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Full understanding for Pu er tea
Xishuang Banna (西双版納) as a famous pu-erh tea production area
Xishuang Banna is situated on the Southern end of Yunnan and it is located at the borders of Myanmar, Vietnam and Laos. The name of “Xishuang Banna” is originated from Thai language. The ancient route of Tea and Horse started from the Southern end of Xishuang Banna, a town called Yiwu (易武), and it continued up to the North. Tea was once stocked and gathered at a town called pu-erh (普洱) which is the hub for pu-erh tea trading and logistics. This is why the minorities’ tea was named as pu-erh.
ripe puer tea
Pu’er ripe tea is fermented in heaps, under the action of enzymes, producing many new nutrients which are beneficial to you health,.
raw puer tea
Raw puer tea is suitable for long storage. Classic raw pu’er tea tastes bitter, especially at first, has has a sweet and fragrant aftertaste.
Yiwu Zhengshan tea cake
Yiwu Zhengshan Pu Er tea cake is produced from tea leaves harvested from Yi Wu Zheng Shan,in southeast Yunnan province. The word Zheng means original, and only tea leaves harvested from Yi Wu town (only a few sq km in size) can be considered as such. The infusion yields a strong liquor that is slightly bitter but finishes with a sweet aftertaste. Aged in the Shou, cooked style, this pu-erh has already settled into a rich and versatile flavor profile.
Sheryl hz.aliexpress.com/store/1852188
Email, heteapuerh@gmail.com
kmhetea@yahoo.com
Skype, heteapuerh@sheryl
Contact, sheryl Lynnlee
Seated in a landscape on a rocky formation is an older woman wearing a pale rose dress with a white drapery wrapped over her left shoulder and across her lap; her head and shoulders are covered by a thin yellow veil. She turns her worried face to the genius that hovers overhead in a swirl of drapery. The genius holds in his left hand a large hooplike form and with his right extends the end of a cord held also by the old woman. The cord crosses the woman's lap and is grasped by the putto standing at her knee; two additional putti carry the cord in the foreground of the scene. Pink roses are strung along the middle segment of the cord's length.
The San Diego painting is the modello for one of the smaller tapestries belonging to the Triumph of the Eucharist cycle, commissioned by the Archduchess Isabella for the Convent of the Descalzas Reales in Madrid in about 1625. The modello differs from the woven tapestry in several key respects that affect our understanding of the subject: in the tapestry, the hoop held by the genius is more clearly rendered as a snake biting its tail; and the cord connecting the figures is decorated with portrait medals of the popes, rather than roses.
Leipziger Buchmesse 2017 / Leipzig Book Fair 2017
2017-03-25 (Saturday)
2017_027
2017#314
-_the_Cheshire_Cat_- (Franziska) 306694 as Neltharion / Death Wing / Todesschwinge from World of Warcraft
Thank you for any group invites which I'd be glad to accept. However, if I can't check the content of such groups ("This group is not available to you") I'd rather not add any of my photos. Thank you for your understanding.
Leipzig Book Fair 2013
Leipziger Buchmesse 2013
2013_034 2013#036
Cosplayers
-Lenalee- (Selina) 540129 as Poison Ivy from Batman
Photos posted are 1024x768 pixels in size. Higher resolution (3000x2000) for models only, sorry.
Thank you for any group invites which I will gladly accept. However, if I can't check the content of such groups ("This group is not available to you") I'd rather not add any of my photos. Thank you for your understanding.
Shuttle358
Book :
New Order
Retro
London Records
2008
Photography . Nick Knight
Art Direction . Peter Saville
CD :
Pinkcourtesyphone
Elegant & Detached
ROOM40
RM451
Music & Design . Richard Chartier
iTunes :
New Order
Sub Vulture
Factory
FAC133
Sir GMAttenborough ...
Leipzig Book Fair 2013
Leipziger Buchmesse 2013
2013_052 2013#054
Cosplayers
Michiru004 (Janine) 278592 as Cana Alberona [S-Class Trial] from Fairy Tail
Photos posted are 1024x768 pixels in size. Higher resolution (3000x2000) for models only, sorry.
Thank you for any group invites which I will gladly accept. However, if I can't check the content of such groups ("This group is not available to you") I'd rather not add any of my photos. Thank you for your understanding.
--- PLEASE WRITE SOME THOUGHTS ABOUT THE PICTURE - comments with group stamps will be deleted, thanks for understanding ---
model: Nyussz
makeup: Márti Folmeg
hair: Attila Kárpáti
assistant: _Nec
clothes: CSF
gear: Canon EOS 40D, Canon EF 70-200mm f2.8 L IS II USM lens
lights-setup: _Nec
stylist, photo, post-processing: me
strobist: from left-top - canon 580exII as key light, from left-bottom - LP120 as fill, and from the right - 2 yongnuo flashes with a 50" westcott large fill
--- do not use my work without written permission, thank you ---
Researchers at the Northwestern University Center of Cancer Nanotechnology Excellence are studying the ways in which cancer cells migrate from existing tumors to create new, metastatic tumors in different regions of the body. By creating micrometer scaled adhesive islands on gold surfaces, they have allowed individual metastatic cells to take on shapes, such as the star depicted above. These shapes provide cues to cancer cells, which respond in the above image by concentrating their motility machinery at the star’s tips. This assay lends itself to large scale screening of cell populations—a problem that has stymied past efforts to find a drug that targets metastatic motility.
This image is part of the Nanotechnology Image Library collection.
Credit: Bartosz Grzybowski, Ph.D., National Cancer Institute, National Institutes of Health
The Iñupiat Heritage Center (IHC) brings people together to promote and perpetuate Iñupiat history, language and culture. This dynamic interaction between the Iñupiat and their environment fosters the awareness, understanding and appreciation of the Iñupiat way of life from generation to generation.
Michael D Stotts - The Iñupiat Heritage Center Manager giving tour.
This was the best I could do without trespassing and was taken through a fence in front of the depot on zoom, and some of these vehicles may be in Reserve or withdrawn.
And be sure to check by my other acount: www.flickr.com/photos_user.gne?path=&nsid=77145939%40..., to see what else I saw Very Recently!!
Yes I'm back again.
However due to my main computer on which I edit my work being struck down with a big bad virus, this picture and all the others I am uploading, were Unedited but have now been replaced with Edited versions. So enjoy and Thanks for your patience and understanding.
I do still hate everything about this shit that is new Flickr and always will, but an inability to find another outlet for my work that is as easy for me to use as the Old BETTER Flickr was, has forced me back to Flickr, even though it goes against everything I believe in.
I don't generally have an opinion on my own work, I prefer to leave that to other people and so based on the positive responses to my work from the various friends I had made on Flickr prior to the changes I have decided to upload some more of my work as an experiment and to see what happens.
So make the most of me before they delete my acount: www.flickr.com/photos/69558134@N05/?details=1, to stop me complaining!!
Educational Classroom Poster for teaching elementary math. This one help students understand the concepts and units of Metric Lengths.
Available in letter size and now 11"x17".
the Ireland Glass Biennale 2023, an exhibition of work from some of the world’s most innovative glass artists, designers and craft practitioners. The Ireland Glass Biennale exhibition will be on show in the Coach House Gallery, Dublin Castle from 28 April to 20 August 2023. Through showcasing the excellence of contemporary glass practice, the Irish Glass Biennale (IGB) aspires to further the public’s understanding of the creative potential of glass and to act as a catalyst for cultural activities which centre around glass.
Humanity's direction shall always be towards a more loving and peaceful life...for younger generations and future generations to be born...
One of many unfortunate birds at Saigon Zoo.... They seriously need to expand captivity cage that allows such big birds more room to fly around.
Changeable Hawk-Eagle (Nisaetus cirrhatus)
The changeable hawk-eagle or crested hawk-eagle (Nisaetus cirrhatus) is a bird of prey species of the family Accipitridae. It was formerly placed in the genus Spizaetus, but studies pointed to the group being paraphyletic resulting in the Old World members being placed in Nisaetus (Hodgson, 1836) and separated from the New World species.
Changeable hawk-eagles breed in the Indian subcontinent, mainly in India and Sri Lanka, and from the southeast rim of the Himalaya across Southeast Asia to Indonesia and the Philippines. This is a bird occurring singly (outside mating season) in open woodland, although island forms prefer a higher tree density. It builds a stick nest in a tree and lays a single egg.
Description
The changeable hawk-eagle is a medium-large raptor at about 60–72 centimetres (24–28 in) in length with a 127–138 centimetres (50–54 in) wingspan, and a weight ranging from 1.2 to 1.9 kg.[3] It is a relatively slender forest eagle with some subspecies (especially N. c. limnaetus) being dimorphic giving the name "changeable". This and their complicated phylogeny further complicate precise identification.
Normally brown above, they have white below with barring on the undersides of the flight feathers and tail; black longitudinal streaks occur on the throat and chocolate streaks occur on the breast. Some subspecies have a crest of four feathers, but this is all but absent in others. The sexes are quite similar in their plumage, but males are about 15% smaller than females. The underparts and head of juveniles are whitish or buff with few dark streaks.
The wings are long and parallel-sided, and are held flat in flight, which helps to distinguish this species from the similar mountain hawk-eagle. In overhead flight, comparatively rounded wings (upturned at tip), longish tail, white body (spotted with brown) and grey underside of wings (streaked and spotted) are leading pointers.
Their call is a loud, high-pitched ki-ki-ki-ki-ki-ki-ki-ki-kee, beginning short, rising in crescendo, and ending in a scream.
Ecology
Changeable hawk-eagles eat mammals, birds, and reptiles. They keep a sharp lookout perched bolt upright on a bough amongst the canopy foliage of some high tree standing near a forest clearing. There, they wait for junglefowl, pheasants, hares, and other small animals coming out into the open. The bird then swoops down forcefully, strikes, and bears the prey away in its talons.
Nesting
Season: December to April
Nest: a large stick platform lined with green leaves, high up in a forest tree
Eggs: a single one, greyish white, unmarked or with faint specks and blotches of light reddish at the broad end
Systematics
The Flores hawk-eagle has traditionally been treated as a subspecies of the changeable hawk-eagle, but it is now often treated as a separate species, N. floris.
Two distinct groups exist in the changeable hawk-eagle; one with crests and one without or with hardly visible crests. Dark morphs exist for some populations.
Changeable hawk-eagle
N. c. cirrhatus
- Gangetic plain southwards throughout India
- Crested, no dark morph
N. c. ceylanensis
- Sri Lanka (possibly also Travancore)
- Smaller than nominate, crest proportionally longer on average, apparently no dark morph
Crestless changeable hawk-eagle
N. c. limnaeetus
- Nepal, northeast India, via Burma and Malay Peninsula along Wallace Line to Philippines
- Much like nominate except crest, dimorphic, with the dark morph chocolate-brown all over, tail base might appear lighter in flight
N. c. andamanensis
- Andaman Islands
- Similar to N. c. limnaeetus, apparently no dark morph
N. c. vanheurni
- Simeulue Island
- Similar to N. c. limnaeetus, apparently no dark morph
Gamauf et al. (2005) analyzed mtDNA cytochrome b and control region sequence data of a considerable number of specimens of the crested hawk-eagle and some relatives. Despite the large sample, even the most conspicuous dichotomy - that between the crested and crestless groups - was not as well resolved as it might have been expected to be.
The three small-island taxa (N. c. andamanensis, N. c. vanheurni, and N. floris) also appear as monophyletic lineages. Their placement is even more unresolved, with N. floris being apparently a very ancient lineage. The other two seem quite certainly to derive from N. c. limnaeetus. The latter taxon has a confusing phylogeny. Different lineages exist that are apparently not stable in space and time, are best described as polytomy, from which the similar island taxa derive.
Obviously, N. c. limnaeetus does not represent a monophyletic lineage. Neither the biological nor the phylogenetic species concepts, nor phylogenetic systematics can be applied to satisfaction. The crested group apparently is close to becoming a distinct species. The island taxa derived from N. c. limnaeetus appear to have undergone founder effects, which has restricted their genetic diversity. In the continental population, genetic diversity is considerable, and the evolutionary pattern of the two studied genes did not agree, and neither did the origin of specimens show clear structures. N. c. limnaeetus thus is best considered a metapopulation.
Gamauf et al. (2005) therefore suggest the island taxa which are obviously at higher risk of extinction are, for conservation considered evolutionary significant units regardless of their systematic status. This case also demonstrates that a too-rigid interpretation of cladistics and the desire for monophyletic taxa, as well as universal application of single-species concept to all birds will undermine correct understanding of evolutionary relationships. It would even not be inconceivable to find mainland lineages to group closely with the western island taxa, if little genetic drift had occurred in the initial population. nonetheless, the divergence of this species' lineages seems to have taken place too recently to award them species status, as compared to the level of genetic divergence at which clades are usually considered distinct species.
N. c. limnaeetus appears for all that can be said with reasonable certainty basal pool of lineages in the crestless group that, despite not being monophyletic, should be considered a valid taxon as long as gene flow is possible through its range. In addition, as ancient DNA from museum specimens was used extensively, the possibility of ghost lineages must be considered. If it is assumed that all or most of the ancient lineages still exist today, considerable recombination must have taken place as the two genes' phylogenies do not agree much, indicating a healthy level of gene flow. Whether this still holds true today remains to be determined.
Black-winged Kite (Elanus Caeruleus)
The black-winged kite (Elanus caeruleus) is a small diurnal bird of prey in the family Accipitridae best known for its habit of hovering over open grasslands in the manner of the much smaller kestrels. This Eurasian and African species was sometimes combined with the Australian black-shouldered kite (Elanus axillaris) and the white-tailed kite (Elanus leucurus) of North and South America which together form a superspecies. This kite is distinctive, with long-wings, white, grey and black plumage and owl like forward-facing eyes with red irises.
Although mainly seen on the plains, they are sometimes seen on grassy slopes of hills in the higher elevation regions of Asia. They are not migratory, but make short-distance movements in response to weather.
Description
This long-winged raptor is predominantly grey or white with black shoulder patches, wing tips and eye stripe. The long falcon-like wings extend beyond the tail when the bird is perched. In flight, the short and square tail is visible and it is not forked as in the typical kites of the genus Milvus. When perched, often on roadside wires, it often adjusts its wings and jerks its tail up and down as if to balance itself.
The sexes are alike in plumage. Their large forward-facing eyes and velvety plumage are characters that are shared with owls and the genus itself has been considered as a basal group within the Accipitridae.
Distribution and habitat
The black-winged kite is a species primarily of open land and semi-deserts in sub-Saharan Africa and tropical Asia, but it has a foothold within Europe in Spain and Portugal. The species range appears to be expanding in southern Europe and possible in West Asia.
Several geographic populations have been named as subspecies and these include the nominate subspecies which occurs in Spain, Africa and Arabia. The subspecies vociferus is found east of this range across South Asia and into Southeast Asia. Along Sumatra, Java, Borneo and the Philippines subspecies hypoleucus (sometimes considered a full species) is found while wahgiensis is restricted to New Guinea. Subspecies sumatranus is not always recognized. The white-tailed kite and the black-shouldered kite were formerly included with this species but have since been treated as separate species.
Although found mainly on the plains they have been seen at higher altitudes in Sikkim (3,650 m (11,980 ft)),[9] the Nilgiris (Doddabetta, 2,670 m (8,760 ft)) and Nagaland (2,020 m (6,630 ft)).
They are said to be winter visitors in some parts of their range such as the Western Ghats.
Behaviour and ecology
The black-winged kite breeds at different times of the year across its range. Although nesting has been noted throughout the year in India, they appear not to breed in April and May. Courtship is noisy and involves chases and once the pair is formed they copulate frequently. The nest is a loose platform of twigs in which 3 or 4 eggs are laid. The female spends more effort in the construction of the nest than the male. The eggs are pale creamy with spots of deep red. Both parents incubate but when the chicks hatch, the male spends more time on foraging for food. Females initially feed the young, sometimes hunting close to the nest but will also receive food from the male. After fledging the young birds continue to be dependent for food on the male parent for about 80 days, initially transferring food at perch and later in the air.
The prey include grasshoppers, crickets and other large insects, lizards and rodents. Injured birds, small snakes and frogs have also been recorded. The slow hunting flight is like a harrier, but it will hover like a Kestrel. It has on rare occasions been known to hunt prey in flight. Favourite perches are used for hunting and for feeding but large prey may sometimes be handled on the ground.[15] In southern Africa, they appear to favour roadside verges for foraging and are sometimes killed by collisions with vehicles.
These birds roost communally with groups of 15 to 35 (larger numbers in Europe) converging at a large leafy tree. They are extremely silent and the calls recorded include a high-pitched squeal or a soft whistle. They call a lot mainly during the breeding season.
A species of nematode, Physaloptera acuticauda, has been recorded as a parasite of the species in South Africa.
[Credit: en.wikipedia.org]
Portrait on London streets, a street worker looks back to me with understanding. This looks of human understanding remain so important for me.
I asked him, almost as I arrived in London, they were having a pause, "may I take a photo of you?" and he answered "Why? I am old" then I pointed to myself and said "And me? I am not still interesting, because of my age? I am older then you."
That is the look, telling me, "yes, take a photo"!
We were not so different after all and he felt also interesting.
I do remember, looking at these photos again, when Judy Carter told us "SEE the others" around you, tell them you see them.
Photo taken less then a month after my arrival in UK.
During my first photo stroll in London centre.
My set "no more a stranger" of photos of people I did not know
Old Vieux Öreg set
I found myself in the emergency room this morning.
Dr. Nick was cuttin' me with a scalpel...
doin' a little doctorly business on the Viewminder.
'What do you do with that camera' he said.
'This' I replied while I popped him.
'Nice' he said as he worked.
Thanks Dr. Nick!
I should be back in business by tonight.
"since feeling is first
who pays any attention
to the syntax of things..."
E.E. (Edward Estlin) Cummings (1894-1962), U.S. poet.
"Central to Jungian psychology is the concept of "individuation," the process whereby a person discovers and evolves his Self, as opposed to his ego. The ego is a persona, a mask created and demanded by everyday social interaction, and, as such, it constitutes the center of our conscious life, our understanding of ourselves through the eyes of others. The Self, on the other hand, is our true center, our awareness of ourselves without outside interference, and it is developed by bringing the conscious and unconscious parts of our minds into harmony."
Morris Berman (b. 1914), Canadian educator, author.
Cosplayers at Leipziger Buchmesse / Leipzig Book Fair 2014
2014_039
2014#106
Sumia (Kathrin) 454356 as Zyra from League of Legends
Photos posted are 1024x768 pixels in size. Higher resolution (3000x2000) for models only, sorry.
Thank you for any group invites which I will gladly accept. However, if I can't check the content of such groups ("This group is not available to you") I'd rather not add any of my photos. Thanks for your understanding.
Coretta Scott King, wife of U.S. Civil Rights Leader Martin Luther King, Jr., receiving the Jawaharlal Nehru Award for International Understanding for the year 1966 on behalf of her husband, from Dr. Zakir Hussain, President of India, on January 24, 1969.
Source: US Embassy India
Facebook pages -- Understanding your Facebook page
facebook.daveshirley.net/facebook-pages-understanding-you...
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What is the purpose of a Facebook page? For one of the purposes of a Facebook page is to give you the ability to reach customers where they are in their location from around the world.
One of the cool things about Facebook, is it people all over the world visit it. They visit Facebook to connect with their friends and even family members as well as other things that they enjoy and have interest in. These things may include businesses and organizations just like yours.
Your Facebook page, if designed correctly, can help you tremendously in marketing your business or cause. Your Facebook page is a place for customers can in turn learn about you, your products, and even your business services. your customers will learn on your page about the things you from old, they will do so in your news feeds, and the constantly updating list of your unique stories that you post on Facebook.
One of the best things about your page is the fact that it is free to you, it is easy for you to set up, and your Facebook page helps people to find you on facebook.
Facebook pages, built for businesses and mobile users
According to online resources, well over a billion people visit Facebook pages each and every month. And according to several articles online more and more individuals are visiting Facebook pages on their smartphones weather Android or Apple each and every day. For you to use your facebook it is never been more important to you or for your business, for it to be readily accessible on mobile devices.
Facebook pages, well simply put they work great on mobile devices. Your page on Facebook will make it easier for you to daily communicate with your customers. On your Facebook page youTo help your customers and help them make purchases, and even keep them coming back for more.
If you're into apps, then you will enjoy the Facebook pages manager app! This app is free and available on both Android and Apple products. With this app you can manage your Facebook page or pages very quickly and respond to your customers request no matter where you are.
Facebook pages, drives customers to take action
What is it about Facebook page? That makes it easy for customers eagerly learn more about you and your business? well and give them up to date information about how they can start using your products and/or services. Your unique page will always be loaded with all the up-to-date features available on Facebook which will enable you to accomplish all your unique business goals, no matter what business line or niche market you are interested in.
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As a child I loved looking at the covers and the illustrations within my dad's old science magazines. I didn't actually read any, just looked at the pictures. It's still absolutely inspirational stuff.
THREE PHOTOS, OVERLAID ONE on the another, tell a still hidden story, or at least a story not well known of this now famous Air Canada “stretch” DC-8 crash.
While these photos are not a perfect match-up (because each photo was taken from a different vantage point)…still, their alignment IS close enough. Can there be any doubt about what they reveal?
There are distinctive land based markers from the span of years 1970, 2004, and 2018 that once matched—and brought together through a digital overlay—tell the astute viewer this untold story: The FLIGHT 621 MEMORIAL GARDEN (Castlemore) Ontario sits RIGHT ON TOP of the exact July 5, 1970 crash point of the ill-fated airliner.
Compare the 1970 UPI Press photo, with the 2004 Google Earth photo, and the final 2018 Google Earth photo noting the circled markers with their contents—which align—almost perfectly.
It is here where the crippled Air Canada “Stretch” DC-8-63 (CF-TIW) went fourteen feet into the ground at approximately 250 mph, killing all 109 passengers and crew in what remains Air Canada’s largest loss of life accident to this day.
The Memorial Garden, the 109 granite markers (representing each person who perished) and the large pink granite boulder with its’ black granite plaque inscribed with each crash victim’s name and the adjacent portioned off parcel of land marked by its’ double row of fledgling trees (to the immediate south, right in the photo) display the careful planning, and consideration of the land developers and planning partners.
This hallowed bit of ground indeed encapsulates the main body of the Air Canada DC-8 crash.
And while the City of Brampton wanted to locate the Memorial Garden and Cemetery somewhere…“near to” the crash site, it was engineer Diarmuid Horgan, of Candevcon Limited, who insisted the Memorial be placed right atop the actual crash point. And rightly so.
I am someone who walked the field numerous times, back in the day, stood at the old (now removed) bridge and atop the former Burgsma residence.
I was there when the new house was being erected atop the old Burgsma home lot—with Burgsma kitchen tile and other household remnants—on the very boundary of the new home’s concrete basement. So the planners got the crash location right, as can now be seen by all who view my video.
BUT—IS THAT IT?
No, the Castlemore Memorial is still more.
It is an official Ontario irregular cemetery.
Unfortunately, bones of crash victims were inadvertently left behind after the crash.
Or were buried deeply by the force of the crash at the time—pushed downward into the soil—eventually surfacing decades later.
I, (Paul Cardin) made the first unpleasant discovery of Flight 621’s victim’s bones still remaining in the field, in June 2002, after seeing a Mike Strobel SUN article (November 2001) revisiting the 1970 crash accompanied by Will Burgsma who resided in the house noted in the video. With Mike’s article sitting in my car for months, I finally had the opportunity to go have a look in the early summer of 2002.
Hundreds of bones (and notable aircraft wreckage) were eventually collected by myself and other members of “Friends of Flight 621” (Carol Parr, Barb Winckler, Carrie Parr, Tom Stone, Mike Quatrale, Gord Ransom, Rebecca Reid, and the independent researcher Jan Burton). Some victim families also found aircraft wreckage on site, but thankfully no bone fragments. Peter Hill, son of Second Officer (navigator) did however find a partial denture which was startling to all of us there with him.
In 2003, ex-Metro police officer Tom Stone called Robert Milton (Air Canada CEO) himself and put forth the idea of a new memorial being erected on site, and that the deplorable situation of victim’s bones remains still being found at the former crash site be rectified. Days later, Tom and I were in the field with three Air Canada executives, and Doug Kirkwood, who had assisted with the crash clean-up emergency personnel back in July of 1970. The executive trio were surprised to find so much aircraft debris still in the field, that one of them was even able to identify a piece he found, and where it had come from on the aircraft!
In 2004, Carol Parr, on CBC TV again, with viewers in the millions called for a memorial to be built on the former crash site.
In 2004, Barbara Winckler, a 1970 eyewitness to the Air Canada crash, gathered an information package together for the City of Brampton that included photos, newspaper clippings, history and details about the crash, pages from the crash report AND most importantly information about how and why the Province of Ontario can accord irregular cemetery status to unusual grave-sites. This information package was given to Jim Leonard of the Brampton Historical Society, who presented it to the City, for us.
Given the existing situation at the former crash site, Barb knew that the Air Canada crash site would qualify as an irregular cemetery, as she, and Carol Parr (another eyewitness to the crash) had together, with other “Friends”, found numerous bones in the farm field themselves! At a multitude of locations.
I had a Flight 621 website that noted, complete with pictures, from 2003 onward, the more ridiculous and recent happenings and discoveries at the former crash site.
Several victim’s families found my Flight 621 website and contacted me though it. Some came to the field, including a member of the Labonte family who expressed their distress about the ongoing bone situation, to their Quebec MP at the time, who then raised the issue in the House of Commons!
In 2006, Diarmuid Horgan called an aviation archeologist, Dana Poulton, and his associates to investigate the former crash site. The team proceeded to conduct digs and discovered 90 more victim’s bones—all over the former crash site. It was then determined that the existing “situation” of the field had to be properly dealt with. A problem “Friends of Flight 621”, on TV, through newspaper and radio, web sites, and postings had complained about for years—but lacked official capacity with the City, or those who would actually address these specific matters. City Councillor, John Sprovieri, did respond to us, and told us the situation would take about five years to wind its way through city hall.
But he noted, I, or rather my discoveries, had created a “situation”!
John stated that if people were told about the crash—many…probably wouldn’t want to buy a new house there. And if potential homeowners weren’t told about the crash, and found out later—well, the City could be sued.
But the situation was resolved. Potential homeowners were told about the crash, people bought homes there, AND most importantly to me, no more crash victim bones would be found at the former crash site.
Proper burial of the deceased is a corporeal work of mercy, as every Catholic knows. Jesus, the Lord, Himself, was buried according to long-held Jewish religious practices of the Old Covenant. Jews and Catholics know the importance God places on a proper burial. Only savages, or the reprobate, don’t bury their dead. And considering the horrific nature of the crash itself, the lives lost so tragically, with the additional indignity of the remaining bones (inadvertently left behind for more than three decades) out there a farm field, in all seasons—proper burial of the victims at that point—became an indispensable work of charity surpassing even almsgiving itself.
The bones the “Friends of Flight 621” found were turned over to the Coroner’s Office through Candevcon Limited. The remaining victim’s bones still dispersed within the crash site soil, were finally gathered together strategically, by removing the large tract of affected soil, and entombing it right under the Flight 621 Memorial Garden and Cemetery. The area which includes the crash arena is currently marked off by the double row of trees, previously mentioned, and with additional white obelisks. I myself witnessed, and photographed part of this encapsulating process, as it unfolded.
Let the readership note, victims of Flight 621 at the time of the crash were buried by Air Canada in Toronto’s Mount Pleasant Cemetery, among famous Canadians, musicians, and even a prime minister or two.
But it is here, in Castlemore on July 5, 1970—where these passengers and crew of Flight 621 breathed their last.
So, it is only fitting, that they are also buried here.
Check here, on July 5, 2020, after 7 pm:
www.flickr.com/photos/78215847@N00/albums/721576246894922...
ADD A CONDOLENCE to the FLIGHT 621 FAMILIES, or a LOVED ONE from FLIGHT 621, or a MEMORY of a PERSONAL EVENT related to the crash…at the City of Brampton's permanent Flight 621 site…SEE: www.brampton.ca/EN/City-Hall/Protocol-Office/Brampton-Rem...
REST IN PEACE passengers and crew of Flight 621:
Adams, Celine Fradette
Adams, Pierre J
Beaudin, Gaetan
Belanger, Mrs.
Belanger, Jacques
Belanger, Jean
Belanger, Roland
Belanger, Rosanne
Benson, Helen
Benson, Leonard
Benson, Mary
Benson, Richard
Bertrand, Ginette
Boosamra, Lynn
Boulanger, Guy
Bradshaw, Dollie
Cedilot, Robert J
Chapdeleine, Jeannine
Chapdeleine, Joanne
Chapdeleine, Mario
Charent, Jean Maurice
Clarke, Devona Olivia
Cote, Francine
Daoust, Yolande
Desmarais, Brigitte
Desmarais, G
Dicaire, Alice (Marie)
Dicaire, Gilles
Dicaire, Linda
Dicaire, Luke
Dicaire, Mark
Dion, Suzanne
Dore, Jacqueline
Earle, Lewella
Earle, Linda
Filippone, Francesco
Filippone, Linda
Filippone, Marie
Gee, Bernard
Goulet, Denise M
Grenier, Madeleine
Growse, Diana Cicely
Growse, Jane
Growse, Roger
Hamilton, Karen E
Hamilton, Peter Cameron
Herrmann, Ronald Alvin
Hill, Harry Gordon
Holiday, Claude
Houston, Irene Margaret
Houston, Wesley
Jakobsen, Vagn Aage
Labonte, Gilles
Leclaire, Marie Rose
Leclaire, Oscar
Leduc, Henri W
Lepage, Claudette
Mailhiot, Claire Gagnon
Mailhiot, Gerald Bernard
Maitz, Gustave
Maitz, Karoline
McKettrick, Winnifred
McTague, John
Medizza, Carla
Mohammed, Dolly
Molino, Antonio
Molino, Michael (Michel)
Moore, Frederick T
Partridge, Andrea
Partridge, Carnie (Carnis) Ann
Partridge, Cyril Wayne
Phillips, Kenneth William
Poirier, Rita
Raymond, Gilles
Raymond, Martial
Robert, Aline
Robert, Georges E
Robidoux, Lionel
Rowland, Donald
Silverberg, Marci
Silverberg, Merle
Silverberg, Steven
Simon, Istvan
Simon, Mark
Smith, Dwight Lee
St. Laurent, Blanche
Stepping, Glenn Thomas
Sultan, Celia
Sultan, Jerald. M
Sultan, Robert. L
Szpakowicz, Borys
Szpakowicz, Serge
Tielens, Carmen
Tielens, Frederick
Tournovits, George
Tournovits, Soula (Athanasia)
Weinberg, Carla
Weinberg, Rita
Weinberg, Wendy
Whittingham, Jennifer
Whittingham, John
Whittingham, Reginald
Whybro, Mary Baker
Wieczorek, Hildegund
Witmer, Edgar
Wong, Ngar-Quon
Wong, Suzie
Wong, Wong (Mansing)
Woodward, Dallas J
© 2020 LPR CARDIN II - Friends of Flight 621
© 1970 UPI Press
© 2004 Google Earth Maps
© 2018 Google Earth Maps
© 2014 Dominican Sisters of Mary, Mother of the Eucharist,
....."Let Nothing Disturb You"
Leipzig Book Fair 2013
Leipziger Buchmesse 2013
Cosplayers
Jasi-of-Doom-xD (Jasi) 578124 as Kaito from Project Diva Electronic Kitten
Photos posted are 1024x768 pixels in size. Higher resolution (3000x2000) for models only, sorry.
Thank you for any group invites which I will gladly accept. However, if I can't check the content of such groups ("This group is not available to you") I'd rather not add any of my photos. Thanks for your understanding.
Mons Belgique/Bergen België.
Leica-M6 TTL 0,85 Elmarit-M 1:2.8/90 mm
Nikon super Coolscan 5000ed.
Ilford Delta 100asa, developer Kodak HC 110 1+31 (B)
🔴Leica my point of view.
Wetzlar, Deutschland.
Leica-CL 1974 Rangefinder,Serial Number 1395533
Leica-M 6 TTL 0.72 1998 Rangefinder Serial Number 2466527
Leica-M6 TTL 0.85 2001 Rangefinder Serial Number 2755204.
September 13, 2009 | Lined up the grass in the background for an unbroken expanse of creamy green bokeh. I threw on a bit of my couch texture and borealnz's ttv layer
HBW!
You might think that relationship commitment and personal freedom are at odds with one another.
My own experience was that when I made the commitment to my marriage I felt liberated.
When I shared this observation with my single friend Howard, he looked at me as though I had taken leave of my...
howdoidate.com/relationships/commitment/this-is-what-rela...
Understanding the buildings of London through drawing…
my instinctive way to understand a building is to draw it as I am observing it. I think it is part of my architectural background of design sketching that I draw to think…. rather than observing first and drawing second. Anyway here are a few scribbles of some iconic buildings of London.
If I haven't said before I am having a few days in London after BCN and so one might think that this is a bit of trip prep.
BTW I am loving seeing Alissa Duke's trip prep on her blog (she is also going to London as well as BCN) www.alissaduke.com/
However…this sketching is actually work - how cool is that… I have an exciting illustration project that I am working on at the moment and this is preparation for that. Ok…back to work.
Happy Monday everyone… oh! it is cold today in Sydney!
It's unavoidable. We'll all face it again and again. As the saying goes "Stuck between a rock and a hard place." The question becomes what will we do when we find ourselves "conflicted"? We have to pause and wait for understanding and some peace. Then we need to act in some way that reinforces a sense of self-worth and an interest in the welfare of others. The ancient Chinese saying that "A journey of a 1,000 miles begins with one step" applies here. It will take time, so be kind to yourself. Being or feeling conflicted isn't bad, it's human. Although it feels bad, we can grow in this season. Allie B's expression is poignant and real; a shout out for the conflicted. Washington DC, 30 September 2017.
‘In his little hut by the great river, which a heavy rain had swollen to overflowing, lay the ancient ferryman, asleep, wearied by the toil of the day’
This is the state at the beginning of the process of transmutation, ‘the given’, the basis, in musical expression, Prime. The ferryman meets the mischievous, unevolved, Will-o-the–Wisps who wish to cross the mysterious river, while boisterously shaking out heaps of glittering gold. The ire of the Ferryman is aroused; and disembarking, when he reaches the other side of the river, he gathers the gold pieces (which cannot be allowed to fall into that elemental stream), and throws them into a cleft of rock where they can safely lie.
Having now arrived on the other side of the realm, the earthly world, the Will-o-the-Wisps meet the Green Snake, who is swallowing the gold, (or the wisdom of spiritual science) and who is able digest it, having suffered and become open to spiritual understandings.
Afterwards, the Snake meets the Old Man with the Lantern in the subterranean temple, and undergoes a beginning step of initiation, as she answers the Sphinxlike questions of the four Kings in the temple, and comes to the first declaration of ‘The time is at hand’
In Christian Gnostic Initiation this can be compared with ‘The Washing of the Feet’
‘The time is at hand’, these words appear in the first verses of the book of Revelations. This ‘time’ is, paradoxically, referring to an individual as well as a universal moment of initiation.
Early Christians inherited Jewish understandings of angels, which in turn may have been partly inherited from the Egyptians. In the early stage, the Christian concept of an angel characterized the angel as a messenger of God. Angels are creatures of good, spirits of love, and messengers of the savior Jesus Christ.Later came identification of individual angelic messengers: Gabriel, Michael, Raphael, Uriel, and Satan/Lucifer. Then, in the space of little more than two centuries (from the third to the fifth) the image of angels took on definite characteristics both in theology and in art.
By the late fourth century, the Church Fathers agreed that there were different categories of angels, with appropriate missions and activities assigned to them. Some theologians had proposed that Jesus was not divine but on the level of immaterial beings subordinate to the Trinity. The resolution of this Trinitarian dispute included the development of doctrine about angels.
The angels are represented throughout the Christian Bible as a body of spiritual beings intermediate between God and men: You have made him (man) a little less than the angels...(Psalms 8:4-5). Some Christians believe that angels are created beings, and use the following passage as evidence:praise ye Him, all His angels: praise ye Him, all His hosts... for He spoke and they were made. He commanded and they were created...; (Psalms 148:2-5; Colossians 1:16). The Fourth Lateran Council (1215) declared that the angels were created beings. The Council's decree Firmiter credimus (issued against the Albigenses) declared both that angels were created and that men were created after them. The First Vatican Council (1869) repeated this declaration in Dei Filius, the Dogmatic constitution on the Catholic faith. Of note is that the Bible describes the function of angels as messengers and does not indicate when the creation of angels occurred.
Thomas Aquinas (13th century) relates angels to Aristotle's metaphysics in his Summa contra Gentile ]Summa Theologica, and in The substantiis separatis, a treatise on angelology.
Many Christians regard angels as asexual and not belonging to either gender as they interpret Matthew 22:30 in this way. Angels are on the other hand usually described as looking like male human beings. Their names are also masculine. And although angels have greater knowledge than men, they are not omniscient, as Matthew 24:36 points out. (WP)
As per Bill Millers' friendly request:
A series of AI-generated pictures of Norma J B. in different art styles.
To be continued.
Pictures made with Midjourney.
I'm always happy to accept invites to groups as long as I can see their content. Should I see "this group is not available to you", my pictures won't be made available to that group. Thanks for your understanding.
Martin Creed
Work No. 2630 UNDERSTANDING, 2016
Red Neon, Steel
Approx dims: 21 3/5 x 50 x 2 1/8 ft / 658.6 x 1524 x 66 cm. Base 25 x 25 feet at top / 33 x 33 feet at bottom
Presented by Public Art Fund, May 4 – October 23, 2016 at Pier 6, Brooklyn Bridge Park
Courtesy the artist, Gavin Brown’s enterprise New York/Rome, and Hauser & Wirth
Photo: Jason Wyche, Courtesy Public Art Fund, NY
© Martin Creed 2016
ONLY PERSONAL COMMENTS. NO LOGOS. THANK YO FOR YOUR UNDERSTANDING.© RESPECT the copyright. JARDIN D'EMAIL - JEAN DUBUFFET. Kröller Müller Otterlo De Hoge Veluwe The Netherlands.
Leica-M6 TTL 0.72 Serial Number (2466527) Elmarit 1:2.8/21mm ASPH.
Delta 100asa Developer HC 110 1+31 20º 6 1/2 min.
Nikon Coolscan 5000ED.
Photoshop CS 4
Het Kröller-Müller Museum is een museum voor moderne kunst, gelegen in het Nationaal Park De Hoge Veluwe te Otterlo in de Nederlandse provincie Gelderland. Het museum en het aangrenzende beeldenpark, samen ca. 25 ha, genieten internationale bekendheid. Jaarlijks komen er ruim 250.000 bezoekers uit binnen- en buitenland.
The Kröller-Müller Museum is a museum for modern art, located in the National Park De Hoge Veluwe in Otterlo in the Dutch province of Gelderland. The museum and the adjacent sculpture park, together around 25 ha, are internationally renowned. Every year more than 250,000 visitors come from home and abroad.
🔴Leica my point of view.
Wetzlar, Deutschland.
Leica-CL 1974 Rangefinder
Leica-M 6 TTL 0.72 1998 Rangefinder
Leica-M6 TTL 0.85 2001 Rangefinde
We had critical run with the american athlete participating in the american pavilion instalation debating about their understanding of the installation
and their opinion about the emergencies in the world
Critical Run @ Venice Biennale / art format Run and Debate about EMERGENCIES
Critical Run is an Art Format created by Thierry Geoffroy /Colonel
debate while running . Debate and Run together, Now , before it is too late.
The Art Format Critical Run has been activated in 40 differents countries with 112 different burning debates
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam. ZKM Karlsruhe, Liverpool Biennale ; Sprengel Museum etc..or have just happened on the spot because a debate was necessary here and now.
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
artist Thierry Geoffroy creates art formats
aim to develop awareness muscle
during Venice Biennale 2019
The Exhibition will develop from the Central Pavilion (Giardini) to the Arsenale, and will include 79 artists from all over the world.
Ralph Rugoff has declared: «May You Live in Interesting Times will no doubt include artworks that reflect upon precarious aspects of existence today, including different threats to key traditions, institutions and relationships of the “post-war order.” But let us acknowledge at the outset that art does not exercise its forces in the domain of politics. Art cannot stem the rise of nationalist movements and authoritarian governments in different parts of the world, for instance, nor can it alleviate the tragic fate of displaced peoples across the globe (whose numbers now represent almost one percent of the world’s entire population).»
ALBANIA
Maybe the cosmos is not so extraordinary
Commissioner: Ministry of Culture Republic of Albania. Curator: Alicia Knock.
Exhibitor: Driant Zeneli.
ALGERIA***
Time to shine bright
Commissioner/Curator: Hellal Mahmoud Zoubir, National Council of Arts and Letters Ministry of Culture. Exhibitors: Rachida Azdaou, Hamza Bounoua, Amina Zoubir, Mourad Krinah, Oussama Tabti.
Venue: Fondamenta S. Giuseppe, 925
ANDORRA
The Future is Now / El futur és ara
Commissioner: Eva Martínez, “Zoe”. Curators: Ivan Sansa, Paolo De Grandis.
Exhibitor: Philippe Shangti.
Venue: Istituto Santa Maria della Pietà, Castello 3701
ANTIGUA & BARBUDA
Find Yourself: Carnival and Resistance
Commissioner: Daryll Matthew, Minister of Sports, Culture, National Festivals and the Arts. Curator: Barbara Paca with Nina Khrushcheva. Exhibitors: Timothy Payne, Sir Gerald Price, Joseph Seton, and Frank Walter; Intangible Cultural, Heritage Artisans and Mas Troup.
Venue: Centro Culturale Don Orione Artigianelli, Dorsoduro 919
ARGENTINA
El nombre de un país / The name of a country
Commissioner: Sergio Alberto Baur Ambasciatore. Curator: Florencia Battiti. Exhibitor: Mariana Telleria.
Venue: Arsenale
ARMENIA (Republic of)
Revolutionary Sensorium
Commissioner: Nazenie Garibian, Deputy Minister. Curator: Susanna Gyulamiryan.
Exhibitors: "ArtlabYerevan" Artistic Group (Gagik Charchyan, Hovhannes Margaryan, Arthur Petrosyan, Vardan Jaloyan) and Narine Arakelian.
Venue: Palazzo Zenobio – Collegio Armeno Moorat-Raphael, Dorsoduro 2596
AUSTRALIA
ASSEMBLY
Commissioner: Australia Council for the Arts. Curator: Juliana Engberg. Exhibitor: Angelica Mesiti.
Venue: Giardini
AUSTRIA
Discordo Ergo Sum
Commissioner: Arts and Culture Division of the Federal Chancellery of Austria.
Curator: Felicitas Thun-Hohenstein. Exhibitor: Renate Bertlmann.
Venue: Giardini
AZERBAIJAN (Republic of )
Virtual Reality
Commissioner: Mammad Ahmadzada, Ambassador of the Republic of Azerbaijan.
Curators: Gianni Mercurio, Emin Mammadov. Exhibitors: Zeigam Azizov, Orkhan Mammadov, Zarnishan Yusifova, Kanan Aliyev, Ulviyya Aliyeva.
Venue: Palazzo Lezze, Campo S. Stefano, San Marco 2949
BANGLADESH (People’s Republic of)
Thirst
Commissioner: Liaquat Ali Lucky. Curators: Mokhlesur Rahman, Viviana Vannucci.
Exhibitors: Bishwajit Goswami, Dilara Begum Jolly, Heidi Fosli, Nafis Ahmed Gazi, Franco Marrocco, Domenico Pellegrino, Preema Nazia Andaleeb, Ra Kajol, Uttam Kumar karmaker.
Venue: Palazzo Zenobio – Collegio Armeno Moorat-Raphael, Dorsoduro 2596
BELARUS (Republic of)
Exit / Uscita
Commissioner: Siarhey Kryshtapovich. Curator: Olga Rybchinskaya. Exhibitor: Konstantin Selikhanov.
Venue: Spazio Liquido, Sestiere Castello 103, Salizada Streta
BELGIUM
Mondo Cane
Commissioner: Fédération Wallonie-Bruxelles. Curator: Anne-Claire Schmitz.
Exhibitor: Jos de Gruyter & Harald Thys.
Venue: Giardini
BOSNIA and HERZEGOVINA
ZENICA-TRILOGY
Commissioner: Senka Ibrišimbegović, Ars Aevi Museum for Contemporary Art Sarajevo.
Curators: Anja Bogojević, Amila Puzić, Claudia Zini. Exhibitor: Danica Dakić.
Venue: Palazzo Francesco Molon Ca’ Bernardo, San Polo 2184/A
BRAZIL
Swinguerra
Commissioner: José Olympio da Veiga Pereira, Fundação Bienal de São Paulo.
Curator: Gabriel Pérez-Barreiro. Exhibitor: Bárbara Wagner & Benjamin de Burca.
Venue: Giardini
BULGARIA
How We Live
Commissioner: Iaroslava Boubnova, National Gallery in Sofia. Curator: Vera Mlechevska.
Exhibitors: Rada Boukova , Lazar Lyutakov.
Venue: Palazzo Giustinian Lolin, San Marco 2893
CANADA
ISUMA
Commissioner: National Gallery of Canada. Curators: Asinnajaq, Catherine Crowston, Josée Drouin-Brisebois, Barbara Fischer, Candice Hopkins. Exhibitors: Isuma (Zacharias Kunuk, Norman Cohn, Paul Apak, Pauloosie Qulitalik).
Venue: Giardini
CHILE
Altered Views
Commissioner: Varinia Brodsky, Ministry of Cultures, Arts and Heritage.
Curator: Agustín Pérez. Rubio. Exhibitor: Voluspa Jarpa.
Venue: Arsenale
CHINA (People’s Republic of)
Re-睿
Commissioner: China Arts and Entertainment Group Ltd. (CAEG).
Curator: Wu Hongliang. Exhibitors: Chen Qi, Fei Jun, He Xiangyu, Geng Xue.
Venue: Arsenale
CROATIA
Traces of Disappearing (In Three Acts)
Commissioner: Ministry of Culture of the Republic of Croatia. Curator: Katerina Gregos.
Exhibitor: Igor Grubić.
Venue: Calle Corner, Santa Croce 2258
CUBA
Entorno aleccionador (A Cautionary Environment)
Commissioner: Norma Rodríguez Derivet, Consejo Nacional de Artes Plásticas.
Curator: Margarita Sanchez Prieto. Exhibitors: Alejandro Campins, Alex Hérnandez, Ariamna Contino and Eugenio Tibaldi. Venue: Isola di San Servolo
CYPRUS (Republic of)
Christoforos Savva: Untimely, Again
Commissioner: Louli Michaelidou. Curator: Jacopo Crivelli Visconti. Exhibitor: Christoforos Savva.
Venue: Associazione Culturale Spiazzi, Castello 3865
CZECH (Republic) and SLOVAK (Republic)
Stanislav Kolíbal. Former Uncertain Indicated
Commissioner: Adam Budak, National Gallery Prague. Curator: Dieter Bogner.
Exhibitor: Stanislav Kolibal.
Venue: Giardini
DOMINICAN (Republic) *
Naturaleza y biodiversidad en la República Dominicana
Commissioner: Eduardo Selman, Minister of Culture. Curators: Marianne de Tolentino, Simone Pieralice, Giovanni Verza. Exhibitors: Dario Oleaga, Ezequiel Taveras, Hulda Guzmán, Julio Valdez, Miguel Ramirez, Rita Bertrecchi, Nicola Pica, Marraffa & Casciotti.
Venue: Palazzo Albrizzi Capello, Cannaregio 4118 – Sala della Pace
EGYPT
khnum across times witness
Commissioner: Ministry of Culture. Curator: Ahmed Chiha.
Exhibitors: Islam Abdullah, Ahmed Chiha, Ahmed Abdel Karim.
Venue: Giardini
ESTONIA
Birth V
Commissioner: Maria Arusoo, Centre of Contemporary Arts of Estonia. Curators: Andrew Berardini, Irene Campolmi, Sarah Lucas, Tamara Luuk. Exhibitor: Kris Lemsalu.
Venue: c/o Legno & Legno, Giudecca 211
FINLAND (Alvar Aalto Pavilion)
A Greater Miracle of Perception
Commissioner: Raija Koli, Director Frame Contemporary Art Finland.
Curators: Giovanna Esposito Yussif, Bonaventure Soh Bejeng Ndikung, Christopher Wessels. Exhibitors: Miracle Workers Collective (Maryan Abdulkarim, Khadar Ahmed, Hassan Blasim, Giovanna Esposito Yussif, Sonya Lindfors, Bonaventure Soh Bejeng Ndikung, Outi Pieski, Leena Pukki, Lorenzo Sandoval, Martta Tuomaala, Christopher L. Thomas, Christopher Wessels, Suvi West).
Venue: Giardini
FRANCE
Deep see blue surrounding you / Vois ce bleu profond te fondre
Commissioner: Institut français with the Ministry for Europe and Foreign Affairs and the Ministry of Culture. Curator: Martha Kirszenbaum. Exhibitor: Laure Prouvost.
Venue: Giardini
GEORGIA
REARMIRRORVIEW, Simulation is Simulation, is Simulation, is Simulation
Commissioner: Ana Riaboshenko. Curator: Margot Norton. Exhibitor: Anna K.E.
Venue: Arsenale
GERMANY
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office, Germany. Curator: Franciska Zólyom. Exhibitor: Natascha Süder Happelmann.
Venue: Giardini
GHANA ***
Ghana Freedom
Commissioner: Ministry of Tourism, Arts and Culture. Curator: Nana Oforiatta Ayim.
Exhibitors: Felicia Abban, John Akomfrah, El Anatsui, Lynette Yiadom Boakye, Ibrahim Mahama, Selasi Awusi Sosu.
Venue: Arsenale
GREAT BRITAIN
Cathy Wilkes
Commissioner: Emma Dexter. Curator: Zoe Whitley. Exhibitor: Cathy Wilkes.
Venue: Giardini
GREECE
Mr Stigl
Commissioner: Syrago Tsiara (Deputy Director of the Contemporary Art Museum - Metropolitan Organization of Museums of Visual Arts of Thessaloniki - MOMus).
Curator: Katerina Tselou. Exhibitors: Panos Charalambous, Eva Stefani, Zafos Xagoraris.
Venue: Giardini
GRENADA
Epic Memory
Commissioner: Susan Mains. Curator: Daniele Radini Tedeschi.
Exhibitors: Amy Cannestra, Billy Gerard Frank, Dave Lewis, Shervone Neckles, Franco Rota Candiani, Roberto Miniati, CRS avant-garde.
Venue: Palazzo Albrizzi-Capello (first floor), Cannaregio 4118
GUATEMALA
Interesting State
Commissioner: Elder de Jesús Súchite Vargas, Minister of Culture and Sports of Guatemala. Curator: Stefania Pieralice. Exhibitors: Elsie Wunderlich, Marco Manzo.
Venue: Palazzo Albrizzi-Capello (first floor), Cannaregio 4118
HAITI
THE SPECTACLE OF TRAGEDY
Commissioner: Ministry of Culture and Communication.
Curator: Giscard Bouchotte. Exhibitor: Jean Ulrick Désert.
Venue: Circolo Ufficiali Marina, Calle Seconda de la Fava, Castello 2168
HUNGARY
Imaginary Cameras
Commissioner: Julia Fabényi, Museo Ludwig – Museo d’arte contemporanea, Budapest.
Curator: Zsuzsanna Szegedy-Maszák. Exhibitor: Tamás Waliczky.
Venue: Giardini
ICELAND
Chromo Sapiens – Hrafnhildur Arnardóttir / Shoplifter
Commissioner: Eiríkur Þorláksson, Icelandic Ministry of Education, Science and Culture.
Curator: Birta Gudjónsdóttir. Exhibitor: Hrafnhildur Arnardóttir / Shoplifter.
Venue: Spazio Punch, Giudecca 800
INDIA
Our time for a future caring
Commissioner: Adwaita Gadanayak National Gallery of Modern Art.
Curator: Roobina Karode, Director & Chief Curator, Kiran Nadar Museum of Art. Exhibitors: Atul Dodiya, Ashim Purkayastha, GR Iranna, Jitish Kallat, Nandalal Bose, Rummana Hussain, Shakuntala Kulkarni.
Venue: Arsenale
INDONESIA
Lost Verses
Commissioner: Ricky Pesik & Diana Nazir, Indonesian Agency for Creative Economy.
Curator: Asmudjo Jono Irianto. Exhibitors: Handiwirman Saputra and Syagini Ratna Wulan.
Venue: Arsenale
IRAN (Islamic Republic of)
of being and singing
Commissioner: Hadi Mozafari, General Manager of Visual Arts Administration of Islamic Republic of Iran. Curator: Ali Bakhtiari.
Exhibitors: Reza Lavassani, Samira Alikhanzadeh, Ali Meer Azimi.
Venue: Fondaco Marcello, San Marco 3415
IRAQ
Fatherland
Commissioner: Fondazione Ruya. Curators: Tamara Chalabi, Paolo Colombo.
Exhibitor: Serwan Baran.
Venue: Ca’ del Duca, Corte del Duca Sforza, San Marco 3052
IRELAND
The Shrinking Universe
Commissioner: Culture Ireland. Curator: Mary Cremin. Exhibitor: Eva Rothschild.
Venue: Arsenale
ISRAEL
Field Hospital X
Commissioner: Michael Gov, Arad Turgeman. Curator: Avi Lubin. Exhibitor: Aya Ben Ron.
Venue: Giardini
ITALY
Commissioner: Federica Galloni, Direttore Generale Arte e Architettura Contemporanee e Periferie Urbane, Ministero dei Beni e delle Attività Culturali. Curator: Milovan Farronato.
Exhibitors: Enrico David, Liliana Moro, Chiara Fumai.
Venue: Padiglione Italia, Tese delle Vergini, Arsenale
IVORY COAST
The Open Shadows of Memory
Commissioner: Henri Nkoumo. Curator: Massimo Scaringella. Exhibitors: Ernest Dükü, Ananias Leki Dago, Valérie Oka, Tong Yanrunan.
Venue: Castello Gallery, Castello 1636/A
JAPAN
Cosmo-Eggs
Commissioner: The Japan Foundation. Curator: Hiroyuki Hattori. Exhibitors: Motoyuki Shitamichi, Taro Yasuno, Toshiaki Ishikura, Fuminori Nousaku.
Venue: Giardini
KIRIBATI
Pacific Time - Time Flies
Commissioner: Pelea Tehumu, Ministry of Internal Affairs. Curators: Kautu Tabaka, Nina Tepes. Exhibitors: Kaeka Michael Betero, Daniela Danica Tepes, Kairaken Betio Group; Teroloang Borouea, Neneia Takoikoi, Tineta Timirau, Teeti Aaloa, Kenneth Ioane, Kaumai Kaoma, Runita Rabwaa, Obeta Taia, Tiribo Kobaua, Tamuera Tebebe, Rairauea Rue, Teuea Kabunare, Tokintekai Ekentetake, Katanuti Francis, Mikaere Tebwebwe, Terita Itinikarawa, Kaeua Kobaua, Raatu Tiuteke, Kaeriti Baanga, Ioanna Francis, Temarewe Banaan, Aanamaria Toom, Einako Temewi, Nimei Itinikarawa, Teniteiti Mikaere, Aanibo Bwatanita, Arin Tikiraua.
Venue: European Cultural Centre, Palazzo Mora, Strada Nuova 3659
KOREA (Republic of)
History Has Failed Us, but No Matter
Commissioner: Arts Council Korea. Curator: Hyunjin Kim. Exhibitors: Hwayeon Nam, siren eun young jung, Jane Jin Kaisen.
Venue: Giardini
KOSOVO (Republic of)
Family Album
Commissioner: Arta Agani. Curator: Vincent Honore. Exhibitor: Alban Muja.
Venue: Arsenale
LATVIA
Saules Suns
Commissioner: Dace Vilsone. Curators: Valentinas Klimašauskas, Inga Lāce.
Exhibitor: Daiga Grantiņa.
Venue: Arsenale
LITHUANIA
Sun & Sea (Marina)
Commissioner: Rasa Antanavičıūte. Curator: Lucia Pietroiusti.
Exhibitors: Lina Lapelyte, Vaiva Grainyte and Rugile Barzdziukaite.
Venue: Magazzino No. 42, Marina Militare, Arsenale di Venezia, Fondamenta Case Nuove 2738c
LUXEMBOURG (Grand Duchy of)
Written by Water
Commissioner: Ministry of Culture of Luxembourg.
Curator: Kevin Muhlen. Exhibitor: Marco Godinho.
Venue: Arsenale
NORTH MACEDONIA (Republic of )
Subversion to Red
Commissioner: Mira Gakina. Curator: Jovanka Popova. Exhibitor: Nada Prlja.
Venue: Palazzo Rota Ivancich, Castello 4421
MADAGASCAR ***
I have forgotten the night
Commissioner: Ministry of Communication and Culture of the Republic of Madagascar. Curators: Rina Ralay Ranaivo, Emmanuel Daydé.
Exhibitor: Joël Andrianomearisoa.
Venue: Arsenale
MALAYSIA ***
Holding Up a Mirror
Commissioner: Professor Dato’ Dr. Mohamed Najib Dawa, Director General of Balai Seni Negara (National Art Gallery of Malaysia), Ministry of Tourism, Arts and Culture of Malaysia. Curator: Lim Wei-Ling. Exhibitors: Anurendra Jegadeva, H.H.Lim, Ivan Lam, Zulkifli Yusoff.
Venue: Palazzo Malipiero, San Marco 3198
MALTA
Maleth / Haven / Port - Heterotopias of Evocation
Commissioner: Arts Council Malta. Curator: Hesperia Iliadou Suppiej. Exhibitors: Vince Briffa, Klitsa Antoniou, Trevor Borg.
Venue: Arsenale
MEXICO
Actos de Dios / Acts of God
Commissioner: Gabriela Gil Verenzuela. Curator: Magalí Arriola. Exhibitor: Pablo Vargas Lugo.
Venue: Arsenale
MONGOLIA
A Temporality
Commissioner: The Ministry of Education, Culture, Science and Sports of Mongolia.
Curator: Gantuya Badamgarav. Exhibitor: Jantsankhorol Erdenebayar with the participation of traditional Mongolian throat singers and Carsten Nicolai (Alva Noto).
Venue: Bruchium Fermentum, Calle del Forno, Castello 2093-2090
MONTENEGRO
Odiseja / An Odyssey
Commissioner: Nenad Šoškić. Curator: Petrica Duletić. Exhibitor: Vesko Gagović.
Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE (Republic of)
The Past, the Present and The in Between
Commissioner: Domingos do Rosário Artur. Curator: Lidija K. Khachatourian.
Exhibitors: Gonçalo Mabunda, Mauro Pinto, Filipe Branquinho.
Venue: Palazzo Mora, Strada Nova, 3659
NETHERLANDS (The)
The Measurement of Presence
Commissioner: Mondriaan Fund. Curator: Benno Tempel. Exhibitors: Iris Kensmil, Remy Jungerman. Venue: Giardini
NEW ZEALAND
Post hoc
Commissioner: Dame Jenny Gibbs. Curators: Zara Stanhope and Chris Sharp.
Exhibitor: Dane Mitchell.
Venue: Palazzina Canonica, Riva Sette Martiri
NORDIC COUNTRIES (FINLAND - NORWAY - SWEDEN)
Weather Report: Forecasting Future
Commissioner: Leevi Haapala / Museum of Contemporary Art Kiasma / Finnish National Gallery, Katya García-Antón / Office for Contemporary Art Norway (OCA), Ann-Sofi Noring / Moderna Museet. Curators: Leevi Haapala, Piia Oksanen. Exhibitors: Ane Graff, Ingela Ihrman, nabbteeri.
Venue: Giardini
PAKISTAN ***
Manora Field Notes
Commissioner: Syed Jamal Shah, Pakistan National Council of the Arts, PNCA.
Curator: Zahra Khan. Exhibitor: Naiza Khan.
Venue: Tanarte, Castello 2109/A and Spazio Tana, Castello 2110-2111
PERU
“Indios Antropófagos”. A butterfly Garden in the (Urban) Jungle
Commissioner: Armando Andrade de Lucio. Curator: Gustavo Buntinx. Exhibitors: Christian Bendayán, Otto Michael (1859-1934), Manuel Rodríguez Lira (1874-1933), Segundo Candiño Rodríguez, Anonymous popular artificer.
Venue: Arsenale
PHILIPPINES
Island Weather
Commissioner: National Commission for Culture and the Arts (NCCA) / Virgilio S. Almario.
Curator: Tessa Maria T. Guazon. Exhibitor: Mark O. Justiniani.
Venue: Arsenale
POLAND
Flight
Commissioner: Hanna Wroblewska. Curators: Łukasz Mojsak, Łukasz Ronduda.
Exhibitor: Roman Stańczak.
Venue: Giardini
PORTUGAL
a seam, a surface, a hinge or a knot
Commissioner: Directorate-General for the Arts. Curator: João Ribas. Exhibitor: Leonor Antunes.
Venue: Fondazione Ugo e Olga Levi Onlus, Palazzo Giustinian Lolin, San Marco 2893
ROMANIA
Unfinished Conversations on the Weight of Absence
Commissioner: Attila Kim. Curator: Cristian Nae. Exhibitor: Belu-Simion Făinaru, Dan Mihălțianu, Miklós Onucsán.
Venues: Giardini and New Gallery of the Romanian Institute for Culture and Humanistic Research (Campo Santa Fosca, Palazzo Correr, Cannaregio 2214)
RUSSIA
Lc 15:11-32
Commissioner: Semyon Mikhailovsky. Curator: Mikhail Piotrovsky. Exhibitors: Alexander Sokurov, Alexander Shishkin-Hokusai.
Venue: Giardini
SAN MARINO (Republic of)
Friendship Project International
Commissioner: Vito Giuseppe Testaj. Curator: Vincenzo Sanfo. Exhibitors: Gisella Battistini, Martina Conti, Gabriele Gambuti, Giovanna Fra, Thea Tini, Chen Chengwei, Li Geng, Dario Ortiz, Tang Shuangning, Jens W. Beyrich, Xing Junqin, Xu de Qi, Sebastián.
Venue: Palazzo Bollani, Castello 3647; Complesso dell’Ospedaletto, Castello 6691
SAUDI ARABIA
After Illusion بعد توهم
Commissioner: Misk Art Insitute. Curator: Eiman Elgibreen. Exhibitor: Zahrah Al Ghamdi.
Venue: Arsenale
SERBIA
Regaining Memory Loss
Commissioner: Vladislav Scepanovic. Curator: Nicoletta Lambertucci. Exhibitor: Djordje Ozbolt.
Venue: Giardini
SEYCHELLES (Republic of)
Drift
Commissioner: Galen Bresson. Curator: Martin Kennedy.
Exhibitors: George Camille and Daniel Dodin.
Venue: Palazzo Mora, Strada Nova, 3659
SINGAPORE
Music For Everyone: Variations on a Theme
Commissioner: Rosa Daniel, Chief Executive Officer, National Arts Council (NAC).
Curator: Michelle Ho. Exhibitor: Song-Ming Ang.
Venue: Arsenale
SLOVENIA (Republic of)
Here we go again... SYSTEM 317
A situation of the resolution series
Commissioner: Zdenka Badovinac, Director Moderna galerija / Museum of Modern Art, Ljubljana. Curator: Igor Španjol. Exhibitor: Marko Peljhan.
Venue: Arsenale
SOUTH AFRICA (Republic of)
The stronger we become
Commissioner: Titi Nxumalo, Console Generale. Curators: Nkule Mabaso, Nomusa Makhubu. Exhibitors: Dineo Seshee Bopape, Tracey Rose, Mawande Ka Zenzile.
Venue: Arsenale
SPAIN
Perforated by Itziar Okariz and Sergio Prego
Commissioner: AECID Agencia Espanola de Cooperacion Internacional Para El Desarrollo. Ministerio de Asuntos Exteriores, Union Europea y Cooperacion. Curator: Peio Aguirre.
Exhibitors: Itziar Okariz, Sergio Prego.
Venue: Giardini
SWITZERLAND
Moving Backwards
Commissioner: Swiss Arts Council Pro-Helvetia: Marianne Burki, Sandi Paucic, Rachele Giudici Legittimo. Curator: Charlotte Laubard. Exhibitors: Pauline Boudry/Renate Lorenz.
Venue: Giardini
SYRIAN ARAB (Republic)
Syrian Civilization is still alive
Commissioner/Curator: Emad Kashout. Exhibitors: Abdalah Abouassali, Giacomo Braglia, Ibrahim Al Hamid, Chen Huasha, Saed Salloum, Xie Tian, Saad Yagan, Primo Vanadia, Giuseppe Biasio.
Venue: Isola di San Servolo; Chiesetta della Misericordia, Campo dell'Abbazia, Cannaregio
THAILAND
The Revolving World
Commissioner: Vimolluck Chuchat, Office of Contemporary Art and Culture, Ministry of Culture, Thailand. Curator: Tawatchai Somkong. Exhibitors: Somsak Chowtadapong, Panya Vijinthanasarn, Krit Ngamsom.
Venue: In Paradiso 1260, Castello
TURKEY
We, Elsewhere
Commissioner: IKSV. Curator: Zeynep Öz. Exhibitor: İnci Eviner.
Venue: Arsenale
UKRAINE
The Shadow of Dream cast upon Giardini della Biennale
Commissioner: Svitlana Fomenko, First Deputy Minister of Culture. Curators: Open group (Yurii Biley, Pavlo Kovach, Stanislav Turina, Anton Varga). Exhibitors: all artists of Ukraine.
Venue: Arsenale
UNITED ARAB EMIRATES
Nujoom Alghanem: Passage
Commissioner: Salama bint Hamdan Al Nahyan Foundation.
Curators: Sam Bardaouil and Till Fellrath. Exhibitor: Nujoom Alghanem.
Venue: Arsenale
UNITED STATES OF AMERICA
Martin Puryear: Liberty
Commissioner/Curator: Brooke Kamin Rapaport. Exhibitor: Martin Puryear.
Venue: Giardini
URUGUAY
“La casa empática”
Commissioner: Alejandro Denes. Curators: David Armengol, Patricia Bentancur.
Exhibitor: Yamandú Canosa.
Venue: Giardini
VENEZUELA (Bolivarian Republic of)
Metaphore of three windows
Venezuela: identity in time and space
Commissioner/Curator: Oscar Sottillo Meneses. Exhibitors: Natalie Rocha Capiello, Ricardo García, Gabriel López, Nelson Rangelosky.
Venue: Giardini
ZIMBABWE (Republic of)
Soko Risina Musoro (The Tale without a Head)
Commissioner: Doreen Sibanda, National Gallery of Zimbabwe. Curator: Raphael Chikukwa. Exhibitors: Georgina Maxim, Neville Starling , Cosmas Shiridzinomwa, Kudzanai Violet Hwami.
Venue: Istituto Provinciale per L’infanzia “Santa Maria Della Pietà”. Calle della Pietà Castello n. 3701 (ground floor)
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invited artist :
Lawrence Abu Hamdan (Jordan / Beirut)
Njideka Akunyili Crosby (Nigeria / USA),Halil Altındere (Turkey),Michael Armitage (Kenya / UK),Korakrit Arunanondchai (Thailand / USA),Alex Gvojic (USA),Ed Atkins (UK / Germany / Denmark),Tarek Atoui (Lebanon / France),
Darren Bader (USA),Nairy Baghramian (Iran / Germany,
Neïl Beloufa (France),Alexandra Bircken (Germany),Carol Bove (Switzerland / USA,
Christoph Büchel (Switzerland / Iceland,
Ludovica Carbotta (Italy / Barcelona),Antoine Catala (France / USA),Ian Cheng (USA),George Condo (USA
Alex Da Corte (USA),Jesse Darling (UK / Germany),Stan Douglas (Canada),Jimmie Durham (USA / Germany),Nicole Eisenman (France / USA,
Haris Epaminonda (Cyprus / Germany),Lara Favaretto (Italy),Cyprien Gaillard (France / Germany), Gill (India),Dominique Gonzalez-Foerster (France),Shilpa Gupta (India),Soham Gupta (India),Martine Gutierrez (USA),Rula Halawani (Palestine),Anthea Hamilton (UK),Jeppe Hein (Denmark / Germany),Anthony Hernandez (USA),Ryoji Ikeda (Japan / France),Arthur Jafa (USA),Cameron Jamie (USA / France / Germany),Kahlil Joseph (USA),Zhanna Kadyrova (Ukraine),Suki Seokyeong Kang (South Korea),Mari Katayama (Japan),Lee Bul (South Korea),Liu Wei (China),Maria Loboda (Poland / Germany),Andreas Lolis (Albania / Greece),Christian Marclay (USA / London),Teresa Margolles (Mexico / Spain),Julie Mehretu (Ethiopia / USA),Ad Minoliti (Argentina),Jean-Luc Moulène (France),Zanele Muholi (South Africa),Jill Mulleady (Uruguay / USA),Ulrike Müller (Austria / USA),Nabuqi (China),Otobong Nkanga (Nigeria / Belgium),Khyentse Norbu (Bhutan / India),Frida Orupabo (Norway),Jon Rafman (Canada).Gabriel Rico (Mexico),Handiwirman Saputra (Indonesia),Tomás Saraceno (Argentina / Germany),Augustas Serapinas (Lithuania),Avery Singer (USA),Slavs and Tatars (Germany),Michael E. Smith (USA),Hito Steyerl (Germany),Tavares Strachan (Bahamas / USA),Sun Yuan and Peng Yu (China),Henry Taylor (USA),Rosemarie Trockel (Germany),Kaari Upson (USA),Andra Ursuţa (Romania),Danh Vō (Vietnam / Mexico),Kemang Wa Lehulere (South Africa),Apichatpong Weerasethakul (Thailand) and Tsuyoshi Hisakado (Japan),Margaret Wertheim and Christine Wertheim (Australia / USA) ,Anicka Yi (South Korea/ USA),Yin Xiuzhen (China),Yu Ji (China / Austria)
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other Biennale :(Biennials ) :Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art
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