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In this watercolor, acrobats and circus jugglers emerge from a complex pattern of shapes and colors. Two jugglers share a face and torso. A member of Der Blaue Reiter group in Munich, Paul Klee believed that the elements of color and shape alone could carry connotations of emotions, moods, and subjective feelings. His method was to begin painting without a subject, only settling upon something that could be recognized after layering colored form upon colored form.
Germany, 20th century
watercolor
Sheet: 24 x 23.5 cm (9 7/16 x 9 1/4 in.); Secondary Support: 34.5 x 29.3 cm (13 9/16 x 11 9/16 in.)
Contemporary Collection of The Cleveland Museum of Art
Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale in which a peasant boy and girl escape the hardships of their lives by fantasizing that they have been turned into a giant oak and a splendid fish, respectively.
England, 19th century
woodcut printed in gray
Book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.)
Gift of Henry H. Hawley for the fiftieth anniversary of The Print Club of Cleveland
This small night lamp is made almost entirely of Louis Comfort Tiffany's signature Favrile glass. In the 1880s when Tiffany began collaborating with glass artists on new types of production, his aesthetic ambitions were realized in the development of Favrile glass, deliberately named to sound French, expensive, and “handmade.” Largely through Tiffany's marketing ability, Favrile glass became America’s greatest contribution to the Art Nouveau style. His works were exhibited at international expositions; galleries in major European cities, where his creations were bought by many museums; and in his store in Manhattan, known as the Tiffany Glass and Decorating Co., later Tiffany Studios. From the outset, Tiffany used Favrile glass in mosaic panels, stained glass windows, and his artistic line of table and floor lamps.
America, New York
Favrile glass
Overall: 32.4 cm (12 3/4 in.); Diameter of base: 17 cm (6 11/16 in.)
Did you know...
Mushrooms were a popular Art Nouveau motif used throughout Louis Comfort Tiffany's artistic production.
Bequest of Charles Maurer
7th MAY, LONDON – The London Pyramid Group meet to discuss URL Dispatch and look at how Pyramid matches URLs to views using simple pattern matching. Then having a look at some basic traversal and resource trees. See future London Pyramid Group meetups at: skillsmatter.com/user-group/ajax-ria/ldn-pyr
This is a visual representation of what all the URL links branching off my blog at barkandbyte.blogspot.com looks like, using the Texone Tree applet, which you can find at www.texone.org/tree/tree.php?id=applet
Here, it's been running for about 40 minutes, and it's only about halfway through all the links.
greenmarine.se (on the sticker on the boat-lifter.) A number of the docks we passed had boats of this size lifted out of the water - apparently saves on hull maintenance and cleaning, and you don't have to winter it somewhere else.
The<em> Sat Sai</em> is a collection of poems mainly describing the beauty of women in a range of emotional states. The heroine of this poem sits against a tree that is in full flower, like her, but her lover is absent, and other girls walk by, gossiping. Not coincidentally, her dress matches the color of the blossoms, and no bees come to pollinate.
India, Himachal Pradesh, Pahari Kingdom of Garhwal or Guler
Gum tempera and gold on paper
Image: 19.3 x 14.2 cm (7 5/8 x 5 9/16 in.); Overall: 26.5 x 21.1 cm (10 7/16 x 8 5/16 in.)
Andrew R. and Martha Holden Jennings Fund
This manuscript was illuminated by a circle of at least five highly organized manuscript painters active in the Flemish cities of Ghent and Bruges. The principal illuminator was Alexander Bening, who painted the majority of the book's miniatures. Manuscripts produced by this circle of artists are renowned for the decoration of their borders, which typically feature a rich variety of realistically-painted flowers, birds, and butterflies.
This prayer book, called a book of hours, was intended not for a cleric, but for the private devotions of a lay person-in this case, Isabella the Catholic, Queen of Spain (1451-1504). Isabella's coat of arms embellishes the book's frontispiece. It is unlikely that the book was commissioned by the Queen herself; rather, she probably received it as a diplomatic gift from someone courting her patronage, perhaps Cardinal Francisco Jimenez de Cisneros. A Franciscan friar, Jimenez was dependent upon Isabella for his advancement, first to the post of Queen's confessor in 1492, and then to Archbishop of Toledo in 1495.
Flanders, Ghent and Bruges, late 15th century
ink, tempera, and gold on vellum
Codex: 22.5 x 15.2 cm (8 7/8 x 6 in.)
Leonard C. Hanna, Jr. Fund
christy-florist婚禮場地佈置WEDDING&EVENT-Decorations@裝飾POSTER婚慶Ideas宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場地場合擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|繄蘼鮮花批發花店TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽CHRISTY-FLORIST_VENUS_EVENT_DECORATIONS繄蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374 敬請預約
地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
Www.facebook.com/florist.christy
http//www.flickr.com/photos/94503374/
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http//www.weshare.hk/94503374decoration
http//christyflorist.tumblr.com/
http//eventdecoration.pixnet.net/blog
http//plus.google.com/106737217008195886143
//youtu.be/W1AXoqcKAZA //
youtu.be/VNilzfUuWwQ?t=1m49s
www.youtube.com/watch?v=e0lR1RKfTcw
www.flickr.com/photos/wedding-decoration
eventdecoration.pixnet.net/blog/
//printing-style.blogspot.hk/
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URL Born Legacy 4 Pushed Back! Jc vs QP! Choking In Battles Rant!!!
battledomination.com/url-born-legacy-4-pushed-back-jc-vs-...
In the process of mummification, the liver, lungs, stomach, and intestines were removed, separately embalmed, and stored in specialized jars known as canopic jars (after a sailor in Greek mythology, who died at the town of Canopus in the Nile Delta and was worshipped there in the form of a human-headed jar). Each organ was identified with one of four funerary deities collectively known as the Sons of Horus: the liver with Imsety (man's head), the lungs with Hapy (baboon's head), the stomach with Duamutef (jackal's head), and the intestines with Qebehsenuef (falcon's head). It was their duty to protect the deceased and restore to him his body parts in the hereafter.
Egypt, Late period (715–332 BCE), Dynasty 26
travertine
Diameter: 16.3 cm (6 7/16 in.); Diameter of mouth: 9 cm (3 9/16 in.); Overall: 42.6 cm (16 3/4 in.)
Did you know...
This jar is made of travertine stone-- subtle in color and with a captivating natural pattern-- with hieroglyphics carved on the front. Such jars were used to hold internal organs of the deceased and to preserve them for the afterlife.
The Charles W. Harkness Endowment Fund
This box was a Habsburg secular reliquary. The inscription inside records that it once held the personal pennant of the French king Francis I, taken at his capture in 1525 on the battlefield at Pavia, Italy, after the defeat of the French army by that of Emperor Charles V. The box, made to contain the folded silk pennant, bears the arms of the Habsburg commander Don Juan Lopez Quixada, who captured the pennant (now in the Musée de la Porte de Hal, Brussels).
H: 2 7/16 x L: 5 11/16 x W: 4 in. (6.19 x 14.45 x 10.16 cm)
medium: molded and incised leather, glass cameos, partially gilded and enameled silver, paper
dynasty: House of Habsburg
Walters Art Museum, 1931, by bequest.
This manuscript was illuminated by a circle of at least five highly organized manuscript painters active in the Flemish cities of Ghent and Bruges. The principal illuminator was Alexander Bening, who painted the majority of the book's miniatures. Manuscripts produced by this circle of artists are renowned for the decoration of their borders, which typically feature a rich variety of realistically-painted flowers, birds, and butterflies. This prayer book, called a book of hours, was intended not for a cleric, but for the private devotions of a lay person-in this case, Isabella the Catholic, Queen of Spain (1451-1504). Isabella's coat of arms embellishes the book's frontispiece. It is unlikely that the book was commissioned by the Queen herself; rather, she probably received it as a diplomatic gift from someone courting her patronage, perhaps Cardinal Francisco Jimenez de Cisneros. A Franciscan friar, Jimenez was dependent upon Isabella for his advancement, first to the post of Queen's confessor in 1492, and then to Archbishop of Toledo in 1495.
Flanders, Ghent and Bruges, late 15th century
ink, tempera, and gold on vellum
Codex: 22.5 x 15.2 cm (8 7/8 x 6 in.)
Leonard C. Hanna, Jr. Fund
The mosque and <em>madrasa</em>, school, of Sultan Hassan was built between 1356 and 1363 during the Mamluk period (1250–1517) in Egypt. The prestige of the project attracted craftspeople from across the Islamic world, which likely contributed to its innovative design. It is possible that stone from the Great Pyramid of Giza was used in its construction. This print features the central courtyard (<em>sahn</em>) with ablutions fountain (for washing one’s hands, feet, and face before prayer) and two of four monumental <em>iwans</em>, three-walled, vaulted rectangular halls. The interior walls and floor are covered in lavish stone and marble mosaics.
England
color lithograph
Did you know...
The <em>minbar</em>, a staircase-like pulpit from which a sermon is delivered by the prayer leader, <em>imam</em>, after Friday services, is visible in the hall on the left side of the print.
Gift of J. Byers Hays
Madrazo reached the pinnacle of his success at the 1878 Exposition Universelle, where he was proclaimed the successor to his brother-in-law Mariano Fortuny as the foremost contemporary Spanish painter. In this work, he displays his dramatic sense of color, mastery of atmospheric effects, and technical skill.
This painting explores the inequalities of modern life; the population of 19th-century European cities ballooned as rural workers migrated to urban environments looking for employment. The artist highlights the social and economic disparities that resulted. As wealthy, fashionably dressed women leave a church, they pass numerous men and women seated on its steps who have no source of income and are asking them for money.
H: 25 3/16 x W: 39 3/8 in. (64 x 100.01 cm)
Framed H: : 37 13/16 × W: 51 15/16 × D: 4 15/16 in. (96 × 132 × 12.5 cm)
medium: oil on canvas
Walters Art Museum, 1931, by bequest.
The inscription on the large, four-sided stele from which this fragment comes chronicles the genealogy of the Assyrian kings and the account of King Shalmaneser III's defeat of King Haza'ilu of Damascus. While Shalmaneser's name does not survive, the accompanying royal titles confirm the identification. Haza'ilu is Hazael, king of Syria, often mentioned in Old Testament book of 2 Kings as the adversary of Israel.
Neo-Assyrian
9 x 12 1/2 x 16 1/2 in. (22.9 x 31.8 x 41.9 cm)
medium: black stone
culture: Neo-Assyrian
reign: Shalmaneser III (858-824 BC)
Walters Art Museum, 1931, by bequest.