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Silver figures such as this one were precious in Ancient Egypt. This small statuette has a loop at the back to be used as a pendant. Amun is displayed with the standard iconography of Amun-Re. He is dressed in a divine kilt, a collar, and a double feather-crown combined with a sun-disk.
Egyptian
H: 3 3/8 x W: 9/16 x D: 1 3/16 in. (8.6 x 1.5 x 3 cm)
medium: silver with gold plating
culture: Egyptian
dynasty: 22nd Dynasty
Walters Art Museum, 1931, by bequest.
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The print belongs to a set of four engravings considered to be an incomplete series of episodes of the Life of the Virgin, which also includes the <em>Nativity </em>(1939.448),<em> The Flight into Egypt</em> (1954.260), and<em> The Death of the Virgin </em>(1956.744). Here, Martin Schongauer portrayed the visit of the three magi and their long retinue as witnesses to the miraculous birth of Jesus Christ as recounted in the biblical book of Matthew. The Virgin Mary is seated in front of the entrance of a stable made up from the ruins of a building. She holds the Christ child on her lap and hands him a box containing gold, the gift from the oldest of the three Kings, Melchior, who is kneeling in front of them. Behind Melchior are the other two Kings, Caspar and Balthazar, who offer a censer in the shape of a Gothic monstrance and a goblet of myrrh, respectively. At the top of the roof of the stable, the star of Bethlehem blazes.
Germany, 15th century
engraving
Did you know...
Late medieval depictions of the adoration of the magi such as this often depicted the magi Balthazar as a black African as seen here.
Dudley P. Allen Fund
While the 11th century <em>Tale of Genji </em>is universally regarded as Japan's literary masterpiece, the source for visual imagery in Japanese culture is rivaled by another literary classic, the <em>Tales of Ise</em>. A 10th century anthology of poems interspersed with commentary, the Ise portrays the emotional and geographical journey of a courtier from the capital (Kyoto) into the countryside and beyond. The poems describe features of the natural, untamed terrain, linking them to the rather melancholy state of the traveler. <br><br>Since the <em>Tales of Ise </em>was—and remains today—well read by educated Japanese, a person viewing these folding screens would immediately recognize its subject, organized as a series of discrete scenes read from right to left. Neither a signature nor a seal identifies the artist, but judging from related paintings, the work can be ascribed to an artist working in Kyoto during the first quarter of the 17th century in the manner of the painter Iwasa Matabei (1578–1650). This type of historical narrative composition became quite popular around 1600 among patrons favoring a distinctly Japanese style of painting which employed rich mineral pigments and a liberal use of gold.
Japan, Edo period (1615–1868)
Pair of six-panel folding screens; ink, color, and gold on gilded paper
Painting only: 95.2 x 276 cm (37 1/2 x 108 11/16 in.); Overall: 109.3 x 258.9 cm (43 1/16 x 101 15/16 in.)
Did you know...
Scenes appear amid golden clouds augmented by raised designs formed of a pigment made from crushed shells (<em>gofun</em>). The technique is called <em>moriage</em>, literally “mounding” the pigment.
John L. Severance Fund
Japanese
H: 9 1/8 x W: 10 1/2 in. (23.2 x 26.6 cm)
medium: ink and colors on silk and paper
culture: Japanese
Walters Art Museum, 1931, by bequest (?) [accessioned 1991].
Each of the four sides of this miniature vase is painted in underglaze cobalt blue depicting female figures. The serene scenes appear on the trapezoidal surfaces of the flat sides, which widen at the shoulder and taper to the square foot. Women stand along the fence of a garden as they pick flowers beneath the shade of overhanging trees. On the slanted shoulders is painted appropriately the Taoist Emblem of Lan Cai Ho (patron of florists) the Flower Basket surrounded by floral scrolls. It can be speculated that this bottle was made for export to Holland by way of the East India Trading Company because of the silver cover and stopper-holder. A hallmark of the silversmith can be found on these silver additions that are incised with vines and floral designs.
Chinese
H: 6 1/4 in. (15.9 cm)
medium: porcelain with underglaze blue and Dutch silver lid
culture: Chinese
dynasty: Qing Dynasty
reign: Kangxi (1662-1722)
by bequest to Walters Art Museum, 1931.
Albert Bierstadt
American, Solingen 1830–1902 New York
Cover: 4 3/4 x 7 1/2 x 7/16 in. (12.1 x 19.1 x 1.1 cm)
Sheets: 4 5/8 x 7 1/2 in. (11.7 x 19.1 cm)
medium: Drawings in graphite on off-white wove paper, bound in a leather cover
Metropolitan Museum of Art, New York, NY 1995.379.4 1995
Bequest of Marguerite H. Rohlfs, 1995