th, 2016)
Photos of my work as photographer at the Institute for Cultural Diplomacy (ICD). Berlin, Germany.
CASTELLANO
Fotos pertenecientes a mi trabajo como fotográfo en el Institute for Cultural Diplomacy (ICD). Berlin, Alemania.
Built in 1956 and expanded in 1959, this Usonian-style Modern house was designed by Frank Lloyd Wright for E. Clarke Arnold, an attorney, and his wife, Julia Arnold. The house was initially a V-shaped house consisting of the west and south wings, with the north wing being added in 1959 to provide additional bedrooms to house the growing Arnold family, and was begun shortly after Wright’s death, turning the V-shaped house into a Y-shaped house. The design of the wing was initially drafted up by Wright, but was completed by Taliesin fellow and Wright apprentice John H. "Jack" Howe, whom drafted up the final design for the addition. The house, like many Usonian houses, is low-slung with a layout based on geometric modules, in this case, parallelograms with 4-foot sides, and is arranged into a living room and carport wing and bedroom wings that intersect at a bathroom, utility, chimney, and kitchen core in the center of the Y-shaped house. The house originally featured three bedrooms, with two additional bedrooms being added in 1959. Like several other Usonian homes, the house utilizes slab-on-grade construction, with the heating system consisting of a series of steam pipes embedded into the ground under the slab.
The low-slung one-story house features a low-pitch gabled roof on the original section with a low-slope roof on the addition, which cantilevers with eaves over the walls on most sides of the house, and cantilevers as a partial shade structure on the rear facade of the house over a terrace, with the fascia and eaves being clad in wood. The house features limestone walls and a limestone chimney in the center of the house, with small windows on the facades facing Dix Street, and larger walls facing the rear yard, which also features a terrace along the living room, and a screened-in porch on the rear facade of the addition. The house features a carport at one end of the living room wing with a roofline that extends out from the rest of the house, a tool shed integrated into the rear wall of the carport, and a front entrance at the intersection of the original house and the addition. Inside, the house features ochre yellow concrete floors rather than the more typical Usonian cherokee red floors, vaulted ceilings, stone and wood walls, wooden roof beams, a built-in sofa and bookshelf in the living room along the inside of the front wall, angled walls based on the parallelogram grid of the house, and closets with wooden doors.
The house was listed on the National Register of Historic Places in 2007. The house remains in use as a private residence, and maintains most of its original significant details both inside and out. The house is an excellent example of a late Usonian house, but no longer looks over farmland to the west, as a more modern subdivision was built behind the house, with large houses now sitting in the line of sight between the rear terrace and surrounding farmland it was designed to overlook. Despite this, the rest of the house’s context remains largely intact from its period of significance.
Anaesthesia Machines are utilized by anaesthesiologists and anaesthesiologist assistants to support the administration of anesthesia. These Machines are manufactured by best quality material. Desco Medical India has years of experience in Manufacturing, supplying and Exporting the widest range of Anaesthesia Machines all over the world. We have various products in this category such as- Anaesthesia Machines Silver, Anaesthesia Machines Gold, Anaesthesia Machines Gold Portable, Anaesthesia Machines Diamond Economy, Anaesthesia Machines Diamond Standard Etc.
Irish poet and playwright (1854-1900).
This statue of Oscar Wilde is mounted on a large quartz boulder from the Wicklow Mountains. The statue itself is made utilizing different colored stones: green nephrite jade from British Columbia, Canada; pink thulite from Norway; Blue Pearl granite from Norway; and black charnockite from India. The statue also wears a Trinity College tie made from glazed porcelain. The face, made of white jadeite, pictures Wilde with part smile and part frown representing the good and bad aspects of his life.
This cake utilizes many of the options available when choosing your cake. It is both stacked (the bottom 2 layers together) AND tiered (the top layer seperated by white roman pillars decorated with swans). Each layer has it's own piped design. The base of each layer has a ruffled border. The bottom layer has triple drop string garland, the middle layer decorated with a custom pattern, and the top layer adorned with a crown border dropping down from the top. This cake has also made use of cake topper (the bride and groom and the heart).
Utilize this golden opportunity offered by the pioneers of Sri Lankan e-commerce where it defines the standards of high quality, reasonable prices and excellent customer service.
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(Dec 30 '03) At Bass Performance Hall (where I work as a string bassist) I have a large locker to store my instrument. I recently redecorated it with a new gallery of my favorite photographs from the last year. I will include some of them here to help introduce myself. I hope you like them!
"Utilizing Cultural Diplomacy to Unite the World's Cultures Before Hard Power takes the Lead"
(New York City; May 26th - 30th, 2016)
Photos of my work as photographer at the Institute for Cultural Diplomacy (ICD). Berlin, Germany.
CASTELLANO
Fotos pertenecientes a mi trabajo como fotográfo en el Institute for Cultural Diplomacy (ICD). Berlin, Alemania.
Utilizes a Premium (Q5) Cree 7090 XR-E LED with a life of 50,000 hours
Two modes (6 types) of output, generation/turbo selected by turning the bezel (patented)
General Mode: 12 lumens (55hrs) -> 53 lumens (10.5hrs) -> 107 lumens (4hrs) -> SOS
Turbo Mode: 180 lumens (2.4hrs) -> Strobe
Digitally Regulated for Constant Brightness
Uses two 1.5V AA ( Alkaline, Ni-MH, Lithium ) batteries, inexpensive and widely available
Made of aircraft grade aluminum
Durable Type III hard anodized finish
Waterproof to IPX-8 Standard
Toughened ultra clear glass lens with AR coating
Push-button tail cap switch
"Utilizing Cultural Diplomacy to Unite the World's Cultures Before Hard Power takes the Lead"
(New York City; May 26th - 30th, 2016)
Photos of my work as photographer at the Institute for Cultural Diplomacy (ICD). Berlin, Germany.
CASTELLANO
Fotos pertenecientes a mi trabajo como fotográfo en el Institute for Cultural Diplomacy (ICD). Berlin, Alemania.
Utilizing the gallery exhibition space where wall meets floor, Horochowski reconstructs site-specific landscapes consisting of sculpture, digital photography, sound, fluorescent lights, carpeting, and other synthetic materials. Manufactured objects serve as proxies for nature that acknowledge the history of landscape painting, while sculptural objects function as props that can be continually rearranged, suggesting multiple narratives. Each sculpture is completed by the architecture of the gallery and the visitor.
Confounding more traditional attitudes towards sculptural material, powder coats, sprayed chrome, and auto paint enamels mask bronze, brass, and iron. Emphasizing process over product, Horochowski invites visitors to interact with each sculpture, and imagine its origin and evolution.
Artifact Shore presents Living Cloud Cave, the Brooklyn-based group’s original four-part music and video experience inspired by Horochowski’s Cloud Cave.
Presented by Burnet Gallery and Le Méridien Chambers Minneapolis
Photograph Patrick Kelley, courtesy Northern Lights.mn
Caso utilize as fotos adicionar os devidos créditos: Por Juliana Salles www.flickr.com/photos/juusalles
Modelo: Paloma Mendes
Make up: Beatriz Silva
First International Experts Workshop on Pre-breeding Utilizing Crop Wild Relatives, ICARDA, Rabat, Morocco, 24-26 April 2019
Who: Neil Miller, Chief, Environmental Health Section, and Victoria Harms, Toxicologist, Environmental Data Science Section
What: Groundwater Sampling for the Environmental Monitoring Program for the Guterl Specialty Steel Formerly Utilized Sites Remedial Action Program Site
Where: Guterl Site, Lockport, New York
When: September 22, 2020
On Friday, October 23rd, 2015 the SAS Middle School held our Olweus Anti-Bullying program kickoff event. This research based program has been utilized in many schools throughout the world to help address bullying and bring its devastation out of the shadows. Students participated in activities in the classroom as well as team-builders in the gymnasium.
A role-playing activity was the beginning of the kickoff in the classrooms. Each student had the chance to play roles such as the bully, the bullied, possible defenders, as well as others. The intent of the activity is to illustrate how students are often presented with the opportunity to stand up to bullying throughout their school careers. In addition to the role play, students were given the opportunity to write anti-bullying essays or create posters to illustrate the program and our focus on ending bullying in our building
Students participated in team building activities around the gym designed to build skills in communication, problem solving, and listening.
The first activity was called "Picture Pieces". This problem solving activity instructed students to recreate an exact copy of their piece of the puzzle. The participants put their pieces together to form one image. They were posed with the challenge of not knowing what their group members had and were able to see how one person contributes to an overall group result.
The next activity focused on communication. Students worked in pairs to give verbal directions to a partner as they draw a simple image. The entire group shared their image to see which pair was able to communicate and recreate the image closest to the actual picture.
The following two activities focused on trust, communication, and listening skills. Students work in pairs to guide their partner through a "mine field" while they are blind folded. Students had to get to the other side without hitting any of the items. A variation of this game required students to walk to a location blind folded and retrieve as many items as they could as their partner guided them verbally. The last station was a photo booth where students formed many group poses with props to help send a "No Bullying" message.
The day brought fun and awareness to everyone in the middle school. We look forward to our class meetings that will supplement our efforts to address bullying.
"Utilizing Cultural Diplomacy to Unite the World's Cultures Before Hard Power takes the Lead"
(New York City; May 26th - 30th, 2016)
Photos of my work as photographer at the Institute for Cultural Diplomacy (ICD). Berlin, Germany.
CASTELLANO
Fotos pertenecientes a mi trabajo como fotográfo en el Institute for Cultural Diplomacy (ICD). Berlin, Alemania.
"Utilizing Cultural Diplomacy to Unite the World's Cultures Before Hard Power takes the Lead"
(New York City; May 26th - 30th, 2016)
Photos of my work as photographer at the Institute for Cultural Diplomacy (ICD). Berlin, Germany.
CASTELLANO
Fotos pertenecientes a mi trabajo como fotográfo en el Institute for Cultural Diplomacy (ICD). Berlin, Alemania.
"Utilizing Cultural Diplomacy to Unite the World's Cultures before Hard Power takes the Lead"
(New York City; September 19th - 23rd, 2017)
"Utilizing Cultural Diplomacy to Unite the World's Cultures Before Hard Power takes the Lead"
(New York City; May 26th - 30th, 2016)
Photos of my work as photographer at the Institute for Cultural Diplomacy (ICD). Berlin, Germany.
CASTELLANO
Fotos pertenecientes a mi trabajo como fotográfo en el Institute for Cultural Diplomacy (ICD). Berlin, Alemania.
The arsenal in Ulm
The beginnings of the armory in Ulm lie in the 14th century. The first mention for the year 1433 is proven.
As usual for armories, utilized the free Imperial City of Ulm the building for centuries as an arsenal, where guns, bullets of stone and iron, grenades, bombs, various guns, as well as sulfur and saltpeter were stored. Temporarily the Ulmer (people) but also stored models of fortifications, bridges, mills, buildings, machinery, water pipes and the like in their armory. In addition, the building also had numerous other uses. Among other things, was here the Imperial Mint. On the square in front of the armory on important occasions town meetings were held.
The original construction of the armory has been extended several times: 1522, 1596, 1616 and 1667. The result was a sprawling complex of buildings. The built in 1667 New Armory shows a for the Baroque typical ashlar stone marking and facetted stones framing of the windows. Salient are also the decorated with Baroque and Renaissance motifs portals.
Late 18th century, one assessed the value of all that was kept in Ulmer armory with two million guilders. However, the Austrians in 1797 in advance of the Napoleonic Wars took the entire content in possession: that it did not fall the advancing Frenchmen in the hands? In Ulm they saw these objects after the battle of Elchingen (1805) never again. With the end of the Imperial City era the arsenal in 1808 was converted into barracks and used until 1919 as such.
During World War II, the Renaissance building, the Old Arsenal, fell victim to the heavy destructions. The remained untouched of war destruction parts of the building were restored in 1977. They bear bear still today witness of the economic prosperity that the free Imperial City of Ulm in the Middle Ages had attained.
Recently restored, the Lion and the Knight building for events can be rented.
2 rooms: largest room 384 sqm seating in a row: 200 exhibition space, 360 parking possibilites
Parking: circa 60 parking spaces (approx 2 min walk). Connections to public transportation: bus, train (stop: Willy-Brandt square).
Das Zeughaus in Ulm
Die Anfänge des Zeughauses in Ulm liegen im 14. Jahrhundert. Die erste urkundliche Erwähnung ist für 1433 belegt.
Wie allgemein für Zeughäuser üblich nutzte die Freie Reichsstadt Ulm das Gebäude über Jahrhunderte hinweg als Waffenlager, in dem Geschütze, Kugeln aus Stein und Eisen, Granaten, Bomben, verschiedene Gewehre, sowie Schwefel und Salpeter gelagert wurden. Zeitweilig bewahrten die Ulmer aber auch Modelle von Festungsbauten, Brücken, Mühlen, Gebäuden, Maschinen, Wasserleitungen und ähnlichem in ihrem Zeughaus auf. Daneben hatte das Gebäude auch vielfältige weitere Nutzungen. Unter anderem befand sich hier die Reichsstädtische Münze. Auf dem Platz vor dem Zeughaus wurden bei wichtigen Anlässen Bürgerversammlungen abgehalten.
Der ursprüngliche Bau des Zeughauses wurde mehrfach erweitert: um 1522, 1596, 1616 und 1667. So entstand ein weitläufiger Gebäudekomplex. Das 1667 errichtete Neue Zeughaus zeigt eine für den Barock typischen Putzquaderzeichnung und Facettensteineinfassung der Fenster. Hervorstechend sind auch die mit Barock- und Renaissancemotiven verzierten Portale.
Ende des 18. Jahrhunderts schätzte man den Wert dessen, was alles im Ulmer Zeughaus aufbewahrt wurde, auf zwei Millionen Gulden. Die Österreicher nahmen jedoch den gesamten Inhalt 1797 im Vorfeld der Koalitionskriege in Besitz: ?dass es nicht den anrückenden Franzosen in die Hände falle?. In Ulm sah man diese Gegenstände nach der Schlacht von Elchingen (1805) nie wieder. Mit dem Ende der Reichsstadtzeit wurde das Zeughaus 1808 in eine Kaserne umgewandelt und bis 1919 als solche genutzt.
Im Zweiten Weltkrieg fiel der Renaissancebau, das Alte Zeughaus, den schweren Zerstörungen zum Opfer. Die von Kriegszerstörung verschont gebliebenen Gebäudeteile wurden 1977 restauriert. Sie zeugen noch heute von der wirtschaftlichen Blüte, die die Freie Reichsstadt Ulm im Mittelalter erlangt hatte.
Jüngst restauriert können der Löwen- und der Ritterbau für Veranstaltungen gemietet werden.
2 Räume Größter Raum 384 qm Bestuhlung in Reihe: 200 Ausstellungsfläche 360 qm
Parkmöglichkeiten: ca. 60 Parkplätze (ca. 2 Min. Gehzeit). Anbindung an öffentliche Verkehrsmittel: Bus, S-Bahn (Haltestelle: Willy-Brandt-Platz).
infos-ulm.de/kategorien/staedtische-einrichtungen/zeughau...
"Utilizing Cultural Diplomacy to Unite the World's Cultures Before Hard Power takes the Lead"
(New York City; May 26th - 30th, 2016)
Photos of my work as photographer at the Institute for Cultural Diplomacy (ICD). Berlin, Germany.
CASTELLANO
Fotos pertenecientes a mi trabajo como fotográfo en el Institute for Cultural Diplomacy (ICD). Berlin, Alemania.
Logo utilizes a mischievous smile to interpret a fondness of youth and playfulness. The juxtaposed 'a' in the type treatment is used to reiterate this concept.
Zakaria Kehel. First International Experts Workshop on Pre-breeding Utilizing Crop Wild Relatives, ICARDA, Rabat, Morocco, 24-26 April 2019. Photo: Michael Major/Crop Trust
"Utilizing Cultural Diplomacy to Unite the World's Cultures Before Hard Power takes the Lead"
(New York City; May 26th - 30th, 2016)
Photos of my work as photographer at the Institute for Cultural Diplomacy (ICD). Berlin, Germany.
CASTELLANO
Fotos pertenecientes a mi trabajo como fotográfo en el Institute for Cultural Diplomacy (ICD). Berlin, Alemania.
Utilizing the natural drainage on the property, this resident was able to develop a lush conservation landscape rather than attempt to mow a wet drainage area.
Utilizing the gallery exhibition space where wall meets floor, Horochowski reconstructs site-specific landscapes consisting of sculpture, digital photography, sound, fluorescent lights, carpeting, and other synthetic materials. Manufactured objects serve as proxies for nature that acknowledge the history of landscape painting, while sculptural objects function as props that can be continually rearranged, suggesting multiple narratives. Each sculpture is completed by the architecture of the gallery and the visitor.
Confounding more traditional attitudes towards sculptural material, powder coats, sprayed chrome, and auto paint enamels mask bronze, brass, and iron. Emphasizing process over product, Horochowski invites visitors to interact with each sculpture, and imagine its origin and evolution.
Artifact Shore presents Living Cloud Cave, the Brooklyn-based group’s original four-part music and video experience inspired by Horochowski’s Cloud Cave.
Presented by Burnet Gallery and Le Méridien Chambers Minneapolis
Photograph Patrick Kelley, courtesy Northern Lights.mn
Caso utilize as fotos adicionar os devidos créditos: Por Juliana Salles www.flickr.com/photos/juusalles
Modelo: Paloma Mendes
Make up: Beatriz Silva
Utilizing proper police procedure and investigative techniques is an important part of making your fiction authentic. At NRWI this August, John King, director of HCC’s Police Academy, will lead participants through a fascinating research session where he will discuss the ins and outs of police procedure, the jurisdictional differences between local police and federal agencies, and other special law enforcement topics. BONUS: Participants also get to use a firearms simulator where they can play the role of a responding officer and can even take part in an ‘active shooter’ scenario. Learn more: nrwi.hagerstowncc.edu.
July 15, 2011 - Billerica, MA.
Witness to Truth is a dynamic overnight leadership institute designed for Roman Catholic high schoolers who have completed grades 9, 10, 11 or 12. It utilizes interactive workshops, large group experiential learning activities, and small group processing. Spiritual disciplines are encouraged and practiced through prayer, the sacraments, and looking at the varied leadership styles of saints. The result is that each participant deepens their own faith, knowledge, and skills in order to become a greater leader and witness to truth back in their home, parish, school, and community.
(Photo credit: George Martell/The Pilot New Media Office.) May not be reproduced without permission. All rights reserved.
Utilizing unmanned aircraft systems, U.S. Army Corps of Engineers personnel are able to assess roof damage while undertaking Operation Blue Roof following Hurricane Michael in the Florida panhandle. This image was taken of a home in Panama City Beach, and highlights one of several ways drones are being used to estimate resources needed to make a repair and verify installations are done correctly. Utilizing several models of UAS, Corps of Engineers employees have been able to safely get a look at individual homes and quickly gather troves of data on large neighborhoods. Operation Blue Roof offers a more durable, professionally-installed reinforced plastic sheeting until homeowners can make arrangements for permanent repairs.