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Me llamo Gottfried Hainsfurth
vivo en Manizales / Colombia
Calle 69#8-56 Apto 801B
Conjunto Cerros de Niza
A heron stands on one leg in the middle of the tsuba. On the right, a large lotus leaf grows next to the stream. On the reverse, lily pads are shown in water.
Japanese
3 1/8 in. (8 cm)
medium: sentoku, gold, silver
style: Nomura School
culture: Japanese
Walters Art Museum, 1931, by bequest.
France, late 19th-early 20th century
bronze
Overall: 16.2 x 16.6 x 16.6 cm (6 3/8 x 6 9/16 x 6 9/16 in.)
Gift of Carrie Moss Halle in memory of Salmon Portland Halle
France, Valenciennes or Flanders, 19th century
linen embroidered center with four narrow insertions and border of Valenciennes lace
Average: 38.5 x 37.2 cm (15 3/16 x 14 5/8 in.)
Gift of Harold T. Clark in memory of Mrs. William B. Sanders
Gandhara, a region in northwestern Pakistan, was conquered by the Greek king of Macedon, Alexander the Great, in 330 BCE. The conquest introduced Greco-Roman political and cultural ways of life, which were maintained and developed in the region by succeeding kings. Gandhara prospered from its proximity to land and sea routes that made the region a trading hub between Persia, Central Asia, China, and Africa. This Buddha’s wavy hair, his muscular arm, and the undulating folds of his robe reflect the artistic conventions of the Greco-Roman world. Specific characteristics of the Buddha’s body that signal his heightened wisdom include his cranial protuberance ("ushnisha"), the dot between his eyes ("urna"), and his elongated earlobes.
Gandharan
H: 28 x W: 21 x D: 9 in. (71.1 x 53.3 x 22.9 cm)
Base H: 2 3/4 × W: 22 3/16 × D: 8 7/8 in. (6.99 × 56.36 × 22.54 cm)
medium: schist
culture: Gandharan
given to Walters Art Museum, 2012.
Mughal India, court of Akbar (reigned 1556–1605)
gum tempera, ink, and gold on paper
Overall: 20 x 14.2 cm (7 7/8 x 5 9/16 in.); Text field: 16.7 x 10.5 cm (6 9/16 x 4 1/8 in.)
Gift of Mrs. A. Dean Perry
The style and quality of this manuscript's decoration is typical of deluxe Parisian books made for aristocratic or royal patrons. Most of the book's decoration appears to be the work of the Master of the Boqueteaux, an artist active at the court of King Charles V (died 1380). His style was apparently shared by a number of book illuminators working in and around Paris. It is very possible that the <em>Gotha Missal</em> belonged to Charles V, but is not provable because the manuscript has no royal portraits and lacks a colophon. Given the book's magnificent decoration, however, it would seem that it was produced for a Valois prince, if not for the king himself. The manuscript receives its name from the German dukes of Gotha, its later owners.
France, Paris
ink, tempera, and gold on vellum; blind-tooled leather binding
Codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.)
Mr. and Mrs. William H. Marlatt Fund
Each of the four gospels in this book opens on a page with brilliantly illuminated borders depicting the author of the text as well as birds-principally peacocks, symbols of the immortality of the soul-and fountains, representing the fountain of life and the salvation of the soul. This volume consists of 428 leaves with texts in Greek. Its level of sophistication suggests that it was probably written and decorated in a monastery in Constantinople.
Byzantium, Constantinople
ink, tempera, and gold on vellum; leather binding
Sheet: 28 x 23 cm (11 x 9 1/16 in.)
Did you know...
Gospel Books were carried in procession through Byzantine churches.
Purchase from the J. H. Wade Fund
Vishnu's main weapon is the discus, or chakra in Sanskrit. Vishnu's chakra is a wheel that is a metaphor for true knowledge, which he uses in mythic battles to slice demons who stand for ignorance and self-centered arrogance. Iconic images of Vishnu show him as four-armed, with a discus in one hand; sometimes the discus is personified. This personification, with the chakra behind his head, has broken away from the main image of Vishnu. Stylistically this sculpture retains memories of the Gupta styles, with the lush ringlets of hair curling from a central part, the relatively simple adornments, and the soft contours of the body. The exaggerated facial expression and figural proportions indicate a transition to a later period.
Northeastern India, Bihar, Aphsad, early Pala period, 7th Century
chlorite
Overall: 81.3 cm (32 in.)
Purchase from the J. H. Wade Fund
H. 9 1/2 in. (24.13 cm); W. 9 1/4 in. (23.5 cm); D. 11 1/2 in. (29.21 cm); Wt. 2 lb. 5 oz. (1049 g)
medium: Steel, brass
Metropolitan Museum of Art, New York, NY 14.25.504 1914
Gift of William H. Riggs, 1913
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This bell push sat on a dressing table in a wealthy household to summon a servant during the Gilded Age around 1900. Life "below stairs" wasn't as easy as movies and television have portrayed it. Servants could be summoned at all hours of the day and night, interrupting their work, and causing disruption at the whim of the wealthy owners or their guests. The House of Fabergé became the most celebrated Russian supplier of such luxury goods as servant bell pushes. As court jeweler to the Russian imperial family, the Fabergé firm created jewels and luxurious accessories both for the tsar and the Russian state as well as other European royalty and aristocrats.
Russia, St. Petersburg
silver gilt, enamel, bowenite, cabochon sapphire
Diameter: 3.5 x 5.8 cm (1 3/8 x 2 5/16 in.)
Did you know...
The advent of electricity in the 1880s made systems of buttons and bell pushes to call servants more efficient than the old lever and pully system within the wall that often broke with a vigorous tug.
The India Early Minshall Collection
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Go to Page 393 in the Internet Archive
Title: Elements of anatomy, 2
Creator: Quain Jones, 1796-1865
Creator: Sharpey-Schäfer, E. A. (Edward Albert) Sir, 1850-1935
Creator: Thane, George Thane
Creator: Royal College of Physicians of Edinburgh
Publisher: London : Longmans, Green
Sponsor: Jisc and Wellcome Library
Contributor: Royal College of Physicians in Edinburgh
Date: 1890
Vol: 2
Language: und
Description: Royal College of Physicians of Edinburgh
Prov: Inscribed - 'George Lamb, Glasgow University' - 'Edwin Matthew 1894' Note: Quain's 'Elements of anatomy' was first published in 1828, and went through numerous editions, the last appearing 1908-1929. It became "the standard text-book on the subject in all English-speaking countries" (DNB)
This material has been provided by the Royal College of Physicians of Edinburgh. The original may be consulted at the Royal College of Physicians of Edinburgh
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
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