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Greek, Ptolemaic, minted at Alexandreia (Egypt), reign of Ptolemy V Epiphanes or Ptolemy VI Philometor
gold
Diameter: 2.9 cm (1 1/8 in.)
The Norweb Collection
This sculpture is carved in the round and painted. It depicts a nude male with black hair and black and white painted eyes. His arms are joined at the shoulders; both hands are closed at his sides. His feet are made separately, in one with the base. There is black paint on top of the base, and red on the edges. The base does not belong to this piece.
Egyptian
H with base: 8 13/16 in. (22.4 cm)
medium: wood with black, white, and red paint
culture: Egyptian
Walters Art Museum, 1931, by bequest.
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France, 19th century
etching with drypoint
Sheet: 54.7 x 35.8 cm (21 9/16 x 14 1/8 in.); Platemark: 51 x 33.8 cm (20 1/16 x 13 5/16 in.)
Thirty-fifth anniversary gift of Mr. and Mrs. Edward B. Greene
This piece has designs of birds and foliage in niello on the sides of the hexagonal cup. Inside is gilt, with the figure of a shrimp "en plein" air. When the drinker is finished, a shrimp stares at him from inside the cup. The finial of the cover is designed as a nude child.
Russian
H:10 9/16 in. (26.9 cm)
medium: silver, parcel gilt, niello
style: Baroque
culture: Russian
dynasty: House of Romanov
Walters Art Museum, 1931, by bequest.
Surya wears a long tunic and boots suitable for riding horses across the grassland steppes of Central Asia. The sun god was of paramount power among the people of Central and Western Asia who followed religions such as Zoroastrianism, a pre-Islamic faith emphasizing a sacred duality between light and dark. When the image of the sun god began to be made in India from the 100s BC on, he is shown in the dress of the people who revered him the most. Surya is worshipped throughout the Indian subcontinent and Himalayan regions of Kashmir and Nepal alongside both Hindu and Buddhist deities.
India, Kashmir
brass
Overall: 50.4 cm (19 13/16 in.)
Gift of Katharine Holden Thayer
CHRISTY-FLORIST94503374網誌一覽Background背景stage婚嫁EVENT場所裝飾POSTER婚慶Idea 宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場合PARTY擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
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Presentación realizada en la Universidad Rafael Landívar a alumnos y alumnas de la carrera de Relaciones Internacionales sobre la ONU en el mundo, el Marco de Asistencia para el Desarrollo en Guatemala, los Objetivos de Desarrollo del Milenio y la presentación de los nuevos Objetivos de Desarrollo Sostenible.
This richly embellished garment was worn by Muslim women in Albania over a fine silk blouse with wide trousers decorated with matching embroidery. The Europeanized Ottoman style signaled social prestige in the late 19th century and differed from regional dress. The gold thread embroidery fashion was influenced by the attire of Ottoman officials and Eastern Orthodox church clergy. This spectacular garment was created with woven bands and twisted cords of gold thread plus stunning gold and silver thread embroidered motifs. Metal threads were secured on the velvet with a stitch from underneath, known as couching. Specialized workshops in urban centers embroidered similar but not identical models for Muslim and Christian women. Threads loosely attached to the velvet provided design guidelines for the embroiderers.
Prizrend, Serbia, or Scutari, Albani, late 19th century
silk, velvet; gold- and silver-thread: bands, cords, couched embroidery
Overall: 117 x 170.2 cm (46 1/16 x 67 in.)
Gift of Jeannette Cox Morrill
France, 19th century
pencil and watercolor
Gift of The Print Club of Cleveland in honor of Mrs. William G. Mather
This is a standard (oblong) black and gold lacquer four compartment inro. There is a design around the inro of partially raised bamboo blinds with clouds and three different types of chrysanthemums outside and in front of the blinds in "hiramakie" in gold and silver lacquer with "okibirame." The chrysanthemums are bold in design and made of inlaid raden, red and gold lacquer. There is red lacquer on one side and the inlaid raden on the other, all on a ground "roiro" and "jimaki." The interior is "nashiji" and "fundame," and there is an inscription on the bottom of the lower compartment. The cord channels are external. The inro is bound together with a carved, lacquered wood netsuke of a cock perched on a drum.
Japanese
L: 8 9/16 in. (21.7 cm)
Inro H: 3 9/16 × W: 2 1/4 × D: 3/4 in. (9 × 5.7 × 1.9 cm)
Netsuke H: 1 5/8 × W: 1 1/8 × D: 3/4 in. (4.1 × 2.9 × 1.9 cm) H: 7/16 × Diam: 9/16 in. (1.1 × 1.4 cm)
medium: gold lacquer, raden, coral, wood
culture: Japanese
Walters Art Museum, 1931, by bequest.