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You with the sad eyes
Don't be discouraged
Oh I realize
It's hard to take courage
In a world full of people
You can lose sight of it all
And the darkness there inside you
Makes you feel so small
But I see your true colours
Shining through
I see your true colours
That's why I love you
So don't be afraid to let them show
Your true colours
True colours are beautiful,
Like a rainbow.
Lyrics: Billy Steinberg and Tom Kelly
Pretty Blonde Swedish Swimsuit Bikini Model Goddess! :) Nikon D300 Photos Beautfiul Blonde with Pretty Blue Green Eyes!
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Nikon D300 Photos of Beautfiul Sexy Hot Brunette!
A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
A Gold 45 Goddess guards the wisdom of dx4/dt=ic -- my physics theory which appears on all the 45surf clothes. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:
herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!
May the Hero's Journey Mythology Goddess inspire you (as they have inspired me!) along your own artistic journey! All the Best on Your Epic Hero's Journey from Johnny Ranger McCoy! Catch those photons as they surf the fourth expanding dimension!
I sketched an accompanying Hannibal dead girl & antlers picture but this one I found far more striking. Once again, all things True Detective > Hannible
I love this series which is, basically: blood, sex, drugs and violence.
*
Adoro essa série que é basicamente: sangue, sexo, drogas e violência.
:o)
_
True friends love to share moments
precious life brings them,
little things like the existence
that is worth living every day.
Sony A7R RAW Photos of Pretty, Tall Blond Ballerina Model Goddess Dancing Ballet! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3
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New blog celebrating my philosophy of photography with tips, insights, and tutorials!
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And here're a couple of HD video movies I shot of the goddess with the 4K Sony:
Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
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Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
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She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.
Sony A7R RAW Photos of Pretty Blonde Bikini Swimsuit Ballerina Model Goddess Dancing Ballet! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Blond Hair!
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All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Forrest fairy! Wood nymph! Dancing ballet beside an old tree and creek!
Artist: Ric True
Group
Medium: Felt and Polyfil
Sizes: 8”x10”x1”
This artwork is part of Bear and Bird Gallery's "Stitch Wars" exhibition in Lauderhill, Florida. Exhibition runs July 18 - August 29, 2009, for more information visit our website www.bearandbird.com
"True Companion" by Marc Cohn. The song chosen by my daughter and her husband for their first dance at their wedding.
Saturday morning: Going for a stroll on the strand in Manhattan Beach. So much activity, so much to photograph.
At times I would step to the side, find a step, have a seat and photograph what was coming towards me. An observer of the Saturday morning frolics. A chipper Chihuahua was approaching with a bright orange vest. He was accompanied by three large boys and a large man with long hair. I did not beckon him, but he approached me on his own. I was seated near a bowl of water set out for dogs. He sniffed the water and was not interested. On the top ledge of the wall, was a container of dog biscuits. His owner offered him one, but no, not his brand. He refused it.
I assumed his owner was the long-haired friendly guy. A moment at the beach, where strangers come together and have a pleasant interchange.
As the dog came close to me I saw that his orange vest identified him as a Medical Alert Service Dog. How amazing. I have no idea which one of the four fellows he was servicing. It amazes me to think that this tiny creature is being of service to creatures that tower over him. This is a case of man and animal truly working together for the greater good. The dog is well cared for and loved. And he in turn, is serving his master in the highest form.
The beach is a dynamic neighborhood. At any given time, there is a wide array of activity going on. First there is everything to do with the water. Traditional Surfing, body surfing, boogie boarding, long boarding, swimming and wading. Then there is all the play that the beach affords one. Volleyball. Just for fun and more competitive, the tournaments. Sand castles, sun bathing, digging, reading, cooling off, eating, reading, doing nothing. The Strand has its own unique variety of activity. Walking, running, stroller pushing, bicycles of every sort, dog walking, sitting and observing. At some points, the next level would be the metered parking lots. People changing in and out of wet suits. Observing the water, recovering from surfing. Parking to unload a carful of paraphernalia for a day at the beach. Behind the Strand are the homes. From the balconies and tiny yards, more activity. Telescopes, people watching, partying, patio gardening, baby tending. Kids emerging with the Razors, scooting around, in and out of their houses.
It is a relatively small area, but a dynamic hub of activity. People are living in close proximity to each other. Cars and bikes and strollers, trash cans and beach chairs, all within view. Yet each resident has branded their space in a unique fashion. Flags, shells, plants, colors, all define the residents’ individuality. And with all this closeness, a certain amount of tolerance must ensue. A neighbor’s bright light shining in your window. A large car parked across from you in the alley, making coming and going very challenging. And the parties, conflicting music choices, dogs barking.
I did live at the beach once. While we had some good times, we had some challenging times as well.
The most difficult times was having my 1970 VW camper van stolen from our driveway on a hill. All the thief had to do was break in, release the brake, and let it roll down the hill to get it started. After 30 days the police recovered the car. Being without a car in Los Angeles for 30 days is not pleasant. The fellow who stole it was a ‘professional’ car thief. My car was his 29th conquest. He did body work on the van, burned out the VIN number with acid and blew up the engine. His girlfriend was a snitch and turned him in. I wonder if she is still alive. I had left library books in the van and he apparently left them in there too. The police called up the library to find out who the books were checked out to and lo and behold, my name popped up. He was clearly lacking in attention to details. I testified at his trial and he went to County jail for 18 months. I worked with his probation officer and received retribution money after the guy was sprung and got a ‘real job.’ My knight in shining armor, my husband, sprung for a replacement car, a VW bug, which lasted us many years. Not only did he buy it for me, but it did all the maintenance on it as well. I think the good outweighs the bad in this story. But I still remember that feeling of not finding my car in the morning. Occasionally when I space out at a parking lot, I will recall that feeling and go through next steps: Call the police, how to get a ride home, what am I going to do for wheels. Thankfully, that was the only car I lost or had stolen.
The other less than stellar experience at the beach had to do with our neighbors across the alley. They lived in a three-story house which faced a main street and our shared alley. They had a few teenage boys. One of their chores was to take out the trash. And they did, but not exactly in the method I would have preferred. Their method was to take the bag o’ trash, lean over the third floor balcony and drop the bag in or around the trash can, mostly around. At the time I did not have much money and the thought of owning a home seemed beyond anything I could ever achieve. I thought we were living in a pretty high class neighborhood. Watching this lazy teen drop trash from the third story grossed me out. I think in the long run, it did encourage me to better myself and my living situation. We moved to a rental in a residential neighborhood where everyone seemed to manage your trash in a more orderly fashion. But it was not without its flaws either. Those flaws, however, were behind closed doors.
Had some fun redressing some of my dolls. Here are the results :)
LOVE this outfit from HauntCouture. I couldn't imagine it on any other doll
A good thing continues
Some six months ago, I posted almost 100 images and a few thoughts I felt were missing from the many existing RX1 reviews. The outpouring of support and interest in that article was very gratifying. When I published, I had used the camera for six full months, enough time to come to a view of its strengths and weaknesses and to produce a small portfolio of good images, but not enough time to see the full picture (pun intended). In the following six months, I have used the camera at least as frequently as in the first six and have produced another small set of good images. It should be noted that my usage of the RX1 in the last six (and especially in the last 3) months has involved less travel and more time with the family and around the house; I will share relatively few of these images but will spend some time sharing my impressions of its functionality for family snapshots as I am sure there is some interest. And let it be said here: one of the primary motivations to purchase the camera was to take more photos with the family, and after one full year I can confidently say: money well spent.
The A7/r game-changer?
In the past six months, Sony have announced and released two full-frame, interchangeable lens cameras that clearly take design cues from the RX1: the A7 and the A7r. These cameras are innovative and highly capable and, as such, are in the midst of taking the photography world by storm. I think they are compelling enough cameras that I wonder whether Sony is wasting its energy continuing to develop further A-mount cameras. Sony deserve credit for a bold strategy—many companies would have been content to allow the success of the the RX1 (and RX1R) generate further sales before pushing further into the white space left unexplored by camera makers with less ambition.This is not the place to detail the relative advantages and disadvantages of the RX1 versus the A7/r except to make the following point. I currently use a Nikon D800 and an RX1: were I to sell both and purchase the A7r + 35mm f/2.8 I would in many ways lose nothing by way of imaging capability or lens compatibility but would pocket the surplus $1250-1750. Indeed this loyal Nikon owner thought long and hard about doing so, which speaks to the strategic importance of these cameras for a company trying to make inroads into a highly concentrated market.Ultimately, I opted to hang onto the two cameras I have (although this decision is one that I revisit time and time again) and continue to use them as I have for the past year. Let me give you a quick flavor of why.
The RX1 is smaller and more discrete
This is a small a point, but my gut reaction to the A7/r was: much smaller than the D800, not as small as the RX1. The EVF atop the A7/r and the larger profile of interchangeable mount lenses means that I would not be able to slip the A7/r into a pocket the way I can the RX1. Further, by virtue of using the EVF and its loud mechanical shutter, the A7/r just isn’t as stealthy as the RX1. Finally, f/2 beats the pants off of f/2.8 at the same or smaller size.At this point, some of you may be saying, “Future Sony releases will allow you to get a body without an EVF and get an f/2 lens that has a slimmer profile, etc, etc.” And that’s just the point: to oversimplify things, the reason I am keeping my RX1 is that Sony currently offers something close to an A7 body without a built-in EVF and with a slimmer profile 35mm f/2.
The D800 has important functional advantages
On the other side of the spectrum, the AF speed of the A7/r just isn’t going to match the D800, especially when the former is equipped with a Nikon lens and F-mount adapter. EVFs cannot yet match the experience of looking through the prism and the lens (I expect they will match soon, but aren’t there yet). What’s more, I have made such an investment in Nikon glass that I can’t yet justify purchasing an adapter for a Sony mount or selling them all for Sony’s offerings (many of which aren’t to market yet).Now, all of these are minor points and I think all of them disappear with an A8r, but they add up to something major: I have two cameras very well suited to two different types of shooting, and I ask myself if I gain or lose by getting something in between—something that wasn’t quite a pocket shooter and something that was quite a DSLR? You can imagine, however, that if I were coming to the market without a D800 and an RX1, that my decision would be far different: dollar for dollar, the A7/r would be a no-brainer.During the moments when I consider selling to grab an A7r, I keep coming back to a thought I had a month or so before the RX1 was announced. At that time I was considering something like the NEX cameras with a ZM 21mm f/2.8 and I said in my head, “I wish someone would make a carry-around camera with a full frame sensor and a fixed 35mm f/2.8 or f/2.” Now you understand how attractive the RX1 is to me and what a ridiculously high bar exists for another camera system to reach.
Okay, so what is different from the last review?
For one, I had an issue with the camera’s AF motor failing to engage and giving me an E61:00 error. I had to send it out to Sony for repairs (via extended warranty and service plan). I detailed my experience with Sony Service here [insert link] and I write to you as a very satisfied customer. That is to say, I have 3 years left on a 4 year + accidental damage warranty and I feel confident enough in that coverage to say that I will have this beauty in working order for at least another 3 years.For two, I’ve spent significantly less time thinking of this camera as a DSLR replacement and have instead started to develop a very different way of shooting with it. The activation barrier to taking a shot with my D800 is quite high. Beyond having to bring a large camera wherever you go and have it in hand, a proper camera takes two hands and full attention to produce an image. I shoot slowly and methodically and often from a tripod with the D800. In contrast, I can pull the RX1 out, pop off the lens cap, line up and take a shot with one hand (often with a toddler in the other). This fosters a totally different type of photography.
My “be-there” camera
The have-everywhere camera that gives DSLR type controls to one-handed shooting lets me pursue images that happen very quickly or images that might not normally meet the standards of “drag-the-DSLR-out-of-the-bag.” Many of those images you’ll see on this post. A full year of shooting and I can say this with great confidence: the RX1 is a terrific mash-up of point-and-shoot and DSLR not just in image quality and features, but primarily in the product it helps me create. To take this thinking a bit further: I find myself even processing images from the RX1 differently than I would from my DSLR. So much so that I have strongly considered starting a tumblr and posting JPEGs directly from the RX1 via my phone or an iPad rather than running the bulk of them through Lightroom, onto Flickr and then on the blog (really this is just a matter of time, stay tuned, and those readers who have experience with tumblr, cloud image storage and editing, etc, etc, please contact me, I want to pick your brain).Put simply, I capture more spontaneous and beautiful “moments” than I might have otherwise. Photography is very much an exercise in “f/8 and be there,” and the RX1 is my go-to “be there” camera.
The family camera
I mentioned earlier that I justified the purchase of the RX1 partly as a camera to be used to document the family moments into which a DSLR doesn’t neatly fit. Over the past year I’ve collected thousands and thousands of family images with the RX1. The cold hard truth is that many of those photos could be better if I’d taken a full DSLR kit with me to the park or the beach or the grocery store each time. The RX1 is a difficult camera to use on a toddler (or any moving subject for that matter); autofocus isn’t as fast as a professional DSLR, it’s difficult to perfectly compose via an LCD (especially in bright sunlight), but despite these shortcomings, it’s been an incredibly useful family camera. There are simply so many beautiful moments where I had the RX1 over my shoulder, ready to go that whatever difficulties exist relative to a DSLR, those pale in comparison to the power of it’s convenience. The best camera is the one in your hand.
Where to go from here.
So what is the value of these RX1 going forward, especially in a world of the A7/r and it’s yet-to-be-born siblings without an EVF and a pancake lens? Frankly, at its current price (which is quite fair when you consider the value of the the body and the lens) I see precious little room for an independent offering versus a mirrorless, interchangeable lens system with the same image quality in a package just as small. That doesn’t mean Sony won’t make an RX2 or an RX1 Mark II (have a look at it’s other product lines to see how many SKUs are maintained despite low demand). Instead, I see the RX1 as a bridge that needed to exist for engineers, managers, and the market to make it to the A7/r and it’s descendants.A Facebook friend recently paid me a great compliment; he said something like, “Justin, via your blog, you’ve sold a ton of RX1 cameras.” Indeed, despite my efforts not to be a salesman, I think he’s right: I have and would continue to recommend this camera.The true value of the RX1 going forward is for those of us who have the thing on our shoulders; and yes, if you have an investment in and a love for a DSLR system, there’s still tremendous value in getting one, slinging it over your shoulder, and heading out into the wide, bright world; A7/r or no, this is just an unbelievably capable camera.
West Somerset Railway
20 miles of heritage railway through stunning Somerset countryside and coast; the longest heritage railway in England.
"Our Railway, a true country branch line of the old Great Western Railway is full of fascination whether you are looking for a nostalgic ride back in time through lovely countryside or to study the railway and industrial heritage which our line preserves..
The historic steam locomotives, coaches and wagons, and the buildings of our ten unique stations linked by a twenty mile scenic journey will repay hours of exploration. The surrounding countryside is as varied as it is beautiful. The gently rolling Quantock hills and distant Exmoor, unspoilt villages and farms nestling in leafy lanes, the cliffs and coast of the Bristol Channel with views of distant South-Wales, confident Church Towers, Dunster's imposing Castle and Minehead's seaside charm are all waiting to be discovered." www.west-somerset-railway.co.uk/
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Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
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Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
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A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
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Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
Lucius Annaeus Seneca: On entering a temple we assume all signs of reverence. How much more reverent then should we be before the heavenly bodies, the stars, the very nature of God!
John Muir: All the wild world is beautiful, and it matters but little where we go, to highlands or lowlands, woods or plains, on the sea or land or down among the crystals of waves or high in a balloon in the sky; through all the climates, hot or cold, storms and calms, everywhere and always we are in God's eternal beauty and love. So universally true is this, the spot where we chance to be always seems the best.
i haven't been posting pictures that i've been happy with for the past few days or so. but today i'm pretty satisfied with this shot. enjoy! :}
[8/365]
Sunday's True Blood premiere answered at least one burning question: Is Lafayette alive? Answer: Yes! Nobody is more surprised by this turn of events than Nelsan Ellis, the actor who plays Lafayette.
As a fan of the Sookie Stackhouse novel series, on which Alan Ball based the vampire drama for HBO, Ellis knew that Lafayette, Merlotte's wisecracking cook — and part-time pornographer/drug dealer — is totally dunzo after Book 1. When he arrived on set for the finale episode's table read, he prepared himself for the end. "I thought, this was fun, time to look for the next gig," he says.
But then... what's this? That painted toenail in the car didn't belong to Lafayette after all! "'You know we're not going to kill you, right?'" Ellis remembers Ball telling him. "And I was like, 'Noooo...'" Ball told the actor that he decided to keep Lafayette in the cast after shooting a scene between Ellis and Rutina Wesley, who plays Lafayette's cousin, Tara, in the pilot episode. Ellis and Wesley have combustive chemistry for sure, which Ellis attributes to their long friendship. (They attended Juilliard together in the early '00s.)
So now that Lafayette has been spared, what's next for the flamboyant entrepreneur?
When we last saw him, he was chained up in a dungeon watching a fellow prisoner get disemboweled by a very cranky Eric, his vampire captor. Ellis reveals that, this season, Lafayette's fate will be inextricably tied with that of the vampires, but that their relationship won't always be quite as adversarial. "[Lafayette] stays with the vampires basically throughout the season," he says. "I guess how deep down the rabbit hole he goes with Eric is the biggest teaser I can give."
"Eric makes people beholden to him," says Ellis. "He did it to Sookie, and now he does force Lafayette to work for him to repay him for something he's done for him." Oh jeez, Lafayette isn't going to become a vampire, is he? Not any time soon, says Ellis. "I have a sneaking suspicion that, in the future, the vampires are going to learn to respect him and not mess with him," he says. "He's going to find a way to elevate his position with them. Lafayette is a survivor, so he's not going to stay in this scared state too long." Excellent!