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The Brighton Eye
Brighton used to have a Brighton Eye the same as this one but it had to go when Brighton and Hove City Council agreed a deal with British Airways to build the i360 on the site of the old West Pier. The attraction cost £46 million, with £36 million being funded by a Public Works Loan Board (PWLB) loan through B&H City Council.
Formerly known as the "Brighton i360", the project aimed to attract up to 800,000 paying customers every year. The owner of the site, the West Pier Trust, hoped in 2014 that a successful i360 would lead to the rebuilding of the historic West Pier.
In June 2018, disappointing visitor numbers forced the owners to ask B&H City Council and the LEP for better loan repayment terms. The local paper reported that "in the first full year, from August 2016, the i360 had just over 500,000 visitors, significantly fewer than the 800,000 predicted." The shortfall in visitors was blamed on “poor weather and the unreliable train service to and from London”.
The i360 made a loss of more than £5 million last year, the latest financial reports have revealed. B&H City Council are now owed almost £48 million as the attraction suffered another successive year in the red.
I don't think this is the greatest shot in the world, but I always wanted to get a shot of this barn, and I had a bonus of getting a shot of the snow too. :)
Camera used: Pinhole homemade camera 6X6
Camara Estenopeica, hecha en casa.
San Juan, Puerto Rico
Mi galeria en Color www.flickr.com/photos/samycolor
Mi Galeria en B&N www.flickr.com/photos/samycollazo
Kodak Tmax 400 (exp. 2008)
Exposure: 7sec.
Pinhole-14 (6X6)
Pinhole .3mm
F.L. 37mm
F:123
Nik Silver Efex Pro 2
Lightroom 3
I used to think that for a good capture I need a modern camera with large sensor, sticky autofocus, tons of cutting-edge features...
Since I started to use vintage film cameras something changed in me. The more I dive into photography, the more clearly I feel that the photography is about moments and light, not technologies...
change your attitude to the World around you, things, events, people, to yourself after all... And the World will shine with new colors, will open up in a new light...
Edited using Topaz Denoise. Use the link below and save 15%. I HIGHLY recommend this product for noise reduction!
topazlabs.refr.cc/HCphotography
See a video demo here: www.youtube.com/watch?v=cbG0KgXPfOo&t=11s
Photos and workshops on my website: www.harrycollinsphoto.com
Follow me on social media:
www.facebook.com/harrycollinsphotography
Instagram @harrycollinsphotography
Please don't use this image on websites, blogs or other media without my explicit permission. symbole copyright All rights
Don't use this image on websites, blogs or other media without my explicit permission.
Copyright © Antoniociro 2016 All Rights Reserved
Thank you for your visit and comment!
___________________
Quando un uomo siede vicino ad una ragazza carina per un’ora, sembra che sia passato un minuto. Ma fatelo sedere su una stufa accesa per un minuto e gli sembrerà più lungo di qualsiasi ora. Questa è la relatività.
(Albert Einstein)
La sera del 14 luglio 1789 (giorno storico della Rivoluzione Francese), Luigi XVI di Francia sul suo diario giornaliero scriveva: “Oggi, niente di nuovo”.
(Anonimo)
Il tempo si muove in una direzione, i ricordi in un’altra.
(William Gibson)
Gli occidentali indossano al polso i loro dèi.
(Vimalanda)
Camera used: Pinhole homemade camera 6X12
Estenopeica, hecha en casa.
San Juan, Puerto Rico
Mi galeria en Color www.flickr.com/photos/samycolor
Mi Galeria en B&N www.flickr.com/photos/samycollazo
Arista Edu 100
Exposure: 15sec.
Pinhole-22 (6X12)
Pinhole .3mm
F.L. 40mm
F:133
Nik Silver Efex Pro 2
*No use esta foto sin mi autorizacion
*Don´t use this photo without my permisivamente
© All rights reserved
Verla en mejor calidad / High Quality
PhotoAwardsCounter
Click here to see the awards count for this photo. (?)
The Carollina Wren uses the skin of snakes, hair, feathers and many other materials to build their dome-shaped nests.
If you like this and some of my other images, I invite you to take a look at my wildlife/birding blog, which I try to update every few days. ... grenfell.weebly.com and my web page at www.tekfx.ca
I appreciate your feedback and comments! so feel free to contact me for any reason. I can be reached at billm@tekfx.ca or on Flickrmail
All images are copyright. Please don't use this, or any other of my, images, on websites, blogs or any other media without my explicit written permission © All rights reserved
I used tan to show his bare arms for 2 reasons, one was to make it look more like "dead flesh" and the other reason is that I'm trying to preserve all my light flesh pieces, especially arms
This image may not be used in any way without prior permission
© All rights reserved 2015
Mississauga, Ontario, Canada
Toronto Pearson International Airport CYYZ
ZM403
Royal Air Force
Airbus A400
020
Twitter: @TomPodolec
Used a very low temp value for WB to compensate for the very warm light from the lamp.
Have a great week ahead everyone!
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Lighting info:
1 handheld lamp, with shade on top of Amini.
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Please check my mini-site here ...
Check my MOBILE-only site here
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This photo is copyright protected and can not be used without the owner's explicit permission.
Unauthorized use is strictly prohibited.
You may send me a flickr mail if you are interested in using any of my photos.
All rights reserved, Lemuel Montejo
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Macro 1X (focus stacking)
Fondos MNCN-CSIC
Macro 1X con apilamiento de foco por control de anillo de enfoque
Macro 1X by focus stacking using the focus ring control
Ingredientes:
-Nikon D600 + Nikor 105mm macro 1X
-Helicon Remote para control automático de la pila de foco mediante el anillo de enfoque (por medio de USB)
-Helicon Soft para apilamiento de foco (36 shots, Method B, R=4, S=2)
-Helicon lo puedes bajar a prueba durante 1 mes gratis, o una licencia para un año por 50€, controla casi todas las Nikon y Canon mediante USB. Existen otros proveedores de soft para stacking (apilamiento), p. ej. Zerene, ControlMyNikon o Canon, Combine Z, etc
-Opcional: impresora 3D (Up Plus 2) para la fabricación de focos, soportes, mesa de trabajo, etc. Puedes utilizar el sencillo 123D Design (free soft) para diseñar las piezas.
Receta:
-Montamos el bodegón con sujeto y fondo
-Lo iluminamos con 4 o 5 micro-focos de leds. Los focos se pueden diseñar e imprimir utilizando una impresora 3D y después montar los leds (alta luminosidad y 5300K), la alimentación es de 12vdc para grupos de 3 o 4 leds. La ventaja frente al uso de flash, es que se pueden dirigir los focos y componer la iluminación antes del disparo, además del volumen que se consigue jugando con la iluminación.
-Disparamos las fotografías utilizando, p. ej., Helicon Remote: Helicon controla el enfoque con el movimiento del anillo de enfoque antes de disparar cada foto, todo el proceso de toma de fotos es automático, se pueden ver videos en youtube
-Para 1X se necesitan de 20 a 100 fotos, según valor de f, focal utilizada y profundidad de campo necesaria, lo calcula el soft automáticamente. Se suele utilizar el punto dulce de la lente (normalmente en el entorno de f5.6) para optimizar los resultados
-Apilamos el stack de n fotografías utilizando Helicon Soft
-Utilizamos Lightroom o similar para eliminar “halos” y “artefactos”
-Una vez se tiene práctica, todo el proceso puede durar 15 min
pepo
/ POOR ENGLISH
Macro 1X by focus stacking using the focus ring control
How do you can do it :
Ingredients:
-Nikon D600 + 105mm macro nikor 1X
-Helicon Remote control for automatic focus stack using the camera focus ring (using USB)
-Helicon Soft Focus Stacking (36 shots, Method B, R = 4, S = 2)
-Helicon You can download a free trial for 1 month, or a license for a year for € 50, it controls almost many Nikon and Canon via USB. There are other suppliers of soft for stacking, p. ex. Zerene, ControlMyNikon or Canon, Combine Z, etc.
-optional: 3D (Up Plus 2) printer to manufacture light bulbs, brackets, desk, etc. You can use the friendly 123D Design (free soft) for pieces designing.
Recipe:
-Ilumination with 4 or 5 micro-LED bulbs. The lighters can be designed and printed using a 3D printer and then mount the LED´s (high brightness and 5300K), the power is 12VDC for groups of 3 or 4 LEDs. The advantage over use of flash, is that you can positioning the lights and lighting make up before shooting, in addition to the volume to be achieved by playing with these lighting.
-Shot photographs using, p. eg Helicon Remote. Helicon controls the approach to the movement of the focus ring before the photo shot, the whole process of taking pictures is automatic, you can watch videos on youtube
-For 1X do you needed 20-100 photos, depending on value of f, focal and deep of field needed, automatically calculated by the soft. Often used the sweet spot of the lens (usually in the vicinity of f5.6) to optimize results
-Now we stack of shots using Helicon Soft
-We can use Lightroom or the like to remove "halos" and "artifacts"
-Once you have practice, the whole process can take 15 min
-And sorry my English, please.
pepo
Thanks for looking at this historic (for the USA) building’s gate. It likely was used for horse drawn wagons. It was a flour mill at one point.
Using my quite old Sigma 70-300mm macro dg apo lens felt like being back in the 80s when I took my first steps in SLR shooting using my dad's Olympus OM-10 (still own this camera as it's built the same year I was born) and lenses with no stabilisation
On such a perfect summer day with no fire smoke, it was natural that rail traffic was anemic. Ironically, of the small handful of shots I got, all of them were EMD leaders. What turned out to be the last of the day was this autorack seen from the Harley Road overpass in La Fox. I happened to see them stopped at Peck waiting on eastbound traffic to clear, so I pulled a uie to try out this spot (finally). It seems to have worked well.
Edited using Pixelmator Pro
Thanks for the comments, faves and visits
To see more of my HDR and 4K videos please see my Video Website: vimeo.com/randyherring
Here's a photo remixed from Rossana Ferrelra which she titled The City Awakes shared under CC-A @ www.flickr.com/photos/rossanaf/14681072224.
I really loved the composition in this one and decided to add some blur to the water, blue to the sky and do some lighting adjustments to parts of the overall image.
As always this photo is free to download and use as you wish.
The use of strong light and shadow to define the structure enhances the dramatic effect and creates visual depth and dynamism through the contrast of light and shadow.
The composition captures an unconventional perspective on the architectural elements, making it appear like an abstract work of art.
Photographed by Liu Wanching in Taichung, Taiwan in 2017.
利用強烈的光線和陰影來定義結構，增強了戲劇效果並透過光影的對比創造出視覺上的深度和動態感。
構圖捕捉了建築元素的非傳統視角，使其看起來像一件抽象藝術品。
劉浣青2017年攝於台灣台中
Photo series using Audition Poses - Poolbabe- 7 poses plus mirrors.
NEW RELEASE Hair: Ardesia by Stealthic
➡Anthem Shopping Event
➡Stealthic inworld Store
Head: Lelutka Evo x Avalon
Skin: [CHSkins] [CHSkins] ALLISON Golden Head skin - Lel EvoX
Makeup .by Chloe (Temptation Lips)
Eyes: .euphoric ~Secret Love Eyes Applier ~[LeLutka]Ocean#03Updated
Swimsuit: L&B [LEGACY] Swear Bali Bikini - Steampunk Aqua is a free gift at the Birthday Shop & Hop event.
Necklace: *AvaWay* FELICITY Necklaces Set LEGACY
(also used Axis face hud by Lelutka in some shots for artistic effect lol)
Camera used: Pinhole homemade camera (6X6)
Camara hecha en casa (6X6)
San Juan, Puerto Rico
Mi galeria en Color www.flickr.com/photos/samycolor
Mi Galeria en B&N www.flickr.com/photos/samycollazo
Arista Edu 400
Pinhole-5 (2 1/4 X 2 1/4)
Pinhole .3mm
Nik Silver Efex Pro 2
Lightroom 3
I am used to waking up to dense low fog in the Bay Area but I did not expect to find fog out in the southwest. For a second morning during our winter trip to the southwest low fog graced the desert landscape after a combination of colder nights and showers combined for prime foggy conditions.
During this last morning before heading home Alan and I were a bit hesitant to get up for a sunrise shoot as visibility was extremely poor. Despite the odds against us we figured we’d give it a shot in hopes of a break in the fog to reveal a potential sky burn. Once we arrived at our scouted sunrise spot we could not see the canyon at all. We waited and waited until suddenly bits of the canyon began coming into view. All of a sudden a gap opened up in the fog and revealed most of the canyon. In that several minute window the sky also burned revealing a rare combination of low fog and high cloud burn. Just after a few frame captures the fog rolled back in and the scene was back to thick pea soup.
Sony A7r
EF 24-70mm f/2.8L II