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Each of the four gospels in this book opens on a page with brilliantly illuminated borders depicting the author of the text as well as birds—principally peacocks, symbols of the immortality of the soul—and fountains, representing the fountain of life and the salvation of the soul. This volume consists of 428 leaves with texts in Greek. Its level of sophistication suggests that it was probably written and decorated in a monastery in Constantinople.
Byzantium, Constantinople
ink, tempera, and gold on vellum; leather binding
Sheet: 28 x 23 cm (11 x 9 1/16 in.)
Did you know...
Gospel books were carried in procession through Byzantine churches.
Purchase from the J. H. Wade Fund
8 7/16 x 6 15/16 in. (21.5 x 17.6 cm)
medium: watercolor with graphite underdrawing on cream, moderately thick, moderately textured wove paper
Walters Art Museum, 1931, by bequest.
Iran, Vicinity of Mashhad (Baluchistan), 20th century
senna knot: wool, cotton, and camel hair
Overall: 116.2 x 69.8 cm (45 3/4 x 27 1/2 in.)
Florence and Charles Abel Oriental Rug Collection
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Muslim weavers in Spain manufactured colorful woolen carpets with patterns derived from native Iberian designs, luxury silks, and imported Turkish carpets, such as this rare example. It is the only known carpet with this pattern of octagons framing a radiating central star. It is related to so-called large-pattern Holbein carpets, named after the Flemish painter Hans Holbein the Younger (1497-1543) who represented them in his paintings. This relatively well preserved 15th-century carpet is said to have come from a convent in Spain.
Spain, Alcaraz?, Mudejar, 15th century
wool, knotted pile: Spanish knot
Overall: 418.8 x 236.1 cm (164 7/8 x 92 15/16 in.)
Purchase from the J. H. Wade Fund
Munich-trained Gottwald taught for more than four decades at the Cleveland School (now Institute) of Art, and was the most influential figure in the city’s burgeoning artistic development. During the years leading up to World War I, he spent summers in Italy, where he created this work, the first painting by a living artist acquired by the museum.
America, Ohio, Cleveland
oil on canvas
Unframed: 72.8 x 60.4 cm (28 11/16 x 23 3/4 in.)
Gift of Mrs. John Huntington
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This dish portrays Chinese scholar Zhou Dunyi—also known as Zhou Maoshu (1017–1073)—appreciating lotuses, a motif borrowed from Chinese porcelains. The ceramics painter of this work depicted Zhou seemingly appreciating both the lotus and the young lady with a lotus in the boat.
Japan, Edo period (1615–1868)
Porcelain with overglaze color enamel and iron oxide rim (Arita ware)
Diameter: 31 cm (12 3/16 in.); height: 6.2 cm (2 7/16 in.)
Severance and Greta Millikin Collection
Figures appear on two sides of this fragmentary stela (upright stone slab carved in relief). One seems to represent a grimacing warrior who brandishes a club; arrow-like darts festoon his belt and hair. On the other side is a skeleton with one fleshed hand, perhaps a sacrificed captive. The eagle with a leaf in its mouth is a hieroglyph that may identify the captive's name.
Mexico, Veracruz?, 600-950 AD
limestone
Overall: 31.8 x 30.8 x 12.2 cm (12 1/2 x 12 1/8 x 4 13/16 in.)
Did you know...
The pointed teeth of the warrior are suggestive of dental modification, a practice known to have occurred from human remains.
Gift of Mr. and Mrs. James C. Gruener