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Like many, I headed out last night to catch the total eclipse. This shot is pretty much right out of the camera, with a little focus stacking and noise reduction as needed. Also, I shot with cloudy white balance to bring out the warm colors that I saw in the moon. An amazing world out there at ISO 6400!
An image from February and my first go with the new Sony.
This tree is often photographed and is only a few miles from home.
As far as I am aware it has not been shot from this POV. Getting there required duck taping my waterproof trousers to my wellies and wading across a river so that I could climb the opposite hill to get a wider view and a different composition. I arrived while it was still dark so head torch and a good stick helped me avoid any mishaps. As it started to get light I composed this and really enjoyed the gentle tones and hint of colour. Total silence no people and a flask of hot real coffee plus new camera and lenses PERFECT
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You know when you put the Christmas lights away they were tidy but when you opened the box to put them up again....,..........!
Dallas, Oregon
When planning to come to a wedding on the 26th, my brother encouraged us to come 5 days early for the eclipse. What a treat!
Total Solar Eclipse,
Dallas, Oregon
When planning to come to a wedding on the 26th, my brother encouraged us to come 5 days early for the eclipse. What a treat!
The turnstones were unusually nervous, so I decided to sit on the steps out of view.
As the tide was high, it wasn't long before this one walked right past me
Turnstone - Arenaria Interpres
Oban Bay - Scotland
As always I extend my sincere appreciation to all those who take the time to stop by and comment on my photos.
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Total lunar eclipse of October 8, 2014 as seen from the Sapphire Mountains in western Montana. A thin haze of clouds made a diffuse halo of scattered light around the Moon. The bright star almost halfway out to the edge to the lower left of the Moon isn't a star – it's Uranus and a few of its moons. If you look closely you can see the moons as barely detached lumps on the bright, overexposed image of Uranus. Composite of 4 frames at 30 sec and 800 ISO, and one frame at 15 sec and 100 ISO, with Canon 5D and 740mm f/7 (Takahashi FSQ-106N w/ Canon 1.4x EF Extender II).
This is the totally eclipsed Moon of November 8, 2022 set in the stars of Aries, with the planet Uranus nearby, visible as the greenish star about three Moon diameters away from the Moon at the 10 o'clock position. Uranus was at oppostion the next night, November 9, at magnitude 5.6.
I shot the set of images for this scene at about 3:28 a.m. MST, about 20 minutes after the start of this long totality, so the right (lunar eastern) limb of the Moon was still fairly bright. The field of view is about 7.6° by 5°.
This is a blend of four exposures to compress the dynamic range and record the stars while maintaining the Moon more as the eye saw it. I blended a 5-second exposure at ISO 1600 for the stars, with 1-, 2-, and 5-second exposures at ISO 200 for the lunar disk, all with the Canon Ra on the SharpStar 61mm EDPH refractor with the Reducer/Flattener for f/4.6. The scope and camera were on the Star Adventurer tracker, turning at the sidereal rate for the long exposure for the stars but at the slower lunar rate for the shorter, lower ISO exposures for the Moon. Blending was with old-fashioned manual masking, not HDR routines or even luminosity masks.
It was -25° C this night, and with several inches of snow having just fallen that day, so I kept the gear complexity to a minimum. However, using a 280mm focal length scope on the tracker was pushing it. Most long exposures for the starfield were trailed. I shot several sets of "HDR" exposures to be sure I got one that worked.
Esta Iglesia de San Lorenzo tan bien recuperada por dentro con sus pinturas , por fuera es difícil , fotográficamente coordinar sus arcos de puerta , de fachada y de suelo con los clásicos "chinos " cordobeses tan abundantes en los pavimentos cordobeses , quizás después de los magníficos mosaicos romanos que conservamos .
Se ruega verla ampliada .
This Church of San Lorenzo so well recovered inside with its paintings, on the outside it is difficult, photographically, to coordinate its door, façade and floor arches with the classic Cordovan "Chinese" so abundant in Cordoba pavements, perhaps after the magnificent Roman mosaics that we preserve.
Please see it enlarged.
The Very Best View On Black And Large
(Explore) (157)
El interior
Las columnas de la nave central.
Detalle de la bóveda.
Gaudí evolucionó de un primer proyecto gótico hacia un estilo personal, orgánico, inspirado en las formas de la naturaleza: para librarse de los contrafuertes góticos, ideó el uso de columnas en forma de tronco de árbol, que permiten descargar el peso de las cubiertas directamente en el suelo, solución práctica a la vez que estética, ya que convierte el interior de las naves del templo en un espacio orgánico que semeja un bosque. En 1987 se inició la cimentación de las naves; para 1997 se completaron las bóvedas laterales y se empezó la central.
El templo tiene planta de cruz latina, con cinco naves de 90 metros de longitud, y crucero de tres naves de 60 metros; la nave central tiene un ancho de 15 metros, y 7,5 las laterales, haciendo un total de 45 metros; ancho del crucero, 30 metros. La altura es de 45 metros en las bóvedas de la nave central y 30 en las laterales, mientras que las del cimborio central llegarán a los 60 metros. Las naves laterales contendrán las cantorías para los coros. El ábside es lobulado, con deambulatorio entorno del presbiterio. El templo contará con un total de 36 columnas, que oscilarán entre 11,10 y 22,20 metros de altura, con bases de polígonos estrellados de varios lados según su ubicación: 6 (naves laterales), 8 (nave central), 10 (torres de los Evangelistas), 12 (torre de Jesús). Los materiales de construcción varían de la piedra de Montjuïc al granito, basalto o pórfido.
Las bóvedas son hiperbólicas, construidas con baldosas de mosaico veneciano. Gaudí utilizó la técnica de la bóveda catalana o bóveda tabicada, que consistía en la superposición de varias capas de ladrillos con argamasa. Las cubiertas son de forma piramidal, coronadas por una linterna y un farol. Los ventanales están pensados para distribuir una iluminación suave y armónica, creando un efecto de recogimiento, y tienen forma geométrica abstracta; las vidrieras de colores son obra de Joan Vila i Grau. Gaudí realizó profundos estudios acústicos y lumínicos para conseguir una perfecta sonoridad e iluminación en el interior del templo.
The church plan is that of a Latin cross with five aisles. The central nave vaults reach 45 meters while the side nave vaults reach 30 meters. The transept has 3 aisles. The columns are on a 7.5 meter grid however the columns of the apse, resting on del Villar's foundation, do not adhere to the grid, requiring a section of columns of the ambulatory to transition to the grid thus creating a horseshoe pattern to the layout of those columns. The crossing rests on the four central columns of porphyry supporting a great hyperboloid surrounded by two rings of 12 hyperboloids (currently under construction). The central vault reaches 60 meters. The apse will be capped by a hyperboloid vault reaching 75 meters. Gaudi intended that a visitor standing at the main entrance be able to see the vaults of the nave, crossing, and apse, thus the graduated increase in vault loftiness.
The columns of the interior are a unique Gaudi design. Besides branching to support their load, their ever-changing surfaces are the result of the intersection of various geometric forms. The simplest example is that of a square base evolving into an octagon as the column rises, then a 16-sided form, and eventually to a circle. This effect is the result of a three-dimensional intersection of helicoidal columns (for example a square cross-section column twisting clockwise and a similar one twisting counter-clockwise).
(Wikipedia)
This is a composite from the April 8th 2024 total solar eclipse. The images are in chronological order from top left to bottom right. Instead of aligning the images in a straight line, I designed a galaxy-like swirl to be more creative and help highlight the diamond ring at the end of totality. You may notice that some of the shades of orange in the partial phases don't match one another. The reason the orange color changed was because of those high cirrus clouds that drifted over the sun at times. Sure, I could have photoshopped them all the same color, but that takes away from some of the uniqueness we enjoyed on that magical day. The images were taken in Findlay, Ohio in the afternoon hours.
Total Solar Eclipse ~ Wyoming ~ USA ~ Monday August 21st 2017.
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Well a Year ago yesterday I spent the day in Wyoming watching my 1st and hopefully not my last Total Eclipse of the Sun, what an amazing experience that was, well worth the 3000 mile road trip from Los Angeles...:)
Roll on April 18th 2024 for the next one in Vermont & New York State..:)
Have a great Hump Day Wednesday Y'all..:)
In a total style switch-up, I've gone from low key shots to this high key one. I also ran it through some fun Topaz filters.
This is a quilt I worked on years ago, and never finished. The quilt style is called "Cathedral Window". I was making it for my daughter, when she was a child, for her home, if she ever grew up and got married.
Well, now, as of Thursday, she is married, and there is still only about one sixth of a quilt. Sigh.
Anyway, I put some bluish lights behind it, to show through the fabric, between the colored pieces, so that's what that is, if you were wondering.
The whole quilt is put together from these little squares I fold and sew together, like the one in front, with the scissors.
I know it looks orange in the photo, but it is really pink and purple.
Happy Alphabet February y'all!
Evening. On the banks of the Ganga. In a rundown hotel, with really cool lighting. The mind's at peace.
This is Shearsha.
Solace.
Editing: Some weird filter on PS. And contrast.
Title Dedication : The Alan Parson's Project
And hence, also dedicated to Dr. Evil.
Avant que ce trafic ne passe aux mains des EF privées, le train Total Le Havre - Clermont était assuré par FRET. On voit ici le retour vide tracté par la BB 26082.
27-July-2018
The " Blood" Moon from GEX, Hotel Mainaz, Lake Geneva
Top left is the blueish double star Omicron Capricorni.
Vemos un bodegón de berenjenas, pimiento, tomate y ajos. La fotografía esta procesada digitalmente con software y tiene marca de agua con el nombre del autor. Está prohibida la reproducción total o parcial o con cualquier modificación si permiso del propietario.
Eclipse totale de lune du 28 Septembre 2015
A défaut d'avoir pu photographier l' éclipse du 27 Juillet 2018 (temps couvert et orages dans le nord de la France), je repasse quelques photos de la dernière éclipse totale de septembre 2015 prise de 4 H à 6 H
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