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A young girl wearing a typical Venetian shawl listens stoically as the shoemaker reports upon the hopeless condition of her boot. The artist has depicted this cluttered interior with characteristic detail.
Rotta was born in Italy, and attended to Academy of Fine Arts of Venice in 1828. He showed work in the Exposition of Fine Arts in Milan in 1853, and won a medal in 1878 at the Exhibition of the Salon of Paris. He often painted tender scenes, including children or the elderly.
H: 25 x W 20 1/2 in. (63.5 x 52 cm)
Framed H: 38 1/16 × W: 34 1/2 × D: 5 1/2 in. (96.6 × 87.7 × 14 cm)
medium: oil on fabric
Walters Art Museum, 1931, by bequest.
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The Virgin's mantle falls in the elegant, linear folds of Indian sculpture. The native style and facial features are smoothly adapted to the Christian apocalyptic iconography of the Virgin, who is represented standing on a crescent moon. With little reference to the body beneath the robes, her physical energy is directed into the peace and serenity of prayer. Native and European vocabularies are in dialogue. Christianity came with the Portuguese in 1505. Known to Europeans in the 17th century as Ceylon, the island became officially known as Sri Lanka in 1972.
H: 10 1/8 in. (25.7 cm)
medium: ivory, carved, gilded and painted
Walters Art Museum, 1931, by bequest.