View allAll Photos Tagged Timelapse
A timelapse of Northern Lights from Reykjanes taken 9th of December 2013 and from Lake Kleifarvatn shot the 1st of January 2014..
Photographed on Canon 5D Mark III and Canon EF 16-35mm F2.8L II USM
Timelapse created in After Effects.
1 image every 41 seconds over about 6 or so hours. 70D with Samyang 14mm lens, using custom timelapse slider controlled by a Mini Engine 2
Beaucoup plus fascinant que les mouvements du Canadarm (en train d’installer un équipement à l’extérieur de la Station) : la très fine bande bleue en arrière-plan qui a l’air si fragile, c’est… la couche de l’atmosphère qui nous protège tous journée mondiale de l’environnement
A different kind of timelapse for World Environment Day. Behind Canadarm installing new hardware on the International Space_Station… see that thin band of blue? That is our atmosphere that keeps us and all living things alive...
Credits: ESA/NASA
GMT132_16_28_For ESA_Thomas Pesquet_SSRMS timelapse_140D 4K ESA
Equipment: 5D Mark II + Samyang 14mm f2.8
Post process: LR5.6
Filter: Nil
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POND 5 - Ahmad Hafidz Abdul Kadir
My pictures available at Getty Images
Hafidz Abdul Kadir / © All rights reserved. Do not use or reproduce these images on websites, blogs or publications without expressed written permission from the photographer.
A timelapse flight over a cloudy part of the world, spot the International Space Station radiators top-right? Like our solar panels they move with us to keep our systems and the inhabitants inside at optimal temperature. They circulate ammonia, a toxic substance but very good at exchanging heat given off by our electical systems. It works like a car radiator or a refrigerator, but uses heat radiation instead of convection to keep cool. In space, sunlight warms very quickly, but the shade is very cold: varying from -100°C to +100°C. The goal is to keep the solar panels in the sun and the ammonia radiators in the shade. We have the temperature set at a constant 23°C – except when certain people are on board and complain about how cold it is… it has been raised to 25°C before, true story!
If you know that the Space Station always flies from west to east you can roughly know which way the camera was pointing in each timelapse... in this case: south!
Le système de refroidissement de la Station s’invite dans ce timelapse au-dessus d’une mer de nuages. Il maintient la température aux alentours des 23°C - on monte à 25°C quand l'ISS accueille des astro0nautes italiens qui se plaignent du froid...! On y fait circuler de l’ammoniaque, très toxique mais aux capacités calorifiques élevées, et ils permettent, exposés au vide de l’espace, de dissiper la chaleur accumulée par les systèmes électriques, à l’intérieur de la Station. Comme un radiateur de voiture, ou l’arrière d’un frigo où du fréon circule, mais avec un principe d’échange de chaleur différent (par radiation, et non par conduction ou convection). À noter que dans l’espace, dès qu’on est au soleil il fait très chaud, et dès qu’on est à l’ombre il fait très froid : de +100 à -100 °C environ. Le principe est donc de maintenir les panneaux solaires le plus possible au soleil, et les radiateurs le plus possible à l’ombre…
Credits: ESA/NASA
GMT111_17_20_
A moderate auroral display in North East Scotland captured on Sunday 27th of February on arrival of a small CME. We were not expecting to see anything and had been content to photograph the stars as the sky was amazingly clear however it appeared about 11pm and the display was visible until the clouds came over around midnight.
The Kp was only 1 (rising to 4 through the night) and no aurorawatch (UK) alerts were triggered.
This is a remake of the previous timelapse. When I got in from shooting my hard drive died when copying over the files. I created the original film on my back up windows but photoshop was set to adobe RGB colour space. I have converted to sRGB and increased the exposure slightly on all files to make things a bit clearer.
It is also worth mentioning that the aurora wasn't clearly visible to the naked eye. The intensity wasn't sufficient enough to detect much in the way of colour with only a mild green tinge. A weak aurora will not always trigger the cone receptors at the back of the eye (which are responsible for detecting colour) as they are less sensitive than the rods (which detect B+W) .
Settings - 71 images, 30 seconds exposure, f1.4, ISO 500, 24mm
some images on my website
This is my poor mans attempt to turn long exposures of some small rapids on a flowing stream into a move that seems flow. I guess the basics are there. Just need better source material. Sounds like another trip Rickett's Glen is in order.
Kathy and I drove out to the City of Chino car show this morning. She initially said she wasn't going to go since it was going to rain. It ended up raining but later in the day. The clouds were very impressive so after taking just a few photos (too many cars with their hoods up) I shot this short timelapse video.
Can be viewed at higher quality on Youtube
Camera: Canon 5D (Mark I) 12.8MP Body
Lens: Canon EF 24-70mm f2.8L USM
Trigger: Canon Timer Remote Controller TC-80N3
No. of Exposures: 128 Exposures
Exposure Interval: 1 Exposure every 8 Sec
Focal Length: 38mm
Aperture: f/5.6
Shutter Speed: 6 Sec
ISO: 100
Other Notes: Shot in RAW, converted to full sized jpegs through lightroom, sequenced and animated in After Effects.
In retrospect I should have shot more frequently, about every 2 seconds, as it is i had to stretch the playback rate which accounts for some of the jitter in the clouds, as the computer tried to fill in the missing frames. In future I will shoot no less than 450 frames in every timelapse, that gives me a solid 15 seconds of 30fps playback, 900 frames would be better.
One photo per minute for 24 hours. It goes red at the end there because it's opening at night. plantgasm.com/archives/5274
Last month I began experimenting with time lapse photography after seeing Simon Christen's Unseen Sea.
This is the Oakland Bay Bridge, taken in September. I made a lot of mistakes that night, and learned a lot of interesting things. Among them, don't get lazy and take one frame every ten seconds. That's not enough. A good rule of thumb is to shoot continuously. Even if it's one frame every few seconds. If it turns out you've taken too many shots, you can always delete some later in order to speed up the video playback speed.
Timelapse glaçon
518 images - 100mm f/11 1/20s ISO100 (Canon EF 100mm f/2.8L Macro IS USM) - intervalles de 8 secondes ( = 1h09), LEDs Manfrotto lumimuse 8
Compilées en Vidéo 1080 / 24p de 22 secondes
Post traitement : Lightoom
Timelapse : LRTimelapse
Montage avec musique : iMovie
Musique : Céline Dion - My Heart Will Go On - Titanic