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September 11th. Sunday. 10 years after September 11th attacks.
This is my awkward homecoming picture.... Yeah. I like my dress.
Anyway. It's been 10 years since the attacks. I am so interested in
it and our teachers won't let us talk about it. Makes me so, so mad.
But here's to the heroes, here's to the victims, and here's to every
one affected. I wish I could remember something from that day.
But I can't. I was only 5 years old and I can't remember a thing.
36432 views on my stream.
based on this drawing here:
www.flickr.com/photos/da_ani/6891787913/in/photostream
yeay for birdies- I'd love to do a whole series of these :)
This is pretty much from the book + some of my own interpretation.
These two Vignettes are meant to embody the spirit of each book, and highlight Charlie and Wonka.
They live right next to a huge farmer's market and seem to be friendly and cautious exactly when appropriate.
I need to rework this merge (look at the bricks and the far right window), but otherwise this was my house the night two feet of snow fell. It was nuts.
EF 35mm Æ’/1.4L USM
1D X
I've included this shot to help show the contrast of colours.
Foreground: green paint pot created by a fresh water spring.
Background: orange paint pot created by high undiluted iron oxide content.
The paint pots themselves are formed by the accumulation of iron oxide around the outlets of three cold mineral springs. As the rim of iron builds up around each pot, they gradually increase in height. The greenish colour of the two larger pots is the result of the mixing of fresh water from a small creek, which empties into the largest pool.
Here is a model of the electron that distinguishes four groups of quarks by their phase and their electronic quark content. They are used to define two spatial axes. For more detail, please visit WikiMechanics.org.
The soundtrack is the Prelude in A minor on 'O Traurigkeit, o Herzeleid' by Johannes Brahms, WoO7. Played on the Orgue Poirier & Lieberknecht at the Collégiale Notre-Dame du Camp, Pamiers France. Uploaded to WikiMedia Commons in 2008 by the performer, Bastien M.
This photo was taken at Fraser, Colorado on March 19, 2003 during a vacation that I happened to take right at the time that a 60 inch snowfall came along.
This is the bed and breakfast's SUV at the end of the storm, before we got it dug out. It's the only "two-story" SUV I've ever seen.
View my collections on flickr here: Collections
Press "L" for a larger image on black.
Using a rapid stroke helps me to be accurate, which seems counterintuitive
11x14 Graphite
*Created at the Alex and Alyson Grey Workshop
Pima Air and Space Museum
BRITISH AEROSPACE HAWK T1A
SERIAL NUMBER XX292
Current Markings: Royal Air Force Aerobatic Team, The Red Arrows, RAF Scampton, 2009
The Hawk is a two-seat subsonic trainer developed by Hawker Siddeley as a replacement for the Folland Gnat in 1968. The Hawk has served as the main advanced jet trainer for the Royal Air Force for more than forty years. The prototype Hawk made its first flight on August 21, 1974, with the first aircraft entering service in 1976. The T1A version of the Hawk Included modifications allowing the carrying of Sidewinder missiles and a gun pod under the fuselage for air-to-air weapons training. Versions of the Hawk have served with numerous military forces outside of England. The United States Navy uses an aircraft carrier capable version called the Goshawk for advanced pilot training and carrier qualification.
The Royal Air Force Aerobatic Team, the Red Arrows was formed in 1964 by combining several earlier teams. They flew their first public displays in 1965 with the Folland Gnat. The team changed to the Hawk in 1979 and have flown it since then. The team has performed throughout Europe, Asia, the Middle East, and North America. The Red Arrows last toured the United States and Canada in 2019 performing in air shows along side the U.S. Air Force's Thunderbirds and the Navy's Blue Angels.
This aircraft was produced by British Aerospace and delivered to the Royal Air Force on November 2, 1979. Its unit assignments between 1979 and 1989 are unknown. In 1989 it was transferred to No. 4 Flying Training Squadron, RAF Valley. In 1996 it went to the Royal Air Force Aerobatic Team, at RAF Cranwell. In 2000 it moved with Red Arrows to RAF Scampton. In October 2009 it was retired to RAF Shawbury for permanent storage.
Technical Specifications:
Wingspan: 30 ft 10 in.
Length: 39 ft 3 in.
Height: 13 ft 1 in.
Weight: 18,891 pounds (loaded)
Maximum speed: 622 mph
Service Ceiling: 44,500 ft
Range: 690 miles
Engines: One Rolls Royce/Turbomeca Adour Mk 151 turbofan
Crew: 2
Two Czech "Škodas" (class 181), nos. 181 018-3 and 181-106-6 work an unidentified rake of empty box wagons west through Radibórz on 20 September, 2013
Aww, two little sweethearts taking a picture together! On the left is the limited 'Party Invitation Licca' wearing her default antique inspired dress in creme and pink. The outfit also comes with a bonnet (not pictured), bloomers and brown Mary-Janes shoes but I've used Momoko boots for the pic instead. ^o^ The girl has been my No.1 wishlist Licca for like six years, more on how I finally got her is written here! I have been staring at her pictures online for so long, it feels almost surreal to actually hold her in my hands.
Her friend is a Castle Licca with orange hair and cheek blush, eee! Cuteness! The hair is beautiful and wispy and curls just so. ♥ I love the slightly messy and natural look to it because it suits the Mori fashion style I want to dress the doll in. The outfit and shoes she's wearing are very Mori for sure. :) My fave are the wide corduroy 3/4 length pants and the green leather shoes.
I really miss this type of photography! ;)
and Damn u Bus! why did u stop!! ... ;x
Picture Info:
Camera: Nikon D300
Exposure: 30
Aperture: f/8.0
Focal Length: 10.5 mm
Exposure: 0.00
ISO Speed: 100
Exposure Bias: -5 EV
Flash: No Flash
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[From October 2004]
After the horror of making the first with a splodgey head, I had to make another, this time stuffing the head with cotton balls before filling it with plastic pellets. Look at their hands, they're NUBBINS!
But it could've been worse. Gotta look at the bright side.
The two bridges across the Kiel-Canal at Holtenau.
Hints and fair comments are always appreciated.
Don't use this image on any media without my permission.
© All rights reserved by Christian Staack.
St Mary, Linton, Cambridgeshire
A big church in one of south Cambridgeshire's larger villages. Lots of interesting buildings, suggesting that Linton was a very prosperous place in the 17th and 18th Century. I wonder why it never developed into a proper town? The church is away from the high street, sequestered in a rather tight churchyard. We are only a few miles from the county border, and architecturally this is entirely a Suffolk church, with clerestories and aisles and big gargoyles. In 2012 I had found the church open, and a sign on the inner door saying it was open every day, but coming back in the middle of the day in May 2018 was to find a locked church with no keyholder notice.
I knocked on the door of the rectory, but no one was in. I rang the team vicar, who was the most apologetic person I think I've ever spoken to. 'Oh dear, oh dear, I'm sorry, its my fault, I was just thinking about it, I usually open it, only it's my day off, and the man who opens it for me is on holiday, oh dear...' she said she'd come straight down on her bike, but before she got there the churchwarden arrived. She'd been summoned by someone else, not for the locked church but to show a workman a job that needed doing. She was very surprised to find the church locked, and happily unlocked it for us as the team vicar arrived. Everyone was most apologetic, and dismayed that we hadn't found the church open.
The workman's job was to fix the overhead projector screen hanging in the chancel arch, which makes the heart sink a bit but in fact it was not particularly intrusive in this big and rather cluttered space. The south aisle is dominated by the memorial to brother and sister Elizabeth Bacon and Peter Standly, the 1782 work of Joseph Wilton. Two life-size figures flank a large urn, a somewhat operatic Hope on the left and an angel laying a wreath on the right. A detail which you might not immediately notice is the little dog who lies at the feet of the angel.
There are a number of other good memorials, but the best of them is behind the organ at the east end of the north aisle, and it is worth squeezing round to take a look at it. It remembers John and Alice Millicent, and was installed here in 1705 but with all the imagery of more than half a century earlier - their hands are joined on top of a skull, Alice leans on an hour glass, a cherub with an anchor represents Hope, while another, holding an hour glass, stands with a foot on a skull. It must have dominated the church before the organ was installed, but today is all but invisible and almost impossible to photograph apart from some details. As Pevsner notes, it is oddly ironed flat, as if pressed against a wall, creating the absurd illusion that the organ was here first and the memorial was slipped in behind it.
The south aisle has roundels of continental glass, and one which contains the upper part of an English 15th Century figure of St Philip which may have come from here originally. There is good 20th Century glass, the best of which depicts Christ meeting the Samarian woman at the well flanked by two gorgeous angels. It is one of only half a dozen East Anglian windows by the great suffragette artist Mary Lowndes, and was installed just before the First World War. The sower window is as striking, but unsigned, and no one seems to know who it is by. Could it be by Reginald Bell? There is a good 1901 window by Lavers & Westlake, depicting the Adoration of the Magi and installed in memory of Queen Victoria, in the pastelly style of the day. At the east end of the south aisle, AL Moore's war memorial window is also striking, but an uneasy composition I think.
Perhaps this church does not have the wow factor of some of the smaller and more remote churches in this area, but it is full of interest and, as we have seen, wants to be welcoming.
All this week I'll be posting a panel or two from the original art for a romance comic. The story is one of three from a comic entitled FALLING IN LOVE from 1970.
Alfie and Patrice are engaged and just days away from getting married. But Patrice falls for Roy, a guy she meets at Quinman Lake Lodge. They kiss one night and Patrice is overcome with guilt and shame.
That's all for today. See you back here again tomorrow!