View allAll Photos Tagged URLs

True stories of people still alive telling the world their life story ...?

catcut.net/VkSP

Celadons, spoons, seals, and bronze mirrors were the most common burial objects in tombs during the Goryeo period (918–1392). Furnishing tombs with an elaborate assemblage of objects was believed to honor and comfort the newly dead. Generally, Goryeo tombs were left untouched until the late 19th century. During the colonial period (1910–45), however, Japanese archaeologists hastily excavated the tombs located in Kaeseong, the former capital of the Goryeo period. Scholars recently have proposed that toward the end of the 14th century, Koreans enjoyed meat-based soups more than any other dishes, explaining why many more spoons than chopsticks were buried in tombs.

Korea, Goryeo dynasty (918–1392)

 

silver bronze

Overall: 31 cm (12 3/16 in.)

 

Did you know...

Scholars have proposed that toward the end of the 14th century, Koreans enjoyed meat-based soups more than any other dishes, explaining why spoons became common household items as well as burial goods.

 

General Income Fund

clevelandart.org/art/1917.338

September 20, 2014 at 10:46AM

May 10, 2017 at 06:29PM

One side of the bead bears a detailed carving of an owl, a hieroglyph that has the same sound value as the English "m." The other side shows a victorious pharaoh raising his weapon to dispatch a cowering enemy. The plaque was probably created in the 18th or 19th Dynasty.

Egyptian

 

H: 3/8 x W: 1/2 (0.99 x 1.33 x 0.04 cm)

Ring inner Diam: 9/16 in. (1.35 cm)

Outer Diam: 3/4 in. (1.84 cm)

medium: carved yellow jasper and gold

culture: Egyptian

dynasty: 18th-19th Dynasty

 

Walters Art Museum, 1931, by bequest.

art.thewalters.org/detail/11

 

8 7/16 x 6 15/16 in. (21.5 x 17.6 cm)

medium: watercolor with graphite underdrawing on cream, moderately thick, moderately textured wove paper

 

Walters Art Museum, 1931, by bequest.

art.thewalters.org/detail/3910

March 02, 2018 at 06:30AM

Japan, Edo period (1615–1868)

 

lacquer on wood inlaid with mother-of-pearl, applied carved metal, and glazed ceramic

Overall: 3.5 x 21.6 x 16 cm (1 3/8 x 8 1/2 x 6 5/16 in.)

 

Severance and Greta Millikin Collection

clevelandart.org/art/1964.281.b

Each of the four gospels in this book opens on a page with brilliantly illuminated borders depicting the author of the text as well as birds—principally peacocks, symbols of the immortality of the soul—and fountains, representing the fountain of life and the salvation of the soul. This volume consists of 428 leaves with texts in Greek. Its level of sophistication suggests that it was probably written and decorated in a monastery in Constantinople.

Byzantium, Constantinople

 

ink, tempera, and gold on vellum; leather binding

Sheet: 28 x 23 cm (11 x 9 1/16 in.)

 

Did you know...

Gospel books were carried in procession through Byzantine churches.

 

Purchase from the J. H. Wade Fund

clevelandart.org/art/1942.152.248.b

Louis Lang

American, Bad Waldsee, Germany 1814–1893 New York

27 1/4 x 34 1/4 in. (69.2 x 87 cm)

 

medium: Oil on canvas

 

Metropolitan Museum of Art, New York, NY 77.3.4 1877

Bequest of Sarah Ann Ludlum, 1877

www.metmuseum.org/art/collection/search/11397

the colours on this are bright which looks like they are a god character this also makes it look lIke he is a good character because he has someone next to him whilst he is recovering or lying there dead

1 2 ••• 61 62 64 66 67 ••• 79 80