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Anne Annesley (née Courtenay, 1774–1835) was the eighth daughter of William 2nd Viscount Courtenay, and sister of William 3rd Viscount Courtenay, who commissioned numerous paintings of himself and his six sisters from Richard Cosway in oil and miniature. William’s expenditure for these works between 1790 and 1812 reached £1,370, a bill that wasn’t paid in full until 1820. Anne married George Annesley, later 2nd Earl of Mountnorris, in September 1790. Cosway, who frequently depicted female sitters in gauzy white gowns, lavished attention on Anne’s attire. Her pale yellow coat is lined with fur that is sensitively delineated with a combination of short brushstrokes distinct from those that form her dark, wavy hair. Fur-trimmed jackets like this one would probably have been worn indoors by women during the colder months.

England, 19th century

 

watercolor on ivory in a gold frame

Framed: 9 x 7.3 cm (3 9/16 x 2 7/8 in.); Unframed: 8.3 x 6.4 cm (3 1/4 x 2 1/2 in.)

 

Did you know...

Another version of this portrait is nearly identical to the Cleveland miniature and was likely for another friend or member of Anne's family.

 

The Edward B. Greene Collection

clevelandart.org/art/1942.1138

Loferer Steinberge mit Blüten

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The central emerald has been subtly incised with a many-petaled lotus flower, a symbol of the sun, suggesting the radiance of the outsize gem. The enameling on the back depicts a peacock with a pair of peahens amid flowers. Peacocks signal the monsoon rains. The refined use of enamel indicates that this piece was assembled in the specialized workshops of Jaipur, but the size of the emerald suggests that it was made for imperial use.

Northwestern India, Rajasthan, Rajput Kingdom of Jaipur

 

Gold, emerald, diamonds, enamel, and pearl

Overall: 7.4 x 4.8 cm (2 15/16 x 1 7/8 in.)

 

Did you know...

The bright color of the emerald indicates it was sourced in South America.

 

Bequest of Anne Jessop Smith

clevelandart.org/art/1966.515

12 1/2 x 14 1/2 in. (31.8 x 36.8 cm)

 

medium: Ink and watercolor on paper

 

Metropolitan Museum of Art, New York, NY 34.100.69 1934

Gift of Mrs. Robert W. de Forest, 1933

www.metmuseum.org/art/collection/search/527

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馬蹄蛤主題館的吊飾,全都是蛤殼加工做成的

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