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Automotive Driving Museum Of El Segundo , Calif. hosted a show dedicated to the gassers from the '50s to early '70s. Gasser Wars Magazine and Mid-America Willys Club and Gasser Magazine sponsored the event.

Rottie/Lab creating some steam after a chase on a cold afternoon.

 

The numbers indicate the order in which the nuts are to be torqued.

Flipped and destroyed 1962 Ford Fairlane, abandoned under Lenticular clouds at Dunmovin, a wide spot on on California's remote Highway 395.

 

Night, 2 minute exposure, full moon, lime and red-gelled strobe flash, red-gelled LED flashlight.

 

Reprocessed and replaced, January 2024.

Adair, Michigan, USA

Freightliner

 

A small part of an old, rusted train, where a rod has been snapped by time and torque. Based on how the rod works, I suspect it snapped from rotational movement of the rod around it's axis.

 

I like the texture of the metal, and the rusted paint in the background. Even metal eventually decays and breaks.

Edwin Hamilton, 2002, Olive Park, Downtown, Santa Rosa, California, USA, sculpture

A Sauber F1 car approaches the start-finish straight with the Singapore Flyer looming overhead, at the Singapore Grand Prix 2014, Singapore.

Some background:

The Daihatsu Move (ダイハツ・ムーヴ, Daihatsu Mūvu) was a kei car/city car manufactured by the Japanese automaker Daihatsu since August 1995. Kei car (keijidōsha 軽自動車, "light automobile") is the Japanese vehicle category for the smallest highway-legal passenger cars, and similar Japanese categories exist for microvans and kei trucks/utility vehicles. The kei car category was created by the Japanese government in 1949, and the regulations have been revised several times since. These regulations specify a maximum vehicle size, engine capacity, and power output, so that owners may enjoy both tax and insurance benefits. In most rural areas they are also exempted from the requirement to certify that adequate parking is available for the vehicle.

 

Kei cars have become very successful in Japan — consisting of over one third of domestic new car sales in fiscal 2016, despite dropping from a record 40% market share in 2013, after the government increased the kei car tax by 50 percent in 2014. However, in export markets, the genre is generally too specialized and too small for most models to be profitable. Notable exceptions exist though, for instance the Suzuki Alto and Jimny models, which were exported consistently from around 1980.

 

The Move was Daihatsu's response to the similarly designed Suzuki Wagon R that was introduced two years earlier in 1993. The Move was built upon the chassis of the popular Mira (L500) family car, but with a taller body, making it a microvan. The first-generation Move was marketed with a 658 cc (40.2 cu in) three-cylinder engine in Japan, which developed 32 kW (43 hp; 44 PS), and with an 847 cc (51.7 cu in) ED-20 engine in export markets, which also delivered 32 kW but offered more torque than the naturally aspirated 660 cc engines due to its larger displacement. For the domestic market, the Move was later also offered with an optional front-wheel drive model with a turbocharged 658 cc JB-JL four-cylinder engine producing 47 kW (63 hp; 64 PS) – the legal power limit for kei cars, and its top speed was limited to 87 mph (140 km/h) due to the legal restrictions of this vehicle class.

 

The Japanese domestic market models were internally designated L600, or L610 when equipped with four-wheel drive system; L602 was the code for the turbocharged version and export models were internally designated L601. Daihatsu produced more than half a million L600/L610 Move models during its three-year production run, mostly in Japan. It was imported to Europe, too, including the UK, and was furthermore offered with LHD in Continental Europe. In 1997, an upgraded variant with larger headlamps and revised front styling was introduced and marketed as the Move Custom in Japan and was available in subsequent generations, too.

 

However, the Move’s 1999 successor was not exported to Europe anymore, because the Move had turned out to be too similar to the Mira, which had already been sold in Europe for a couple of years under the name Cuore. Here, both models on the same platform and with the same engines filled virtually the same, relatively small microcar niche and sales rather cannibalized each other than being complementarily growing. Nevertheless, the Move microvan remained popular in Japan and Asian markets like Malaysia, Indonesia and China, and has so far been produced in six generations, the latest was launched in late 2014.

  

General specifications:

Wheelbase: 2,300 mm (90.6 in)

Seating: four passengers

Length: 3,295 mm (129.7 in)

Width: 1,395 mm (54.9 in)

Height: 1,620 mm (63.8 in)

Kerb weight: 690–800 kg (1,521–1,764 lb)

 

Powertrain:

658 cc (40.2 cu in) three-cylinder ED-20 engine with 32 kW (43 hp; 44 PS)

and a torque of 67 Nm / 49 lb-ft, coupled with a 5-speed manual or a

3- or 4-speed automatic gearbox

 

Performance:

Top speed: 131 km/h (81 mph)

Acceleration: 0-60 mph in 18.3 sec.

0-100 km/h in 19.4 sec

1/4 mile (402 m) drag time: 21 sec. with manual gearbox

Fuel consumption/mileage: 6 l/100km / 47.1 mpg (imp.) / 39.2 mpg (U.S.) / 16.7 km/l EU-cycle

  

The kit and its assembly:

Yes, a large-scale car, an exotic topic for me. But the “Blue Lights” Group Build at whatifmodellers.com in March 2021 was a good motivator to eventually tackle this project that I had fancied for years but never got myself to procure suitable hardware. I am a huge kei car fan, because these vehicles are a total contrasting concept to ever-growing “normal” cars around them, and there is a wide and very creative range of types around, ranging from sound family cars to vans, utility vehicles or even sports cars (and I am proud to admit that I own and drive such a specimen ^^).

 

Some inspiration for the model came from Kosuke Fujishima’s manga “You are under arrest”, in which, among other kei cars, a tuned, vintage Subaru R-2 in police service, which has its feeble, original 360cc rear engine with 31hp replaced by a Yamaha RZV500R with 80hp, plays a central role. Another factor were personal holiday experiences from a stay in Tokyo some years ago, where I came across several real-world kei cars in police service, including a proud and pristine Suzuki Swift at a rural koban, shiny and always ready for action and crime fighting.

The use of such a wee type of car for police duties appears a bit anachronistic, but these vehicles are just perfect for an urban and typically very tight operational environment. Even fire engines are relatively small in Japan, not bigger than a 7.5 ton truck, because the streets tend to be very narrow.

 

So, a home-made police kei car was the plan. I eventually settled upon an Aoshima 1:24 1st generation Daihatsu Move as a rather dry basis and added typical Japanese police details and equipment. Getting my hands on the police stuff turned out to be a lengthy affair, even though it’s not difficult: Aoshima offers several 1:24 aftermarket sets for conversions, which include flashlights, radio sets and other details. But these are prohibitively expensive, at least for what you get, so that I eventually bought a complete Japanese police car kit, a baroque Aoshima Nissan Cedric (430 Series) sedan. This basically offered the same sprues as the set, at the same price, and it not only supplied a lot of suitable Japanese police detail stuff, including extra flashlights, mirrors or an Asahikage (icon of the national police, “morning sunlight“) badge for the bonnet, it also provided me with a very nice set of optional steel rims. These replaced the Move’s OOB wheel options (either full hub caps or alloy rims for a turbocharged option) for a utility look. As a coincidence they are both 14” size, so that I could use the Move’s relatively narrow rubber tires on the Cedric’s wheels. With the chrome hubcaps, the new black wheels give the vehicle a kind of retro look, and it somehow reminds me of early American Hot Rods? Probably because of the Move’s boxy shape. Weird.

 

The police parts were simply added to the Move kit, but this was not always an easy task. In the cockpit I had to find enough space for the radio set in the dashboard, and the flashing lights had to be modified to suit the Move’s narrow roof – which thankfully features fixed rails, so that the bulky housing could be easily mounted over the B-pillar. I also found that one of the red flashing lights that are typically mounted to the front was missing, so that I had to improvise that and create suitable holders. Further additions include in- and external extra mirrors for the co-driver, a scratched notepad and a kind of chocolate bar on the dashboard.

  

Painting and markings:

Thanks to some preparation time for the GB since November 2020 I was able to get my hands on a rattle can with a Toyota white car paint (BTW, Daihatsu is part of Toyota), just on the last day before everything was shut down in Germany due to Covid-19 lockdown (lasting until building commenced in March 2021!). The plan was to stay as close to the typical TMPD paint scheme as possible, with a white upper car body and black lower flanks as well as a stylish black blaze on the bonnet.

 

Keeping things simple and easy, the hull was treated with white acrylic primer first and then painted with the Toyota tone. I am not certain whether an official White for Japanese police cars exists or not? In Germany there are RAL stones, but elsewhere…?

The black trim areas were created with decals and/or paint – either from the Cedric’s OOB sheet or from generic stripes (TL Modellbau), which were used instead of tape masking to create sharp demarcation lines, while the rest was filled with black (Humbrol 21). The fixed rails on the roof and the small spoiler became black, too, matching the flashlights’ housing. The window frames were painted in Tar Black (Revell 06), which is a very dark grey and rather looks like the typical rubber seals and plastic fairings than pure black.

Since a real-world police car would not be too flashy and rather have a robust utility look, I painted the bumpers in dark grey (Humbrol 67), later slightly dry-brushed with medium grey, simulating bare plastic. Not elegant, but a nice, slight contrast to the stark black/white livery. The chassis plate/suspension/underside was painted in semi-matt black, as well as the steel rims with their chrome caps. These suit the Move IMHO surprisingly well!

 

With simplicity and sobriety in mind, the interior was painted in medium grey, in this case Humbrol 164 (RAF Dark Sea Grey). A light black ink wash was applied to the seats and dry-brushing with light grey was added, too, to simulate fabric texture. The dashboard became grey, too, with black details like the instrument panel, vents and some switches. The radio set was painted black, too, to highlight it and underline that it is a retrofitted piece – even though this is hard to see from the outside.

 

Once all decals (a mix from the Move and the Cedric sheets) were in place and the door outlines emphasized with black ink, the car body was sealed with glossy acrylic varnish and the bumpers received a semi-matt finish, for the bare plastic look. The mirror surfaces were created with a self-adhesive, highly reflective foil, which – even though it is a bit thick – looks much better than any painted solution.

 

For the license plate I went for a typical yellow kei car version – even though I have seen police kei cars carrying white plates with green letters, which indicate special vehicles that have to undergo annual inspection. This is frequently found on “normal” Japanese police cars, and an option in the Cedric kit. But I found the yellow ones more suitable and attractive – maybe it’s a lethal flaw (also the selected numbers and kanji), but that’s already quite nit-picky.

  

An exotic topic, at least for me, and it’s also full of nostalgia and vacation memories. However, I think that the police Move looks pretty good and believable, it turned out better than expected and hoped for. It’s also kind of cute (kawaii!)!

And now I have a surplus car kit, the Nissan Cedric, too…

Dec. 18, 2020

Horseman 450 4X5 Camera

Fujinon W150mm. lens

Arista EDU100 - HC-110 (B)

Epson V800

Endurance Racing Legends

 

Engine: 65° V12 / 5983 cc / 365.1 cu in

Power: 600 bhp / 448 KW @ 6400 rpm

Torque: 600 Nm / 443 ft lbs @ 5000 rpm

Weight: 1100 kg / 2,425 lbs

 

Driver: Max Girardi (CHE)

Kunst der Kelten, Historisches Museum Bern.

Art of the Celts, Historic Museum of Bern.

Airport Rd 2018: 'Torque Mechanics' squad from up top.

A '61 Impala seen at Greaser's Rod and Custom show held at My Casino in Henderson,NV.

Avec le super tuto d'AKAK dans la revue POLYMERE&CO, hors-série, spécial AKAK

A very nicely restored pair of ERF 'B' series tractor units with Gardner 240 and Rolls Royce 265L engines.

Richard Serra, Torqued Ellipse I, 1996

Dia:Beacon Museum. Beacon, New York.

Symboles celtes. (Reconstitution)

 

"Le torque est un collier connu pour avoir été porté par les Celtes au cours de l'Âge du Fer puis, à titre honorifique, par les soldats romains.

 

Le mot vient du latin torques, dérivé de torqueo (tordre), en raison de la forme du collier.

 

Le torque est formé d'une épaisse tige métallique ronde, généralement terminée en boule à ses deux extrémités et plus ou moins travaillée ou ornée. Le corps du collier est généralement en fer mais n'est pas toujours entortillé. Les torques étaient faits à partir de brins de métal entrelacés, généralement en or ou en bronze, moins souvent en argent ou même entièrement en fer."

  

A variation to my original L-motor frame that has been lengthened in order to: 1) accommodate a 16t/24t gear ratio for more pulling power, 2) allow 6 xL wheels with 1 stud spacing, and 3) allow 6 L wheels with 2 stud spacing.

 

EDIT: 10/2016

The frame itself works well despite the overall length of 11 studs between axles. The major change to this has been the removal of the 16t and 24t gears in favor of the smaller 12t & 20t gears. Please reference my newer photo flic.kr/p/Lq6y8e

Ferrari's sequel up to the 458 Italia has followed in the tyre tracks of the California T by gaining a turbocharged V8.

 

Renamed the 488 GTB, Ferrari’s refreshed McLaren 650S rival now packs a 493kW/760Nm from an all-new twin-turbo 3.9-litre V8. The new engine still produces its maximum power at 8,000rpm but, crucially, delivers its peak torque figure at just 3000rpm.

 

Both figures are significantly more impressive than the current Speciale’s 4.5-litre atmo V8 it replaces that can ‘only’ muster 445KW at 9000rpm and 540Nm at stratospheric 6000rpm.

 

Importantly, this finally gives Ferrari the advantage over the current McLaren 650S - that can only manage 478kW/678Nm - although this could swing back in favour of the Brit when McLaren launches its response - the new 675LT supercar at the Geneva motor show.

 

Like the current 458 Italia, the 488 GTB channels its power through the existing seven-speed dual clutch automatic - although Ferrari’s super-fast gearbox had to be beefed up to cope with the extra torque. Different ratios were also added to help manage the new lowdown punch. Ferrari has also added something called ‘Variable Torque Management’ that’s said to smooth off the edges of that power delivery to avoid those unintentional 100m burnouts every time you pull away from the lights.

 

With great traction comes even greater performance and the figures for the 488 GTB are predictably off the scale. The 488 GTB can now crack 0-100km/h in just 3.0 sec and, more impressively, smash the 0-200km/h dash in just 8.4sec (0.1sec quicker than the McLaren 650S). Top speed is pegged at 330km/h.

 

For those worried all this turbocharging will mute the old car’s screaming V8 soundtrack, Ferrari insists its engineers have carefully tuned the 488 GTB for a ‘clear and totally distinctive’ (read loud) noise.

 

Ferrari has also made some efficiency gains too. The new twin turbo engine gains stop-start and now averages 11.4l/100km while emitting 260g/km of CO2 - that’s 47g/km less than the 458.

 

Other more exciting technology new to the 488 GTB includes the introduction of the second-generation Slide Slip Angle Control system (SSC2) that harnesses the active dampers, F1-Trac traction control and E-diff to control (and hold) lurid slides. Better still, Ferrari says all of its driver aids have been tailored to people like us to exploit the 488 GTB’s handling rather than pro-racers.

 

As well as all the new software tweaks, the new Ferrari has spent serious time in the wind tunnel and the result is it’s more slippery than before. This was achieved with a new double spoiler, re-profiled side intakes while, at the rear, there’s active spoilers that work with a ‘blown’ spoiler that has a neat trick of being able to generate downforce without drag.

 

Underneath, the thorough aero tweaks continue with a new underbody that includes something called vortex generators that continue the air bending to help the 488 GTB generate 50 per cent more downforce than the old 458 Italia.

 

Away from the aero geekery the 488 GTB’s look is supposed to conjure images of the old 308 GTB with its large air intake scallop. The wide front double profile spoiler is a product of function over form and has two jobs - the first to funnel air to the two nose-mounted radiators, the second to channel air to that underbody diffuser,

 

Inside, the 488 GTB the old 458 Italia has been overhauled. The dash and vents are now all angled to the driver but the stripped back racer feel carries over.

 

[text from Ninemsn Carpoint]

 

I was intending to build this soon after it was launched, but saw value in doing so 'quickly'. As well as build the most Lego cars, I probably also hold the record for building Lego versions of real cars the soonest after they are revealed. I think my record is about 8 hours later. Cars that I have released the same day or next day are: Ford U502 Explorer, Ford CD391 Fusion, Ferrari 458 Italia, Ferrari 458 Speciale Aperta.

 

The model shown here, Ferrari's new 488 GTB is the replacement for the 458 Italia. In many ways the car does not seem particularly exceptional for a Ferrari. People are moaning about the loss of 'instant throttle response' due to the turbocharging. However, here lies the clue as to what may make this car exceptional, and why it is worth including in this month's challenge:

 

The Ferrari 488 GTB has the highest torque output of any road-going Ferrari.

 

I initially thought about 'the highest output of any V8 Ferrari', and began my search to check it topped out a F40. (it does 493 kW vs 357 kW). Then I checked against the other super-Ferrari, thinking that there might be a few that sat above it: F50 - 382 kW, Enzo - 485 kW, LaFerrari - 588 kW, so it is beaten here, but only by the LaFerrari.

 

But torque, the thing that actually gets you going, it outshines every V8, and eclipses even the LaFerrari, which musters a still-impressive 700 Nm, and must rely on its electric torque driving unit to bring the grand total to 900 Nm. Even the limited edition track racing version, the LaFerrari FXX-K bumps this up to 750 Nm from the internal combustion engine. Still 10 Nm shy of the Ferrari 488 GTB: 760 Nm........

 

...@ 3000 rpm!

 

This Lego miniland-scale Ferrari 488 GTB has been created for Flickr LUGNuts' 88th Build Challenge, - "Let's Break Some Records", - a challenge theme to build a vehicle with some outstanding, record-breaking aspect. In this case, the torquiest Ferrari internal combustion engine, at 760Nm.

Torque; a neo-classic space mx bike inspired by 'American Sixgun - Friends And Lovers'.

イルカスイム, Dolphin Swim,

au TORQUE Owner’s Event,

ドルフィン・ファンタジー伊東, Dolphin Fantasy ITO,

. #IZU #Snorkeling #au_torqueオーナーズイベント

au TORQUE G02 (KYOCERA KYV35) Toughness Waterproof Android Smartphone,

On the left is the torque setup with a 1:1 gear ratio. On the right is the speed setup with a 5:3 gear ratio.

ⓒRebecca Bugge, All Rights Reserved

Do not use without permission.

 

The great golden torque is dated to around 100 B.C.

 

British museum was founded in 1753, much due to the will of Sir Hans Sloane, who in his lifetime had made an extensive collection of curiosities - as was a habit of the 18th century if you were a well-educated man. This first part of the museum consisted of some 71 000 objects - being everything from natural specimens, prints by Albrecht Dürer and objects from long lost civilisations.

 

At first the museum was situated at Montague House, but it soon became too crowded there with a whole series of further donations, including the Rosetta Stone and other artifacts from ancient times. In the 19th century the museum was much expanded to house all these objects and to be able to show them to the public. In 1895 the museum bought the 69 houses surrounding the museum, demolished them and expanded the museum.

 

The natural history collection does not live in the museum now, and the books and manuscript are now held by the British Library - the main focus of the museum now being on cultural history, historical and more modern. It has now a collection of several million objects, covering 54,600 m2 and separated into 94 galleries.

Steering column detail of an AMC vehicle.

 

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