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Dürer conceived this fantastical chariot as part of a larger commission to depict Holy Roman Emperor Maximilian I (reigned 1486–1519) in a triumphal procession. The ruler sits enthroned in the lavish car, as Victory holds a laurel wreath above his imperial crown. Her feathered wings list Maximilian’s military campaigns. Nearly every component of the allegorical pageant—from the entourage of female attendants to the laurel garlands—has a Latin label describing honorable qualities of an ideal prince. The car rolls on wheels of Magnificence, Honor, Dignity, and Glory. Its driver is Reason, who guides a team of 12 horses with reins of Nobility and Power. Virtues of Justice, Strength, Wisdom, and Temperance, stand on pedestals arranged around the emperor. Maximilian died in 1519, before the ambitious commission could be completed. Dürer published <em>The Great Triumphal Car</em> at his own expense with text composed by his friend Willibald Pirckheimer (1470–1530).
Germany, 16th century
woodcut
Dudley P. Allen Fund
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Go to Page 338 in the Internet Archive
Title: La dipthérie : depuis Arétée le cappadocien jusqu'en 1894, avec les résultats statistiques de la sérumthérapie sur deux cent trent mille cas, tubage du larynx historique, instrumentation technique, séméiotique
Creator: Bayeux, Raoul
Creator: Royal College of Physicians of London
Publisher: Paris : G. Carre et C. Naud
Sponsor: Jisc and Wellcome Library
Contributor: Royal College of Physicians, London
Date: 1899
Language: fre
Description: Bibliog
This material has been provided by Royal College of Physicians, London. The original may be consulted at Royal College of Physicians, London
Royal College of Physicians, London
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
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The style and quality of this manuscript's decoration is typical of deluxe Parisian books made for aristocratic or royal patrons. Most of the book's decoration appears to be the work of the Master of the Boqueteaux, an artist active at the court of King Charles V (died 1380). His style was apparently shared by a number of book illuminators working in and around Paris. It is very possible that the <em>Gotha Missal</em> belonged to Charles V, but is not provable because the manuscript has no royal portraits and lacks a colophon. Given the book's magnificent decoration, however, it would seem that it was produced for a Valois prince, if not for the king himself. The manuscript receives its name from the German dukes of Gotha, its later owners.
France, Paris
ink, tempera, and gold on vellum; blind-tooled leather binding
Codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.)
Mr. and Mrs. William H. Marlatt Fund