View allAll Photos Tagged Understanding
Portrait on London streets, a street worker looks back to me with understanding. This looks of human understanding remain so important for me.
I asked him, almost as I arrived in London, they were having a pause, "may I take a photo of you?" and he answered "Why? I am old" then I pointed to myself and said "And me? I am not still interesting, because of my age? I am older then you."
That is the look, telling me, "yes, take a photo"!
We were not so different after all and he felt also interesting.
I do remember, looking at these photos again, when Judy Carter told us "SEE the others" around you, tell them you see them.
Photo taken less then a month after my arrival in UK.
During my first photo stroll in London centre.
My set "no more a stranger" of photos of people I did not know
Old Vieux Öreg set
Merton begins this transitional section by clearly indicating that while vows are an essential element of religious profession, they are not the only or even the most important dimension of that profession. First in significance is the commitment to ongoing conversion, to “putting on” Christ, to following Christ, to sharing in the mystery of Christ. Then comes incorporation into the religious community, to be understood not just in a juridical context, as a contractual arrangement, but as participation in a supernatural family that is a manifestation of Trinitarian mutual love. “In this society of love,” Merton writes, “what matters is not the assertion of rights and the enforcement of obligations, but mutual trust and love” (157), which should then radiate out from the community to embrace the entire Church. Without this family spirit, religious life is reduced to “organized hypocrisy” (158). Consecration to God by vow is thus “but the third in importance of the three essential elements of religious profession” (158).
Merton then goes on to consider the nature of religious profession in general and of making vows in particular from both canonical and theological perspectives. The validity of profession depends on the fulfillment of various external factors (age, valid novitiate, explicit public declaration, etc.) but most fundamentally on free and full consent. The theological foundation of profession, traced through the successive diverse acts that constitute consent according to Thomistic analysis, is the will to obligate oneself, the free decision of the entire person, involving intelligence, senses and emotions, and the will. Thus to make a vow is not to renounce one’s freedom but to exercise it in an act of worship, the definitive offering of oneself to God. “Only to such a One can we give our liberty without debasing it. Only to such a One can we give our liberty and become yet more free by doing so” (185).
-The life of the vows : initiation into the monastic tradition 6 / by Thomas Merton ; edited with an introduction by Patrick F. O’Connell ; preface by Augustine Roberts.
Originally known as the Buckboard Drive In, this is located at 1222 S Riverfront Blvd, Dallas Texas. Riverfront was originally named Industrial Blvd. Why the name change?, good question!
No longer the Buckboard Drive In, this is known today as La Movida. Open.
Google shows this place to be open from 10am to 2am!
The Buckboard was active until sometime in the 1990s.
The structure was built Circa: 1961.
Photo Taken: October 5 2014.
Photo Taken By: Randy A. Carlisle
ALL Photos (Unless otherwise stated) Copyright RAC Photography
"Preserving AMERICAs History Thru Photography"
***NO Photos are to be posted on ANY other website, or any kind of publication Without MY Permission. No Exceptions! They are not to be "Lifted", Borrowed, reprinted, or by any other means other than viewing here on Flickr. If you want to use a photo of mine for anything, please email First. I'll assist you any way I can. Thank You for your understanding. ALL Photos are For Sale.***
"since feeling is first
who pays any attention
to the syntax of things..."
E.E. (Edward Estlin) Cummings (1894-1962), U.S. poet.
"Central to Jungian psychology is the concept of "individuation," the process whereby a person discovers and evolves his Self, as opposed to his ego. The ego is a persona, a mask created and demanded by everyday social interaction, and, as such, it constitutes the center of our conscious life, our understanding of ourselves through the eyes of others. The Self, on the other hand, is our true center, our awareness of ourselves without outside interference, and it is developed by bringing the conscious and unconscious parts of our minds into harmony."
Morris Berman (b. 1914), Canadian educator, author.
"He is my other eyes that can see above the clouds; my other ears that hear above the winds. He is the part of me that can reach out into the sea. He has told me a thousand times over that I am his reason for being; by the way he rests against my leg; by the way he thumps his tail at my smallest smile; by the way he shows his hurt when I leave without taking him. (I think it makes him sick with worry when he is not along to care for me.) When I am wrong, he is delighted to forgive. When I am angry, he clowns to make me smile. When I am happy, he is joy unbounded. When I am a fool, he ignores it. When I succeed, he brags. Without him, I am only another man. With him, I am all-powerful. He is loyalty itself. He has taught me the meaning of devotion. With him, I know a secret comfort and a private peace. He has brought me understanding where before I was ignorant. His head on my knee can heal my human hurts. His presence by my side is protection against my fears of dark and unknown things. He has promised to wait for me... whenever... wherever - in case I need him. And I expect I will - as I always have. He is just my dog."
- Gene Hill
Three Dog Night - Mama told me not to come 1970 www.youtube.com/watch?v=rKaQzQAlNn4
February's Alphabet Fun (2012) www.flickr.com/groups/febalpha12/
ODC -three- www.flickr.com/groups/ourdailychallenge/
19. A pet the great 150 Scavenger hunt www.flickr.com/groups/150hunt/
40. baby animal 100 Pictures in 2012 www.flickr.com/groups/100picturechallenge/
“In the spring of 1958, after President Dwight Eisenhower called to create a civilian space agency, the US Air Force assumed it would lead any national spaceflight effort. As such, the service prepared a detailed, multi-stage plan called Man in Space with the goal of landing a man on the Moon by the mid-1960s.
The first phase of the Man in Space program was a technical demonstration phase called Man in Space Soonest (MISS). This phase would take the first steps in space to understand the human factors involved. The first six flights would be robotic missions designed to test the hardware and flight systems, followed by six animal flights over six months to test the live support system. Once everything was proven, a man would launch, ideally as early as October of 1960. These manned flights would round out the technical needs for the MISS phase by developing reentry and recovery techniques.
As though to compliment the simple goals of the MISS phase, the spacecraft for all stages was very basic. It was expected to be a simple high-drag, zero-lift, blunt-nosed cylinder eight feet in diameter with a flared bottom and an ablative heat shield to protect the passenger from the heat of reentry. The flared skirt would house the reaction control jets for in-orbit attitude control, the retrorockets that would start the spacecraft on its reentry path to Earth, and the recovery parachutes for a splashdown at sea. Throughout the mission, the pilot would lie on his back on a couch, and though it would be pressurized he would still wear a pressure suit as an extra safety measure. Alongside the pilot would be a certain amount of instrumentation, including the main guidance and control systems as well as the secondary power pack, telemetry and voice communications system.
MISS was intended to solve the key unknowns of human spaceflight, keeping the man out of the loop for his own safety; no one wanted to risk a human pilot in case it turned out that weightlessness was debilitatingly disorienting. The pilot would have increased control in later flights, but real pilot control wouldn’t come until the second phase of the program, Man in Space Sophisticated (MISSOPH).
Beginning in March of 1961, the first stage of this phase, MISSOPH I, would send robotic and animal flights in larger spacecraft designed to stay aloft for up to two weeks, the average time it would take to fly to the Moon and back. This spacecraft would be more or less a larger version of the MISS spacecraft but with an airlock to facilitate spacewalks. The second stage, MISSOPH II, would take advantage of the larger Super Titan Fluorine booster to launch to extremely high altitudes. The goal would be to get the spacecraft as far as 40,000 miles from the Earth so that when it returned it would reenter the atmosphere at about 35,000 feet per second, roughly the same speed as a spacecraft returning from the Moon. The third stage, MISSOPH III, would be the first to give the pilot a lot of control owing to its radical new shape. Unlike the blunt vehicles before it, MISSOPH III would feature a flat triangular bottom reminiscent of a boost-glide vehicle so the pilot could make smooth, gliding landings on a runway.
The MISSOPH III spacecraft would live beyond its dedicated stage, facilitating both Earth orbital and lunar missions, but not before the third Lunar Reconnaissance (LUREC) phase of the program flew. LUREC was intended to fly simultaneously with the MISSOPH phase beginning April of 1960. The first stage called LUREC I was devoted to figuring out the details of real-time tracking and communications with a spacecraft a quarter of a million miles from home. Once the tracking system was in place, LUREC II missions could launch on flights to test the guidance system that would get a spacecraft to the right target a quarter of a million miles away. Using an array of scientific instruments, these unmanned vehicles would also measure the temperature, radioactivity, and atmospheric density around the Moon, sending back television images at the same time to help mission planners narrow down safe landing sites.
With a better understanding of the lunar environment, LUREC III would be the first stage to attempt a soft landing on the Moon. The spacecraft would use retro-rockets to slow its descent and telescoping legs to cushion the impact. Staying intact was important; having landed, this spacecraft would gather the first in situ data about the Moon’s surface, including seismic and audio data from ground noises.
Building off lessons learned to this point, the final flight phase, Manned Lunar Flight (LUMAN), would be the one to land men on the Moon’s surface. The first stage, LUMAN I, called for circumlunar animal flights as early as May of 1962 to verify the hardware, computer, and life support systems. LUMAN II would fly the same mission but with human pilots on board. LUMAN III would resume unmanned flight, soft landing a payload on the Moon. In the LUMAN IV stage, that same spacecraft would land on, then launch from the Moon’s surface before returning safely to Earth ideally early in 1963.
At that point, everything would be in place for a manned lunar landing, the goal of the LUMAN V stage. On this mission, one pilot would bring his spacecraft to a soft landing on the lunar surface. Once there, he would leave the spacecraft through the airlock and, thanks to his special pressure suit, be free to explore the surface. He’d get back into his spacecraft for the return flight home and, upon his return, complete the program’s main goal sometime around 1965. Subsequent missions would focus on larger scientific and military goals; LUMAN VI and LUMAN VII would see more complex landed and orbital missions respectively with far more sophisticated science instruments.
When it was pitched in 1958, this Man in Space program was projected to cost $1.5 billion from the first unmanned missions through to the LUMAN missions. But success hinged on a few things, namely getting priority status and the freedom to take control over whatever resources the Air Force might need to get missions flying as soon as possible. And it needed to get that priority status by July 1, 1958, to stay on schedule; the date was just months after the proposal was written.
Though it pushed improved reconnaissance, communications, and early warning systems for protection against enemy attacks as valuable spinoffs, the Air Force’s proposal was deemed too lofty. It was scaled back to focus on the Man in Space Soonest phase that could be done quickly and before taking on something as challenging as a lunar mission, which suited the service just fine. Besides, there was little question for the Air Force that it would lead the way in space. It looked at the X-15 program as a model, the joint USAF-NACA (National Advisory Committee for Aeronautics) program that had the NACA doing the bulk of the detailed engineering work and the USAF pilots getting the glory of flying record-breaking flights. Why would spaceflight be any different?
Sadly, for the Air Force, President Eisenhower’s decision to found a civilian space agency — NASA — preempted any military program. A year later, NASA’s Mercury program was under development with seven astronauts already selected to fly its missions. The Air Force’s involvement in the program was minimal, supplying Atlas rockets and ground support while the new agency’s astronauts became national heroes.”
Above at/from:
www.popsci.com/how-air-force-planned-to-put-men-on-moon/
Credit: Amy Shira Teitel/Popular Science website
Also:
“It all began on February 15, 1956, in Baltimore, Maryland. Commander of Air Research and Development Command (ARDC) General Thomas S. Power held a staff meeting and called for studies to begin on manned space vehicles that would succeed the joint USAF/NACA X-15 spaceplane program. There were two types of vehicles to choose from: winged and ballistic. One winged approach that would later receive funding was the X-20 Dynamic Soarer. The Task 27544 Manned Ballistic Rocket Research System consisted of a reentry capsule boosted by an intercontinental ballistic missile, or ICBM. Unlike the spaceplane approach, ballistic vehicles could be used for two purposes: speedy delivery of cargo to any point on Earth during an emergency and manned spaceflight.
The Air Force developed a multistage plan with the goal of landing men on the moon by the mid-1960s called Man in Space. Man in Space was split into four phases, the first being MISS. This phase had two objectives: the demonstration of the technological capability and superiority of the United States, and the exploration of the functional capabilities and limitations of the human body in space. Twenty-five flights would have taken place, twelve using the Thor-Vanguard rocket and thirteen using what was referred to as the "Thor-Fluorine". The first six flights would have been robotic missions that tested the spacecraft's hardware and flight systems. The next six would have flown animals over a period of six months to test the life support system and to develop reentry and recovery techniques. They also would have studied the effects of weightlessness and radiation on living creatures. Finally, the first man would fly in space as early as October of 1960. These flights would have used both Thor and Atlas boosters.
Even though the Air Force knew exactly which rockets to use, and therefore already had launch sites picked out as well, one major component was missing— the spacecraft. Even though winged vehicles were still being developed, it was agreed that the optimal choice for MISS was the ballistic reentry capsule. The requirements for such a craft included an ablative heat shield, a window, a 30-inch hatch, and a flared skirt. It also needed to be a high-drag, zero-lift, blunt-nosed cylinder 8 feet in diameter. The flared skirt would contain reaction control jets for attitude control while in orbit, the retrorockets for reentry, and the recovery parachutes that would be deployed during splashdown. Cockpit instrumentation included the main guidance, navigation, and control system, a secondary power pack, and the telemetry and voice communications system. The pilot would lie on his back on a couch during the orbital portion of the mission inside a pressurized cabin. His suit would also be pressurized for safety. According to "Proposal for Man-in-Space (1957-1958)", the astronaut would have been given some control over the spacecraft's attitude and the action of the reentry rockets if he was capable of making decisions during his flight. It was still unknown if microgravity affected cognitive functions.
In June 1958, the first astronaut selection in history took place. Nine pilots were chosen to be the world's first space explorers. Their names were Neil Armstrong, William Bridgeman, Scott Crossfield, Iven Kincheloe, John McKay, Robert Rushworth, Joseph Walker, Alvin White, and Robert White. Armstrong was the only member to join NASA's Astronaut Corps after MISS (and the X-20 program) were cancelled. He flew in space during Gemini 8 in 1966, where he performed the first docking of two spacecraft, and Apollo 11 in 1969, where he became the first person to set foot on the moon. Walker became the first member of the group to reach space according to the Fédération Aéronautique Internationale's definition of space while Robert White because the first to do so according to the USAF definition.”
Above at/from:
www.spaceflighthistories.com/post/man-in-space-soonest
Credit: Aeryn Avilla/SPACEFLIGHT HISTORIES website
And last, but NOT least:
www.astronautix.com/m/man-in-space-soonest.html
Credit: Astronautix website
Fascinating. Surely an exceedingly rare work. Unfortunately, no artist’s signature is visible.
Finally, thanks to G's posting of this very image, its associated press slug:
"This is how a General Electric artist envisions the first man in space. The rockets that have propelled him from the earth's surface have fallen away and he is in orbit charting an area never before penetrated by man.
Chicago Daily News,
Chicago 6, Illinois"
The "Chicago" information being exactly what's stamped on the verso of my photograph. Synergy…pretty cool! 😉
A series of AI-generated pictures Claudia S. in different art styles.
To be continued.
Pictures made with Midjourney.
I'm always happy to accept invites to groups as long as I can see their content. Should I see "this group is not available to you", my photos won't be made available to that group. Thanks for your understanding.
Dublin, TX fire truck at the ranch of Boyd Ewing.
3.5x3.5 color photograph. Image from a scrapbook album belonging to Hazel Smothers, whose aviation highlights include copiloting her plane to 1st place in her class at the 1969 Powder Puff Derby air race, and flying search and rescue missions for the San Luis Obispo County Sheriff's Department in her pink Bell 47 helicopter.
San Diego Air and Space Museum Archive
For over 50 years the San Diego Air & Space Museum (SDASM) www.sandiegoairandspace.org , has preserved the aviation heritage of San Diego and the world, through a unique collection documenting the history of aviation from the dawn of flight to space exploration. Established in 1961, SDASM is one of the largest aviation museums in the nation, housing the third largest aerospace library and archives. The Museum showcases the history of and contributions to society provided by the development and advancement of air and space technology. The Museum experience provides a means for the public to gain a greater understanding of current and projected aerospace efforts that play such a key role in the national economy, our position in a technical and competitive world, and mankind's future exploration. CollectionThe Museum's Library & Archives houses one of the most significant collections of aerospace-related research materials in the world. Materials in the Library & Archives collections exist in a variety of formats, including books, periodicals, films and videos, manuals, drawings, and more. Many of these collections may be searched on the Museum's online catalog, 207.67.203.79/s92006staff/opac Aerocat , and a portion of the Museum's extensive photograph collection, consisting of over 2 million images, is available on www.flickr.com/photos/sdasmarchives at Flickr.com. In addition, several hundred digitized films and videos can be found on the Museum's www.youtube.com/user/sdasmarchives at YouTube.com channel.Image RequestsTo request images or videos for purchase please visit the SDASM website and then contact us at 619-234-8291 x125, or dseracini@sdasm.org. The Museum charges licensing fees for commercial use of these images, which helps fund ongoing efforts to care for our collection.
Information about the works in the Balboa Park Commons is still being researched and made available for public viewing. Much of this data exists in paper records at the Museum. For more information about this work, please email Dseracini@sdasm.org and include the Item ID# of the record in the body of your email.
Royal Navy And Royal Netherlands Navy Signing A Memorandum of Understanding. Picture:LA(Phot) Alex Knott
2SL, Vice Admiral David Steel CBE signing the Memorandumof Understanding on behalf of the Royal Navy.
2SL, Vice Admiral David Steel CBE signed the Memorandum of Understanding on behalf of the Royal Navy. Pictured is the Second Sea Lord Vice Admiral David Steel CBE and Vice Admiral Borsboom of the Royal Netherlands Navy whilst the two respective Navies sign the Memorandum of Understanding, aboard HMS Victory in HMNB Portsmouth.
"I can tell you that understanding begins with love and respect. It begins with respect for the Great Spirit.All things- and I mean ALL things-have their own will and their own way and their own purpose; this is what is to be respected." --Rolling Thunder, CHEROKEE
Everything on earth has a purpose and is designed special. No two things are created identical. Sometimes in our minds we have a picture of how things should be, and often what we see is different from what they really are. When this happens we often want to control how things are, making them act or behave according to our picture. We need to leave things alone. God is running all things. How do we do this? In out minds we tell ourselves to love all things and respect all things just as they are. Accept what we cannot change.
Great Spirit, teach me the value of respect and help me to accept
people, places and things just as they are.
*Unwritten* ~ song lyrics by Natasha Bedingfield
www.youtube.com/watch?v=4lFXy5bIiSA&feature=channel
I am unwritten, can't read my mind, I'm undefined
Im just beginning, the pen's in my hand, ending unplanned
Staring at the blank page before you
Open up the dirty window
Let the sun illuminate the words that you can not find
Reaching for something in the distance
So close you can almost taste it
Release your inhibitions
Feel the rain on your skin
No one else can feel it for you
Only you can let it in
No one else, no one else
Can speak the words on your lips
Drench yourself in words unspoken
Live your life with arms wide open
Today is where your book begins
The rest is still unwritten
I break tradition, sometimes my tries, are outside the lines
We've been conditioned to not make mistakes, but I can't live that way
Staring at the blank page before you
Open up the dirty window
Let the sun illuminate the words that you can not find
Reaching for something in the distance
So close you can almost taste it
Release your inhibitions
Feel the rain on your skin
No one else can feel it for you
Only you can let it in
No one else, no one else
Can speak the words on your lips
Drench yourself in words unspoken
Live your life with arms wide open
Today is where your book begins
But the rest is still unwritten
Feel the rain on your skin
No one else can feel it for you
Only you can let it in
No one else, no one else
Can speak the words on your lips
Drench yourself in words unspoken
Live your life with arms wide open
Today is where your book begins
The rest is still unwritten
The rest is still unwritten
The rest is still unwritten
THREE PHOTOS, OVERLAID ONE on the another, tell a still hidden story, or at least a story not well known of this now famous Air Canada “stretch” DC-8 crash.
While these photos are not a perfect match-up (because each photo was taken from a different vantage point)…still, their alignment IS close enough. Can there be any doubt about what they reveal?
There are distinctive land based markers from the span of years 1970, 2004, and 2018 that once matched—and brought together through a digital overlay—tell the astute viewer this untold story: The FLIGHT 621 MEMORIAL GARDEN (Castlemore) Ontario sits RIGHT ON TOP of the exact July 5, 1970 crash point of the ill-fated airliner.
Compare the 1970 UPI Press photo, with the 2004 Google Earth photo, and the final 2018 Google Earth photo noting the circled markers with their contents—which align—almost perfectly.
It is here where the crippled Air Canada “Stretch” DC-8-63 (CF-TIW) went fourteen feet into the ground at approximately 250 mph, killing all 109 passengers and crew in what remains Air Canada’s largest loss of life accident to this day.
The Memorial Garden, the 109 granite markers (representing each person who perished) and the large pink granite boulder with its’ black granite plaque inscribed with each crash victim’s name and the adjacent portioned off parcel of land marked by its’ double row of fledgling trees (to the immediate south, right in the photo) display the careful planning, and consideration of the land developers and planning partners.
This hallowed bit of ground indeed encapsulates the main body of the Air Canada DC-8 crash.
And while the City of Brampton wanted to locate the Memorial Garden and Cemetery somewhere…“near to” the crash site, it was engineer Diarmuid Horgan, of Candevcon Limited, who insisted the Memorial be placed right atop the actual crash point. And rightly so.
I am someone who walked the field numerous times, back in the day, stood at the old (now removed) bridge and atop the former Burgsma residence.
I was there when the new house was being erected atop the old Burgsma home lot—with Burgsma kitchen tile and other household remnants—on the very boundary of the new home’s concrete basement. So the planners got the crash location right, as can now be seen by all who view my video.
BUT—IS THAT IT?
No, the Castlemore Memorial is still more.
It is an official Ontario irregular cemetery.
Unfortunately, bones of crash victims were inadvertently left behind after the crash.
Or were buried deeply by the force of the crash at the time—pushed downward into the soil—eventually surfacing decades later.
I, (Paul Cardin) made the first unpleasant discovery of Flight 621’s victim’s bones still remaining in the field, in June 2002, after seeing a Mike Strobel SUN article (November 2001) revisiting the 1970 crash accompanied by Will Burgsma who resided in the house noted in the video. With Mike’s article sitting in my car for months, I finally had the opportunity to go have a look in the early summer of 2002.
Hundreds of bones (and notable aircraft wreckage) were eventually collected by myself and other members of “Friends of Flight 621” (Carol Parr, Barb Winckler, Carrie Parr, Tom Stone, Mike Quatrale, Gord Ransom, Rebecca Reid, and the independent researcher Jan Burton). Some victim families also found aircraft wreckage on site, but thankfully no bone fragments. Peter Hill, son of Second Officer (navigator) did however find a partial denture which was startling to all of us there with him.
In 2003, ex-Metro police officer Tom Stone called Robert Milton (Air Canada CEO) himself and put forth the idea of a new memorial being erected on site, and that the deplorable situation of victim’s bones remains still being found at the former crash site be rectified. Days later, Tom and I were in the field with three Air Canada executives, and Doug Kirkwood, who had assisted with the crash clean-up emergency personnel back in July of 1970. The executive trio were surprised to find so much aircraft debris still in the field, that one of them was even able to identify a piece he found, and where it had come from on the aircraft!
In 2004, Carol Parr, on CBC TV again, with viewers in the millions called for a memorial to be built on the former crash site.
In 2004, Barbara Winckler, a 1970 eyewitness to the Air Canada crash, gathered an information package together for the City of Brampton that included photos, newspaper clippings, history and details about the crash, pages from the crash report AND most importantly information about how and why the Province of Ontario can accord irregular cemetery status to unusual grave-sites. This information package was given to Jim Leonard of the Brampton Historical Society, who presented it to the City, for us.
Given the existing situation at the former crash site, Barb knew that the Air Canada crash site would qualify as an irregular cemetery, as she, and Carol Parr (another eyewitness to the crash) had together, with other “Friends”, found numerous bones in the farm field themselves! At a multitude of locations.
I had a Flight 621 website that noted, complete with pictures, from 2003 onward, the more ridiculous and recent happenings and discoveries at the former crash site.
Several victim’s families found my Flight 621 website and contacted me though it. Some came to the field, including a member of the Labonte family who expressed their distress about the ongoing bone situation, to their Quebec MP at the time, who then raised the issue in the House of Commons!
In 2006, Diarmuid Horgan called an aviation archeologist, Dana Poulton, and his associates to investigate the former crash site. The team proceeded to conduct digs and discovered 90 more victim’s bones—all over the former crash site. It was then determined that the existing “situation” of the field had to be properly dealt with. A problem “Friends of Flight 621”, on TV, through newspaper and radio, web sites, and postings had complained about for years—but lacked official capacity with the City, or those who would actually address these specific matters. City Councillor, John Sprovieri, did respond to us, and told us the situation would take about five years to wind its way through city hall.
But he noted, I, or rather my discoveries, had created a “situation”!
John stated that if people were told about the crash—many…probably wouldn’t want to buy a new house there. And if potential homeowners weren’t told about the crash, and found out later—well, the City could be sued.
But the situation was resolved. Potential homeowners were told about the crash, people bought homes there, AND most importantly to me, no more crash victim bones would be found at the former crash site.
Proper burial of the deceased is a corporeal work of mercy, as every Catholic knows. Jesus, the Lord, Himself, was buried according to long-held Jewish religious practices of the Old Covenant. Jews and Catholics know the importance God places on a proper burial. Only savages, or the reprobate, don’t bury their dead. And considering the horrific nature of the crash itself, the lives lost so tragically, with the additional indignity of the remaining bones (inadvertently left behind for more than three decades) out there a farm field, in all seasons—proper burial of the victims at that point—became an indispensable work of charity surpassing even almsgiving itself.
The bones the “Friends of Flight 621” found were turned over to the Coroner’s Office through Candevcon Limited. The remaining victim’s bones still dispersed within the crash site soil, were finally gathered together strategically, by removing the large tract of affected soil, and entombing it right under the Flight 621 Memorial Garden and Cemetery. The area which includes the crash arena is currently marked off by the double row of trees, previously mentioned, and with additional white obelisks. I myself witnessed, and photographed part of this encapsulating process, as it unfolded.
Let the readership note, victims of Flight 621 at the time of the crash were buried by Air Canada in Toronto’s Mount Pleasant Cemetery, among famous Canadians, musicians, and even a prime minister or two.
But it is here, in Castlemore on July 5, 1970—where these passengers and crew of Flight 621 breathed their last.
So, it is only fitting, that they are also buried here.
Check here, on July 5, 2020, after 7 pm:
www.flickr.com/photos/78215847@N00/albums/721576246894922...
ADD A CONDOLENCE to the FLIGHT 621 FAMILIES, or a LOVED ONE from FLIGHT 621, or a MEMORY of a PERSONAL EVENT related to the crash…at the City of Brampton's permanent Flight 621 site…SEE: www.brampton.ca/EN/City-Hall/Protocol-Office/Brampton-Rem...
REST IN PEACE passengers and crew of Flight 621:
Adams, Celine Fradette
Adams, Pierre J
Beaudin, Gaetan
Belanger, Mrs.
Belanger, Jacques
Belanger, Jean
Belanger, Roland
Belanger, Rosanne
Benson, Helen
Benson, Leonard
Benson, Mary
Benson, Richard
Bertrand, Ginette
Boosamra, Lynn
Boulanger, Guy
Bradshaw, Dollie
Cedilot, Robert J
Chapdeleine, Jeannine
Chapdeleine, Joanne
Chapdeleine, Mario
Charent, Jean Maurice
Clarke, Devona Olivia
Cote, Francine
Daoust, Yolande
Desmarais, Brigitte
Desmarais, G
Dicaire, Alice (Marie)
Dicaire, Gilles
Dicaire, Linda
Dicaire, Luke
Dicaire, Mark
Dion, Suzanne
Dore, Jacqueline
Earle, Lewella
Earle, Linda
Filippone, Francesco
Filippone, Linda
Filippone, Marie
Gee, Bernard
Goulet, Denise M
Grenier, Madeleine
Growse, Diana Cicely
Growse, Jane
Growse, Roger
Hamilton, Karen E
Hamilton, Peter Cameron
Herrmann, Ronald Alvin
Hill, Harry Gordon
Holiday, Claude
Houston, Irene Margaret
Houston, Wesley
Jakobsen, Vagn Aage
Labonte, Gilles
Leclaire, Marie Rose
Leclaire, Oscar
Leduc, Henri W
Lepage, Claudette
Mailhiot, Claire Gagnon
Mailhiot, Gerald Bernard
Maitz, Gustave
Maitz, Karoline
McKettrick, Winnifred
McTague, John
Medizza, Carla
Mohammed, Dolly
Molino, Antonio
Molino, Michael (Michel)
Moore, Frederick T
Partridge, Andrea
Partridge, Carnie (Carnis) Ann
Partridge, Cyril Wayne
Phillips, Kenneth William
Poirier, Rita
Raymond, Gilles
Raymond, Martial
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Understanding The Moon Phases
Have you ever wondered what causes the moon phases?
Diagram Explanation
The illustration may look a little complex at first, but it's easy to explain.
Sunlight is shown coming in from the right. The earth, of course, is at the center of the diagram. The moon is shown at 8 key stages during its rotation around the earth. The dotted line from the earth to the moon represents your line of sight when looking at the moon. To help you visualize how the moon would appear at that point in the cycle, you can look at the larger moon image. The moon phase name is shown alongside the image.
One important thing to notice is that exactly one half of the moon is always illuminated by the sun. However, at certain times we see both the sunlit portion and the shadowed portion -- and that creates the various moon phase shapes we are all familiar with. Also note that the shadowed part of the moon is invisible to the naked eye; in the diagram above, it is only shown for clarification purposes.
So the basic explanation is that the lunar phases are created by changing angles (relative positions) of the earth, the moon and the sun, as the moon orbits the earth.
Moon Phases Simplified
It's probably easiest to understand the moon cycle in this order: new moon and full moon, first quarter and third quarter, and the phases in between.
As shown in the above diagram, the new moon occurs when the moon is positioned between the earth and sun. The three objects are in approximate alignment (why "approximate" is explained below). The entire illuminated portion of the moon is on the back side of the moon, the half that we cannot see.
At a full moon, the earth, moon, and sun are in approximate alignment, just as the new moon, but the moon is on the opposite side of the earth, so the entire sunlit part of the moon is facing us. The shadowed portion is entirely hidden from view.
The first quarter and third quarter moons (both often called a "half moon"), happen when the moon is at a 90 degree angle with respect to the earth and sun. So we are seeing exactly half of the moon illuminated and half in shadow.
Once you understand those four key moon phases, the phases between should be fairly easy to visualize, as the illuminated portion gradually transitions between them.
An easy way to remember and understand those "between" lunar phase names is by breaking out and defining 4 words: crescent, gibbous, waxing, and waning. The word crescent refers to the phases where the moon is less that half illuminated. The word gibbous refers to phases where the moon is more than half illuminated. Waxing essentially means "growing" or expanding in illumination, and waning means "shrinking" or decreasing in illumination.
Thus you can simply combine the two words to create the phase name, as follows:
After the new moon, the sunlit portion is increasing, but less than half, so it is waxing crescent. After the first quarter, the sunlit portion is still increasing, but now it is more than half, so it is waxing gibbous. After the full moon (maximum illumination), the light continually decreases. So the waning gibbous phase occurs next. Following the third quarter is the waning crescent, which wanes until the light is completely gone -- a new moon.
The Moon's Orbit
You may have personally observed that the moon goes through a complete moon phases cycle in about one month. That's true, but it's not exactly one month. The synodic period or lunation is exactly 29.5305882 days. It's the time required for the moon to move to the same position as seen by an observer on earth. If you were to view the moon cycling the earth from outside our solar system (the viewpoint of the stars), the time required is 27.3217 days, roughly two days less. This figure is called the sidereal period or orbital period. Why is the synodic period different from the sidereal period? The short answer is because we see the sunlit moon from a slowly moving position: the earth! During the moon cycle, the earth has moved approximately one month along its year-long orbit around the sun, altering our angle of viewpoint, and thus, the phase. The earth's orbital direction is such that it lengthens the period for earthbound observers.
Although the synodic and sidereal periods are exact numbers, the moon phase can't be precisely calculated by simple division of days because the moon's motion (orbital speed and position) is affected and perturbed by various forces of different strengths. Hence, complex equations are used to determine the exact position and phase of the moon at any given point in time.
Also, looking at the diagram, you may have wondered why, at a new moon, the moon doesn't block the sun, and at a full moon, why the earth doesn't block sunlight from reaching the moon. The reason is because the moon's orbit about the earth is about 5 degrees off from the earth-sun orbital plane.
However, at special times during the year, the earth, moon, and sun do in fact "line up". When the moon blocks the sun or a part of it, it's called a solar eclipse, and it can only happen during the new moon phase. When the earth casts a shadow on the moon, it's called a lunar eclipse, and can only happen during the full moon phase. Roughly 4 to 7 eclipses happen in any given year, but most of them minor or "partial" eclipses. Major lunar or solar eclipses are relatively uncommon.
Understanding the buildings of London through drawing…
my instinctive way to understand a building is to draw it as I am observing it. I think it is part of my architectural background of design sketching that I draw to think…. rather than observing first and drawing second. Anyway here are a few scribbles of some iconic buildings of London.
If I haven't said before I am having a few days in London after BCN and so one might think that this is a bit of trip prep.
BTW I am loving seeing Alissa Duke's trip prep on her blog (she is also going to London as well as BCN) www.alissaduke.com/
However…this sketching is actually work - how cool is that… I have an exciting illustration project that I am working on at the moment and this is preparation for that. Ok…back to work.
Happy Monday everyone… oh! it is cold today in Sydney!
Leipzig Book Fair 2014
Leipziger Buchmesse 2014
Cosplayers
2014_014
2014-03-14
2014#073
shari81 (Sandra) 062350 as Harley Quinn [Ame Comi] from DC Comics
2014#080
Red_Mary (Jo) 375100 as Donna Troy - Wondergirl [Ame Comi] from DC Comics
Photos posted are 1024x768 pixels in size. Higher resolution (3000x2000) for models only, sorry.
Thank you for any group invites which I will gladly accept. However, if I can't check the content of such groups ("This group is not available to you") I'd rather not add any of my photos. Thanks for your understanding.
Martin Creed
Work No. 2630 UNDERSTANDING, 2016
Red Neon, Steel
Approx dims: 21 3/5 x 50 x 2 1/8 ft / 658.6 x 1524 x 66 cm. Base 25 x 25 feet at top / 33 x 33 feet at bottom
Presented by Public Art Fund, May 4 – October 23, 2016 at Pier 6, Brooklyn Bridge Park
Courtesy the artist, Gavin Brown’s enterprise New York/Rome, and Hauser & Wirth
Photo: Jason Wyche, Courtesy Public Art Fund, NY
© Martin Creed 2016
www.ciatnews.cgiar.org/?p=7981
Credit: ©2014CIAT/StephanieMalyon
Please credit accordingly and leave a comment when you use a CIAT photo.
For more info: ciat-comunicaciones@cgiar.org
photographer: xergs
location: malasag cdo,Philippines
Living gives you a better understanding of life. I would hope that my characters have become deeper and more rounded personalities. Wider travels have given me considerably greater insight into how cultural differences affect not only people, but politics and art.
--Alan Dean Foster--
x
CINEMA DIGITAL
A Study of 4D Julia sets
Baraka / Baraka from DVD to 4K / Baraka with the monkey
Beatbox360
Enquanto a noite não chega (While we wait for the night â?" first Brazilian film in 4K)/(primeiro filme brasileiro em 4k)
Era la Notte
Flight to the Center of the Milky Way
Growth by aggregation 2
Jet Instabilities in a stratified fluid flow
Keio University Concert
Manny Farber (Tribute to)
Scalable City
The Nonlinear Evolution of the Universe
The Prague train
FILE INOVAÇÃO / FILE INNOVATION
Interface Cérebro-Computador – Eduardo Miranda
Sistema comercial de Reconhecimento Automático - Genius Instituto de Tecnologia
Robô de visão omnidirecional – Jun Okamoto
Loo Table: mesa interativa - André V. Perrotta, Erico Cheung e Luis Stateri dos Santos, da empresa Loodik
Simulador de Ondas e Simulador de Turbilhão - Steger produção de efeitos especiais ltda.
GAMES INSTALAÇÕES / INSTALLATIONS GAMES
Giles Askham – Aquaplayne
Jonah Warren & Steven Sanborn – Transpose
Jonah Warren & Steven Sanborn – Full Body Games
Fabiano Onça e Coméia – Tantalus Quest
Julian Oliver - levelHead
GAMES
Andreas Zecher – Understanding Games
Andrei R. Thomaz – Cubos de Cor
Arvi Teikari – Once In Space
Fabrício Fava – Futebolando
Golf Question Mark – Golf
Introversion.co.uk – Darwinia
Jens Andersson and Ida Rödén – Rorschach
Jonatan Söderström – CleanAsia!
Jonatan Söderström – AdNauseum2
Jorn Ebner – sans femme et sans avieteur
Josh Nimoy – BallDroppings
Josiah Pisciotta – Gish
Marek Walczak and Martin Wattenberg – Thinking Machine 7
Mariana Rillo – Desmanche
Mark Essen - Punishment: The punishing
Mark Essen - RANDY BALMA: MUNICIPAL ABORTIONIST
Playtime – SFZero
QUBO GAS: Jef Ablézot, Morgan Dimnet & Laura Henno - WATERCOULEUR PARK
QueasyGames - Jonathan Mak – Everyday Shooter
R-S-G: Radical Software Group - Kriegspiel - Guy Debord's Game of War
Shalin Shodhan (www.experimentalgameplay.com) – On a Rainy Day
Shalin Shodhan (www.experimentalgameplay.com) – Cytoplasm
Shalin Shodhan (www.experimentalgameplay.com) – Particle Rain
Tales of Tales: Auriea Harvey & Michaël Samyn - The Graveyard
Tanja Vujinovic – Osciloo
ThatGameCompany – Jenova Chen – Clouds
ThatGameCompany – Jenova Chen - flOw
JOGOS BR
JOGOS BR 1
Ayri - Uma Lenda Amazônica - Sylker Teles da Silva / Outline Interactive
Capoeira Experience - Andre Ivankio Hauer Ploszaj / Okio Serviços de Comunicação Multimídia Ltda.
Cim-itério - Wagner Gomes Carvalho / Green Land Studios
Incorporated (Emprego Maluco) - Tiago Pinheiro Teixeira / Interama Jogos Eletrônicos
Iracema Aventura – Odair Gaspar / Perceptum Software Ltda.
Nevrose: Sangue e Loucura Sob o Sol do Sertão - Rodrigo Queiroz de Oliveira
/ Gamion Realidade Virtual & Games
Raízes do Mal – Marcos Cruz Alves / Ignis Entretenimento e Informática Ltda.
JOGOS BR 2 – Jogos Completos
Cave Days - Winston George A. Petty / Insolita Studios
Peixis!
(JOGO EM DESENVOLVIMENTO) - Wallace Santos Lages / Ilusis Interactive Graphics
JOGOS BR 2 – Demos Jogáveis
Brasilia Tropicalis - Thiago Salgado Aiache de Moraes / Olympya Games
Conspiração Dumont - Guilherme Mattos Coutinho
Flora - Francisco Oliveira de Queiroz
Fórmula Galaxy – Artur Corrêa / Vencer Consultoria e Projetos Ltda.
Inferno - Alexandre Vrubel / Continuum Entertainment Ltda
Lex Venture - Tiago Pinheiro Teixeira / Interama Jogos Eletrônicos
Trem de Doido (DEMO EM DESENVOLVIMENTO) - Marcos André Penna Coutinho
Zumbi, o rei dos Palmeiras - Nicholas Lima de Souza
HIPERSÔNICA / HIPERSONICA
Hipersônica Performance
Andrei Thomaz, Francisco Serpa, Lílian Campesato e Vitor Kisil – Sonocromática
Bernhard Gal – Gal Live
+Zero: Fabrizio Augusto Poltronieri, Jonattas Marcel Poltronieri, Raphael Dall'Anese - +Zero do Brasil
Luiz duVa - Concerto para duo de laptops
Henrique Roscoe (a.k.a. 1mpar) – HOL
Jose Ignacio Hinestrosa e Testsu Kondo – Fricciones
Alexandre Fenerich e Giuliano Obici – Nmenos1
Orqstra de Laptops de São Paulo - EvEnTo 3 Movimentos para Orquestra
Hipersônica Participantes
Agricola de Cologne - soundSTORY - sound as a tool for storytelling
Jen-Kuan Chang – Drishti II
Jen-Kuan Chang – Discordance
Jen-Kuan Chang – Nekkhamma
Jen-Kuan Chang - She, Flush, Vegetable, Lo Mein, and Intolerable Happiness
Jerome Soudan – Mimetic
Matt Lewis e Jeremy Keenan – Animate Objects
Robert Dow - Precipitation within sight
Tetsu Kondo – Dendraw
Tomas Phillips – Drink_Deep
INSTALAÇÕES / INSTALLATIONS
Anaisa Franco – Connected Memories
Andrei Thomaz & Sílvia Laurentiz – 1º Subsolo
Graffiti Research Lab – Various
Hisako K. Yamakawa – Kodama
r3nder.net+i2off.org – is.3s
Jarbas Jacome – Crepúsculo dos Ídolos
Julio Obelleiro & Alberto García – Magnéticos
Julio Obelleiro & Alberto García – The Magic Torch
Mariana Manhães – Liquescer (Jarrinho)
Mariana Manhães – Liquescer (Jarrinho Azul)
Rejane Cantoni e Leonardo Crescenti – PISO
Sheldon Brown – Scalable City
Soraya Braz e Fábio FON – Roaming
Takahiro Matsuo – Phantasm
Ursula Hentschlaeger – Outer Space IP
Ursula Hentschlaeger – Phantasma
Ursula Hentschlaeger – Binary Art Site
SYMPOSIUM
Agnus Valente
Anaisa Franco
Andre Thomaz e Silvia Laurentiz
Christin Bolewski
Giles Askham
Graffiti Research Lab: James Powderly
Hidenori Watanave
Ivan Ivanoff e Jose Jimenez
Jarbas Jácome
João Fernando Igansi Nunes
Marcos Moraes
Mediengruppe Bitnik; Carmen Weisskopf, Domagoj Smoljo, Silvan Leuthold, Sven König [SWI]
Mesa Redonda (LABO) - Cicero Silva, Lev Manovich (teleconferencia) e Noah Wardrip-Fruin
Mesa Redonda [BRA] – (Hipersônica) Renata La Rocca, Gabriela Pereira Carneiro, Ana Paula Nogueira de Carvalho, Clarissa Ribeiro Pereira de Almeida. Mediação: Vivian Caccuri
Mesa Redonda [BRA] - [Ministro da Cultura: Gilberto Gil | Secretário do Audiovisual do Ministério da Cultura: Sílvio Da-Rin | Secretário de Políticas Culturais do Ministério da Cultura: Alfredo Manevy ]
Mesa Redonda [BRA] - Inovação - Lala Deheinzelin, Gian Zelada, Alessandro Dalla, Ivandro Sanches, Eduardo Giacomazzi. Mediação: Joana Ferraz
Mesa Redonda 4k - Jane de Almeida, Sheldon Brownn, Mike Toillion, Todd Margolis, Peter Otto
Nardo Germano
Nori Suzuki
Sandra Albuquerque Reis Fachinello
Satoru Tokuhisa
Sheldon Brown
Soraya Braz e Fabio FON
Suzete Venturelli, Mario Maciel e bolsistas do CNPq/UnB (Johnny Souza, Breno Rocha, João Rosa e Samuel Castro [BRA]
Ursula Hentschlaeger
Valzeli Sampaio
Cinema Documenta FILE São Paulo 2008
Antonello Matarazzo – Interferenze – Itália / Italy
Bruno Natal - Dub Echoes – Brasil / Brazil
Carlo Sansolo - Panoramika Eletronika - Brasil / Brazil
Kevin Logan – Recitation – Londres / London
Kodiak Bachine e Apollo 9 – Nuncupate – Brasil / Brazil
Linda Hilfing Nielsen - Participation 0.0 – Dinamarca
Maren Sextro e Holger Wick - Slices, Pioneers of Electronic Music – Vol.1 – Richie Hawtin Documentary – Alemanha / Germany
Matthew Bate - What The Future Sounded Like – Austrália
Thomas Ziegler, Jason Gross e Russell Charmo - OHM+ the early gurus of electronic music – Eua / USA
Mídia Arte FILE São Paulo 2008
[ fladry + jones ] Robb Fladry and Barry Jones - The War is Over 2007 – EUA / USA
Agricola de Cologne - One Day on Mars – Alemanha / Germany
alan bigelow - "When I Was President" – EUA / USA
Alessandra Ribeiro Parente Paes
Daniel Fernandes Gamez
Glauber Kotaki Rodrigues
Igor Albuquerque Bertolino
Karina Yuko Haneda
Marcio Pedrosa Tirico da Silva Junior – Reativo – Brasil / Brazil
Alessandro Capozzo – Talea – Itália / Italy
Alex Hetherington - Untitled (sexyback, folly artist) – Reino Unido / United Kingdon
Alexandre Campos, Bruno Massara e Lucilene Soares Alves - Novos Olhares sobre a Mobilidade – Brasil / Brazil
Alexandre Cardoso Rodrigues Nunes
Bruno Coimbra Franco
Diego Filipe Braga R. Nascimento
Fábio Rinaldi Batistine
Yumi Dayane Shimada – Abra Sua Gaveta – Brasil / Brazil
ALL: ALCIONE DE GODOY, ADILSON NG, CAMILLO LOUVISE COQUEIRO, MARINA QUEIROZ MAIA, RODOLFO ROSSI JULIANI, VINÍCIUS NAKAMURA DE BRITO – Vita Ex Maxina – Brasil / Brazil
Andreas Zingerle - Extension of Human sight – Áustria
Andrei R. Thomaz - O Tabuleiro dos Jogos que se bifurcam - First Person Movements - Brasil / Brazil
Andrei R. Thomaz e Marina Camargo – Eclipses – Brasil / Brazil
Brit Bunkley – Spin – Spite – Nova Zelândia – New Zeland
calin man – appendXship / Romênia
Carlindo da Conceição Barbosa
Kauê de Oliveira Souza
Guilherme Tetsuo Takei
Renato Michalischen
Ricardo Rodrigues Martins
Tassia Deusdara Manso
Thalyta de Almeida Barbosa / Da Música ao Caos – Brasil / Brazil
Christoph Korn – waldstueck – Alemanha / Germany
Corpos Informáticos: Bia Medeiros, Carla Rocha, Diego Azambuja, Fernando Aquino, Kacau Rodrigues, Márcio Mota, Marta Mencarini, Wanderson França – UAI 69 – Brasil / Brazil
Duda. – do pixel ao pixel – Brasil / Brazil
Daniel Kobayashi
Felipe Crivelli Ayub
Fernando Boschetti
Luiz Felipe M. Coelho
Marcelo Knelsen
Mauro Falavigna
Rafael de A. Campos
Wellington K. Guimarães Bastos - A Casa Dentro da Porta – Brasil / Brazil
David Clark - 88 Constellations for Wittgenstein – Canadá
Thais Paola Galvez
Josias Silva
Diego Abrahão Modesto
Nilson Benis
Vinicius Augusto Naka de Vasconcelos
Wilson Ruano Junior
Marcela Moreira da Silva – Rogério caos – Brasil / Brazil
Diogo Fuhrmann Misiti, Guilherme Pilz, João Henrique - Caleidoscópio Felliniano: 8 ½ - Brasil / Brazil
Agence TOPO: Elene Tremblay, Marcio Lana-Lopez, Maryse Larivière, Marie-Josée Hardy, James Prior - Mes / My contacts – Canadá / Canada
Eliane Weizmann, Fernando Marinho e Leocádio Neto – Storry teller – Brasil / Brazil
Fabian Antunes - Pousada Recanto Abaetuba – Brasil / Brazil
Edgar Franco e Fabio FON - Freakpedia - A verdadeira enciclopédia livre – Brasil / Brazil
Fernando Aquino – UAI Justiça – Brasil / Brazil
Henry Gwiazda - claudia and Paul - a doll's house is...... - there's whispering...... – EUA / USA
Architecture in Metaverse: Hidenori Watanave - "Archidemo" - Architecture in Metaverse – Hapão / Japan
Yto Aranda – Cyber Birds Dance – Chile
Dana Sperry - Sketch for an Intermezzo for the Masses, no. 7 – EUA / USA
Jorn Ebner - (sans femme et sans aviateur) – Reino Unido / United Kingdon
Josephine Anstey, Dave Pape - Office Diva – EUA / USA
Josh Fishburn – Layers – Waiting – EUA / USA
Karla Brunet – Peculiaris – Brasil / Brazil
Kevin Evensen - Veils of Light – EUA / USA
lemeh42 (santini michele and paoloni lorenza) - Study on human form and humanity #01 – Itália / Italy
linda hilfling e erik borra - misspelling generator – Dinamarca / Denmark
Lisa Link - If I Worked for 493 years – EUA / USA
Marcelo Padre – Estro – Brasil / Brazil
Martha Carrer Cruz Gabriel - Locative Painting - Brasil / Brazil
Martin John Callanan - I Wanted to See All of the News From Today – Reino Unido / United Kingdon
Mateus Knelsen, Ana Clara, Felipe Vasconcelos, Rafael Jacobsen, Ronaldo Silva - A pós-modernidade em recortes: Tide Hellmeister e as relações Design e cultura – Brasil / Brazil
Mateus Knelsen, Felipe Szulc, Mileine Assai Ishii, Pamela Cardoso, Tânia Taura - Homo ex machina – Brasil / Brazil
Michael Takeo Magruder - Sequence-n (labyrinth) - Sequence-n (horizon) – Reino Unido / United Kingdon
Michael Takeo Magruder + Drew Baker + David Steele - The Vitruvian World - Reino Unido / United Kingdon
Nina Simões - Rehearsing Reality ( An interactive non-linear docufragmentary) - Reino Unido / United Kingdon
Nurit Bar-Shai - Nothing Happens – EUA / USA
projectsinge: Blanquet Jerome - Monkey_Party – França / France
QUBO GAS - WATERCOULEUR PARK – França / France
rachelmauricio castro – 360 - R.G.B. – tybushwacka – Brasil / Brazil
Rafael Rozendaal - future physics – Netherlands
Regina Célia Pinto - Ninhos & Magia – Brasil / Brazil
Roni Ribeiro – Bípedes – Brasil / Brazil
Rubens Pássaro - ISTO NÃO É PARANÓIA – Brasil / Brazil
Rui Filipe Antunes – xTNZ – Brasil / Brazil
Selcuk ARTUT & Cem OCALAN – NewsPaperBox – Brazil
Tanja Vujinovic - "Without Title" – Switzerland
Hipersônica Screening – FILE São Paulo 2008
1mpar – hol – Brasil / Brazil
Art Zoyd - EYECATCHER 1 - EYECATCHER 2, Man with a movie camera - Movie-Concert for The Fall of the Usher House – França / France
Audiobeamers (FroZenSP and Klinid) - Paesaggi Liquidi II – Alemanha / Germany
Bernhard Loibner – Meltdown – Áustria
Bjørn Erik Haugen – Regress - Norway
Celia Eid e Sébastien Béranger – Gymel – França / France
Studio Brutus/Citrullo International - H2O – Itália / Italy
Daniel Carvalho - OUT_FLOW PART I – Brasil / Brazil
David Muth - You Are The Sony Of My Life – Reino Unido / United Kingdon
Dennis Summers - Phase Shift Vídeos – EUA / USA
Duprass - Liora Belford & Ido Govrin – Free Field – Pink / Noise – Israel
Fernando Velázquez – Nómada – Brasil / Brazil
Frames aka Flames - Performance audiovisual sincronizada: Sociedade pós-moderna, novas tecnologias e espaço urbano - Brasil / Brazil
Frederico Pessoa - butterbox – diving - Brasil / Brazil
Jay Needham - Narrative Half-life – EUA / USA
Soundsthatmatter – trotting – briji – Brasil / Brazil
x
Pasting from the Wikipedia page on the Rosetta Stone:
[[[
The Rosetta Stone is an Ancient Egyptian artifact which was instrumental in advancing modern understanding of Egyptian hieroglyphic writing. The stone is a Ptolemaic era stele with carved text made up of three translations of a single passage: two in Egyptian language scripts (hieroglyphic and Demotic) and one in classical Greek. It was created in 196 BC, discovered by the French in 1799 at Rosetta, and transported to England in 1802. Once in Europe, it contributed greatly to the deciphering of the principles of hieroglyph writing, through the work of the British scientist Thomas Young and the French scholar Jean-François Champollion. Comparative translation of the stone assisted in understanding many previously undecipherable examples of hieroglyphic writing. The text on the stone is a decree from Ptolemy V, describing the repeal of various taxes and instructions to erect statues in temples. Two Egyptian-Greek multilingual steles predated Ptolemy V's Rosetta Stone: Ptolemy III's Decree of Canopus, 239 BC, and Ptolemy IV's Decree of Memphis, ca 218 BC.
The Rosetta Stone is 114.4 centimetres (45.0 in) high at its highest point, 72.3 centimetres (28.5 in) wide, and 27.9 centimetres (11.0 in) thick.[1] It is unfinished on its sides and reverse. Weighing approximately 760 kilograms (1,700 lb), it was originally thought to be granite or basalt but is currently described as granodiorite of a dark grey-pinkish colour.[2] The stone has been on public display at The British Museum since 1802.
Contents
• 1 History of the Rosetta Stone
• 5 Notes
History of the Rosetta Stone
Modern-era discovery
In preparation for Napoleon's 1798 campaign in Egypt, the French brought with them 167 scientists, scholars and archaeologists known as the 'savants'. French Army engineer Lieutenant Pierre-François Bouchard discovered the stone sometime in mid-July 1799, first official mention of the find being made after the 25th in the meeting of the savants' Institut d'Égypte in Cairo. It was spotted in the foundations of an old wall, during renovations to Fort Julien near the Egyptian port city of Rashid (Rosetta) and sent down to the Institute headquarters in Cairo. After Napoleon returned to France shortly after the discovery, the savants remained behind with French troops which held off British and Ottoman attacks for a further 18 months. In March 1801, the British landed at Aboukir Bay and scholars carried the Stone from Cairo to Alexandria alongside the troops of Jacques-Francois Menou who marched north to meet the enemy; defeated in battle, Menou and the remnant of his army fled to fortified Alexandria where they were surrounded and immediately placed under siege, the stone now inside the city. Overwhelmed by invading Ottoman troops later reinforced by the British, the remaining French in Cairo capitulated on June 22, and Menou admitted defeat in Alexandria on August 30.[3]
After the surrender, a dispute arose over the fate of French archaeological and scientific discoveries in Egypt. Menou refused to hand them over, claiming they belonged to the Institute. British General John Hely-Hutchinson, 2nd Earl of Donoughmore, refused to relieve the city until de Menou gave in. Newly arrived scholars Edward Daniel Clarke and William Richard Hamilton agreed to check the collections in Alexandria and found many artifacts that the French had not revealed.[citation needed]
When Hutchinson claimed all materials were property of the British Crown, a French scholar, Étienne Geoffroy Saint-Hilaire, said to Clarke and Hamilton that they would rather burn all their discoveries — referring ominously to the destruction of the Library of Alexandria — than turn them over. Clarke and Hamilton pleaded their case and Hutchinson finally agreed that items such as biology specimens would be the scholars' private property. But Menou regarded the stone as his private property and hid it.[4]
How exactly the Stone came to British hands is disputed. Colonel Tomkyns Hilgrove Turner, who escorted the stone to Britain, claimed later that he had personally seized it from Menou and carried it away on a gun carriage. In his much more detailed account however, Clarke stated that a French 'officer and member of the Institute' had taken him, his student John Cripps, and Hamilton secretly into the back-streets of Alexandria, revealing the stone among Menou's baggage, hidden under protective carpets. According to Clarke this savant feared for the stone's safety should any French soldiers see it. Hutchinson was informed at once, and the stone taken away, possibly by Turner and his gun-carriage. French scholars departed later with only imprints and plaster casts of the stone.[5]
Turner brought the stone to Britain aboard the captured French frigate HMS Egyptienne landing in February 1802. On March 11, it was presented to the Society of Antiquaries of London and Stephen Weston played a major role in the early translation. Later it was taken to the British Museum, where it remains to this day. Inscriptions painted in white on the artifact state "Captured in Egypt by the British Army in 1801" on the left side and "Presented by King George III" on the right.
Translation
Experts inspecting the Rosetta Stone during the International Congress of Orientalists of 1874
In 1814, Briton Thomas Young finished translating the enchorial (demotic) text, and began work on the hieroglyphic script but he did not succeed in translating them. From 1822 to 1824 the French scholar, philologist, and orientalist Jean-François Champollion greatly expanded on this work and is credited as the principal translator of the Rosetta Stone. Champollion could read both Greek and Coptic, and figured out what the seven Demotic signs in Coptic were. By looking at how these signs were used in Coptic, he worked out what they meant. Then he traced the Demotic signs back to hieroglyphic signs. By working out what some hieroglyphs stood for, he transliterated the text from the Demotic (or older Coptic) and Greek to the hieroglyphs by first translating Greek names which were originally in Greek, then working towards ancient names that had never been written in any other language. Champollion then created an alphabet to decipher the remaining text.[6]
In 1858, the Philomathean Society of the University of Pennsylvania published the first complete English translation of the Rosetta Stone as accomplished by three of its undergraduate members: Charles R Hale, S Huntington Jones, and Henry Morton.[7]
Recent history
The Rosetta Stone has been exhibited almost continuously in the British Museum since 1802. Toward the end of World War I, in 1917, the Museum was concerned about heavy bombing in London and moved the Rosetta Stone to safety along with other portable objects of value. The Stone spent the next two years in a station on the Postal Tube Railway 50 feet below the ground at Holborn.
The Stone left the British Museum again in October 1972 to be displayed for one month at the Louvre Museum on the 150th anniversary of the decipherment of hieroglyphic writing with the famous Lettre à M. Dacier of Jean-François Champollion.
In July 2003, Egypt requested the return of the Rosetta Stone. Dr. Zahi Hawass, secretary general of the Supreme Council of Antiquities in Cairo, told the press: "If the British want to be remembered, if they want to restore their reputation, they should volunteer to return the Rosetta Stone because it is the icon of our Egyptian identity". In 2005, Hawass was negotiating for a three-month loan, with the eventual goal of a permanent return.[8][9] In November 2005, the British Museum sent him a replica of the stone.[10] In December 2009 Hawass said that he would drop his claim for the return of the Rosetta Stone if the British Museum loaned the stone to Egypt for three months.[11]
Inscription
In essence, the Rosetta Stone is a tax amnesty given to the temple priests of the day, restoring the tax privileges they had traditionally enjoyed from more ancient times. Some scholars speculate that several copies of the Rosetta Stone must exist, as yet undiscovered, since this proclamation must have been made at many temples. The complete Greek portion, translated into English,[12] is about 1600–1700 words in length, and is about 20 paragraphs long (average of 80 words per paragraph):
n the reign of the new king who was Lord of the diadems, great in glory, the stabilizer of Egypt, but also pious in matters relating to the gods, superior to his adversaries, rectifier of the life of men, Lord of the thirty-year periods like Hephaestus the Great, King like the Sun, the Great King of the Upper and Lower Lands, offspring of the Parent-loving gods, whom Hephaestus has approved, to whom the Sun has given victory, living image of Zeus, Son of the Sun, Ptolemy the ever-living, beloved by Ptah;
In the ninth year, when Aëtus, son of Aëtus, was priest of Alexander and of the Savior gods and the Brother gods and the Benefactor gods and the Parent-loving gods and the god Manifest and Gracious; Pyrrha, the daughter of Philinius, being athlophorus for Bernice Euergetis; Areia, the daughter of Diogenes, being canephorus for Arsinoë Philadelphus; Irene, the daughter of Ptolemy, being priestess of Arsinoë Philopator: on the fourth of the month Xanicus, or according to the Egyptians the eighteenth of Mecheir.
THE DECREE: The high priests and prophets, and those who enter the inner shrine in order to robe the gods, and those who wear the hawk's wing, and the sacred scribes, and all the other priests who have assembled at Memphis before the king, from the various temples throughout the country, for the feast of his receiving the kingdom, even that of Ptolemy the ever-living, beloved by Ptah, the god Manifest and Gracious, which he received from his Father, being assembled in the temple in Memphis this day, declared: Since King Ptolemy, the ever-living, beloved by Ptah, the god Manifest and Gracious, the son of King Ptolemy and Queen Arsinoë, the Parent-loving gods, has done many benefactions to the temples and to those who dwell in them, and also to all those subject to his rule, being from the beginning a god born of a god and a goddess—like Horus, the son of Isis and Osiris, who came to the help of his Father Osiris; being benevolently disposed toward the gods, has concentrated to the temples revenues both of silver and of grain, and has generously undergone many expenses in order to lead Egypt to prosperity and to establish the temples... the gods have rewarded him with health, victory, power, and all other good things, his sovereignty to continue to him and his children forever.[13]
Idiomatic use
The term Rosetta Stone came to be used by philologists to describe any bilingual text with whose help a hitherto unknown language and/or script could be deciphered. For example, the bilingual coins of the Indo-Greeks (Obverse in Greek, reverse in Pali, using the Kharo??hi script), which enabled James Prinsep (1799–1840) to decipher the latter.
Later on, the term gained a wider frequency, also outside the field of linguistics, and has become idiomatic as something that is a critical key to the process of decryption or translation of a difficult encoding of information:
"The Rosetta Stone of immunology"[14] and "Arabidopsis, the Rosetta Stone of flowering time (fossils)".[15] An algorithm for predicting protein structure from sequence is named Rosetta@home. In molecular biology, a series of "Rosetta" bacterial cell lines have been developed that contain a number of tRNA genes that are rare in E. coli but common in other organisms, enabling the efficient translation of DNA from those organisms in E. coli.
"Rosetta" is an online language translation tool to help localisation of software, developed and maintained by Canonical as part of the Launchpad project.
"Rosetta" is the name of a "lightweight dynamic translator" distributed for Mac OS X by Apple. Rosetta enables applications compiled for PowerPC processor to run on Apple systems using x86 processor.
Rosetta Stone is a brand of language learning software published by Rosetta Stone Ltd., headquartered in Arlington, VA, USA.
The Rosetta Project is a global collaboration of language specialists and native speakers to develop a contemporary version of the historic Rosetta Stone to last from 2000 to 12,000 AD. Its goal is a meaningful survey and near permanent archive of 1,500 languages.
Rosetta Stone was also a pseudonym used by Theodor Seuss Geisel (Dr. Seuss) for the book "Because a Little Bug Went Ka-Choo"
See also
• Decree of Canopus, stele no. 1 of the 3-stele series
Notes
• Allen, Don Cameron. "The Predecessors of Champollion", Proceedings of the American Philosophical Society, Vol. 144, No. 5. (1960), pp. 527–547
• Adkins, Lesley; Adkins, Roy. The Keys of Egypt: The Obsession to Decipher Egyptian Hieroglyphs. HarperCollins, 2000 ISBN 0-06-019439-1
• Budge, E. A. Wallis (1989). The Rosetta Stone. Dover Publications. ISBN 0486261638. http://books.google.com/books?id=RO_m47hLsbAC&printsec=frontcover&dq=rosetta+stone&as_brr=3&sig=ACfU3U1_VaJ_NxkLmbZuYyDLji99DXwY6w.
• Downs, Jonathan. Discovery at Rosetta. Skyhorse Publishing, 2008 ISBN 978-1-60239-271-7
• Downs, Jonathan. "Romancing the Stone", History Today, Vol. 56, Issue 5. (May, 2006), pp. 48–54.
• Parkinson, Richard. Cracking Codes: the Rosetta Stone, and Decipherment. University of California Press, 1999 ISBN 0-520-22306-3
• Parkinson, Richard. The Rosetta Stone. Objects in Focus; British Museum Press 2005 ISBN 978-0-7141-5021-5
• Ray, John. The Rosetta Stone and the Rebirth of Ancient Egypt. Harvard University Press, 2007 ISBN 978-0-674-02493-9
• Reviewed by Jonathon Keats in the Washington Post, July 22, 2007.
• Solé, Robert; Valbelle, Dominique. The Rosetta Stone: The Story of the Decoding of Hieroglyphics. Basic Books, 2002 ISBN 1-56858-226-9
• The Gentleman's Magazine: and Historical Chronicle, 1802: Volume 72: part 1: March: p. 270: Wednesday, March 31.
References
• ^ "The Rosetta Stone". http://www.britishmuseum.org/explore/highlights/highlight_objects/aes/t/the_rosetta_stone.aspx. Retrieved 2008-05-21.
• ^ "History uncovered in conserving the Rosetta Stone". http://www.britishmuseum.org/explore/highlights/article_index/h/history_uncovered_in_conservin.aspx. Retrieved 2008-11-11.
• ^ Downs, Jonathan, Discovery at Rosetta, 2008
• ^ Downs, Jonathan, Discovery at Rosetta, 2008
• ^ Downs, Jonathan, Discovery at Rosetta, 2008
• ^ See University of Pennsylvania, Philomathean Society, Report of the committee [C.R. Hale, S.H. Jones, and Henry Morton], appointed by the society to translate the inscript on the Rosetta stone, Circa 1858 and most likely published in Philadelphia. See later editions of circa 1859 and 1881 by same author, as well as Randolph Greenfield Adams, A Translation of the Rosetta Stone (Cambridge, MA: Harvard University Press, 1925.) The Philomathean Society holds relevant archival material as well as an original casting.
• ^ Charlotte Edwardes and Catherine Milner (2003-07-20). "Egypt demands return of the Rosetta Stone". Daily Telegraph. http://www.telegraph.co.uk/news/worldnews/africaandindianocean/egypt/1436606/Egypt-demands-return-of-the-Rosetta-Stone.html. Retrieved 2006-10-05.
• ^ Henry Huttinger (2005-07-28). "Stolen Treasures: Zahi Hawass wants the Rosetta Stone back—among other things". Cairo Magazine. http://www.cairomagazine.com/?module=displaystory&story_id=1238&format=html. Retrieved 2006-10-06. [dead link]
• ^ "The rose of the Nile". Al-Ahram Weekly. 2005-11-30. http://weekly.ahram.org.eg/2005/770/he1.htm. Retrieved 2006-10-06.
• ^ [1] "Rosetta Stone row 'would be solved by loan to Egypt'" BBC News 8 December 2009
• ^ "Translation of the Greek section of the Rosetta Stone". Reshafim.org.il. http://www.reshafim.org.il/ad/egypt/texts/rosettastone.htm. Retrieved 2009-01-22.
• ^ "Text of the Rosetta Stone". http://pw1.netcom.com/~qkstart/rosetta.html. Retrieved 2006-11-26.
• ^ The National Institute of Allergy and Infectious Diseases (2000-09-06). "International Team Accelerates Investigation of Immune-Related Genes". http://www3.niaid.nih.gov/news/newsreleases/2000/ihwg.htm. Retrieved 2006-11-23.
• ^ Gordon G. Simpson, Caroline Dean (2002-04-12). "Arabidopsis, the Rosetta Stone of Flowering Time?". http://www.sciencemag.org/cgi/content/abstract/296/5566/285?ijkey=zlwRiv/qSEivQ&keytype=ref&siteid=sci. Retrieved 2006-11-23.
External links
• Wikimedia Commons has media related to: Rosetta Stone
• Wikisource has original text related to this article: Text on the Rosetta Stone in English
• Greek Wikisource has original text related to this article: Greek Text from the Rosetta Stone
• The Rosetta Stone in The British Museum
• More detailed British Museum page on the stone with Curator's comments and bibliography
• The translated text in English – The British Museum
• The Finding of the Rosetta Stone
• The 1998 conservation and restoration of The Rosetta Stone at The British Museum
• Champollion's alphabet – The British Museum
• people.howstuffworks.com/rosetta-stone.htm
Retrieved from "http://en.wikipedia.org/wiki/Rosetta_Stone"
Categories: 196 BC | 2nd century BC | 2nd-century BC steles | 2nd-century BC works | 1st-millennium BC steles | Ancient Egyptian objects in the British Museum | Ancient Egyptian texts | Ancient Egyptian stelas | Antiquities acquired by Napoleon | Egyptology | Metaphors referring to objects | Multilingual texts | Ptolemaic dynasty | Stones | Nile River Delta | Ptolemaic Greek inscriptions | Archaeological corpora documents
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Universalis Cosmographia Secundum Ptholomaei Traditionem et Americi Vespucii Alioru[m]que Lustrationes, St. Dié, 1507
Recognizing and Naming America
Martin Waldseemüller’s 1507 world map grew out of an ambitious project in St. Dié, near Strasbourg, France, during the first decade of the sixteenth century, to document and update new geographic knowledge derived from the discoveries of the late fifteenth and the first years of the sixteenth centuries. Waldseemüller’s large world map was the most exciting product of that research effort, and included data gathered during Amerigo Vespucci’s voyages of 1501-1502 to the New World. Waldseemüller christened the new lands “America” in recognition of Vespucci ’s understanding that a new continent had been uncovered as a result of the voyages of Columbus and other explorers in the late fifteenth century. This is the only known surviving copy of the first printed edition of the map, which, it is believed, consisted of 1,000 copies.
Waldseemüller’s map supported Vespucci’s revolutionary concept by portraying the New World as a separate continent, which until then was unknown to the Europeans. It was the first map, printed or manuscript, to depict clearly a separate Western Hemisphere, with the Pacific as a separate ocean. The map represented a huge leap forward in knowledge, recognizing the newly found American landmass and forever changing the European understanding of a world divided into only three parts—Europe, Asia, and Africa.
•Martin Waldseemüller (1470-1521)
•Universalis Cosmographia Secundum Ptholomaei Traditionem et Americi Vespucii Alioru[m]que Lustrationes, [St. Dié], 1507
•One map on 12 sheets, made from original woodcut
•Geography and Map Division, Library of Congress
Exploring the Early Americas
Waldseemüller Maps
For more than three hundred years the only surviving copies of what are arguably two of the most important maps in the history of cartography, the 1507 and 1516 World Maps by Martin Waldseemüller (ca. 1470-ca. 1522), sat unknown on the shelves of a library in the castle of a prince. The owner was Prince Johannes Waldburg-Wolfegg, of Württenberg, Germany. The maps were rediscovered there in 1901 by the Jesuit historian Josef Fischer (1858-1944), who found them bound into a single portfolio, now known as the “Schöner Sammelband,” by the Nuremburg globe-maker and mathematician Johannes Schöner (1477–1547).
1507 World Map: Recognizing and Naming a New Continent
Martin Waldseemüller’s 1507 world map grew out of an ambitious project in St. Dié, France, during the first decade of the sixteenth century. The objective was to document and update new geographic knowledge derived from the discoveries of the late fifteenth and the first years of the sixteenth centuries. Waldseemüller’s large world map was the most exciting product of that research effort and included data gathered during Amerigo Vespucci’s voyages of 1501-1502 to the New World. Waldseemüller christened the new lands “America” in recognition of Vespucci’s understanding that a new continent had been uncovered as a result of the voyages of Columbus and other explorers in the late fifteenth century. This is the only known surviving copy of the 1,000 maps that are believed to have been printed.
Waldseemüller’s map represented a revolutionary new geography: it was the first map, printed or manuscript, to depict clearly a separate Western Hemisphere, separated from Asia, with the Pacific as a separate ocean. The map represented a huge leap forward in knowledge, recognizing the newly found American landmass and forever changing the European understanding of a world that was previously divided into only three parts—Europe, Asia, and Africa.
The existence of the Pacific Ocean and a western coastline for South America on the 1507 Waldseemüller map remains an unsolved mystery for scholars. In 1507 neither Balboa nor Magellan had reached the Pacific Ocean. How then did Waldseemüller know of the ocean’s existence and depict a continent whose coastline on the west borders the ocean?
The Impact
After the printing of the map it appears to have received little attention in cartographic circles even though it presented a radically new understanding of world geography based on the discoveries of Columbus and Vespucci. Waldseemüller himself recognized that the map was an important departure from previous cartographic views of the world and asked for the reader’s patience when looking at the map. In the large text block found in the lower right-hand corner of the map we find him saying: “This one request we have to make, that those who are inexperienced and unacquainted with cosmography shall not condemn all this before they have learned what will surely be clearer to them later on, when they have come to understand it.” Sadly, his radical new view of the world was noted by few references in contemporary geographic literature and, having been copied by only a few minor cartographers, it slipped into obscurity and disappeared.
Based on their reading of the Cosmographiae Introductio in the early and mid-nineteenth century, later scholars, such as Alexander von Humboldt and Marie d’Avezac-Macaya, speculated on the map’s existence, on its importance to the early history of the New World, and on its crucial role in the naming of America, all without ever having laid eyes on a copy of the map itself.
The map, which displays the name America for the first time on any map, also represents the continents of North and South America with a shape that is geometrically similar in form to the outlines of the continents as we recognize them today. The two aspects of the shape and the location of the New World on the map, separated as it is from Asia, are chronologically and chronometrically problematic in that in 1507, the map’s supposed creation date, neither Vasco Núñez de Balboa nor Ferdinand Magellan had reached the Pacific Ocean.
Waldseemüller Map
The Waldseemüller map or Universalis Cosmographia (“Universal Cosmography”) is a printed wall map of the world by German cartographer Martin Waldseemüller, originally published in April 1507. It is known as the first map to use the name “America”. The name America is placed on what is now called South America on the main map. As explained in Cosmographiae Introductio, the name was bestowed in honor of the Italian Amerigo Vespucci.
The map is drafted on a modification of Ptolemy’s second projection, expanded to accommodate the Americas and the high latitudes. A single copy of the map survives, presently housed at the Library of Congress in Washington, D.C.
Waldseemüller also created globe gores, printed maps designed to be cut out and pasted onto spheres to form globes of the Earth. The wall map, and his globe gores of the same date, depict the American continents in two pieces. These depictions differ from the small inset map in the top border of the wall map, which shows the two American continents joined by an isthmus.
Wall Map
Description
The wall map consists of twelve sections printed from woodcuts measuring 18 by 24.5 inches (46 cm × 62 cm). Each section is one of four horizontally and three vertically, when assembled. The map uses a modified Ptolemaic map projection with curved meridians to depict the entire surface of the Earth. In the upper-mid part of the main map there is inset another, miniature world map representing to some extent an alternative view of the world.
Longitudes, which were difficult to determine at the time, are given in terms of degrees east from the Fortunate Islands (considered by Claudius Ptolemy as the westernmost known land) which Waldseemüller locates at the Canary Islands. The longitudes of eastern Asian places are too great. Latitudes, which were easy to determine, are also quite far off. For example, “Serraleona” (Sierra Leone, true latitude about 9°N) is placed south of the equator, and the Cape of Good Hope (true latitude 35°S) is placed at 50°S.
The full title of the map is Universalis cosmographia secundum Ptholomaei traditionem et Americi Vespucii aliorumque lustrationes (The Universal Cosmography according to the Tradition of Ptolemy and the Discoveries of Amerigo Vespucci and others). One of the “others” was Christopher Columbus. The title signaled his intention to combine or harmonize in a unified cosmographic depiction the traditional Ptolemaic geography of Europe, Asia and Africa with the new geographical information provided by Amerigo Vespucci and his fellow discoverers of lands in the western hemisphere. He explained: “In designing the sheets of our world-map we have not followed Ptolemy in every respect, particularly as regards the new lands … We have therefore followed, on the flat map, Ptolemy, except for the new lands and some other things, but on the solid globe, which accompanies the flat map, the description of Amerigo that is appended hereto.”
Several earlier maps are believed to be sources, chiefly those based on the Geography (Ptolemy) and the Caveri planisphere and others similar to those of Henricus Martellus or Martin Behaim. The Caribbean and what appear to be Florida were depicted on two earlier charts, the Cantino map, smuggled from Portugal to Italy in 1502 showing details known in 1500, and the Caverio map, drawn circa 1503-1504 and showing the Gulf of Mexico.
While some maps after 1500 show, with ambiguity, an eastern coastline for Asia distinct from the Americas, the Waldseemüller map apparently indicates the existence of a new ocean between the trans-Atlantic regions of the Spanish discoveries and the Asia of Ptolemy and Marco Polo as exhibited on the 1492 Behaim globe. The first historical records of Europeans to set eyes on this ocean, the Pacific, are recorded as Vasco Núñez de Balboa in 1513. That is five to six years after Waldseemüller made his map. In addition, the map apparently predicts the width of South America at certain latitudes to within 70 miles. However, as pointed out by E.G. Ravenstein, this is an illusory effect of the cordiform projection used by Waldseemüller, for when the map is laid out on a more familiar equirectangular projection and compared with others of the period also set out on that same projection there is little difference between them: this is particularly evident when the comparison is made with Johannes Schöner’s 1515 globe.
Apparently among most map-makers until that time, it was still erroneously believed that the lands discovered by Christopher Columbus, Vespucci, and others formed part of the Indies of Asia. Thus, some believe that it is impossible that Waldseemüller could have known about the Pacific, which is depicted on his map. The historian Peter Whitfield has theorized that Waldseemüller incorporated the ocean into his map because Vespucci’s accounts of the Americas, with their so-called “savage” peoples, could not be reconciled with contemporary knowledge of India, China, and the islands of Indies. Thus, in the view of Whitfield, Waldseemüller reasoned that the newly discovered lands could not be part of Asia, but must be separate from it, a leap of intuition that was later proved uncannily precise. An alternative explanation is that of George E. Nunn (see below).
Mundus Novus, a book attributed to Vespucci (who had himself explored the extensive eastern coast of South America), was widely published throughout Europe after 1504, including by Waldseemüller’s group in 1507. It had first introduced to Europeans the idea that this was a new continent and not Asia. It is theorized that this led to Waldseemüller’s separating the Americas from Asia, depicting the Pacific Ocean, and the use of the first name of Vespucci on his map.
An explanatory text, the Cosmographiae Introductio, widely believed to have been written by Waldseemüller’s colleague Matthias Ringmann, accompanied the map. It was said in Chapter IX of that text that the earth was now known to be divided into four parts, of which Europe, Asia and Africa, being contiguous with each other, were continents, while the fourth part, America, was “an island, inasmuch as it is found to be surrounded on all sides by the seas”.
The inscription on the top left corner of the map proclaims that the discovery of America by Columbus and Vespucci fulfilled a prophecy of the Roman poet, Virgil, made in the Aeneid (VI. 795-797), of a land to be found in the southern hemisphere, to the south of the Tropic of Capricorn:
Many have thought to be an invention what the famous Poet said, that “a land lies beyond the stars, beyond the paths of the year and the sun, where Atlas the heaven-bearer turns on his shoulder the axis of the world set with blazing stars”; but now, at last, it proves clearly to have been true. It is, in fact, the land discovered by the King of Castile’s captain, Columbus, and by Americus Vesputius, men of great and excellent talent, of which the greater part lies under the path of the year and sun, and between the tropics but extending nonetheless to about nineteen degrees beyond Capricorn toward the Antarctic pole beyond the paths of the year and the sun. Wherein, indeed, a greater amount of gold is to be found than of any other metal.
The “path” referred to is the ecliptic, which marks the sun’s yearly movement along the constellations of the zodiac, so that to go beyond it meant crossing the southernmost extent of the ecliptic, the Tropic of Capricorn. 19° beyond Capricorn is latitude 42° South, the southernmost extent of America shown on Waldseemüller’s map. The map legend shows how Waldseemüller strove to reconcile the new geographic information with the knowledge inherited from antiquity.
The most southerly feature named on the coast of America on the Waldseemüller map is Rio decananorum, the “River of the Cananoreans”. This was taken from Vespucci, who in 1501 during his voyage along this coast reached the port which he called Cananor (now Cananéia). Cananor was the port of Kannur in southern India, the farthest port reached in India during the 1500-1501 voyage of the Portuguese Pedro Álvares Cabral, the discoverer of Brazil, two of whose ships were encountered returning from India by Vespucci. This may be an indication Waldseemüller thought that the “River of the Cananoreans” could have actually been in the territory of Cananor in India and that America was, therefore, part of India.
The name for the northern land mass, Parias, is derived from a passage in the Four Voyages of Amerigo Vespucci, in which, after several stops, the expedition arrives at a region that was “situated in the torrid zone directly under the parallel which describes the Tropic of Cancer. And this province is called by them [the inhabitants] Parias.” Parias was described by Waldseemüller’s follower, Johannes Schöner as: “The island of Parias, which is not a part or portion of the foregoing [America] but a large, special part of the fourth part of the world”, indicating uncertainty as to its situation.
PARIAS and AMERICA, corresponding to North and South America, are separated by a strait in the region of the present Panama on the main map but on the miniature map inset into the upper-mid part of the main map the isthmus joining the two is unbroken, apparently demonstrating Waldseemüller’s willingness to represent alternative solutions to a question yet unanswered.
The map shows the cities of Catigara (near longitude 180° and latitude 10°S) and Mallaqua (Malacca, near longitude 170° and latitude 20°S) on the western coast of the great peninsula that projects from the southeastern part of Asia, or INDIA MERIDIONALIS (Southern India) as Waldseemüller called it. This peninsula forms the eastern side of the SINUS MAGNUS (“Great Gulf”), the Gulf of Thailand. Amerigo Vespucci, writing of his 1499 voyage, said he had hoped to sail westward from Spain across the Western Ocean (the Atlantic) around the Cape of Cattigara mentioned by Ptolemy into the Sinus Magnus. Ptolemy understood Cattigara, or Kattigara, to be the most eastern port reached by shipping trading from the Graeco-Roman world to the lands of the Far East. Vespucci failed to find the Cape of Cattigara on his 1499 voyage: he sailed along the coast of Venezuela but not far enough to resolve the question of whether there was a sea passage beyond leading to Ptolemy’s Sinus Magnus. The object of his voyage of 1503-1504 was to reach the fabulous spice emporium of “Melaccha in India” (that is, Malacca, or Melaka, on the Malay Peninsula). He had learned of Malacca from one Guaspare (or Gaspard), a pilot with Pedro Álvares Cabral’s fleet on its voyage to India in 1500-1501, whom Vespucci had encountered in the Atlantic on his return from India in May 1501. Christopher Columbus, in his fourth and last voyage of 1502-1503, planned to follow the coast of Champa southward around the Cape of Cattigara and sail through the strait separating Cattigara from the New World, into the Sinus Magnus to Malacca. This was the route he understood Marco Polo to have gone from China to India in 1292 (although Malacca had not yet been founded in Polo’s time). Columbus anticipated that he would meet up with the expedition sent at the same time from Portugal to Malacca around the Cape of Good Hope under Vasco da Gama, and carried letters of credence from the Spanish monarchs to present to da Gama. The map therefore shows the two cities that were the initial destinations of Amerigo Vespucci and Christopher Columbus in their voyages that led to the unexpected discovery of a New World.
Just to the south of Mallaqua (Malacca) is the inscription: hic occisus est S. thomas (Here St. Thomas was killed), referring to the legend that Saint Thomas the Apostle went to India in 52 AD and was killed there in 72 AD. Waldseemüller had confused Malacca (Melaka) with Mylapore in India. The contemporary understanding of the nature of Columbus’ discoveries is demonstrated in the letter written to him by the Aragonese cosmographer and Royal counsellor, Jaume Ferrer, dated August 5, 1495, saying: “Divine and infallible Providence sent the great Thomas from the Occident into the Orient in order to declare in India our Holy and Catholic Law; and you, Sir, it has sent to this opposite part of the Orient by way of the Ponient [West] so that by the Divine Will you might arrive in the Orient, and in the farthest parts of India Superior in order that the descendants might hear that which their ancestors neglected concerning the teaching of Thomas … and very soon you will be by the Divine Grace in the Sinus Magnus, near which the glorious Thomas left his sacred body”.
History
At the time this wall map was drawn, Waldseemüller was working as part of the group of scholars of the Vosgean Gymnasium at Saint-Dié-des-Vosges in Lorraine, which in that time belonged to the Holy Roman Empire. The maps were accompanied by the book Cosmographiae Introductio produced by the Vosgean Gymnasium.
Of the one thousand copies that were printed, only one complete original copy is known to exist today. It was originally owned by Johannes Schöner (1477-1547), a Nuremberg astronomer, geographer, and cartographer. Its existence was unknown for a long time until its rediscovery in 1901 in the library of Prince Johannes zu Waldburg-Wolfegg in Schloss Wolfegg in Württemberg, Germany by the Jesuit historian and cartographer Joseph Fischer. It remained there until 2001 when the United States Library of Congress purchased it from Waldburg-Wolfegg-Waldsee for ten million dollars.
Chancellor Angela Merkel of the Federal Republic of Germany symbolically turned over the Waldseemüller map on April 30, 2007, within the context of a formal ceremony at the Library of Congress, in Washington, DC. In her remarks, the chancellor stressed that the US contributions to the development of Germany in the postwar period tipped the scales in the decision to turn over the Waldseemüller map to the Library of Congress as a sign of transatlantic affinity and as an indication of the numerous German roots to the United States. Today another facsimile of the map is exhibited for the public by the House of Waldburg in their museum on Waldburg Castle in Upper Swabia.
Since 2007, to the celebration of the 500-year jubilee of the first edition, the original map has been permanently displayed in the Library of Congress, within a specially-designed microclimate case. An argon atmosphere fills the case to give an anoxic environment. Prior to display, the entire map was the subject of a scientific analysis project using hyperspectral imaging with an advanced LED camera and illumination system to address preservation storage and display issues.
In 2005 the Waldseemüller map was nominated by Librarian of Congress James H. Billington for inscription on UNESCO’s Memory of the World Register and was inscribed on the register that same year.
Nunn’s Analysis
The geographers of Italy and Germany, like Martin Waldseemüller and his colleagues, were exponents of a theoretical geography, or cosmography. This means they appealed to theory where their knowledge of the American and Asiatic geography was lacking. That practice differed from the official Portuguese and Spanish cartographers, who omitted from their maps all unexplored coastlines.
The second century Alexandrian geographer Claudius Ptolemy had believed that the known world extended over 180 degrees of longitude from the prime meridian of the Fortunate Isles (possibly the Canary Islands) to the city of Cattigara in southeastern Asia. (In fact, the difference in longitude between the Canaries, at 16°W, and Cattigara, at 105°E, is just 121°.) He had also thought that the Indian Ocean was completely surrounded by land. Marco Polo demonstrated that an ocean lay east of Asia and was connected with the Indian Ocean. Hence, on the globe made by Martin Behaim in 1492, which combined the geography of Ptolemy with that of Marco Polo, the Indian Ocean was shown as merging with the Western Ocean to the east. Ptolemy’s lands to the east of the Indian Ocean, however, were retained in the form of a great promontory projecting far south from the southeastern corner of Asia—the peninsula of Upper India (India Superior) upon which the city of Cattigara was situated.
Another result of Marco Polo’s travels was also shown on Behaim’s globe—the addition of 60 degrees to the longitude of Asia. Columbus had not actually seen Behaim’s globe in 1492 (which apparently owed much to the ideas of Paolo dal Pozzo Toscanelli); but the globe, except for one important point, reflects the geographical theory on which he apparently based his plan for his first voyage. The exception is that Columbus shortened the length of the degree, thus reducing the distance from the Canaries to Zipangu (Japan), to about 62 degrees or only 775 leagues. Consequently, it seemed to Columbus a relatively simple matter to reach Asia by sailing west.
In the early 16th century, two theories prevailed with regard to America (the present South America). According to one theory, that continent was identified with the southeastern promontory of Asia that figures on Behaim’s globe, India Superior or the Cape of Cattigara. The other view was that America (South America) was a huge island wholly unconnected with Asia.
Balboa called the Pacific the Mar del Sur and referred to it as “la otra mar”, the other sea, by contrast with the Atlantic, evidently with Behaim’s concept of only two oceans in mind. The Mar del Sur, the South Sea, was the part of the Indian Ocean to the south of Asia: the Indian Ocean was the Oceanus Orientalis, the Eastern Ocean, as opposed to the Atlantic or Western Ocean, the Oceanus Occidentalis in Behaim’s two ocean world.
According to George E. Nunn, the key to Waldseemüller’s apparent new ocean is found on the three sketch maps made by Bartolomé Colon (that is, Bartholomew Columbus, Christopher’s brother) and Alessandro Zorzi in 1504 to demonstrate the geographical concepts of Christopher Columbus. One of the Columbus/Zorzi sketch maps bears an inscription saying that: “According to Marinus of Tyre and Columbus, from Cape St. Vincent to Cattigara is 225 degrees, which is 15 hours; according to Ptolemy as far as Cattigara 180 degrees, which is 12 hours”. This shows that Christopher Columbus overestimated the distance eastward between Portugal and Cattigara as being 225 degrees instead of Ptolemy’s estimate of 180 degrees, permitting him to believe the distance westward was only 135 degrees and therefore that the land he found was the East Indies. As noted by Nunn, in accordance with this calculation, the Colon/Zorzi maps employ the longitude estimate of Claudius Ptolemy from Cape St. Vincent eastward to Cattigara, but the longitude calculation of Marinus and Columbus is employed for the space between Cape St. Vincent westward to Cattigara.
Nunn pointed out that Martin Waldseemüller devised a scheme that showed both the Columbus and the Ptolemy-Behaim concept on the same map. On the right-hand side of the Waldseemüller 1507 map is shown the Ptolemy-Behaim concept with the Ptolemy longitudes: this shows the huge peninsula of India Superior extending to the south of the Tropic of Capricorn. On the left side of the Waldseemüller map the discoveries of Columbus, Vespucci and others are represented as a long strip of land extending from about latitude 50 degrees North to latitude 40 degrees South. The western coasts of these trans-Atlantic lands discovered under the Spanish crown are simply described by Waldseemüller as Terra Incognita (Unknown Land) or Terra Ulterior Incognita (Unknown Land Beyond), with a conjectural sea to the west, making these lands apparently a distinct continent. America’s (that is, South America’s) status as a separate island or a part of Asia, specifically, the peninsula of India Superior upon which Cattigara was situated, is left unresolved. As the question of which of the two alternative concepts was correct had not been resolved at the time, both were represented on the same map. Both extremities of the map represent the eastern extremity of Asia, according to the two alternative theories. As Nunn said, “This was a very plausible way of presenting a problem at the time insoluble.”
As noted by Nunn, the distance between the meridians on the map is different going eastward and westward from the prime meridian which passes through the Fortunate Isles (Canary Islands). This has the effect of representing the eastern coast of Asia twice: once in accordance with Ptolemy’s longitudes to show it as Martin Behaim had done on his 1492 globe; and again in accordance with Columbus’ calculation of longitudes to show his and the other Spanish navigators’ discoveries across the Western Ocean, which Columbus and his followers considered to be part of India Superior.
On his 1516 world map, the Carta Marina, Waldseemüller identified the land he had called Parias on his 1507 map as Terra de Cuba and said it was part of Asia (Asie partis), that is, he explicitly identified the land discovered by Columbus as the eastern part of Asia.
Globe Gores
Besides Universalis Cosmographia, Waldseemüller published a set of gores for constructing globes. The gores, also containing the inscription America, are believed to have been printed in the same year as the wall map, since Waldseemüller mentions them in the introduction to his Cosmographiæ Introductio. On the globe gores, the sea to the west of the notional American west coast is named the Occeanus Occidentalis, that is, the Western or Atlantic Ocean, and where it merges with the Oceanus Orientalis (the Eastern, or Indian Ocean) is hidden by the latitude staff. This appears to indicate uncertainty as to America’s location, whether it was an island continent in the Atlantic (Western Ocean) or in fact the great peninsula of India Superior shown on earlier maps, such as the 1489 map of the world by Martellus or the 1492 globe of Behaim.
Only few copies of the globe gores are extant. The first to be rediscovered was found in 1871 and is now in the James Ford Bell Library of the University of Minnesota. Another copy was found inside a Ptolemy atlas and had been in the Bavarian State Library in Munich since 1990. The Library recognized in February 2018, after reviewing its authenticity, that this map is not an original copy—it was printed in the 20th century. A third copy was discovered in 1992 bound into an edition of Aristotle in the Stadtbücherei Offenburg, a public library in Germany. A fourth copy came to light in 2003 when its European owner read a newspaper article about the Waldseemüller map. It was sold at auction to Charles Frodsham & Co. for $1,002,267, a world record price for a single sheet map. In July 2012, a statement was released from Ludwig Maximilian University of Munich that a fifth copy of the gore had been found in the LMU Library’s collection which is somewhat different from the other copies, perhaps because of a later date of printing. LMU Library has made an electronic version of their copy of the map available online.
Universalis cosmographia secundum Ptholomaei traditionem et Americi Vespucii alioru[m]que lustrationes.
Universalis cosmographia secundum Ptholomaei traditionem et Americi Vespucii aliorū que lustrationes
•Title: Universalis cosmographia secundum Ptholomaei traditionem et Americi Vespucii alioru[m]que lustrationes.
•Other Title: Universalis cosmographia secundum Ptholomaei traditionem et Americi Vespucii aliorū que lustrationes
•Contributor Names: Waldseemüller, Martin, 1470-1519.
•Created/Published: [Strasbourg, France? : s.n., 1507]
•Subject Headings: Earth
•Genre: World maps; Early maps
•Notes:
oRelief shown pictorially.
oFirst document known to name America.
oRed ink grid on 2 sheets. Text applied over blank areas on 2 sheets. Manuscript annotations in the margin of 1 sheet.
oAll sheets bear a watermark of a triple pointed crown.
oTwo stamps on verso of upper left hand sheet: Fürstl. Waldburg Wolfegg’sches Kupferstichkabinett – Furstl. Waldbg. Wolf. Bibliothek.
oExhibited: Rivers, edens, empires: Lewis & Clark and the revealing of America, Library of Congress, Washington, D.C., July 24-Nov. 29, 2003.
oAvailable also through the Library of Congress Web site as a raster image.
oIncludes text and ill.
oPrinted surrogate in vault available for reference.
oLC digital image is a composite map from the twelve separate sheets.
oOriginally bound with Waldseemüller’s 1516 Carta marina in the Schöner Sammelband.
•Medium: 1 map on 12 sheets; 128 × 233 cm., sheets 46 × 63 cm. or smaller.
•Call Number/Physical Location: G3200 1507 .W3
•Repository: Library of Congress Geography and Map Division Washington, D.C. 20540-4650 USA dcu
•Digital Id: hdl.loc.gov/loc.gmd/g3200.ct000725C; hdl.loc.gov/loc.gmd/g3200.ct000725
•Library of Congress Control Number: 2003626426
•Online Format: image
•LCCN Permalink: lccn.loc.gov/2003626426
•Additional Metadata Formats: MARCXML Record; MODS Record; Dublin Core Record
•Part of…
oDiscovery and Exploration (174)
oGeography and Map Division (15,333)
oAmerican Memory (504,438)
oLibrary of Congress Online Catalog (623,348)
•Format: Maps
•Contributors: Waldseemüller, Martin
•Dates: 1507
•Location: Earth
•Language: Latin
•Subjects: Early Maps; Earth; World Maps
•Articles and Essays with this item:
oEvaluation—Waldseemüller’s Map: World 1507—Lesson Plan
oOverview—Waldseemüller’s Map: World 1507—Lesson Plan
oPreparation—Waldseemüller’s Map: World 1507—Lesson Plan
oProcedure—Waldseemüller’s Map: World 1507—Lesson Plan
oMr. Dürer Comes to Washington
oExploring the Early Americas—2010—Past Events—News and Events
oSpanish Exploration in America—Primary Source Set
oIntroducing Primary Source Analysis to Students: Lessons from the Library of Congress Summer Teacher Institute
oLearning Activity—Secondary Level—Technology Integration, Spring 2009- Teaching with Primary Sources
oDocumenting New Knowledge—Exploring the Early Americas
oExhibitions and Presentations—Geography and Maps—Themed Resources
oPrologue - Lewis & Clark and the Revealing of America
oExploration and Discovery—Zoom Into Maps—Classroom Presentation
•Credit Line: Library of Congress, Geography and Map Division.
Cite This Item
Citations are generated automatically from bibliographic data as a convenience, and may not be complete or accurate.
Chicago citation style:
Waldseemüller, Martin. [Universalis cosmographia secundum Ptholomaei traditionem et Americi Vespucii aliorumque lustrationes]. [Strasbourg, France?: s.n, 1507] Map. Retrieved from the Library of Congress, www.loc.gov/item/2003626426/. (Accessed February 26, 2017.)
APA citation style:
Waldseemüller, M. (1507) [Universalis cosmographia secundum Ptholomaei traditionem et Americi Vespucii aliorumque lustrationes]. [Strasbourg, France?: s.n] [Map] Retrieved from the Library of Congress, www.loc.gov/item/2003626426/.
MLA citation style:
Waldseemüller, Martin. [Universalis cosmographia secundum Ptholomaei traditionem et Americi Vespucii aliorumque lustrationes]. [Strasbourg, France?: s.n, 1507] Map. Retrieved from the Library of Congress, www.loc.gov/item/2003626426/.
The Map That Named America
Library Acquires 1507 Waldseemüller Map of the World
By JOHN R. HÉBERT
In late May 2003 the Library of Congress completed the purchase of the only surviving copy of the first image of the outline of the continents of the world as we know them today— Martin Waldseemüller’s monumental 1507 world map.
The map has been referred to in various circles as America’s birth certificate and for good reason; it is the first document on which the name “America” appears. It is also the first map to depict a separate and full Western Hemisphere and the first map to represent the Pacific Ocean as a separate body of water. The purchase of the map concluded a nearly century-long effort to secure for the Library of Congress that very special cartographic document which revealed new European thinking about the world nearly 500 years ago.
The Waldseemüller world map is currently on display in the Library’s Thomas Jefferson Building in the exhibition honoring the Lewis and Clark expedition, “Rivers, Edens, Empires: Lewis & Clark and the Revealing of America.” It will remain on display, either in the original or with an exact facsimile, until Nov. 29. A permanent site for the display of this historical treasure will be prepared in the Thomas Jefferson Building within the next year.
Martin Waldseemüller, the primary author of the 1507 world map, was a 16th-century scholar, humanist, cleric and cartographer who was part of the small intellectual circle, the Gymnasium Vosagense, in Saint-Dié, France. He was born near Freiburg, Germany, sometime in the 1470s and died in the canon house at Saint-Dié in 1522. During his lifetime he devoted much of his time to cartographic ventures, including, in the spring 1507, the famous world map, a set of globe gores (for a globe with a three-inch diameter), and the “Cosmographiae Introductio” (a book to accompany the map). He also prepared the 1513 edition of the Ptolemy “Geographiae”; the “Carta Marina,” a large world map, in 1516; and a smaller world map in the 1515 edition of “Margarita Philosophica Nova.”
Thus, in a remote part of northeast France, was born the famous 1507 world map, whose full title is “Universalis cosmographia secunda Ptholemei traditionem et Americi Vespucci aliorum que lustrationes” (“A drawing of the whole earth following the tradition of Ptolemy and the travels of Amerigo Vespucci and others”). That map, printed on 12 separate sheets, each 18-by-24-inches, from wood block plates, measured more than 4 feet by 8 feet in dimension when assembled.
The large map is an early 16th-century masterpiece, containing a full map of the world, two inset maps showing separately the Western and Eastern Hemispheres, illustrations of Ptolemy and Vespucci, images of the various winds, and extensive explanatory notes about selected regions of the world. Waldseemüller’s map represented a bold statement that rationalized the modern world in light of the exciting news arriving in Europe as a result of explorations across the Atlantic Ocean or down the African coast, which were sponsored by Spain, Portugal and others.
The map must have created quite a stir in Europe, since its findings departed considerably from the accepted knowledge of the world at that time, which was based on the second century A.D. work of the Greek geographer, Claudius Ptolemy. To today’s eye, the 1507 map appears remarkably accurate; but to the world of the early 16th century it must have represented a considerable departure from accepted views of the composition of the world. Its appearance undoubtedly ignited considerable debate in Europe regarding its conclusions that an unknown continent (unknown, at least, to Europeans and others in the Eastern Hemisphere) existed between two huge bodies of water, the Atlantic and Pacific oceans, and was separated from the classical world of Ptolemy, which had been confined to the continents of Europe, Africa and Asia.
While it has been suggested that Waldseemüller incorrectly dismissed Christopher Columbus’ great achievement in history by the selection of the name “America” for the Western Hemisphere, it is evident that the information that Waldseemüller and his colleagues had at their disposal recognized Columbus’ previous voyages of exploration and discovery. However, the group also had acquired a recent French translation of the important work “Mundus Novus,” Amerigo Vespucci’s letter detailing his purported four voyages across the Atlantic Ocean to America between 1497 and 1504. In that work, Vespucci concluded that the lands reached by Columbus in 1492 and explored by Columbus and others over the ensuing two decades were indeed a segment of the world, a new continent, unknown to Europe. Because of Vespucci’s recognition of that startling revelation, he was honored with the use of his name for the newly discovered continent.
It is remarkable that the entire Western Hemisphere was named for a living person; Vespucci did not die until 1512. With regard to Columbus’ exploits after 1492, i.e., his various explorations between 1492 and 1504, the 1507 map clearly denotes Columbus’ explorations in the West Indies as well as the Spanish monarchs’ sponsorship of those and subsequent voyages of exploration.
By 1513, when Waldseemüller and the Saint-Dié scholars published the new edition of Ptolemy’s “Geographiae,” and by 1516, when Waldseemüller’s famous “Carta Marina” was printed, he had removed the name “America” from his maps, perhaps suggesting that even he had second thoughts about honoring Vespucci exclusively for his understanding of the New World. Instead, in the 1513 atlas, the area named “America” on the 1507 map is now referred to as Terra Incognita (Unknown Land). In the1516 “Carta Marina,” South America is called Terra Nova (New World) and North America is named Cuba and is shown to be part of Asia. No reference in either work is made to the name “America.”
The only surviving copy of the 1507 world map by Martin Waldseemüller, purchased by the Library of Congress and now on display in its Thomas Jefferson Building in Washington, D.C. The term “America” can be seen in continent on the lower leftmost panel. Vespuci is pictured on the top panel of the third column.
The only surviving copy of the 1507 world map by Martin Waldseemüller, purchased by the Library of Congress and now on display in its Thomas Jefferson Building in Washington, D.C. The term “America” can be seen in continent on the lower leftmost panel. Vespuci is pictured on the top panel of the third column.
Cartographic contributions by Johannes Schöner in 1515 and by Peter Apian in 1520, however, adopted the name “America” for the Western Hemisphere, and that name then became part of accepted usage.
A reported 1,000 copies of the 1507 map were printed, which was a sizeable print run in those days. This single surviving copy of the map exists because it was kept in a portfolio by Schöner (1477-1547), a German globe maker, who probably had acquired a copy of the map for his own cartographic work . That portfolio contained not only the unique copy of the 1507 world map but also a unique copy of Waldseemüller’s 1516 large wall map (the “Carta Marina”) and copies of Schöner’s terrestrial (1515) and celestial (1517) globe gores.
At some later time, the family of Prince Waldburg-Wolfegg acquired and retained Schöner’s portfolio of maps in their castle in Baden-Württemberg, Germany, where it remained unknown to scholars until the beginning of the 20th century when its extraordinary contents were revealed. The uncovering of the 1507 map in the Wolfegg Castle early last century is thought by many to have been one of the most extraordinary episodes in the history of cartographic scholarship.
The map sheets have been maintained separated—not joined, with each of the large maps composed of 12 separate sheets—and that is probably why they survived. The portfolio with its great treasure was uncovered and revealed to the world in 1901 by the Jesuit priest Josef Fischer, who was conducting research in the Waldburg collection.
The Library of Congress’ Geography and Map Division acquired the facsimiles of the 1507 and 1516 maps in 1903. Throughout the 20th century the Library continued to express interest in and a desire to acquire the 1507 map, if it were ever made available for sale. That time came in 1992 when Prince Johannes Waldberg-Wolfegg, the owner of the map, revealed to Librarian of Congress James H. Billington, the Associate Librarian for Library Services Winston Tabb, and the chief of the Geography and Map Division Ralph Ehrenberg in a conversation in Washington that he was willing to negotiate the sale of the map. Ehrenberg and Margrit Krewson, the Library’s German and Dutch area specialist, were encouraged to investigate the opportunity.
In 1999 Prince Waldburg-Wolfegg notified the Library that the German national government and the Baden-Württemberg state government had granted permission for a limited export license, which Krewson was instrumental in negotiating. Having obtained the license, which allowed this German national treasure to come to the Library of Congress, the Prince pursued an agreement to sell the 1507 map to the Library. In late June 2001 Prince Waldburg-Wolfegg and the Library of Congress reached a final agreement on the sale of the map for the price of $10 million. In late May 2003 the Library completed a successful campaign to raise the necessary funds to purchase Waldseemüller’s 1507 world map, after receiving substantial congressional and private support to achieve the terms of the contract. The Congress of the United States appropriated $5 million for the purchase of the map; Discovery Communications, Jerry Lenfest and David Koch provided substantial contributions; and other individuals (George Tobolowsky and Virginia Gray) gave matching funds for the purchase and additional support for its preservation, exhibition and study.
Through the combined efforts of Billington, Tabb and members of the Library’s staff over the past 11 years, the map was able to leave Germany and come to the Library of Congress.
The 1507 world map is now the centerpiece of the outstanding cartographic collections of the Geography and Map Division in the Library of Congress. The map serves as a departure point for the development of the division’s American cartographic collection in addition to its revered position in early modern cartographic history. The map provides a meaningful link between the Library’s treasured late medieval-early Renaissance cartographic collection (which includes one of the richest holdings of Ptolemy atlases in the world) and the modern cartographic age that unfolded as a result of the explorations of Columbus and other discoverers in the late 15th and early 16th centuries. It represents the point of departure from the geographical understanding of the world based on Ptolemy’s “Cosmographiae” and “Geographiae” (editions from 1475-) to that emerging in the minds of scholars and practical navigators as reports of the “new worlds” of America, southern Africa and other regions of Asia and Oceania reached Europe’s shores. Waldseemüller recognized the transition taking place, as the title of his map notes and as his prominent placement of images of Ptolemy and Vespucci next to their worlds at the top portion of the 1507 world map denotes.
The Waldseemüller map joins the rich cartographic holdings of the Library’s Geography and Map Division, which include some 4.8 million maps, 65,000 atlases, more than 500 globes and globe gores, and thousands of maps in digital form. And from that fragile first glimpse of the world, so adequately described by Waldseemüller in 1507, the Library of Congress’ cartographic resources provide the historical breadth and cartographic depth to fill in the geographic blanks left by those early cosmographers.
The Library’s acquisition of the Waldseemüller map represents an important moment to renew serious research into this exceptional map, to determine the sources which made possible its creation, and to investigate its contemporary impact and acceptance. The map’s well-announced acquisition provides scholars with an extraordinary opportunity to appreciate the earliest of early depictions of our modern world. Major portions of this 1507 world map have not received the same concentrated scrutiny as the American segments. The very detailed depiction of sub-Saharan Africa, the south coast of Asia, and even the areas surrounding the Black and Caspian seas merit further study and discussion in response to obvious questions regarding the cartographic and geographic sources that were available and used by the Saint-Dié scholars to reach the conclusions that they embodied in the 1507 world map.
Through agreement with Prince Waldburg-Wolfegg and the government of Germany, the 1507 Waldseemüller world map is to be placed on permanent display in the Library of Congress’ Thomas Jefferson Building. A second floor gallery, the Pavilion of the Discoverers, has been chosen as an appropriate location to house the map, where it will be exhibited with supporting materials from the Library’s collections that will assist in describing the rich history surrounding the map and its relation to its creators and the sources used to prepare it in the 16th century.
The Library of Congress is extremely proud to have obtained this unique treasure and is hopeful that this great cartographic document will receive the public acclaim and the critical scholarly inspection that it so rightly merits.
John R. Hébert is the chief of the Geography and Map Division of the Library of Congress.
This View
Sheet 3.
In the middle section of this sheet, the name America is placed on the lower part of what is now South America. Waldseemüller describes this region in the text on the left that reads:
A general delineation of the various lands and islands, including some of which the ancients make no mention, discovered lately between 1497 and 1504 in four voyages over the seas, two commanded by Fernando of Castile, and two by Manuel of Portugal, most serene monarchs, with Amerigo Vespucci as one of the navigators and officers of the fleet; and especially a delineation of many places hitherto unknown. All this we have carefully drawn on the map, to furnish true and precise geographical knowledge.
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Diploria strigosa - fossil symmetrical brain coral colony in the reef facies of the Cockburn Town Member, upper Grotto Beach Formation at the Cockburn Town Fossil Reef, western margin of San Salvador Island.
The Cockburn Town Fossil Reef is a well-preserved, well-exposed Pleistocene fossil reef. It consists of non-bedded to poorly-bedded, poorly-sorted, very coarse-grained, aragonitic fossiliferous limestones (grainstones and rubblestones), representing shallow marine deposition in reef and peri-reef facies. Cockburn Town Member reef facies rocks date to the MIS 5e sea level highstand event (early Late Pleistocene). Dated corals in the Cockburn Town Fossil Reef range in age from 114 to 127 ka.
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The surface bedrock geology of San Salvador consists entirely of Pleistocene and Holocene limestones. Thick and relatively unforgiving vegetation covers most of the island’s interior (apart from inland lakes). Because of this, the most easily-accessible rock outcrops are along the island’s shorelines.
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Stratigraphic Succession in the Bahamas:
Rice Bay Formation (Holocene, <10 ka), subdivided into two members (Hanna Bay Member over North Point Member)
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Grotto Beach Formation (lower Upper Pleistocene, 119-131 ka), subdivided into two members (Cockburn Town Member over French Bay Member)
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Owl's Hole Formation (Middle Pleistocene, ~215-220 ka & ~327-333 ka & ~398-410 ka & older)
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San Salvador’s surface bedrock can be divided into two broad lithologic categories:
1) LIMESTONES
2) PALEOSOLS
The limestones were deposited during sea level highstands (actually, only during the highest of the highstands). During such highstands (for example, right now), the San Salvador carbonate platform is partly flooded by ocean water. At such times, the “carbonate factory” is on, and abundant carbonate sediment grains are generated by shallow-water organisms living on the platform. The abundance of carbonate sediment means there will be abundant carbonate sedimentary rock formed after burial and cementation (diagenesis). These sea level highstands correspond with the climatically warm interglacials during the Pleistocene Ice Age.
Based on geochronologic dating on various Bahamas islands, and based on a modern understanding of the history of Pleistocene-Holocene global sea level changes, surficial limestones in the Bahamas are known to have been deposited at the following times (expressed in terms of marine isotope stages, “MIS” - these are the glacial-interglacial climatic cycles determined from δ18O analysis):
1) MIS 1 - the Holocene, <10 k.y. This is the current sea level highstand.
2) MIS 5e - during the Sangamonian Interglacial, in the early Late Pleistocene, from 119 to 131 k.y. (sea level peaked at ~125 k.y.)
3) MIS 7 - ~215 to 220 k.y. - late Middle Pleistocene
4) MIS 9 - ~327-333 k.y. - late Middle Pleistocene
5) MIS 11 - ~398-410 k.y. - late Middle Pleistocene
Bahamian limestones deposited during MIS 1 are called the Rice Bay Formation. Limestones deposited during MIS 5e are called the Grotto Beach Formation. Limestones deposited during MIS 7, 9, 11, and perhaps as old as MIS 13 and 15, are called the Owl’s Hole Formation. These stratigraphic units were first established on San Salvador Island (the type sections are there), but geologic work elsewhere has shown that the same stratigraphic succession also applies to the rest of the Bahamas.
During times of lowstands (= times of climatically cold glacial intervals of the Pleistocene Ice Age), weathering and pedogenesis results in the development of soils. With burial and diagenesis, these soils become paleosols. The most common paleosol type in the Bahamas is calcrete (a.k.a. caliche; a.k.a. terra rosa). Calcrete horizons cap all Pleistocene-aged stratigraphic units in the Bahamas, except where erosion has removed them. Calcretes separate all major stratigraphic units. Sometimes, calcrete-looking horizons are encountered in the field that are not true paleosols.
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Subsurface Stratigraphy of San Salvador Island:
The island’s stratigraphy below the Owl’s Hole Formation was revealed by a core drilled down ~168 meters (~550-feet) below the surface (for details, see Supko, 1977). The well site was at 3 meters above sea level near Graham’s Harbour beach, between Line Hole Settlement and Singer Bar Point (northern margin of San Salvador Island). The first 37 meters were limestones. Below that, dolostones dominate, alternating with some mixed dolostone-limestone intervals. Reddish-brown calcretes separate major units. Supko (1977) infers that the lowest rocks in the core are Upper Miocene to Lower Pliocene, based on known Bahamas Platform subsidence rates.
In light of the successful island-to-island correlations of Middle Pleistocene, Upper Pleistocene, and Holocene units throughout the Bahamas (see the Bahamas geologic literature list below), it seems reasonable to conclude that San Salvador’s subsurface dolostones may correlate well with sub-Pleistocene dolostone units exposed in the far-southeastern portions of the Bahamas Platform.
Recent field work on Mayaguana Island has resulted in the identification of Miocene, Pliocene, and Lower Pleistocene surface outcrops (see: www2.newark.ohio-state.edu/facultystaff/personal/jstjohn/...). On Mayaguana, the worked-out stratigraphy is:
- Rice Bay Formation (Holocene)
- Grotto Beach Formation (Upper Pleistocene)
- Owl’s Hole Formation (Middle Pleistocene)
- Misery Point Formation (Lower Pleistocene)
- Timber Bay Formation (Pliocene)
- Little Bay Formation (Upper Miocene)
- Mayaguana Formation (Lower Miocene)
The Timber Bay Fm. and Little Bay Fm. are completely dolomitized. The Mayaguana Fm. is ~5% dolomitized. The Misery Point Fm. is nondolomitized, but the original aragonite mineralogy is absent.
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The stratigraphic information presented here is synthesized from the Bahamian geologic literature.
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Supko, P.R. 1977. Subsurface dolomites, San Salvador, Bahamas. Journal of Sedimentary Petrology 47: 1063-1077.
Bowman, P.A. & J.W. Teeter. 1982. The distribution of living and fossil Foraminifera and their use in the interpretation of the post-Pleistocene history of Little Lake, San Salvador, Bahamas. San Salvador Field Station Occasional Papers 1982(2). 21 pp.
Sanger, D.B. & J.W. Teeter. 1982. The distribution of living and fossil Ostracoda and their use in the interpretation of the post-Pleistocene history of Little Lake, San Salvador Island, Bahamas. San Salvador Field Station Occasional Papers 1982(1). 26 pp.
Gerace, D.T., R.W. Adams, J.E. Mylroie, R. Titus, E.E. Hinman, H.A. Curran & J.L. Carew. 1983. Field Guide to the Geology of San Salvador (Third Edition). 172 pp.
Curran, H.A. 1984. Ichnology of Pleistocene carbonates on San Salvador, Bahamas. Journal of Paleontology 58: 312-321.
Anderson, C.B. & M.R. Boardman. 1987. Sedimentary gradients in a high-energy carbonate lagoon, Snow Bay, San Salvador, Bahamas. CCFL Bahamian Field Station Occasional Paper 1987(2). (31) pp.
1988. Bahamas Project. pp. 21-48 in First Keck Research Symposium in Geology (Abstracts Volume), Beloit College, Beloit, Wisconsin, 14-17 April 1988.
1989. Proceedings of the Fourth Symposium on the Geology of the Bahamas, June 17-22, 1988. 381 pp.
1989. Pleistocene and Holocene carbonate systems, Bahamas. pp. 18-51 in Second Keck Research Symposium in Geology (Abstracts Volume), Colorado College, Colorado Springs, Colorado, 14-16 April 1989.
Curran, H.A., J.L. Carew, J.E. Mylroie, B. White, R.J. Bain & J.W. Teeter. 1989. Pleistocene and Holocene carbonate environments on San Salvador Island, Bahamas. 28th International Geological Congress Field Trip Guidebook T175. 46 pp.
1990. The 5th Symposium on the Geology of the Bahamas, June 15-19, 1990, Abstracts and Programs. 29 pp.
1991. Proceedings of the Fifth Symposium on the Geology of the Bahamas. 247 pp.
1992. The 6th Symposium on the Geology of the Bahamas, June 11-15, 1992, Abstracts and Program. 26 pp.
1992. Proceedings of the 4th Symposium on the Natural History of the Bahamas, June 7-11, 1991. 123 pp.
Boardman, M.R., C. Carney, B. White, H.A. Curran & D.T. Gerace. 1992. The geology of Columbus' landfall: a field guide to the Holcoene geology of San Salvador, Bahamas, Field trip 3 for the annual meeting of the Geological Society of America, Cincinnati, Ohio, October 26-29, 1992. Ohio Division of Geological Survey Miscellaneous Report 2. 49 pp.
Carew, J.L., J.E. Mylroie, N.E. Sealey, M. Boardman, C. Carney, B. White, H.A. Curran & D.T. Gerace. 1992. The 6th Symposium on the Geology of the Bahamas, June 11-15, 1992, Field Trip Guidebook. 56 pp.
1993. Proceedings of the 6th Symposium on the Geology of the Bahamas, June 11-15, 1992. 222 pp.
Lawson, B.M. 1993. Shelling San Sal, an Illustrated Guide to Common Shells of San Salvador Island, Bahamas. San Salvador, Bahamas. Bahamian Field Station. 63 pp.
1994. The 7th Symposium on the Geology of the Bahamas, June 16-20, 1994, Abstracts and Program. 26 pp.
1994. Proceedings of the 5th Symposium on the Natural History of the Bahamas, June 11-14, 1993. 107 pp.
Carew, J.L. & J.E. Mylroie. 1994. Geology and Karst of San Salvador Island, Bahamas: a Field Trip Guidebook. 32 pp.
Godfrey, P.J., R.L. Davis, R.R. Smtih & J.A. Wells. 1994. Natural History of Northeastern San Salvador Island: a "New World" Where the New World Began, Bahamian Field Station Trail Guide. 28 pp.
Hinman, G. 1994. A Teacher's Guide to the Depositional Environments on San Salvador Island, Bahamas. 64 pp.
Mylroie, J.E. & J.L. Carew. 1994. A Field Trip Guide Book of Lighthouse Cave, San Salvador Island, Bahamas. 10 pp.
1995. Proceedings of the Seventh Symposium on the Geology of the Bahamas, June 16-20, 1994. 134 pp.
1995. Terrestrial and shallow marine geology of the Bahamas and Bermuda. Geological Society of America Special Paper 300.
1996. The 8th Symposium on the Geology of the Bahamas, May 30-June 3, 1996, Abstracts and Program. 21 pp.
1996. Proceedings of the 6th Symposium on the Natural History of the Bahamas, June 9-13, 1995. 165 pp.
1997. Proceedings of the 8th Symposium on the Geology of the Bahamas and Other Carbonate Regions, May 30-June 3, 1996. 213 pp.
Curran, H.A., B. White & M.A. Wilson. 1997. Guide to Bahamian Ichnology: Pleistocene, Holocene, and Modern Environments. San Salvador, Bahamas. Bahamian Field Station. 61 pp.
1998. The 9th Symposium on the Geology of the Bahamas and Other Carbonate Regions, June 4-June 8, 1998, Abstracts and Program. 25 pp.
Wilson, M.A., H.A. Curran & B. White. 1998. Paleontological evidence of a brief global sea-level event during the last interglacial. Lethaia 31: 241-250.
1999. Proceedings of the 9th Symposium on the Geology of the Bahamas and Other Carbonate Regions, June 4-8, 1998. 142 pp.
2000. The 10th Symposium on the Geology of the Bahamas and Other Carbonate Regions, June 8-June 12, 2000, Abstracts and Program. 29+(1) pp.
2001. Proceedings of the 10th Symposium on the Geology of the Bahamas and Other Carbonate Regions, June 8-12, 2000. 200 pp.
Bishop, D. & B.J. Greenstein. 2001. The effects of Hurricane Floyd on the fidelity of coral life and death assemblages in San Salvador, Bahamas: does a hurricane leave a signature in the fossil record? Geological Society of America Abstracts with Programs 33(4): 51.
Gamble, V.C., S.J. Carpenter & L.A. Gonzalez. 2001. Using carbon and oxygen isotopic values from acroporid corals to interpret temperature fluctuations around an unconformable surface on San Salvador Island, Bahamas. Geological Society of America Abstracts with Programs 33(4): 52.
Gardiner, L. 2001. Stability of Late Pleistocene reef mollusks from San Salvador Island, Bahamas. Palaios 16: 372-386.
Ogarek, S.A., C.K. Carney & M.R. Boardman. 2001. Paleoenvironmental analysis of the Holocene sediments of Pigeon Creek, San Salvador, Bahamas. Geological Society of America Abstracts with Programs 33(4): 17.
Schmidt, D.A., C.K. Carney & M.R. Boardman. 2001. Pleistocene reef facies diagenesis within two shallowing-upward sequences at Cockburntown, San Salvador, Bahamas. Geological Society of America Abstracts with Programs 33(4): 42.
2002. The 11th Symposium on the Geology of the Bahamas and Other Carbonate Regions, June 6th-June 10, 2002, Abstracts and Program. 29 pp.
2004. The 12th Symposium on the Geology of the Bahamas and Other Carbonate Regions, June 3-June 7, 2004, Abstracts and Program. 33 pp.
2004. Proceedings of the 11th Symposium on the Geology of the Bahamas and Other Carbonate Regions, June 6-10, 2002. 240 pp.
Martin, A.J. 2006. Trace Fossils of San Salvador. 80 pp.
2006. Proceedings of the 12th Symposium on the Geology of the Bahamas and Other Carbonate Regions, June 3-7, 2004. 249 pp.
2006. The 13th Symposium on the Geology of the Bahamas and Other Carbonate Regions, June 8-June 12, 2006, Abstracts and Program. 27 pp.
Mylroie, J.E. & J.L. Carew. 2008. Field Guide to the Geology and Karst Geomorphology of San Salvador Island. 88 pp.
2008. Proceedings of the 13th Symposium on the Geology of the Bahamas and Other Carbonate Regions, June 8-12, 2006. 223 pp.
2008. The 14th Symposium on the Geology of the Bahamas and Other Carbonate Regions, June 12-June 16, 2006, Abstracts and Program. 26 pp.
2010. Proceedings of the 14th Symposium on the Geology of the Bahamas and Other Carbonate Regions, June 12-16, 2008. 249 pp.
2010. The 15th Symposium on the Geology of the Bahamas and Other Carbonate Regions, June 17-June 21, 2010, Abstracts and Program. 36 pp.
2012. Proceedings of the 15th Symposium on the Geology of the Bahamas and Other Carbonate Regions, June 17-21, 2010. 183 pp.
2012. The 16th Symposium on the Geology of the Bahamas and Other Carbonate Regions, June 14-June 18, 2012, Abstracts with Program. 45 pp.
NASA Adminiistrator Charles F. Bolden, left, and Jean-Jacques Dordain, Director General of the European Space Agency (ESA), shake hands, Friday, Sept. 11, 2009, after signing a Space Transportation Memorandum of Understanding (MOU) at NASA Headquarters in Washington. Photo Credit: (NASA/Paul E. Alers)
VISIONARY ART MUSEUM @ BOOM 2014
Be prepared! This temporary museum is in full bloom within the Boom, excitingly evolving into full maturity, along with the Art that it presents.
Boom has since its inception supported psychedelic visual arts. Being in the live visuals or psytrance deco artists, psychedelic expressions of painting are part of Boom's DNA. In 2002, the so called Visionary art (a mash up of Fantastic Realism, Surrealism, and many other styles) started to blossom at Boom, when Alex Grey came to Boom Festival. Year after year, Robert Venosa, Martina Hoffmann and all the extraordinary painters of the cosmic unknown have shared their art at Boom with exhibitions, live painting, sculpture or workshops.
In 2014 the time has come for a new project for psychedelic fine arts. The area for the fine arts is conceived as a broad-spectrum educational space, where Visionary Art is presented in all its multidimensional aspects, allowing the possibility for a deeper understanding of its history, inspirations, techniques and wonders beyond the logic of a gallery.
A literally “paradigm-shifting” collection with a psy-museologic approach will display works from the different visionary sub-genres: Digital Fusionism, Sacred Geometry, Visionary Psy-Trance Deco Art, Flemish Technique, Visionary Graffiti Art, Amazonian/indigenous Medicine Art, Tibetan Buddhist Tradition and Visionary Activist Art.
A unique and pioneering project, a portal into the reality, which lies beyond... behind... and within!
ARTISTS:
Adam Scott Miller
Alex Grey
Aloria Weaver
Amanda Sage
Andrew Jones
Andy Thomas
Antoine Merger
Autumn Skye
Ben Ridgeway
Carey Thompson
Carmelo
Chris Dyer
Collin Elder
Daniel Mirante
De Es
Emma Watkinson
Eos Otherre
Erik Vajra
Fabián Jiménez
George Atherton
Hakan Hisim
Ihti Anderson
Jake Kobrin
Jessica Perlstein
Jonathan Solter
Julian Graham
Justin Totemical
Keerych Luminokaya
Li Lian Kolster
Luis Tamani
Luke Brown
Manu Menendez
Mars 1
Martina Hoffman
Maura Holden
Michael Divine
Mugwort
Olga Klimova
Olivia Curry
Randal Roberts
Reinier Gamboa
Robert Venosa
Simon Haiduk
Stuart Griggs
Subliquida
Symbolika
Vibrata Chromodoris
Xavi
LIVE PAINTERS:
Amanda Sage
Emma Watkinson
Erik Vajra
Ihti Anderson
Jake Kobrin
Jessica Perlstein
Lilian Kolster
Luis Tamani
Luke Brown
Luminokaya
Olga Klimova
Shrine
Stuart Griggs
www.boomfestival.org/boom2014/program/visionary-art-museum
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Boom 2014
Photo-Reports by Wolfgang Sterneck
A Reality called Boom - Rhythms @ Boom 2014 *
www.flickr.com/photos/sterneck/sets/72157646523564525
A Reality called Boom - Visions @ Boom 2014 *
www.flickr.com/photos/sterneck/sets/72157646103367017
A Reality called Boom - Spiral Dance @ Boom 2014 *
www.flickr.com/photos/sterneck/sets/72157646505988761
Wolfgang Sterneck:
In the Cracks of the World
Photo-Reports : www.flickr.com/sterneck/sets
Articles (german / english) : www.sterneck.net
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Boom-Festival
04.08.-11.08.2014
Boom-Festival
Idanha-a-Nova Lake - Portugal
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BOOM VISION
Boom is not only a festival, it is a state of mind. Inspired by the principles of Oneness, Peace, Creativity, Sustainability, Transcendence, Alternative Culture, Active Participation, Evolution and Love, it is a space where people from all over the world can converge to experience an alternative reality.
Boom is a festival dedicated to the Free Spirits from all over the world. It is the gathering of the global psychedelic tribe and of whoever feels the call to join in the celebrations!! Boom is a weeklong unpredictable and unforgettable adventure. It takes place, every two years, during August Full Moon, on the shores of a magnificent lake in the sunny Portuguese inland and every one is invited!
BOOM IS A MODEL OF ENVIRONMENTAL AWARENESS
An environmentally conscious event is a way to offer a concrete example that it is possible to live on this Planet in respect of Mother Earth and of one another. This is possible through a deep understanding of the cycles of life and humanity’s place within these cycles. Permaculture is a brilliant example of how such understanding can be turned into practice.
Boom’s pioneering Environmental Program applies the principles of Permaculture to every single aspect of the Festival production. Moreover Boom widely promotes knowledge and practices of sustainability through lectures, workshops and… practical example!
100% compost toilets (still to this day the only large event in the world to reach this result!); 100% on-site water treatment facilities, off-the-grid energy solutions, bio-construction, permaculture gardens, vegetable oil for the generators… these are just a few of the ground breaking projects that have granted Boom the most prestigious international prizes in environmental efficiency.
For further details please visit the environmental program page.
BOOM BELIEVES IN A BORDERLESS WORLD
Since its beginning in 1997, Boom is the home of the global nomadic tribe. Since then, it has grown organically by word of mouth into an incredibly culturally diverse festival, attracting people from 116 nationalities (2012). Boom is the celebration of the Earth’s multicolored Oneness. EVERY ONE is invited and EVERY ONE is called to consciously co-create a positive reality of Love and Peace, for us and for the next generations. We Are One!
BOOM BELIEVES IN TRANSCENDENCE THROUGH MUSIC
At Boom music is sacred. The dancefloors are temples where to transcend ordinary states of perception and the limitations of our egos. Through dance and music, we can reconnect to our own individual divine essence, while in synch with the beating heart of the whole tribe. All in One!
Scattered across four stages, music at Boom is as diverse as it gets: electronic, acoustic, classic, any style is welcome and represented in a different area, live concerts, djs sets, solo artists, bands… Boom started as a psytrance festival and has developed into an inclusive gathering, unveiling the surprising diversity of quality underground soundscapes.
Psytrance culture remains one of the inspiring sources of Boom's vision and intention. And Boom remains as a testimony of the evolutionary potentials of such a culture.
Check the pages of the single areas for details on the different visions.
BOOM ACTIVATES TRANSFORMATION
Boom’s ultimate aim is to facilitate individual and collective transformation. The Boom experience has been conceived to activate the vital force directing every being towards the fulfillment of its highest potential. To reach this ambitious goal, Boom relies on the continuous exchange of radically innovative knowledge and practices by countless Boomers, musicians, artists, teachers, visionaries, healers, farmers, ecologists, wisdom keepers, researchers, scientists, activists
Besides the music stages and the countless art installations scattered all over the site, the other areas where Boom channels transformation are the Liminal Village, the Healing Area and the Visionary Art Museum. Here our hearts, bodies and minds can receive a full download of information through workshops, presentations, rituals and meditations Check the single areas’ pages for more details.
NO TO CORPORATE SPONSORS, CORPORATE LOGOS AND VIPs, YES TO INDEPENDENCE, SOLIDARITY AND CREATIVITY!!!
Boom is an autonomous zone of cognitive liberty and therefore is and will always be free from corporate sponsorship and logos. Boom is funded by the financial support of the thousands of people that buy the tickets and come to the festival.
Boom does not believe in VIP areas and special treatments, since every Boomer is a VIP! Boom adheres to the principle of ’thinking outside the box’, for the co-creation of novel ways of viewing reality and acting for its evolutionary unfolding.
www.boomfestival.org/boom2014/news/boom-vision
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BOOM-VISION
Die Boom ist nicht nur ein Festival – Sie ist ein Lebensstil
Es sind kleine Momente, in denen das Lernen stattfindet. Jene Momente in denen du versteht wie wichtig es ist, Fünfe einfach mal gerade sein zu lassen. Und jene Momente in denen dir klar wird, dass du es an anderen Stellen genauer nehmen musst. Diese kleinen Momente prägen dich, deine Einstellung und dein Handeln – und mit dir die Grundlage für große Veränderungen. Genau hier setzt die Idee der Boom an: Als schillernder Kristallisationspunkt einer Neo-Stammeskultur möchte sie inspirieren. Und zwar durch jene magische Erfahrung, die zwischen zeitgenössischer Musik, visionärer Kunst und intellektuell-spirituellem Input entsteht.
Veränderung fängt bei dir an, bei deiner Weltanschauung. Du bist der Flügelschlag des Schmetterlings, der am anderen Ende der Welt einen Wetterumschwung bewirkt. Lerne, deine Flügel zu gebrauchen!
Zu diesem Zweck kippen wir das Schubladensystem, das unseren Alltag bestimmt, einfach mal komplett aus. Und zwar mitten hinein in die sonnige, unverdorbene, nuklearfreie Natur Portugals. Dann nehmen wir uns 7 Tage lang Zeit, um spielerisch neue Denkwege und Handlungsweisen, um eine neue Ordnung zu erkunden. Das ist unsere Vision von psychedelischer Kultur und sie wollen wir aktiv vortreiben.
Auf unserer Webseite findet ihr ausführliche Informationen zu den freien Künsten, den multidimensionalen Installationen und den kreativen Liebensbomben, die auf unsere temporäre autonome Zone regnen werden.
Boom ist eine Lebenseinstellung – und sie lebt in euch, liebe Boomer!
INTERKULTURELL
Andere Länder, andere Lebensstile. Auf der Boom kannst du erleben wie inspirativ diese einfache Tatsache ist. Und zwar in konzentrierter Form: Im Jahr 2012 reisten Stammesangehörige aus 116 verschiedenen Ländern an, um in ihrer multikulturellen Mischung eine durchweg positive Vision für die Zukunft zu manifestieren: We Are One – Wir sind eins!
NATUR
Die Kulisse für unser Stammestreffen gestaltet die wohl besten Dekorateurin überhaupt: Mutter Natur. Jene jahrhundertealte iberische Baumlandschaft der umliegenden Hügel, versonnene Gärten und der weitläufige See, in dem sich die Magie des August-Vollmonds spiegelt, schaffen ein einzigartiges Panorama.
STRAND
Nachdem du dich in schwitzende Trance getanzt hast oder wenn dir die Wärme des portugiesischen Sommers zuviel werden sollte: Die nötige Erfrischung ist maximal ein paar hundert Meter entfernt - egal wo du gerade bist. Der große See bestimmt nicht nur das Bild der Boom, sondern auch ihre Stimmung. Wie beim Strandurlaub kannst du jene fließende Ruhe des Wassers aufsaugen, die dich sanft umspült.
DESIGN FÜR DEN GEIST
Das Liminal Village bietet Gelegenheit, dir dein Oberstübchen neu einzurichten: Mit Lebensphilosophie und praktischem Wissen. Im intellektuellen Brennpunkt der Boom finden Vorträge und Diskussionen zu Themen wie Aktivismus, Psychedelik, Freie Kultur, Rituale der Ahnen, Mythologie, Ökologie, Traumlandschaften, Permakultur, Trance, Heilige Pflanzen oder Alternative Medizin und Wissenschaft statt. Dazu waren in den letzten Jahren Referenten wie Vandana Shiva, Alex Grey, Daniel Pinchbeck, Graham Hancock, Robert Venosa, Erik Davis und Shipibo Don Guillermo Arevalo zu Gast. Ein Filmprogramm zur neuen, planetarischen Kultur bietet noch mehr Stimulation auf intellektueller Ebene.
PSYCHEDELISCHES KUNSTMUSEUM
Was ist psychedelische Kunst, was visionäre? Will sie die Eindrücke einer psychedelischen Erfahrung wiedergeben? Will sie ähnliche Emotions- und Assoziationsstrukturen auslösen wie eine Vision? Mach dir selbst ein Bild! In atemberaubender Vielfalt präsentieren einige der talentiertesten Maler von allen Kontinenten des Planeten ihre bewusstseinserweiternden Werke.
INSTALLATIONEN
Bildende Kunst stößt die Pforten unserer Wahrnehmung weit auf und eröffnet uns so die Sicht auf Aspekte unserer Realität, welche normalerweise hinter dem Grauschleier des Alltags verborgen liegen. Um dich mitten hinein in dieses ästhetisch-surreale Paralleluniversum zu katapultieren, kommen überall auf dem Gelände Medien wie Malerei, Bildhauerei, Land Art oder Video zum Einsatz. Sie lassen deine Reise über die Boom zu einer Reise in eine außerirdische Welt von fremdartiger Schönheit werden.
MUSIK
Über verschiedene Tanzplätze verteilt verwirklicht die Boom ihre psychedelische Vision im Spektrum der hörbaren Frequenzen. Dabei entstehen viele verschiedene Rhythmus- und Harmonie-Texturen die alle darauf abzielen, deine Synapsen zu kitzeln, deine Fantasie zu stimulieren und dich zu beflügeln. Die Klanglandschaften der Boom erstrecken sich auf Genres wie Psytrance, Progressive, Dub, Bass Music, Dubstep, World Music, Glitch, Nu Funk, IDM, Cosmic oder Psy Brakes. In ihrer Gesamtheit schwingen sie sich zum kosmischen Groove der universellen Liebe auf!
TANZTEMPEL
Mit jedem Herzschlag der Boom bebt das portugiesische Hinterland. Im monumentalen Tanztempel verschmelzen utopische Zukunftsvisionen und das archaische Ritual des Stammenstanz zu einer einzigartigen Trance-Erfahrung. Um euer Bewusstsein dorthin zu schicken, wo Worte zu Hülsen und Bedeutungen zu Variablen werden, haben wir einige der besten DJs, Liveacts und Tribal Bands eingeladen, uns mit extralangen Sets zu verzaubern. Denn Qualität ist wichtiger ist als Masse. Mit viel Liebe zum Detail planen wir eine Reise durch jene multidimensionale Welt namens Psy, wobei wir in Regionen wie Dark, Twilight, Forest, Tribal, Prog, Full-On, Groovy Full-On, Goa und Nu-Goa vorstoßen.
Die Grundidee der Boom unterscheidet sich ganz erheblich von der einer kommerziellen Massenproduktion. Wir möchten raus aus dem Schattenreich des Egoismus, hinein in eine kollektive Erfahrung. Mithilfe von DJs, VJs, Dekorateuren, Designern und -am allerwichtigsten- mithilfe von euch, den Boomern. Auf dass wir unsere multikulturelle kreative Energie zu einer wahrhaft großen Erfahrung vereinen: Wir sind eins!
UMWELT
Auf der Boom werden die Erkenntnisse und Prinzipien der Permakultur in ein Festival umgesetzt. So wird ganz konkret erfahrbar: Auch große, internationale Menschenansammlungen lassen sich mit maximalem Respekt vor unserer heiligen Mutter Natur vereinbaren. Dieser Ansatz wurde in den Jahren 2008 und 2010 mit dem Greener Festival Award ausgezeichnet, 2010 und 2012 außerdem mit dem European Festival Award.
Auf der Boom kommen ausschließlich Komposttoiletten zum Einsatz. Das Nutzwasser wird mithilfe von Pflanzen zu 100% wiederaufbereitet. Es gibt kostenlose Taschenaschenbecher. Für die Generatoren wird gebrauchtes Pflanzenöl verwendet. Außerdem nutzen wir Technologien wie Solarenergie, Windräder, Biobau und ökologische Abwasserentsorgung, die jedes Jahr weiterentwickelt werden. Auch hier gilt: Die Boom seid ihr, die Boomer. Tragt bitte dazu bei, dass sie ein nachhaltiges Festival ist. Respektiert Mutter Natur und hinterlasst keinen Müll!
SPIRITUALITÄT
Anreize für spirituell-sozialen Aktivismus, die sich in Form von Yoga, Ayurveda, Tai Chi, Kung Fu, Watsu, Therapien, alternativen Heilmethoden und ganzheitlichen Lehren manifestieren. Auch das ist ein zentraler Aspekt unserer Vision. Denn die Harmonie zwischen Geist und Körper ist ein erster Schritt in Richtung globale Harmonie.
INFRASTRUKTUR
Freies Wasser. Freies Camping. Freier Wohnmobil-Park. Babyboom für die jüngsten Boomer (bring deine Familie mit zur Boom!) Freie medizinische Versorgung. Freies WIFI. Schließfächer. Boom-Busshuttle von den Flughäfen Lissabon und Madrid. 100% Komposttoiletten. 100% Aufbereitung des Duschabwassers mithilfe von Pflanzen. Ayurvedische Apotheke. Spezielle Einrichtungen für Behinderte. Lebensmittelgeschäft. Gemeinschaftsküchen. Und vieles, vieles mehr!
LOGO-FREIE ZONE
Die Boom finanziert sich einzig und allein über den Ticketverkauf, sie ist frei von jeglichem Firmen-Sponsoring und wird es immer sein. Auch in dieser Hinsicht möchten wir einen Freiraum schaffen, in dem sich der menschliche Geist unbefangen ausbreiten und entfalten kann.
Obwohl das Boom Team den Rahmen schafft – das eigentliche Erlebnis, die eigentliche Inspiration und der eigentliche Geist lebt in euch. Denn ihr seid die Energie, ausgehend von euch kann sich diese Welt ändern.
BESONDERE BEDÜRFNISSE
Wir möchten die Einrichtungen und Angebote für Behinderte weiterentwickeln. Wenn du oder jemand deiner Freunde behindert ist, sendet uns bitte bis Juni 2014 eine Email um optimale Bedingungen zu garantieren: specialneeds@boomfestival.org
FLEXIBLE EINTRITTSPREISE
Unser globaler Stamm ist in vielen verschiedenen Ländern zuhause, in denen ganz unterschiedliche Einkommensverhältnisse herrschen. Außerdem leben wir in Zeiten des finanziellen Abschwungs. Wir waren sehr betroffen als wir nach der Boom 2012 hörten, dass einige Menschen schlichtweg nicht genug Geld aufbringen konnten um Teil der kollektiven Erfahrung zu sein. Deshalb haben wir uns entschieden, auf diese Tatsache mit einem flexiblen Eintrittsmodell zu reagieren. Es gibt spezielle Ticketpreise für Länder außerhalb der Europäischen Union, der USA, Kanada, Australien, Neuseeland und Japan. Außerdem für jene Länder, die aktuell die ökonomischen Spekulationen der Rating-Agenturen und der IMF durchlaufen: Portugal, Irland, Griechenland und Spanien. Diese Tickets sind nur bei den Boom Botschaftern des jeweiligen Landes erhältlich, nicht über die Webseite der Boom.
www.boomfestival.org/boom2014/multilingual/deutsch
--- * ---
~*Photography Originally Taken By: www.CrossTrips.Com Under God*~
1917 Lincoln City, Oregon Tsunami
A tsunami (pronounced /tsuːˈnɑːmi/) is a series of waves created when a body of water, such as an ocean, is rapidly displaced. Earthquakes, mass movements above or below water, some volcanic eruptions and other underwater explosions, landslides, underwater earthquakes, large asteroid impacts and testing with nuclear weapons at sea all have the potential to generate a tsunami. The effects of a tsunami can be devastating due to the immense volumes of water and energy involved. Since meteorites are small, they will not generate a tsunami.
The Greek historian Thucydides was the first to relate tsunamis to submarine quakes,[1] [2] but understanding of the nature of tsunamis remained slim until the 20th century and is the subject of ongoing research.
Many early geological, geographic, oceanographic etc; texts refer to "Seismic sea waves" - these are now referred to as "tsunami."
Some meteorological storm conditions - deep depressions causing cyclones, hurricanes; can generate a storm surge which can be several metres above normal tide levels. This is due to the low atmospheric pressure within the centre of the depression. As these storm surges come ashore the surge can resemble a tsunami, inundating vast areas of land. These are not tsunami. Such a storm surge inundated Burma or, Myanmar in May 2008.
Terminology
The term tsunami comes from the Japanese meaning harbor ("tsu", 津) and wave ("nami", 波). [a. Jap. tsunami, tunami, f. tsu harbour + nami waves. - Oxford English Dictionary]. For the plural, one can either follow ordinary English practice and add an s, or use an invariable plural as in Japanese. Tsunamis are common throughout Japanese history; approximately 195 events in Japan have been recorded.
A tsunami has a much smaller amplitude (wave height) offshore, and a very long wavelength (often hundreds of kilometers long), which is why they generally pass unnoticed at sea, forming only a slight swell usually about 300 mm above the normal sea surface. A tsunami can occur at any state of the tide and even at low tide will still inundate coastal areas if the incoming waves surge high enough.
Tsunamis are often referred to popularly as tidal waves. This term is inaccurate because tsunamis are not related to tides and its use is discouraged by geologists and oceanographers; however, it is worth noting that the term tsunami is no more accurate because tsumanis are not limited to harbours.
Causes
A tsunami can be generated when converging or destructive plate boundaries abruptly move and vertically displace the overlying water. It is very unlikely that they can form at divergent (constructive) or conservative plate boundaries. This is because constructive or conservative boundaries do not generally disturb the vertical displacement of the water column. Subduction zone related earthquakes generate the majority of all tsunamis.
On 1st April, 1946 a Magnitude 7.8 (Richter Scale) earthquake occurred near the Aleutian Islands, Alaska. It generated a tsunami which inundated Hilo on the island of Hawai'i with a 14 m high surge. The area where the earthquake occurred is where the Pacific Ocean floor is subducting (or being pushed downwards) under Alaska.
Examples of tsunami being generated at locations away from convergent boundaries include - Storegga during the Neolithic era, Grand Banks 1929, Papua New Guinea 1998 (Tappin, 2001). In the case of the Grand Banks and Papua New Guinea tsunamis an earthquake caused sediments to become unstable and subsequently fail. These slumped and as they flowed down slope a tsunami was generated. These tsunami did not travel transoceanic distances.
It is not known what caused the Storegga sediments to fail. It may have been due to overloading of the sediments causing them to become unstable and they then failed solely as a result of being overloaded. It is also possible that an earthquake caused the sediments to become unstable and then fail. Another theory is that a release of gas hydrates (methane etc.,) caused the slump.
The "Great Chilean earthquake" (19:11 hrs UTC) 22nd May 1960 (9.5 Mw), the 27th March 1964 "Good Friday earthquake" Alaska 1964 (9.2 Mw), and the "Great Sumatra-Andaman earthquake" (00:58:53 UTC) 26th December 2004 (9.2 Mw), are recent examples of powerful megathrust earthquakes that generated a tsunami that was able to cross oceans. Smaller (4.2 Mw) earthquakes in Japan can trigger tsunami that can devastate nearby coasts within 15 minutes or less.
In the 1950s it was hypothesised that larger tsunamis than had previously been believed possible may be caused by landslides, explosive volcanic action e.g., Santorini, Krakatau, and impact events when they contact water. These phenomena rapidly displace large volumes of water, as energy from falling debris or expansion is transferred to the water into which the debris falls at a rate faster than the ocean water can absorb it. They have been named by the media as "mega-tsunami."
Tsunami caused by these mechanisms, unlike the trans-oceanic tsunami caused by some earthquakes, may dissipate quickly and rarely affect coastlines distant from the source due to the small area of sea affected. These events can give rise to much larger local shock waves (solitons), such as the landslide at the head of Lituya Bay 1958, which produced a wave with an initial surge estimated at 524m. However, an extremely large gravitational landslide might generate a so called "mega-tsunami" that may have the ability to travel trans-oceanic distances. This though is strongly debated and there is no actual geological evidence to support this hypothesis.
Signs of an approaching tsunami
There is often no advance warning of an approaching tsunami. However, since earthquakes are often a cause of tsunami, any earthquake occurring near a body of water may generate a tsunami if it occurs at shallow depth, is of moderate or high magnitude, and the water volume and depth is sufficient. In Japan moderate - 4.2 Magnitude earthquakes can generate tsunami which can inundate the area within 15 minutes.
If the first part of a tsunami to reach land is a trough (draw back) rather than a crest of the wave, the water along the shoreline may recede dramatically, exposing areas that are normally always submerged. This can serve as an advance warning of the approaching tsunami which will rush in faster than it is possible to run. If a person is in a coastal area where the sea suddenly draws back (many survivors report an accompanying sucking sound), their only real chance of survival is to run for high ground or seek the high floors of high rise buildings.
In the 2004 tsunami that occurred in the Indian Ocean drawback was not reported on the African coast or any other western coasts it inundated, when the tsunami approached from the east. This was because of the nature of the wave - it moved downwards on the eastern side of the fault line and upwards on the western side. It was the western pulse that inundated coastal areas of Africa and other western areas.
80% of all tsunamis occur in the Pacific Ocean, but are possible wherever large bodies of water are found, including inland lakes. They may be caused by landslides, volcanic explosions, bolides and seismic activity.
Indian Ocean Tsunami According to an article in "Geographical" magazine (April 2008), the Indian Ocean tsunami of 26th December 2004 was not the worst that the region could expect. Professor Costas Synolakis of the Tsunami Research Center at the University of Southern California co-authored a paper in "Geophysical Journal International" which suggests that a future tsunami in the Indian Ocean basin could affect locations such as Madagascar, Singapore, Somalia, Western Australia and many others. The Boxing Day tsunami killed over 300,000 people with many bodies either being lost to the sea or unidentified. Some unofficial estimates have claimed that approximately 1 million people may have died directly or indirectly solely as a result of the tsunami.
Warnings and prevention
A tsunami cannot be prevented or precisely predicted - even if the right magnitude of an earthquake occurs in the right location. Geologists, Oceanographers and Seismologist analyse each earthquake and based upon many factors may or may not issue a tsunami warning. However, there are some warning signs of an impending tsunami, and there are many systems being developed and in use to reduce the damage from tsunami. One of the most important systems that is used and constantly monitored are bottom pressure sensors. These are anchored and attached to buoys. Sensors on the equipment constantly monitor the pressure of the overlying water column - this can be deduced by the simple calculation of:
F = Gdh
where F = the overlying force or pressure in Newtons per metre square, G is the acceleration due to gravity, d = the density of the water and h = the height of the water column.
G = 9.8 m s2, d = 1.1 x 103 kg m3 and h is the depth of water in metres
Hence for a water column of 5,000 m depth the overlying pressure is equal to 9.8 x 1.1 x 103 x 5 x 103 or about 5.4 x 10 7 N m2 or about 5.7 Million tonnes per metre square.
In instances where the leading edge of the tsunami wave is the trough, the sea will recede from the coast half of the wave's period before the wave's arrival. If the slope of the coastal seabed is shallow, this recession can exceed many hundreds of meters. People unaware of the danger may remain at or near the shore out of curiosity, or for collecting fish from the exposed seabed. During the Indian Ocean tsunami of 26th December 2004, the sea withdrew and many people then went onto the exposed sea bed to investigate. Pictures taken show people on the normally submerged areas with the advancing wave in the background. Most people who were on the beach were unable to escape to high ground and died.
Regions with a high risk of tsunami may use tsunami warning systems to detect tsunami and warn the general population before the wave reaches land. On the west coast of the United States, which is prone to Pacific Ocean tsunami, warning signs advise people of evacuation routes.
The Pacific Tsunami Warning System is based in Honolulu. It monitors all sesimic activity that occurs anywhere within the Pacific. Based up the magnitude and other information a tsunami warning may be issued. It is important to note that the subduction zones around the Pacific are seismically active, but not all earthquakes generate tsunami and for this reason computers are used as a tool to assist in analysing the risk of tsunami generation of each and every earthquake that occurs in the Pacific Ocean and the adjoining land masses.
As a direct result of the Indian Ocean tsunami, a re-appraisal of the tsunami threat of all coastal areas is being undertaken by national governments and the United Nations Disaster Mitigation Committee. A tsunami warning system is currently being installed in the Indian Ocean.
Computer models can predict tsunami arrival - observations have shown that predicted arrival times are usually within minutes of the predicted time. Bottom pressure sensors are able to relay information in real time and based upon the readings and other information about the seismic event that triggered it and the shape of the seafloor (bathymetry) and coastal land (topography), it is possible to estimate the amplitude and therefore the surge height, of the approaching tsunami. All the countries that border the Pacific Ocean collaborate in the Tsunami Warning System and most regularly practice evacuation and other procedures to prepare people for the inevitable tsunami. In Japan such preparation is a mandatory requirement of government, local authorities, emergency services and the population.
Some zoologists hypothesise that animals may have an ability to sense subsonic Rayleigh waves from an earthquake or a tsunami. Some animals seem to have the ability to detect natural phenomena and if correct, careful observation and monitoring could possibly provide advance warning of earthquakes, tsunami etc. However, the evidence is controversial and has not been proven scientifically. There are some unsubstantiated claims that animals before the Lisbon quake were restless and moved away from low lying areas to higher ground. Yet many other animals in the same areas drowned. The phenomenon was also noted in Sri Lanka in the 2004 Indian Ocean earthquake. The following two references whilst relevant, are media and not scientific - (BBC, [1]) (Kenneally, [2]). It is possible that certain animals (e.g., elephants) may have heard the sounds of the tsunami as it approached the coast. The elephants reaction was to move away from the approaching noise - inland. Some humans, on the other hand, went to the shore to investigate and many drowned as a result.
It is not possible to prevent a tsunami. However, in some tsunami-prone countries some measures have been taken to reduce the damage caused on shore. Japan has implemented an extensive programme of building tsunami walls of up to 4.5 m (13.5 ft) high in front of populated coastal areas. Other localities have built floodgates and channels to redirect the water from incoming tsunami. However, their effectiveness has been questioned, as tsunami often surge higher than the barriers. For instance, the Okushiri, Hokkaidō tsunami which struck Okushiri Island of Hokkaidō within two to five minutes of the earthquake on July 12, 1993 created waves as much as 30 m (100 ft) tall - as high as a 10-story building. The port town of Aonae was completely surrounded by a tsunami wall, but the waves washed right over the wall and destroyed all the wood-framed structures in the area. The wall may have succeeded in slowing down and moderating the height of the tsunami, but it did not prevent major destruction and loss of life. (This reference is Japanese - [3])
The effects of a tsunami may be mitigated by natural factors such as tree cover on the shoreline. Some locations in the path of the 2004 Indian Ocean tsunami escaped almost unscathed as a result of the tsunami's energy being absorbed by trees such as coconut palms and mangroves. In one striking example, the village of Naluvedapathy in India's Tamil Nadu region suffered minimal damage and few deaths as the wave broke up on a forest of 80,244 trees planted along the shoreline in 2002 in a bid to enter the Guinness Book of Records. [4] Environmentalists have suggested tree planting along stretches of seacoast which are prone to tsunami risks. It would take some years for the trees to grow to a useful size, but such plantations could offer a much cheaper and longer-lasting means of tsunami mitigation than the construction of artificial barriers.
Tsunami in History
Main article: Historic tsunami
Historically speaking, tsunami are not rare, with at least 25 tsunami occurring in the last century. Of these, many were recorded in the Asia-Pacific region - particularly Japan. The Boxing Day Tsunami in 2004 caused approx. 350,000 deaths and many more injuries.
As early as 426 B.C. the Greek historian Thucydides inquired in his book History of the Peloponnesian War about the causes of tsunami, and argued rightly that it could only be explained as a consequence of ocean earthquakes.[1] He was thus the first in the history of natural science to correlate quakes and waves in terms of cause and effect:[2]
The cause, in my opinion, of this phenomenon must be sought in the earthquake. At the point where its shock has been the most violent the sea is driven back, and suddenly recoiling with redoubled force, causes the inundation. Without an earthquake I do not see how such an accident could happen.[3]
The Roman historian Ammianus Marcellinus (Res Gestae 26.10.15-19) describes the typical sequence of a tsunami including an incipient earthquake, the sudden retreat of the sea and a following gigantic wave on the occasion of the 365 A.D. tsunami devastating Alexandria.[4] [5]
Tsunami and the Bible
Some recent work by scholars (Egyptologists, Israeli and others), geologists and oceanographers (including Dr Iain Stewart of University of Plymouth, UK), indicates that the Santorini eruption (about 1615 BC) may have caused the devastation of the Egyptian armies that is mentioned in the Exodus. The Exodus is dated as occurring between 1290 and 1340 BC. It is unlikely that the details were recorded in the immediate aftermath and there was probably a delay in the writing of the account. While there is a discrepancy of about 300 years, given the circumstances surrounding the dating of the Santorini eruption, it is possible that the two events did coincide. Further support for this is that the southeastern corner of the Mediterranean was marshland prior to the construction of the Suez Canal and was a known source of reeds. Is the "Red Sea" a wrong interpretation of the "Reed Sea," and did the Santorini or Minoan eruption coincide with the Exodus? There is ongoing research into this including drilling boreholes to look for tsunamite - the deposit left by tsunamis and other evidence to support or disprove this theory.
MEXICO CITY - U.S. Customs and Border Protection Commissioner Kevin McAleenan and Chief of Mexico Tax Administration Service Osvaldo Santin signed a Memorandum of Understanding on Cargo Pre-Inspection Program and Unified Cargo Processing, in Mexico City, Mexico, March 26, 2018. This MOU states the bilateral commitment for the further implementation of cargo-pre inspection and UCP programs, through which Mexican customs officers and CBP officers will work together to inspect and process cargo shipments. Official DHS photo by Jetta Disco.
Kinship Circle: SOS From Texas: Animals After Ike
---------- Forwarded message ----------
From: Kinship Circle - kinshipcircle [at] accessus.net
Date: Mon, Sep 22, 2008 at 7:18 PM
Subject: SOS From Texas: Animals After Ike
KINSHIP CIRCLE ANIMAL DISASTER AID NETWORK
www.kinshipcircle.org/disasters
9/22/08: SOS From Texas, Animals After Ike
IN THIS ALERT:
1. A Texan Talks About Where Animals May Need Help
2. Can This Be True? 10 Days To Reclaim Pets...
3. Give Them Shelter: Help For Ike’s Animal Victims
4. Caught On Camera In Galveston Island
5. More Photos From Houston SPCA & ASPCA
6. Rescuer Near Galveston Pleads For Help
7. Dogs, Cats Spared In Montgomery County, TX
8. Do Their Lives Matter? Cows Cling To Life In Texas
In post-Ike Texas, large groups (such as HSUS) have reportedly invalidated the MOU (Memorandum of Understanding) smaller groups (such as MuttShack) had formed with local authorities to work in Beaumont, Texas. Such alleged hostility made it increasingly difficult to obtain a realistic snapshot of the animal situation in Ike-ravaged areas. There was concern about the amount of time some large groups devoted to removing other emergency rescue groups, rather than helping animals in the field. Below is some of what we know -- straightforward, without a “public relations” angle.
=====================
1. A Texan Talks About Where Animals May Need Help
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EDITED FOR LENGTH
From Kathy Landry, landrymusic [at] hotmail.com -- I live in Kemah, TX on Galveston Bay. My foster animals/rescues and I are OK, but home impacted -- no electricity but neighbor allowing some hook up to his generator, so just got computer/TV access... Here is what I think about which specific areas most animals will have been left and suffering.
CRITICAL ANIMAL NEEDS AREAS
**BOLIVAR PENINSULA (ESPECIALLY CRYSTAL BEACH) took a 20 ft. plus storm surge. When the island started to flood 12 hrs. BEFORE Ike even arrived, the coast guard tried to evac people and pets... An hour later TV said coast guard had to stop, as weather became too dangerous. They had to leave many people (and pets). There may be MANY companion animals injured or left in houses or on streets. I don’t know how SPCA could possibly handle alone the magnitude of animal rescue in this huge Houston/Galveston affected area.
Bolivar Peninsula - Best Friends Rapid Response
www.youtube.com/watch?v=ITVno-1x4v8&feature=related
Crystal Beach – Best Friends Rapid Response
www.youtube.com/watch?v=caiac8Dqjlc&feature=related
FROM KINSHIP CIRCLE: It is shocking to see dogs left on short chains -- from which they have no chance to escape floodwaters -- bloated and dead. We agree with Best Friends’ Rich Crook that the individuals responsible for abandoning animals in a catastrophic storm should be prosecuted to the full extent under Texas animal cruelty law.
**GALVESTON ISLAND & CITY OF GALVESTON: Large areas submerged, major devastation of entire island... Heard reporter talk about a call from a woman who left 2 dogs in house, in area where houses took on 10 FEET of water. Reporters went in, dogs alive and OK (one on top of refrigerator). They fed and watered, put in backyard and called SPCA (? dogs still there). They said this was area of 57th St. and Avenue R in Galveston... There are always many strays in Galveston. Also many economically challenged people and elderly with animals. Although local officials bussed many out with pets...you know there were still animals left (people with multiple pets, etc.) There have always been many horses, cows also on the island.
*SEABROOK (my area) ON GALVESTON BAY also completely flooded. There are a lot of feral cats, and many outdoor but not feral cats who shop owners feed, etc. I live 8 blocks from Seabrook, but not allowed in, roads blocked, water just went down yesterday.
*KEMAH (across the bridge from Seabrook) also has lots of outdoor feral or semi-feral cats who hang out at restaurants and shops. Also took a lot of flooding. No one allowed in, roads blocked.
**BACLIFF (about 5-10 miles south of Kemah) ON GALVESTON BAY is a coastal area noted for a lot of animal neglect and abuse. Likely many chained dogs left behind, animals left loose, and confined in houses.
**LA PORTE (slightly north of Seabrook) had lots of wind damage, but I don't think as much storm surge (not sure). Also MANY strays and MANY abandoned animals even when not a hurricane. The kill shelter always overfilled...
Thank you all for helping Houston/Galveston animals.
KATHY LANDRY / ph: 281-535-1009
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2. Can This Be True? 10 Days To Reclaim Pets...
=====================
According to the Houston Chronicle’s blog on Ike animal information:
“Rescued animals will be put up for adoption after 10 days.”
blogs.chron.com/hurricanes/animals/
“Pet owners will have a 10-day window of time to identify and collect their animals from the date of the photo's posting. After that point, the animals will be adopted out."
Marilyn Knapp Litt - A Stealth Volunteer in San Antonio, TX writes: Right now I am EXTREMELY concerned with the ten day time limit for Galveston residents to claim their animals. It is will result in very few residents having their animals returned. It is a Houston SPCA policy, but they do not have it anywhere on their website. I had it confirmed by one of the hotline volunteers.
READ MORE HERE:
rescuesandreunions.blogspot.com/2008/09/it-is-true-10-day...
rescuesandreunions.blogspot.com/2008/09/on-your-mark-get-...
ORIGINAL ALERT FROM:
Marilyn Knapp Litt - A Stealth Volunteer in San Antonio
Stealth Helped Reunite Families with their Katrina Pets: 1,000+ Volunteers = 1,000+ Pets Home Safe with Stealth!
groups.yahoo.com/group/stealthvolunteers
www.StealthVolunteers.com * www.MarilynLitt.com
www.MarilynsPictures.com * www.MarilynsBlog.com
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3. Give Them Shelter: Help For Ike’s Animal Victims
=====================
TO LOCATE LOST COMPANION ANIMALS / REPORT FOUND ANIMALS:
www.pets911.com/disaster-response-pet-portal
Photos and descriptions entered by rescue workers from all organizations working on this issue.
If you have lost or found an animal not from Galveston, use HSPCA tool to post report:
hspca.convio.net/site/PageServer?pagename=animal_resource...
Houston area shelters kill around 100 dogs and cats each day because there are not enough homes for them (ON AN ORDINARY DAY). Although everyone is working very hard, the task post-Ike is massive.
HOUSTON SPCA “OPERATION SAVE A LIFE:”
Houston SPCA seeks people to foster a Galveston/Bolivar/Coastal Area animal for TEN DAYS.
Emergency Foster Care: www.houstonspca.org/site/PageServer?pagename=Disaster_Nee...
Read more: www.beloblog.com/KHOU_Animal_Attraction/2008/09/operation...
Families interested in fostering can:
- Download an application: www.houstonspca.org
- Or come to the Houston SPCA / 900 Portway Drive / Houston, TX 77024
HARRIS COUNTY ANIMAL SHELTER:
Harris County's animal shelter also has many animals lost in the storm. Unclaimed animals will be killed (essentially the same story for all local shelters). To find out how you can help, call or check their website: 281-999-3191, www.countypets.com
EMERGENCY INFORMATION:
- SPCA Lost & Found Pet Hotline: 713-861-0161
- SPCA Rescue Hotline: 877-661-0161 or 713-435-2990 / 10am- 6pm daily
Emergency Animal Shelters For Lost Animals:
1st United Methodist Church of Humble
800 Main St. / Humble, Texas 77338
Lamb of God Lutheran Church
1400 FM 1960 East Bypass / Humble, Texas 77338
Bring Injured Wildlife to the SPCA
SPCA Houston / 900 Portway Drive
(near I-10 Hempstead Highway)
Citizens for Animal Protection, also caring for wildlife and pets.
CAP Lost & Found Pets: cap4pets.com
WAYS TO HELP:
RESCUE BANK / FOOD SOURCE FOR ANIMALS
This Houston-based "food bank" for animal rescue and adoption groups has started a shelter restoration fund to help member groups recover from Hurricane Ike and care for the increased numbers of rescued and recovered animals. Rescue bank is a cooperative group of more than 45 Houston-Galveston area non-profit shelter and foster organizations. Created in response to Hurricane Katrina, rescue bank operates on the "food bank" model, collecting and distributing more than a quarter million pounds of pet food and supplies during the last two years.
TAX-DEDUCTIBLE DONATIONS can be made at any Washington Mutual branch by specifying "rescue bank" to the teller. More information:
www.rescuebank.org, infoall [at] rescuebank.org
ONLINE DONATIONS: www.rescuebank.org/pages/wishlist01.htm
Click on PAYPALS link on left side of page.
SPECIAL PALS ANIMAL SHELTER
This rescue shelter has taken in animals from Kemah, Galveston and the Bay Area shelters. Special Pals usually has about 70 animals in their shelter and currently has about 200. Special Pals needs:
VOLUNTEERS: To help with 8:00am feedings, other assistance.
SUPPLIES: Bleach / Dry dog food (Purina, Beneful, Pedigree Small Bites)
Cat litter / Drinking water for volunteers / Financial aide
DONATIONS: www.specialpalsshelter.org/Ike.asp
TO HELP, CONTACT SPECIAL PALS SHELTER: 281-579-7387
3830 Greenhouse Road / Houston, TX 77084
GALVESTON ISLAND HUMANE SOCIETY
DONATE to the GIHS Hurricane Ike Recovery:
www.galvestonhumane.org/contributions.php
HOUSTON SPCA
DONATIONS & HSPCA WISH LIST:
hspca.convio.net/site/PageServer?pagename=Hurricane_Ike_U...
hspca.convio.net/site/PageServer?pagename=donate_wish
ORIGINAL ALERT FROM:
Shirley Wilkes-Johnson, Vegan World Radio
veggiesue [at] gmail.com, 1-800-864-3501
Tune in every Monday 10:00am at 90.1 FM KPFT Houston (89.5 in Galveston) or live on the web at www.kpft.org and www.veganworldradio.com
(or later on archive archive.kpft.org)
=====================
4. Caught On Camera In Galveston Island
=====================
From: Texas Independent Rescuer in Kinship Circle Disaster Aid Network 9/16/08: I returned from home from Galveston Island last night. I had self-deployed to assist my blind father who lives in Alvin, Texas, about 10 miles from Galveston. Early after the storm on Saturday I took my truck and trailer and headed into town to find the local authorities were conducting their own search and rescue operations for animals. They told me to head south on Hwy 6 to assist in Galveston if I could get onto the island.
I ended up a few miles away in the towns or Santa Fe and Hitchcock, Texas where there were dead cows and other pets. Here I established a small base of operations next to the Santa Fe Police station near a bar where people where congregating. With permission of the local police I went street to street searching out pets in backyards and feeding them. After a days work and collecting a few strays, I got permission of the bar owner to leave the dogs overnight. The locals at the bar began assisting me with feeding and watering them. They asked if I had been down to Galveston yet and said those people need more help there than here.
Leaving local pets in good hands of residents, I headed south to Galveston Island. There I found the local EON and talked to the local police who directed me to the Houston SPCA and stated they were in charge of the rescue efforts for animals on the Island. How that was going to happen I never figured out. Because the Houston SPCA was already overwhelmed as I understood it. Anyway I traveled about the Island feeding dogs and cats until I ran out of food. (I should note that everywhere I went local people and lower officials commented on how great it was that someone was doing something so quick for the animals. One official stated: "About time someone got here to help the animals.")
I made a trip over to the local Humane Society to find the building destroyed and no one nearby. As curfew fell and without communications, I chose to leave the Island. I returned to Santa Fe and made arrangements for the strays I still had a my temporary shelter... The area of devastation is so great that not even the HSUS, ASPCA, or any one organization bearing all it's assets could handle rescue and care of the animals affected by IKE. God Bless those of you who are headed to the southeast Texas area to help. Expect to hit brick walls with the authorities... If you do go, be prepared to operate solely on your own and get permission from the local town Mayors and police departments. Expect no help from FEMA or Texas State officials.
Theodore R Endicott, Jr. MSG RET, ted.endicott [at] us.army.mil
Texas Independent Animal Rescuer
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5. More Photos From Houston SPCA & ASPCA
=====================
PHOTO, left: Five little terrier-mix dogs were left behind on Galveston Island. Alone and frightened they watched as the storm surge rushed into their home. As the water rose, they jumped atop a table and that’s where Houston SPCA rescue teams found them whimpering. The high water mark was over their heads and our rescue teams knew in their hearts that these little dogs spent most of the night swimming for their lives. But they had a strong will to live...
hspca.convio.net/site/PageServer?pagename=Hurricane_Ike_U...
HOUSTON SPCA UPDATES FROM THE FRONTLINE, 9/21/08:
Thousands of dogs, cats, horses, puppies and kittens, birds and other pets have found a safe haven at the Houston SPCA. On Saturday, we sheltered 233 animals from Galveston, took in another 149 at the temporary shelter on the Island and conducted 141 rescues. Overall, nearly 600 animals have arrived from our Island’s temporary shelter and our teams in the field have conducted over 600 rescues...
ASPCA DISASTER RELIEF TEAM, 9/16/08, LIBERTY COUNTY, TEXAS
PHOTO, left: Equines can drop weight quickly -- becoming dangerously thin-- from enduring extreme stress and environmental changes, such as those caused by Hurricane Ike. Now that his owner has been allowed back into his home, this senior horse is once again being cared for.
PHOTO, right: Liberty County, though not hit as severely by Hurricane Ike as other parts of Texas, is dealing with the storm’s ripple of chaos. This pack of displaced dogs, which includes three nursing mothers, is being cared for by a group of neighbors who have banded together to help the strays.
www.aspca.org/site/PageServer?pagename=disasterrelief_ike
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6. Rescuer Near Galveston Pleads For Help
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REPLY TO:
Kathy Blankenship / Halfway Home Animal Rescue Team
Santa Fe, Texas / 713-751-5252 / halfwayhome [at] comcast.net
9/17/08, From Kathy Blankenship, halfwayhome [at] comcast.net -- I founded Halfway Home Animal Rescue Team in January and currently foster 9 dogs and 31 cats. I live in Santa Fe, about 20 miles north of Galveston. This past weekend Hurricane Ike took off half my roof and destroyed the fence enclosing my yard. My house is inhabitable, but I have no choice but to stay there to protect and care for my animals. Without a roof or a fence, it is nearly impossible. It is critical that I find a no-kill shelter or group to take in my animals so that I can focus on caring for my family and rebuilding our home in this time of crisis. Can you please help me?
Kathy Blankenship / Halfway Home Animal Rescue Team
Santa Fe, Texas / 713-751-5252 / halfwayhome [at] comcast.net
www.petfinder.com/shelters/TX1195.html
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7. Dogs, Cats Spared In Montgomery County, TX
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REPLY TO:
Kelle Davis, kellek-9 [at] peoplepc.com
9/18/08, Many saw the alert about hundreds of adoptable animals on death row at a Texas pound, due to fallout from Ike: Hi, my name is Kelle and I’m a shelter walker at Montgomery County Animal Shelter... Before Ike they took in many animals from shelters closer to the coast (over 200) and also had the normal owner surrenders that occur during disasters. Now, the shelters they assisted are in no shape to take the animals back. They are going to have to euthanize many, many very adoptable dogs and cats from lack of room and people to care for them. Many of us are also without electricity or running water at this point and in no position to take any more right now.
No outside rescue groups are being allowed on to Galveston and surrounding areas (HSUS is denying any other rescues to help) and maybe if your group was going to help out in the Gulf, now is an opportunity to get some dogs and cats of the storm to a safe place where they can be adopted...
Montgomery County Animal Control
8535 State Hwy 242 / Conroe, Texas 77385 / 936-442-7738
OTHER CONTACTS: Marsha: 713-2017306 / Sandra: 954-336-3222
9/20/08 UPDATE, From: Kelle Davis, kellek-9 [at] peoplepc.com -- I believe almost all dogs and most cats got out yesterday. The media picked up on this and when I got there yesterday the parking lot was full. I took two mangy starved pups who were of course overlooked. But the shelter doesn't need to euthanize anyone, as so many were taken in! I did pick up a golden retriever right after storm who needs a foster... She is young and I believe spayed, if interested. Very loving and dog and cat friendly.
CONTACT KELLE DAVIS: 832-969-8831
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8. Do Their Lives Matter? Cows Cling To Life In Texas
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Doomed -- anyway you look at it. Saving cats, dogs and other animals but who will give sanctuary to the cows? Some 4,000 cows have already been killed by Ike. More than 20,000 cattle and hundreds of horses are dying from eating and drinking salt-contaminated grass and water. The grim chore of disposing of dead livestock still looms, said Bob Hillman, executive director of the Texas Animal Health Commission. Alligators are eating some of them.
Some groups have left hay and water for the cows... One horse rescuer, Elizabeth Asher, with “Rescue Bank” knows where most stranded cows are located. The Texas Dept. Of Agriculture set up “Operation No Fences” to provide relief for horses and cows.
OPERATION NO FENCES, HAY HOTLINE: 877-429-1998
RESCUE BANK / FOOD SOURCE FOR ANIMALS
DONATIONS can be made at any Washington Mutual branch by specifying "rescue bank" to the teller. More information:
www.rescuebank.org, infoall [at] rescuebank.org
ONLINE DONATIONS: www.rescuebank.org/pages/wishlist01.htm
Click on PAYPALS link on left side of page.
ORIGINAL ALERT FROM:
Jerrily Halbert, Vegan World Radio
Shirley Wilkes-Johnson, veggiesue [at] gmail.com
1-800-864-3501, www.VeganWorldRadio.org
FROM KINSHIP CIRCLE: We hope (and have called) rescue groups such as Farm Sanctuary are permitted to help stranded cows...so some may go to sanctuary -- escaping both floodwaters and life as a production unit in a feedlot.
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To Be On File In Kinship Circle’s Disaster Aid Network:
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1. REQUEST VOLUNTEER FORM: kinshipcircle [at] accessus.net
* Fill out form. Email it back to: kinshipcircle [at] accessus.net
* IF YOU ALREADY SENT A KC DISASTER AID VOLUNTEER FORM -- DO NOT RESEND!
* TYPE IN SUBJECT LINE: KC ANIMAL DISASTER AID NETWORK
2. SUBSCRIBE TO KINSHIP CIRCLE ANIMAL DISASTER AID EMAIL LIST FOR UPDATES
* SUBSCRIBE: kinshipcircle [at] accessus.net
* TYPE IN SUBJECT LINE: SUBSCRIBE, KC DISASTER AID EMAIL LIST
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Please help us get relief to the animals in hurricane-stricken regions.
Kinship Circle Animal Disaster Aid cannot cover its nationwide communication costs for volunteer management. DONATIONS are greatly appreciated.
DONATE ONLINE: www.kinshipcircle.org/donation/
DONATE BY MAIL: Kinship Circle * 7380 Kingsbury Blvd. * St. Louis, MO 63130
Kinship Circle is a 501c3 nonprofit animal advocacy organization.
All donations are tax-deductible.
Action Campaigns I Literature I Animal Disaster Aid Networking
info [at] kinshipcircle.org or kinshipcircle [at] accessus.net
www.KinshipCircle.org * www.kinshipcircle.org/disasters/
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Action campaigns on animal cruelty issues worldwide
Kinship Circle Animal Disaster Aid Network: kinshipcircle [at] accessus.net
Animal rescue coordination/news in disasters + companion animal alerts
SEND: Address / Phone / Email for placement in geographic disaster zone
September 13, 2009 | Lined up the grass in the background for an unbroken expanse of creamy green bokeh. I threw on a bit of my couch texture and borealnz's ttv layer
HBW!
Entry in category 2. Women and men of science; Copyright CC-BY-NC-ND: Sofia Forss
This image captures the start of my Ambizione project, in which I am trying to understand what factors shape cognitive abilities in a rather small brained, yet highly social species – the meerkats. The project is taking place at the study site of the Kalahari Research Center in Kuruma River Reserve in South Africa, where we study multiple wild groups of meerkats. Within the biological sciences it has long been debated how sociality relates to cognitive evolution. Partly, my research considers the interplay between one’s social life and motivational factors, like curiosity, and how that in turn can be decisive for cognitive skills. This picture inspires me because I don’t think one can necessarily tell who is more curious about whom in the captured situation, providing a mystery into what animal minds are.
Tour de Suisse par l'Extérieur
Maison d'Ampère
André-Marie Ampère
André-Marie Ampère (/ˈæmpɪər/;[1] French: [ɑ̃pɛʁ]; 20 January 1775 – 10 June 1836)[2] was a French physicist and mathematician who is generally regarded as one of the main founders of the science of classical electromagnetism, which he referred to as "electrodynamics". The SI unit of measurement of electric current, the ampere, is named after him.
Biography[edit]
Andre-Marie Ampère was born on 20 January 1775 to Jean-Jacques Ampère, a prosperous businessman, and Jeanne Antoinette Desutières-Sarcey Ampère during the height of the French Enlightenment. He spent his childhood and adolescence at the family property at Poleymieux-au-Mont-d'Or near Lyon.[3] Jean-Jacques Ampère, a successful merchant, was an admirer of the philosophy of Jean-Jacques Rousseau, whose theories of education (as outlined in his treatise Émile) were the basis of Ampère’s education. Rousseau believed that young boys should avoid formal schooling and pursue instead an “education direct from nature.” Ampère’s father actualized this ideal by allowing his son to educate himself within the walls of his well-stocked library. French Enlightenment masterpieces such as Georges-Louis Leclerc, comte de Buffon’s Histoire naturelle, générale et particulière (begun in 1749) and Denis Diderot and Jean le Rond d'Alembert’s Encyclopédie (volumes added between 1751 and 1772) thus became Ampère’s schoolmasters. The young Ampère, however, soon resumed his Latin lessons, which enabled him to master the works of Leonhard Euler and Daniel Bernoulli.
Work in electromagnetism[edit]
In September 1820, Ampère’s friend and eventual eulogist François Arago showed the members of the French Academy of Sciences the surprising discovery of Danish physicist Hans Christian Ørsted that a magnetic needle is deflected by an adjacent electric current. Ampère began developing a mathematical and physical theory to understand the relationship between electricity and magnetism. Furthering Ørsted’s experimental work, Ampère showed that two parallel wires carrying electric currents attract or repel each other, depending on whether the currents flow in the same or opposite directions, respectively - this laid the foundation of electrodynamics. He also applied mathematics in generalizing physical laws from these experimental results. The most important of these was the principle that came to be called Ampère’s law, which states that the mutual action of two lengths of current-carrying wire is proportional to their lengths and to the intensities of their currents. Ampère also applied this same principle to magnetism, showing the harmony between his law and French physicist Charles Augustin de Coulomb’s law of magnetic action. Ampère’s devotion to, and skill with, experimental techniques anchored his science within the emerging fields of experimental physics.
Ampère also provided a physical understanding of the electromagnetic relationship, theorizing the existence of an “electrodynamic molecule” (the forerunner of the idea of the electron) that served as the component element of both electricity and magnetism. Using this physical explanation of electromagnetic motion, Ampère developed a physical account of electromagnetic phenomena that was both empirically demonstrable and mathematically predictive. In 1827 Ampère published his magnum opus, Mémoire sur la théorie mathématique des phénomènes électrodynamiques uniquement déduite de l’experience (Memoir on the Mathematical Theory of Electrodynamic Phenomena, Uniquely Deduced from Experience), the work that coined the name of his new science, electrodynamics, and became known ever after as its founding treatise.
In 1827 Ampère was elected a Foreign Member of the Royal Society and in 1828, a foreign member of the Royal Swedish Academy of Science.[5] In recognition of his contribution to the creation of modern electrical science, an international convention signed in 1881 established the ampere as a standard unit of electrical measurement, along with the coulomb, volt, ohm, and watt, which are named, respectively, after Ampère’s contemporaries Charles-Augustin de Coulomb of France, Alessandro Volta of Italy, Georg Ohm of Germany, and James Watt of Scotland. His name is one of the 72 names inscribed on the Eiffel Tower.