View allAll Photos Tagged Transitional
The transition between autumn and winter can be either slow or fierce. It's not very common that we get such fierce snow conditions in the middle of the November when a lot of trees are still in full autumn colors. I was specifically looking for an isolated birch tree which is golden and orange at the end of the autumn season.
Everything went (surprisingly) well with our Internet Provider switcherou. All our services seem to be good, so I'm back... did you miss me? .. Hahaha!
Long Exposure from Westminster - this composition has been done to death but i can never walk past it without setting the tripod up (!)
Thanks for looking :-)
The Indian Pacific in transition from the Commonwealth Railways to Australian National Railways seen entering a changing Port Pirie yard on September 17, 1985. Broad gauge track has been removed in the foreground.
(85.028.06_GM4-GM_PtPirieM2wt)
The South Fork of the Snake River winds through Swan Valley, Idaho, under the bridge, and into Conant Valley (below and behind). This aerial image was taken from an altitude of 360 ft. using a DJI Phantom 4 Pro drone.
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Composed of stained glass and one gold smalti leaf on a Wedi panel with a wood frame.
Dimensions are 23.5 x 19.5.
This was made for a contest, but I'm so happy with it that the contest doesn't really matter any more! It's the first piece that I've been really happy to hang in my living room.
The combination of mountains, clouds, and light created an interesting abstract view as we cruised the Chilean Fjords.
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View my - Most Interesting according to Flick
A small stand of old aspen snags surrounded by young trees transitioning to autumn colors, Eastern Sierra Nevada.
There is sometimes a debate about the “best” moment to photograph autumn aspen color. Some say it is when the first trees show golden color. Others prefer the stage where every color from green through yellow, orange, and read is visible. Once the treen is gone, only the wild autumn color remain. But there’s something compelling about the post-peak stage when many leaves have fallen and the stark whit trunks are more easily seen. This photograph from the “every color”stage, and you can follow the “aspen color rainbow” right from the closest green trees rung up to intensely colorful leave farther up the valley.
This color range is one of the “transitions” in this photograph, but it isn’t the only one. Like all living things, aspens do not last forever — but when the old trees die new ones quickly spring up. I’ve gone back to burned groves months after a fire to see new shoots already emerging from the roots of the dead trees. Look closely at this photograph and you’ll see a row of old aspen snags near the front of the scene — perhaps they were burned in a fire some years ago. But now they are almost obscured by the colorful new trees.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
CN train FDNS was southbound at Prairie View on the former Wisconsin Central in 2002. With a former Conrail SD60I leading, the Fond du Lac to Elkhart freight was looking presentable despite the renumbering and marker light removal.
Going from Lisbon to Sezimbra, or from Algarve to Lisbon Cabo Espichel always represents a transition point. When you reached it you know that you are always there.
Transition happens when light changes rapidly.
You must have seen photos of this hoodoo millions of times. Hope this one brings a breath of fresh air.
60 seconds earlier this view was in thick fog and 30 seconds later it was completely clear.
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© Copyright 2013 Philip Hunter, All Rights Reserved.
You do NOT have the right to copy, reproduced, download, or exploit any of my images without my permission.
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It was not easy to find a functional composition here. At first I tried to arrange exactly in the direction of the stone erosion linie. But somehow I felt it not so special. This arragnement shows more dynamic diagonal lines. And even a cross sign in the foreground. I spend more than one hour on this location. During this time dusk progress further. I had also the opportunity to see how the tide comes in and wash over more and more of the neighboring rocks. With an increasing noise of the surf. Finally, the surf has won and I went away from the rocks.
Location: Hopeman - Scotland
Date: Mai 19, 2012 08:06pm
Camera: Nikon D700
Lens: Zeiss Distagon T* 3.5/18 ZF
Exposure: 20sec on tripod
Aperture: f/11
Filter: Hoya NDX400 HMC 9stop Neutral Density, Hitech Graduated ND 1.2 Stop
Noticed a reflection of some iridescent clouds in the mirror like lake while boating and quickly captured it. Sky was literally transitioning from dark, ominous looking clouds to a brighter, sunny day. Enjoyed a great afternoon on the water.
Christchurch Transitional Cathedral; built to sustain the community while the earthquake damaged cathedral is restored.
HD PENTAX-DA 20-40mm f2.8-4 Limited.
November in Oakville brings a mix of the transition between Autumn and Winter. Some trees seem to tenaciously grip their leaves, whilst others discard them at the first hint of frost.
Taken at Tannery Park in Oakville, Ontario with my phone camera. Tonally tweaked in Luminar2018.
From the description (taken in 2018):
Cornelia Parker RA.
8.2 x 9.4 x 7.2m
Courtesty the artist &
Frith Street Gallery, London.
Originally commissioned in 2016 by the Metropolitan Museum of Art for its roof garden, this work was first seen against New York's iconic skyline. Presented here in the Royal Academy's Annenberg Courtyard the structure is every bit as compeling & unsettling.
For Parker, the found object is key. Here she dismantled a traditional red barn & appropriated its components: the planks of the long sidings became the house's walls & its corrugated roof provided material for the roof tiles. The design is based on the house in Alfred Hithcocks's 1960 film Psycho, which in turn was modelled on a painting by Edward Hopper, House by the Railroad (1925). Hopper's painting was also a reference point for Parker who was drawn to its pared-back presentation & sense of eerie isolation.
Like Hitchcock's stage set, Parker's PsychoBarn is a facade, with the supporting framework left deliberately visible. The structures also share a slightly reduced scale & both these characteristics add to the illusionary effect. The combination of the red barn's symbolism, with all its connotations of rural idyll & wholesomeness, with the sinister psychological complexity of Hitchcock's house presents a series of deliberate paradoxes. The work's title references a term from developmental pschology - the "transitional object" - which refers to something which brings comfort, while being a substitute for reality.
Commisions for the Iris & Gerald B Cantor Roof Garden at The Metropolitan Museum of Art.
Nikon F4. AF Nikkor 14mm F2.8D lens. CineStill 50 35mm C41 film.