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An enameled gold pomander, the round base with a mottled grey crouching monkey chained to a tree trunk, an apple in his paw, within a vari-colored wreath of raised sprigs of fruit and flowers, the hinged pierced back with a flat wreath round a central rosette "en suite," containing the pad which was impregnated with musk and other aromatic substances. Four hanging chains attached to a corona with four applied cinquefoils and a suspension loop.
The pomander retains its original box 73.6.
Diam: 1 1/8 in. (2.8 cm)
medium: gold, enamel, gem
Henry Walters, Baltimore, 1913, by purchase, Walters Art Museum, 1931, by bequest.
This print is part of a bound volume of works illustrating the a narrative of the Apocalypse, taken from the Revelation of Saint John in the Bible. The 23 engravings in the series occupied the artist for a number of years and represent his greatest artistic achievement. The museum's volume is one of only seven known complete sets. Jean Duvet was one of the first major printmakers in France and one of the most original artists of the 1500s. Although he worked mostly in the provincial city of Langres, he became aware of Italian art through the circulation of prints—notably those of Marcantonio Raimondi. His solidly modeled human figures reflect the influence of the Italian High Renaissance. Duvet, however, developed an idiosyncratic, highly artificial style with crowded compositions that ignore rational space in favor of ornamental surface patterns.
France, 16th century
engraving
Gift of the Hanna Fund
This manuscript was illuminated by a circle of at least five highly organized manuscript painters active in the Flemish cities of Ghent and Bruges. The principal illuminator was Alexander Bening, who painted the majority of the book's miniatures. Manuscripts produced by this circle of artists are renowned for the decoration of their borders, which typically feature a rich variety of realistically-painted flowers, birds, and butterflies. This prayer book, called a book of hours, was intended not for a cleric, but for the private devotions of a lay person-in this case, Isabella the Catholic, Queen of Spain (1451-1504). Isabella's coat of arms embellishes the book's frontispiece. It is unlikely that the book was commissioned by the Queen herself; rather, she probably received it as a diplomatic gift from someone courting her patronage, perhaps Cardinal Francisco Jimenez de Cisneros. A Franciscan friar, Jimenez was dependent upon Isabella for his advancement, first to the post of Queen's confessor in 1492, and then to Archbishop of Toledo in 1495.
Flanders, Ghent and Bruges, late 15th century
ink, tempera, and gold on vellum
Codex: 22.5 x 15.2 cm (8 7/8 x 6 in.)
Leonard C. Hanna, Jr. Fund
A scrolling vine with budding vegetation or a tendril is a recurring pattern in needle lace. The frequent use of the motif, adapted in lace from different centuries and regions, suggests that it was found in a pattern book.
Italy, 17th century
needle lace, filet/lacis (knotted ground and darned in two directions); bleached linen (est.)
Overall: 12.7 x 64.8 cm (5 x 25 1/2 in.)
Did you know...
Books of patterns for lace making and other needlework were aimed at well-to-do women and girls to encourage domestic virtue.
The Frances McIntosh Sherwin Collection
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