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Mr real
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After being surprised by the kitchen stove with the "chicken nugget" button, I'm pretty impressed by the Breville toaster with this "a bit more" option.
www.brevilleusa.com/toasting/die-cast-2-slice-smart-toast...
Available at Hollander's in Kerrytown.
Flickr user JeremyHall left me a comment on my 'Freezer' photo asking me to post some information on what post-processing I did in his new group, 'How I Did It'... so I am doing just that!
The final photo can be seen here.
I started with three separate images taken with the Canon 40D. I was using Auto Exposure Bracketing, with the camera set to take exposures at -2,0,+2 EV.
(Side note for 40D users! The exposure bracketing on the 40D won't go any further that +-2, but one cool thing that I've found is that you can rotate the control wheel so your middle exposure is set to -2, and your three bracketed shots will actually be -4,-2,0 EV. Scroll the wheel all the way to the other end of the spectrum and you'll have +4, +2, 0 EV... so effectively you've taken five shots between -4 and +4 with two shutter presses!)
So I took those three exposures and used Photoshop to automatically align them. I shot these with a timer on a tripod, so there was no movement between shots... but in cases where there is movement, I find Photoshop does a much better job than Photomatix at aligning the images.
Save that as a tif, open in Photomatix for tonemapping. Really I have found that every photo requires different settings in Photomatix, but all the sliders and options are laid out in plain view so it's very easy to experiment. Recently I've found that I like to 'over-HDR' the image and then selectively scale it back in Photoshop. So the photo labeled 'Photomatix Tonemap' in the image above was really never meant to be seen by anyone other than me :D I dislike that kind of overdone-HDR shot, and if I wasn't planning on doing any other work after tonemapping, I would have set the overall HDR effect much lower. HDR can really help a shot with a wide range of tones, from dark to light... but the downside is all the extreme highlights and shadows are kind of being evened out, which can make things look flat (to me). For example, look at the ceiling in the image labeled 'Photomatix Tonemap' above. The ceiling is nice and detailed, but it also appears that it's getting just as much light as the freezer in the foreground (which you can see is not the case from the original photos). More on this later.
I saved the tonemapped image to another tif, and brought it into Lightroom. There I changed some things which might seem strange. I took the color saturation of the image almost to zero. Then I made large adjustments to the 'Camera Calibration' section to give a cyan cast to the entire image. Then I worked with the 'Split Toning' section to make the shadows a dark blue-purple, and the highlights a yellow-green. I adjusted the tone curve a little bit and saved these adjustments to a preset called 'Decay Cold'.
I applied those presets to the original '0 EV' shot, so I had one blue-green colored tonemapped image (labeled 'Lightroom Adjusted' in the image above) and one blue-green colored original photo (labeled '0 EV Lightroom Adjusted' in the image above).
I brought both of them into Photoshop, placed the HDR shot as the top layer, and added a mask to it. Then I chose a brush with a low hardness setting and started painting over the areas I didn't want such an extreme amount of 'HDR-look'. You can see from the mask that I got rid of a lot of the HDR effect on the front of the freezer, on the ceiling, and on the back wall. I left the most HDR effect in the ice, because I thought it looked awesome :D Lastly, I placed a Brightness/Contrast adjustment layer over everything and used a gradient mask to apply it only to the ceiling - to darken it up. I think this brings back the sense of depth in the shot.
This was by far the most post-processing work I've done on a photo, but it paid off, since it became my most commented on, most favorited, and most interesting photo according to Flickr!
Leave a comment and let me know if this was useful to anyone!
Marilyn Morgan, a lecturer in the History Department and director of the Archives Program, submitted this photo of four graduate students in her History 627 class, "Archival Methods and Practices." Here they are surveying the historic records of the Harvest Co-op on March 4, 2016. The class meets in the archival processing space of Healey Library, courtesy of University Archivist, Joanne Riley. Students from left to right: Lauren Prescott, Maryrose Grossman, Dorothy Clark, and Corinne Bermon.
Dear Sir
This is Anna,the sales manager of GPS in China.
VT600 is an advanced GPS vehicle tracker, with 3G UMTS 900/2100Mhz or
850/1900Mhz compatible. What is more, VT600 can compatible with accelerator
meter to detect harsh start and stop, can compatible with RFID to identify
driver, can compatible with camera to take photo. Rich I/O features are
available also.
I would appreciate if you forward this letter to Technical Manager or to
other expert responsible for technical integration of new products in your
company, or provide me with his contact for we could discuss all the
details of our future cooperation.
Your early reply is highly appreciated.
Best Regards
Anna
picasaweb.google.com/lh/sredir?uname=10685172644870600183...
Leisa Reichelt kicks off Day 2 of UX Camp CPH 2013.
Follow her doings on her blog: www.disambiguity.com/
The Southern Walnut Creek is not just for cyclists! Walkers and four-legged friends are also welcome
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SPC Charles R. Reiff, an indirect fire infantryman with 1st Battalion, 506th Infantry Regiment, 4th Brigade Combat Team, 101st Airborne Division (Air Assault) (4-101 ABN), inspects ammunition at Combat Outpost Zormat, Afghanistan, Sept. 9, 2013, before going out on a mission. When it comes to ammunition, rigorous inspection is especially important, which makes it imperative that AIE requirements be clearly stated and understood by the government and contractors. (U.S. Army photo by SGT Justin A. Moeller, 4-101 ABN Public Affairs)