View allAll Photos Tagged Understanding
Local Accession Number: FA_CC.000270
Connick Job Number: [4499]
Title: Baptism, Understanding
Creator/Contributor: Charles J. Connick Associates (creator)
Genre: Design drawings; Gouaches
Date created: 1945-1961 (approximate)
Physical description: 1 gouache : color ; 38 x 9 cm.
General notes: Title from item, from additional material accompanying item, or from information provided by the Boston Public Library.
Date notes: Date supplied by cataloger.
Biographical and historical notes: Window designed for Bethany Convent, Framingham, Massachusetts.
Subjects: Stained glass; Windows
Collection: Charles J. Connick Gouaches - Massachusetts
Location: Boston Public Library, Arts Department
Shelf locator: Massachusetts Box #4
Rights: Rights status not evaluated.
U.S. Customs and Border Protection Deputy Commissioner Kevin K. McAleenan shakes hands with India's Ambassador to the United States Arun K. Singh after signing the Global Entry Memorandum of Understanding in Washington, D.C., June 3, 2016. In signing the MOU, McAleenan and Singh underscored cooperation between the two nations in the areas aviation security, border security, trade facilitation, migration matters and information sharing. CBP Photo by Glenn Fawcett
Harmful Algal Bloom in Western Basin of Lake Erie: September 20, 2017
(Photo Credit: Aerial Associates Photography, Inc. by Zachary Haslick)
Pilots from Aerodata have been flying over Lake Erie this summer to map out the general scope of Harmful Algal Blooms (HAB) throughout the western basin. In addition to these amazing photos, during the flyovers, additional images are taken by a hyperspectral imager (mounted on the back of the aircraft) to improve our understanding of how to map and detect HABs. The lead PI for this project is Dr. Andrea VanderWoude.
For additional info on our HABs research, including hyperspectral work, visit our website, here: www.glerl.noaa.gov/res/HABs_and_Hypoxia
And there it was, the moment of rapture and understanding, being one with the surroundings and seeing it how it really is
Video Mapping Philipp Geist_Ano da Alemanha no Brasil - Cristo Redentor 2014
„VideoInstallation by Philipp Geist“, "Philipp Geist", „Copyright 2014 Philipp Geist / VG Bildkunst 2014", www.videogeist.de, mail@videogeist.de, „Rio de Janeiro“, "Santa Marta“, „Cristo Redentor“, „Dona Marta“, „Deutschland + Brasilien 2013-2014“, “Alemanha + Brasil 2013-2014”
Photo by Fred Pacífico
©2014 Philipp Geist / VG BIldkunst Bonn
Rio de Janeiro / Brazil 2014
Christ statue (Cristo Redentor) – May 12
Dona Marta favela – May 15 and 16,2014
Light Art-Video-Mapping-Installations Philipp Geist in Rio de Janeiro / Brazil 2014
on the Christ statue (Cristo Redentor) - May 12 and in the Dona Marta favela - May 15 and 16,
2014
Installation Philipp Geist Year of Germany in Brazil 2013/2014
Concept Time Drifts May 2014
At the end of the Year of Germany in Brazil 2013/2014, the artist Philipp Geist (Berlin, 1976)
develops two light installations in Rio this year; the first one on the world-famous Christ statue
(Cristo Redentor) and the other installation in the Santa Marta favela. For the installation the
artist presents artistic-liberal and poetic German and Brazilian themes and develops a building
and floor light installation of colored words and phrases in Portuguese, German, and in other
international languages. The installation deals with cultural characteristics and achievements of
both countries and visualizes the issues of time and space, volatility and presence in a free
artistic style. The two projects are in fact a double project which is combined. The installation
on the symbol of Rio and Brazil, the Christ statue, is recorded and projected onto the small
buildings and huts of the favela. The Christ statue, which has been built to protect the city and
the sailors, is symbolically projected on the shantytown, the favela, in a protective way. The
installation in the favela will be seen not only on a facade as a large cinema projection or as a
static image, but on several winding buildings, the roofs, the floor and on the steps. Thus, the
visitor becomes a part of the installation and can immerse into the projection and the light and
introduce himself. Chalk crayons are put out on the streets in the favela and the young and old
residents and visitors can write and paint words on the street, the ground, the stairs or even on
the house walls. The residents and several institutions should be addressed to submit words and
associations dealing with Rio, Brazil and Germany.
For the installation, which was shown at the Luminale in 2012, the artist Philipp Geist won the
German Lighting Design Award 2013 (Deutscher Lichtdesign-Preis 2013) in the category Light Art.
The series 'Time Drifts' is characterized by the complex and subtle way of visualizing various
currents and voices in cultural contexts and to provide institutions and visitors with the
opportunity of substantive participation: different personalities, visitors and institutions may be
addressed in advance and then contribute words and associations. Current and historico-cultural
topics are researched in advance by the artist and then integrated in a sensitive and subtle way.
The projection dismisses the use of screens, because concepts and associations are projected on
a large area onto the floor surface on several facades and in theater fog. Over the course of two
days, the installation can be seen on-site in the favela on May 15 and 16 and on the Cristo
Redentor on May 12 for a day.
Short, tall, young and old visitors can interactively participate in the installation by tracing and
adding words with colored chalk crayons available on the streets. Thus, over the period of the
installation, a carpet of words is evolved with terms that are contributed locally by the visitors
by means of the temporary and volatile 'medium' of chalk crayons. Philipp Geist develops in this
way a dialogue between the place, the visitors and his artistic work.
The concrete, tangible projection of the architecture and the static terms on the floor area
represents the facts and visible relics that are responsible for our understanding of history. The
transparent and volatile projection in the fog reminds us that part of the history can not be
preserved and that it is created in our individual imagination in a single moment. Words are
briefly visible as a metaphor for transience and then disappear again. This interplay of the
various text and image layers in the space refers to the location and the history/-ies of Brazil
and Germany and the cultural exchange between the two countries. The visitors themselves are
part of the installation: they dive into the large floor projection. In this way, different
perspectives and experiences of space are unified. Abstract passages which are created, then
overlapped and displaced by each other symbolize the constant changes in history, the passage
of time and the transience of existence. Even the understanding of the past is in the flux. The
modern writings and formations created on the computer establish a connection to the present
and the possibilities of today's technology and show that the perception of history and culture
depends always on the possibilities and constraints of the present.
'Time Drifts - Words of Berlin' is part of a series of installations, which has been shown in recent
years by Philipp Geist, and which are always re-developed site-specifically and adapted to the
local conditions: In October 2012, Philipp Geist showed the installation on the entire Potsdamer
Platz (public square) and the Kolhoff Tower and Renzo Piano Tower skyscrapers. In April 2012
the installation was shown at the Luminale in Frankfurt where it was seen by more than 40,000
visitors and thus the main project of the Luminale 2012. In 2011, Philipp Geist presented the
'Time Drifts' installation in Vancouver at the Jack Poole Plaza, as well as in Montreal on the
Place des Arts in 2010. The 'Timing' installation was shown at the 2009 Glow Festival in
Eindhoven. In the end of 2009, on the occasion of the birthday of the King of Thailand, 2-3
million visitors saw his facade installation at the royal throne in Bangkok. Other projects
include: 'Timelines' at the prestigious Pallazzio delle Esposizioni (Rome, 2007), 'Time Fades'
at the Cultural Forum of Berlin and 'Broken Time Lines' at the old spa Kurhaus Ahrenshoop
(Germany, 2008).
Geist's projects are primarily characterized by their complexity concerning the integration of
space, sound and motion images. His video mapping installations waive screens and transform a
wide range of architectures in moving, picturesque light sculptures which challenge the viewer's
perception of two- and three-dimensionality.
www.alemanha-brasil.org/br/node/8542
www.alemanha-brasil.org/Programme/Dia/2014-05-12
www.alemanha-brasil.org/Programme/Dia/2014-05-15
www.alemanha-brasil.org/Programme/Dia/2014-05-16
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Arte de luz - Instalações de Mapeamento de Vídeo por Philipp Geist no Rio de Janeiro / Brasil
2014 no Cristo Redentor no dia 12 de maio e na favela Santa Marta nos dias 15 e 16 de maio de
2014
Instalação Philipp Geist Ano Alemanha + Brasil 2013/2014
Conceito Time Drifts Maio 2014
No final do ano Alemnaha + Brasil 2013/2014, o artista Philipp Geist (1976, Berlim) desenvolverá
duas instalações de luz no Rio; uma delas será exibida na mundialmente famosa estátua do
Cristo Redentor, e a outra na favela Santa Marta. Para a instalação, o artista traz temas teutobrasileiros
de maneira liberal-artística e poética desenvolvendo instalações de luz em edifícios e
no solo a partir de palavras e conceitos coloridos em Português, Alemão e em outros idiomas
internacionais. A instalação lida com as peculiaridades e realizações culturais de ambos os países
e visualiza as questões de tempo e espaço e de volatilidade e presença no estilo liberal-artístico.
Os dois projetos em questão representam um projeto duplo que é combinado. A instalação na
estátua do Cristo Redentor, como um símbolo do Rio e do Brasil, será gravada e projetada nos
pequenos prédios e barracos da favela. A estátua do Cristo Redentor, que foi erguida para
proteger a cidade e os marinheiros, será então projetada como um símbolo de proteção em uma
favela. A instalação na favela é visto não apenas em uma fachada como uma projeção grande de
cinema ou como uma imagem estática, mas em vários prédios sinuosos, em telhados, no solo e
nas escadas. Desta maneira, o visitante conseguirá ser parte da instalação e imergir e mergulhar
na projeção e na luz. Na favela, será distribuído giz para pintura de rua, e os moradores e
visitantes, tanto jovens quanto velhos, podem escrever e pintar conceitos na rua, no solo, nas
escadas ou até mesmo nas paredes das casas. Os moradores e diversas instituições serão
convidados a contribuir com conceitos e associações que representam o Rio, o Brasil e a
Alemanha.
Para as instalações apresentadas na Luminal em 2012, o artista Philipp Geist ganhou o
'Deutscher Lichtdesign-Preis 2013” (Prêmio Alemão de Desenho de Luz de 2013) na categoria
Arte de Luz. A série Time Drifts caracteriza-se pela forma complexa e sutil de visualizar várias
correntes e vozes em contextos culturais e de oferecer a instituições e aos visitantes a
oportunidade de participar: diferentes personalidades, visitantes e instituições podem ser
contatados antecipadamente para contribuir com termos e associações. Temas atuais, históricos
e culturais serão previamente pesquisados pelo artista e, depois, integrados de uma forma
sensível e sutil. A projeção é realizada sem o uso de telas porque conceitos e associações são
projetados, em grande estilo, sobre a superfície do solo, em diversas frentes e envolvidos em
fumaça. Ao longo de dois dias, a instalação estará em exibição em 15 e 16 de maio na favela, e
em 12 de maio, por um dia, no Cristo Redentor.
Visitantes jovens e velhos podem envolver-se na instalação e traçar ou adicionar palavras com
giz colorido, que será distribuído, e assim participar interativamente na instalação. Desta
maneira, durante a duração da instalação, será desenvolvido um tapete de palavras. As palavras
serão fornecidas, no próprio local, pelos visitantes usando o giz, um meio temporário e volátil.
Philipp Geist desenvolve assim um diálogo entre o local, os visitantes e seu trabalho artístico.
A área de projeção concreta e tangível da arquitetura e os termos estáticos sobre a superfície do
solo representam os fatos e as relíquias visíveis que compõem a nossa compreensão da história. A
área de projeção transparente e sumindo por dentro da fumaça lembra que parte da história não
pode ser preservada e que ela é criada na nossa imaginação individual momentaneamente.
Conceitos são brevemente visíveis, como uma metáfora para a transitoriedade e, logo mais,
desaparecem. Esta interação entre as várias camadas de texto e de imagens no espaço refere-se
à localização e a(s) história(s) do Brasil e da Alemanha e o intercâmbio cultural entre os dois
países. Os próprios visitantes tornam-se parte da instalação: eles imergem na grande projeção
do solo. Desta forma, diferentes perspectivas e experiências de espaço são unidas. Passagens
abstratas que são formadas, sobrepostas e suprimidas pela próxima simbolizam as mudanças
contínuas na história, a passagem do tempo e a transitoriedade da existência. A compreensão do
passado também está no fluxo. As fontes e formações modernas criadas no computador
estabelecem uma conexão com o presente e com as possibilidades da tecnologia de hoje: a
percepção da história e da cultura sempre dependende das capacidades e limitações do
presente.
'Time Drifts - Words of Berlin' faz parte de uma série de instalações, que foram apresentadas
durante os últimos anos por Philipp Geist e que são sempre redesenvolvidas para as condições
locais específicas: em outubro de 2012, Philipp Geist exibiu a instalação em toda a praça
Potsdamer Platz (Berlim) e nos dois arranha-céus Kolhoff Tower (Berlim) e Renzo Piano Tower
(Londres). Em abril de 2012, a instalação foi apresentada no evento da Luminal em Frankfurt
onde foi vista por mais de 40.000 visitantes sendo o principal projeto da Luminal de 2012. Em
2011, Philipp Geist mostrou a instalação Time Drifts na praça Jack Poole Plaza em Vancouver
bem como em Montreal, Canadá, no centro de arte Place des Arts, em 2010. A instalação Timing
foi exibida no Glow Festival de 2009 in Eindhoven, Holanda. No final de 2009 e por ocasião do
aniversário do rei tailandês, aprox. 2 a 3 milhões de visitantes viram a instalação de fachada do
artista no trono real em Banguecoque. Seus outros projetos incluem: Time Lines, no prestigiado
museu Palazzio delle Esposizioni (Roma, 2007); Time Fades, no Fórum Cultural de Berlim;
Broken Time Lines, no antigo spa Kurhaus Ahrenshoop (Alemanha, 2008).
Os projetos de Geist são principalmente caracterizados por sua complexidade na integração de
espaço, som e imagens de movimento. Suas instalações de mapeamento de vídeo renunciam
telas e transformam uma ampla gama de arquiteturas em esculturas móveis e pitorescas que
desafiam a percepção do espectador de duas e três dimensões.
www.alemanha-brasil.org/br/node/8542
www.alemanha-brasil.org/Programme/Dia/2014-05-12
www.alemanha-brasil.org/Programme/Dia/2014-05-15
www.alemanha-brasil.org/Programme/Dia/2014-05-16
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Lichtkunst-VideoMappingInstallationen Philipp Geist in Rio de Janeiro / Brasilien 2014
an der Christstatue (Cristo Redender) 12.5 und in der Favela Santa Marta 15./16.5.2014
Installation Philipp Geist Deutsch-Brasilianisches Jahr 2013/2014
Konzept Time Drifts Mai 2014
Zum Abschluss des Deutsch-Brasilianischen-Jahres 2013/2014 entwickelt der Berliner Künstler
Philipp Geist (1976) zwei Lichtinstallation in Rio d.J.; eine an der weltbekannten Christstatue
(Cristo Redender) und in die andere Installation in der Favela Santa Marta. Bei der Installation
greift der Künstler künstlerisch frei und poetisch deutsch brasilianische Themen auf und
entwickelt eine Gebäude- und Boden-Lichtinstallation aus farbigen Wörtern und Begriffen in
portugiesischer, deutscher, und in weiteren internationalen Sprachen. Die Installation thematisiert
kulturelle Besonderheiten und Errungenschaften beider Länder und visualisiert die Themen Zeit
und Raum, Flüchtigkeit und Präsenz in freien künstlerischen Art. Bei den beiden Projekten handelt
es sich um ein Doppelprojekt welches kombiniert wird. Die Installation auf das Wahrzeichen von
Rio und Brasilien die Christstatue, wird aufgenommen und auf die kleinen Gebäude und Hütten
der Favela projiziert. Die Christstatue die errichtet worden ist um die Stadt und Seeleute zu
schützen, wird so symbolisch schützend über ein Armenviertel die Favela projiziert. Dabei ist die
Installation in der Favela nicht nur auf einer Fassade als große Kinoprojektion oder als statisches
Bild zu sehen, sondern auf mehreren verwinkelten Gebäuden, den Dächern, den Boden und auf
den Stufen. Der Besucher wird vielmehr auf diese Weise selbst Teil der Installation und kann in die
Projektion und das Licht eintauchen und sich einbringen. In der Favela werden Strassenmalkreide
ausgelegt und die Bewohner und Besucher ob jung oder alt können Begriffe auf die Strasse, den
Boden, die Treppenstufen oder sogar auf die Hauswände schreiben und malen. Die Bewohner und
verschiedene Institutionen sollen angesprochen werden Assoziationen und Begriffe die für Rio,
Brasilien und Deutschland stehen einzureichen.
Für die 2012 bei der Luminale gezeigten Installation hat der Künstler Philipp Geist den Deutschen
Lichtdesign-Preis 2013 in der der Kategorie Lichtkunst gewonnen. Die Serie 'Time Drifts' zeichnet
sich aus durch die komplexe und die subtile Möglichkeit, verschiedenste Strömungen und
Stimmen in kulturellen Kontexten sichtbar zu machen und Institutionen und Besuchern die
Möglichkeit zur inhaltlichen Partizipation zu geben: Es können verschiedene Persönlichkeiten,
Besucher und Institute im Vorfeld angesprochen werden, die Begriffe und Assoziationen
beisteuern. Aktuelle und kulturhistorische Themen werden im Vorfeld vom Künstler recherchiert
und auf sensible und subtile Weise integriert. Die Projektion verzichtet auf den Einsatz von
Leinwänden, denn Begriffe und Assoziationen werden grossflächig auf die Bodenfläche, auf
mehrere Fassaden und in Theaternebel projiziert. Über den Zeitraum von 2 Tagen wird die
Installation vor Ort in der Favela am 15/16.Mai und die Installation am Cristo Redentor am 12.Mai
für einen Tag zu sehen sein.!
Kleine, große, junge und alte Besucher können sich einbringen in die Installation und mit farbiger
Straßenmalkreide, die ausgelegt wird, Wörter nachzeichnen und hinzufügen und so interaktiv an
der Installation teilnehmen. Über die Installationsdauer entsteht somit ein Wörterteppich aus
Begriffen, die vor Ort von den Besuchern selbst mittels dem temporären und flüchtigen 'Medium'
der Strassenmalkreide beigesteuert werden. Geist entwickelt auf diese Weise einen Dialog
zwischen dem Ort, den Besuchern und seiner künstlerischen Arbeit. ! !
Die konkrete, greifbare Projektionsfläche der Architektur und die statischen Begriffe auf der
Bodenfläche stehen für die Fakten und sichtbaren Relikte, welche unser Geschichtsverständnis
ausmachen. Die transparente, sich verflüchtigende Projektionsfläche im Nebel erinnert daran,
dass ein Teil der Geschichte nicht konserviert werden kann und im Moment in unserer individuellen
Vorstellung entsteht. Begriffe werden als Metapher für die Vergänglichkeit kurzzeitig sichtbar und
verschwinden sofort wieder. Dieses Zusammenspiel der verschiedenen Text- und Bildschichten im
Raum verweist auf den Ort und die Geschichte(n) Brasiliens und Deutschlands und den kulturellen
Austausch beider Länder. Die Besucher selbst werden Teil der Installation: sie tauchen in die
großflächige Bodenprojektion ein. Auf diese Weise vereinen sich unterschiedliche Perspektiven
und Raumerfahrungen. Abstrakte Passagen, die sich aufbauen, überlagern und gegenseitig
verdrängen, symbolisieren die ständigen Veränderungen in der Geschichte, den Lauf der Zeit und
die Flüchtigkeit des Seins. Auch das Verständnis von der Vergangenheit ist im Fluss. Die
modernen Schriften und Formationen, die am Computer entstanden sind, stellen eine Verbindung
zur Gegenwart und den Möglichkeiten der heutigen Technik her und zeigen, dass die Erfahrbarkeit
von Geschichte und Kultur immer von den Möglichkeiten und Rahmenbedingungen der Gegenwart
abhängig ist.
'Time Drifts - Words of Berlin' ist Teil einer Serie von Installationen, die Philipp Geist in den letzten
Jahren gezeigt hat, und die dabei immer wieder neu an die örtlichen Gegebenheiten ortsspezifisch
weiterentwickelt wird: Im Oktober 2012 zeigte Geist die Installation auf dem gesamten Potsdamer
Platz und den beiden Hochhäusern Kolhoff Tower und Renzo Piano Tower. Im April 2012 wurde die
Installation in Frankfurt auf der Luminale gezeigt, wurde von mehr als 40.000 Besuchern gesehen
und war das Hauptprojekt der Luminale 2012. Im Jahr 2011 zeigte Geist die Installation Time Drifts
in Vancouver am Jack-Poole Plaza, ebenso wie in Montreal am Place des Arts in 2010. Die
Installation 'Timing' war 2009 auf dem Glow Festival in Eindhoven zu sehen. Ende 2009 sahen
anlässlich des Geburtstages des thailändischen Königs ca. 2-3 Millionen Besucher seine
Fassadeninstallation am königlichen Thron in Bangkok. Andere Projekte waren u.a.: 'Time Lines'
am renommierten Museum delle Esposizioni (2007), 'Time Fades' am Berliner Kulturforum,
'Broken Time Lines' am alten Kurhaus Ahrenshoop (2008).
Geists Projekte sind in erster Linie gekennzeichnet durch ihre Komplexität in der Integration von
Raum, Ton und Bewegbild. Seine Video-Mapping-Installationen verzichten auf Leinwände und
verwandeln verschiedenste Architekturen in bewegte, malerische Lichtskulpturen, die die
Wahrnehmung der Betrachter von Zwei- und Dreidimensionalität herausfordern.
The exhibition "Understanding AI" shows how neural networks are structured and offers visitors the opportunity to train neural networks themselveswith via interactive stations.
Credit: vog.photo
Former Foreign Office Minister Hugo Swire and Fran Unsworth, Director, BBC World Service Group sign a Memorandum of Understanding in London, 24 March 2015.
Virginia Sea Grant graduate research fellow alumna Clara Robison in the field with her mentor Tommy Legget. Robison's research looked at understanding the effects of two harmful algae blooms (HAB) species had on oyster aquaculture in the lower Chesapeake Bay.
During her fellowship, Robison worked with her outreach mentor, Tommy Leggett, to learn the methods local oyster growers use so she could make her research as applicable as possible.
With Leggett's assistance, Robison learned to grow oysters from tiny seed all the way to market-size. She also built her own cages, made her own bags, and helped Leggett deliver oysters to local restaurants.
Oct 18, 2019. (Photo by Aileen Devlin | Virginia Sea Grant)
i like honesty,
trust,caring,truth&respect,is the key for understanding and
tolerance among human beings
Tadesse God grant me the serenity to accept the things i cannot change;
Courage to change the things i can;...And wisdom to know the difference." in three words i can sum up everything i´ve learned about life:it goes on.".
Am full of energy,glamour,strong yet smart and am guided by my intuition.
Confident of myself,i take instant decisions.the perfume i wear reveals
my elegance and style and demonstrates my buoyant personality.
Am not a copy cat,i like to be Me,
My self and i
The exhibition "Understanding AI" shows how neural networks are structured and offers visitors the opportunity to train neural networks themselveswith via interactive stations.
Credit: vog.photo
Exploring mountains and wilderness provides me a liberating sense of freedom - midwest Norway mountains
"Love is not just looking at each other, it's looking in the same direction."
- Antoine de Saint-Exupery
PI: Hassan Nagib, Ricardo Vinuesa, and Philipp Schlatter, Illinois Institute of Technology and Linné Flow Centre, KTH Mechanics (Stockholm, Sweden)
The results are expected to have a profound impact on our understanding of comparisons between modern and classical canonical experiments, and the largest volume of direct numerical simulation (DNS) data in the literature (i.e., channel flows). Insights will enable the development of better simulation models and contribute to a scientific database on turbulent flows.
Instantaneous realization of the streamwise velocity field in the AR=10 case at Re_tau=180. Flow is from bottom to top, and the four walls have been removed to allow better visualization. Note that the simulation captures the near-wall streaks on the four walls, and the interaction of ejection events from top-bottom and side walls at the corner.
Image credit: Hassan Nagib, Ricardo Vinuesa, and Philipp Schlatter, Illinois Institute of Technology and Linné Flow Centre, KTH Mechanics (Stockholm, Sweden)
Scientific discipline: Engineering
This research used resources of the Argonne Leadership Computing Facility at Argonne National Laboratory.
Arvind Kumar, Adviser, The Energy and Resources Institute (TERI), India asks a question during the Plenary: Sustainable Transport for All: Planning for Greener and More Inclusive Transport, taking place during the 2014 Annual Summit of the International Transport Forum “Transport for a Changing World” on 23 May 2014 in Leipzig, Germany.
UNICEF’s director for West and Central Africa, Gianfranco Rotigliano, visited the office. He does not care much for meetings so we went straight out to get a better understanding of the situation of children. Over three days we drove from Conakry to Bamako in Mali. Along the way we visited schools and health centres in towns and villages. It was abundantly clear that the health system is not working and that major reform is needed. The education system also needs reform, but fortunately for that we have, with a coalition of donors, a solution.
WIPO Director General Francis Gurry signed a memorandum of understanding on June 3, 2016 in Tokyo with Japan Intellectual Property Association (JIPA) President Kenji Kondo, who is also the General Manager of Toyota Motor Corporation Intellectual Property Division.
Mr. Gurry also attended a JIPA symposium on global business and spoke on the theme: “Is Innovation on the Board Room Table?”
Copyright: WIPO. Photo: Okomato Masaki. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
Understanding a Yorkshireman
A farmer in Yorkshire spots a bloke drinking from his stream and shouts,
“Ey up cock! Tha’ dun’ wanna be drinkin’ watta frum thar, it’s full o’ hoss piss an’ cow shite”.
The bloke says, “Excuse me? I’m from London, can you speak a bit slower, pleaser?”
The farmer replies, “Ow, ay. If - you - use - two - hands - you - won’t - spill - any”!!!
Global Understanding & Friendship Beyond Borders
Being in Rotary is not a part in our life. It’s our life
It was a great feeling when you have the opportunity to wear rotary logo on your shirt. It’s time to take responsibility on your shoulders to serve your community.
When I joined rotaract movement way back in 2024, I never realized that I will represent RI Dist. 3230 as a goodwill ambassador to become a Member of the GSE Team to RI Dist 1880, North Bavaria & Saxony, Germany, during May /Jun. 2013
We the GSE team Sasi, Sharanya, Soundarya and myself Dinesh headed by Rtn. Sabu Balagopal had many meetings to sketch ourselves from Jan to May 2013 before our departure to Germany. We discussed over mails, regular meetings, get together with Rtns, dist conference thought us how big is the opportunity for us and how should we prepare ourselves to take our 3230 brand to fly high with colors.
40 to 4
Departed from Chennai with 40 degree summer and landed in Leipzig via Frankfurt and cool 4 degree of Germany welcomed us. Wow how cool it was…
We received warm welcome from Albrecht Hartge, GSE chair of RI Dist 1880,Germany with his team. We enthusiastic 5 people was looking forward to our next 30 days. Yes we were much excited.
We experienced and learned many things in Germany starting from history. architecture, historical churches, museums, city visits etc.
We had good opportunity to visit World Headquarters of Audi where they hosted our Indian National flag to welcome us. Rotary power is great. We extended our visits to
Vocational Visits and Networking opportunities
•Berlin- Parliament, Indian Embassy,Charlie Point,Historic wall, Olympic Stadium etc.
•Hosted by TV stations, Radio channels. Our show in German O+TV (www.otv.de/ambergweiden-rotary-club-verbindet-kontinente-...)
•Companies and manufacturing units of Volkswagen, Porshe,
•Great experience by spending in a silver mine
•Visits to University of Leipzig, Regensburg, Frieberg, Bayreuth, Erlangen-Nurnberg to initiate International Youth Exchnage and youth forum
•Joint rotary meetings with Leipzig, Frieburg, Dresden, Bayreuth, widen, Cham,Schwandoff, Regensburg, Erlangen, Nurnmberg etc
•Visits to German Supreme Court and meeting with Judges
•Meeting Mayor and deputy mayors
Home stays- The home away from home
One of the life time experience where sharing proud things about country, learning the new culture and family values of the hosts, late night dinner talks, going out like one family. Overall we never missed our Indian hospitality in Germany.
Rotaractors
As a rotaractor from our district I had good opportunities to visit all the rotaractors in host clubs, I have received invitation to speak in President elect training seminar(PETS) where I had the opportunites to share about our RI dist 3230 Rotaract council and I shared our flag with all the rotaract club members. They were very kind to us and interested to hear about our rotaract activities and they felt excited to hear our numbers 23000 rtrs.
1880 Dist conference, Culture and arts
We presented our 3230 GSE team in a grand manner where we showed about video of India and Tamilnadu and also we performed cultural activities of India with Vande Matharam song by Saranya and Soundarya followed by solo folk dance by Dinesh and karate performance by Sasi. Finally audience felt happy when we performed our group dance with Tamil folk, Bollywood and Hollywood where our team leader also joined in dance performance. On seeing this we received warm invitations from all the rotary clubs . We performed in 7 clubs
Rotary and team Spirit
We had good chance to show our sporting skills. Yes Sasi and me (Dinesh) participated in Dragon Boat Race as part of Rotary clubs of Erlangen Fundraising efforts and finished 2nd in one of the race. Rotary raised 24000 euros for community projects
Future after GSE
We had great time in Germany studying vocation, experiencing culture, learning professionalism etc. It will be a starting point to shape my future . GSE created a platform to think beyond our comfort zone, hard work, team work, communication, networking etc. I believe in sharing and learning and this journey never ends
Coming year I am planning to create strategy to work with our RI 3230 District rotaract council to strengthen our rotaract zone in city plus and upcountry where lot of young people like me longing for opportunities. They need a platform.. I am willing to provide that. Also will build up IT assistance, social networking, planning New generation projects with my Parent club RC of Gudiyattam
After the GSE experience I expanded my Sports for Development Projects to Serve Young People with curriculum like Life skills, Service Learning, Adolescent health, Physical recreation and social learning to reach 10000 kids in 2 years. This will be my next major project and I would like to joint with other rotary clubs to spread the word to reach the unreached
4/28/11 cblog FAITH SEEKING UNDERSTANDING, WHAT WE ENGAGE IN; St. Augustine, Culver fr African m:"All week re jesus appearing to disciples ..breaking of bread allowed them to see Jesus..today in joy & excitement they are recounting the events..and Jesus shows up ..and he opens their minds..our experience also..we have faith, but don't always fully understand what we believe..trying to understand better, we make progress w help of god, holy spirit,,this is theology..faith seeking understanding..that is what all believers engage in, when try to understand faith better, very often , what is happening in ..christ has saved so many lives..faith we have..life everlasting ..and the more we try to understand..jesus says u r my disciples...we are witnesses..faith leads us back to disciples...its a responsib & honor to be counted..why u r here day after day..cont enjoy ress of lord, ..strt w gospel, ressurrection..act of apost..story of witnessing..disciples of jesus..we cont story of witnessing to christ making known to world..
Acts 3:11-26 "As the crippled man who had been cured clung to Peter and John, all the people hurried in amazement toward them in the portico called “Solomon’s Portico.” When Peter saw this, he addressed the people,“You children of Israel, why are you amazed at this, and why do you look so intently at us as if we had made him walk by our own power or piety? The God of Abraham, the God of Isaac, and the God of Jacob, the God of our fathers, has glorified his servant Jesus whom you handed over and denied in Pilate’s presence, when he had decided to release him. You denied the Holy and Righteous One and asked that a murderer be released to you. The author of life you put to death, but God raised him from the dead; of this we are witnesses And by faith in his name, this man, whom you see and know, his name has made strong, and the faith that comes through it has given him this perfect health, in the presence of all of you. Now I know, brothers and sisters, that you acted out of ignorance, just as your leaders did; but God has thus brought to fulfillment what he had announced beforehand through the mouth of all the prophets that his Christ would suffer. Repent, therefore, and be converted, that your sins may be wiped away, and that the Lord may grant you times of refreshment and send you the Christ already appointed for you, Jesus, whom heaven must receive until the times of universal restoration of which God spoke through the mouth of his holy prophets from of old. For Moses said A prophet like me will the Lord, your God, raise up for you to him you shall listen in all that he may say to you Everyone who does not listen to that prophet will be cut off from the people“Moreover, all the prophets who spoke, from Samuel and those afterwards, also announced these days. You are the children of the prophets and of the covenant that God made with your ancestors when he said to Abraham, In your offspring all the families of the earth shall be blessed For you first, God raised up his servant and sent him to bless you by turning each of you from your evil ways.”
R. (2ab) O Lord, our God, how wonderful your name in all the earth!
Luke 24.35-48 "The disciples of Jesus recounted what had taken place along the way, and how they had come to recognize him in the breaking of bread While they were still speaking about this, he stood in their midst and said to them,“Peace be with you.” But they were startled and terrified and thought that they were seeing a ghost. Then he said to them, “Why are you troubled? And why do questions arise in your hearts? Look at my hands and my feet, that it is I myself. Touch me and see, because a ghost does not have flesh and bones as you can see I have.” And as he said this, he showed them his hands and his feet. While they were still incredulous for joy and were amazed, he asked them, “Have you anything here to eat?” They gave him a piece of baked fish; he took it and ate it in front of them. He said to them,“These are my words that I spoke to you while I was still with you, that everything written about me in the law of Moses and in the prophets and psalms must be fulfilled.” Then he opened their minds to understand the Scriptures.
And he said to them,“Thus it is written that the Christ would suffer and rise from the dead on the third day and that repentance, for the forgiveness of sins, would be preached in his name to all the nations, beginning from Jerusalem You are witnesses of these things.”
Secretary-General Ban Ki-moon with his epouse Yoo Soon-taek in Dinner hosted by ONUART at the Intercontinenatl Hotel in Geneva. 31 october 2015. UN Photo / Jean-Marc Ferré
the ability to choose and arrange the rainbow's spectrum can be transformed into an intellectual motif -- the rainbow of consciousness and the explosion of the individual within the whole.
all of us are born into this social contract of humanity. we don't have any choice about this. we are raised and reared within the boundaries of these social contracts.
currently, in this part of the world, there is a loosening of the moral and religious hold on sexuality and the range of the human heart's ability to be bigger than the limited and challenging gender roles of the past.
both sexes, men and women, are starting to understand themselves inside a much greater context and understanding than we think the past afforded.
it is just one of the outgrowths of a materialized capitalistic system of social contracting.
with moving imagery and invisible worlds now firmly entrenched across the country, the powerful syndrome of "the emperor who wore no clothes" can take full effect.
in the original tale, the narrative stops short on the exclamation of a small girl child who says, "but, mommy, he's not wearing any clothes!"
and of course, the moral right and the rigid uptight sexual judgers all come down on the period with their verdict -- which really is that the emperor has been cheated and defrauded in front of everyone.
but we already know of this lesson.
so perhaps we really should be asking where our true naked leaders are -- not the one who got cheated and defrauded and paraded in front of his subjects by clever tailors. we should be asking where our naked leaders of greatness and awesomeness and full human glory might be.
we really should be considering the idea that our leaders shouldn't need to be covered up in metaphorical or physical buffers and boundaries.
but our leaders are weapons manufacturers and drug dealers and pornographers.
our leaders spread disease and pestilence and cause wars in other countries.
our leaders are not rainbow warriors. they are gold and diamond collectors. they use time and drugs to rule and reign. they use entertainment and news to delight and bemuse.
we are the fire children.
we love our energy.
but we don't worship the sun like we used to in the alleged past.
we worship ourselves.
and this worship of the self is the exploding dahlia.
we are these dahlias floating through space. and each of us explode one day.
U.S. Secretary of State Hillary Rodham Clinton and Vietnamese Justice Minister Ha Hung Cuong, flanked by U.S. Ambassador to Vietnam Michael W. Michalak (left) and Vietnamese officials, smile after signing a memorandum of understanding for the U.S.-Vietnam PEPFAR Partnership Framework at Ngoc Lam Pagoda in Hanoi, Vietnam, on July 22, 2010. [USAID photo/ Public Domain]
Minor alteration with wheel selection, the paint as well updated, there is no conflict between series or model production years. 1965 was a unique year with the inclusion of air conditioning with the rag top. this is also the third year of independent suspension, the highlight is no computers, well within the average owner complete understanding of general maintenance requirements.
Expanding and strengthening trading relationships abroad means real jobs here at home. The Government of British Columbia is acting to make sure that B.C. businesses are first in line to take advantage of the growing market opportunities in Asia. The upcoming Jobs and Trade Mission to China, Japan and Korea will open up new doors, connect B.C. businesses with Asian demand, and keep B.C.’s economy strong and growing.
Learn more: www.newsroom.gov.bc.ca/2013/10/growing-markets-in-asia-an...
October 20, 293/365- Today the Rogue Players invade the "Word Interpretation" group where we are to illustrate a word with the photo.
"M" is the producer for my television production student staff this year, since the first day in my class as a freshman we have had a great understanding with each other. She is an effective leader but also is always willing to listen to suggestions. I know when we have problems with the show I can talk to her and she can talk to me, we do have a great understanding with each other and respect!
Also wore my pink shirt today for "Pretty Pink Tuesday" and for Breast Cancer Awareness month.
I've was at an open user group session today about BBC websites. (Full post is over at www.ghostschool.co.uk/
Edwidge Danticat read from her work and then joined with Aja Monet in a conversation as part of the Lannan Foundation's Readings and Conversations series live at the Lensic Theater.
Wednesday 27 March 2019
Santa Fe, New Mexico
Learn more about this event here.
Subscribe to Lannan Podcasts here.
Photo copyright Don Usner. For use, contact donusner@lannan.org.