View allAll Photos Tagged Timelapse
Trying out timelapse photography on the fireworks tonight. All went well before the fireworks started by setting the camera to shutter priority, as soon as fireworks started however different aperture compensation has made some images way darker than the other ones - that's what's causing the flickering. Will try the manual mode next time to see if I can get better results, stay tuned!
Soundtrack: "Capture the Flag - by Broken Social Scene"
Have been asked to do some video work with stills etc for a couple of portfolios when covid settles down somewhat so methought had better start upskilling the video efforts and watching some Youtube how too's.... and cannot get too serious so a bit of fun was needed. See if you notice the contradiction.
Timelapse of these three storm: www.flickr.com/photos/79387036@N07/35637517485/in/photost... as they moved away.
Only received 0.03 inches of precipitation. Time is accelerated 150x.
Making-of Images of the Christophmalin.com TimeLapse Movie "The Island" about the wonderful nature and starry skies of La Palma, Canary Islands.
Nikon D7200,Tamron 24-70mm @48mm 29fps 5sec interville 1hr17mts 870 photos f/2.8 (Extera by Vladimir Hirsch)
Taken with a 500mm mirror lens (1.5x crop factor) of the sunrise from Nanaimo, BC.
Long zooms require a slower time-lapse, I learned.
Between 10-11:30PM, a line of thunderstorms formed quickly between Greeley and Ft Morgan, Colorado and moved to the northeast. This sequence lit by a nearly full moon was recorded between 10:15 andf 11:45PM. A series of storm cells produced a nice vivid lightning display. Nikon d7000, Nikkor 35mm lens set at f/4, iso 1100, exp 6 sec with 2 sec delay between frames.
Note the low-level outflow boundary flow during the last few seconds; moving north.
Berthing Cygnus at 25x speed. After astronauts grapple the free-flying vehicle, the ground is in charge of berthing it to the International Space Station. It’s a very slow and precise procedure, with the robotic arm controlled remotely from Houston. Imagine a process so precise that it will create a sealed interface between two vehicles (the lighter Cygnus weighing 5000 kg), in vacuum and with temperatures varying by -100°C to +100°C, while flying at 28000 km/h !
Une fois le véhicule ravitailleur capturé par nos soins, c’est le sol qui a pris le relais pour l’amarrer à la Station. Le centre de contrôle a alors manœuvré le bras robotique depuis Houston, au cours d’une procédure très lente et méticuleuse : il en faut de la précision pour parvenir à sceller une interface entre deux vaisseaux spatiaux (le plus léger pesant pas moins de 5000 kg), dans le vide de l’espace, avec des températures variant de – 100 à + 100°, et tout ça à 28 000 km/h !
Credits: ESA/NASA
GMT112_12_31_
Follow the Mediterranean! Funny how clouds seem to converge over Sardinia and Corsica ;)
La Méditerranée à l’honneur! Pour une raison qui m’échappe, les nuages semblent converger vers la Corse et la Sardaigne…
Credits: ESA/NASA
GMT111_16_13_
An impromptu outing with Badz last Wednesday. Guys, now is the time to shoot sunset from this angle at KLIA, before the sun angle shifts to the extreme right.
Sony A6000 + Samyang 12mm
if somehow you can't play it in flickr (I can't, don't know why) do watch it at Youtube.
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HDR/DRI/Timelapse personal / group workshop is available upon request. PM me for details :)
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Red into blue into green, grey and white with a fade to black – the amazing colours of our planet
Notre traversée du désert à nous est plutôt sympa ;)
Credits: ESA/NASA
GMT106_13_23_
I wasn't sure whether to upload this or not... but why do it if i'm not going to show it :P
This was shot last Sunday morning near Barmera, South Australia with my Canon 6D and Tamron 15-30mm lens and consists of 388 30 second exposures, which equates to over 3 hours of the camera clicking away continuously.
This is my first 'serious' attempt at a timelapse (the technique is the same as shooting startrails) which I have done before, so its not a completely new thing... just a lot more time involved.
The photos were first edited in Lightroom and then the timelapse created in Lightroom as well.
I then used Go-pro Studio to add the music etc.
The music is royalty free music from Bensound titled 'Slow Motion'... a bit ironic seeing it's actually a 'sped up' sequence.
Screen capture a vidéo timelapse. you can see it here:
www.youtube.com/watch?v=NmuP6hL2uY4&feature=share&...
The Eiffel Tower (French: La Tour Eiffel) is an iron lattice tower located on the Champ de Mars in Paris, named after the engineer Gustave Eiffel, whose company designed and built the tower. Erected in 1889 as the entrance arch to the 1889 World's Fair, it has become both a global cultural icon of France and one of the most recognizable structures in the world.
a wee timelapse of the summit of Berwick Law at sunrise. Apologies for the annoying people who keep wandering into shot, it was mostly me, I sort of forgot about the timelapse after setting it up.
Time lapse of the sunset from Montrose Harbor the other day. These frames were 10 seconds apart, which I think made the video too jerky. I'll go back to 5 seconds next time.
I took this series of pics of Ozone running along a concrete slope. He then merged them into one image for me.
Time lapse of noctilucent clouds. The timespan is about two hours, from 01:30 to 03:20 on Thursday July 17th, 2008.
Over 7 months of shooting in Georgia, over 10 different locations and 4,000 frames in 2 minutes.
Video: Dimitri Goderdzishvili
Music: M83 - Moonchild
Technical details:
Camera - Nikon D610
Lens - Tokina 16-28 f/2.8; 50mm f/1.4
Raw Photo Processing - Adobe Lightroom
Video Editing - Adobe After Effects CC
This is a screen grab from a timelapse i released today
When I started timelapse photography a year ago I thought it would be something I could just jump right into and master, as I've been taking stills for nearly a decade now. But I was quickly humbled by the medium as I struggled to put together worthwhile footage after repeated early attempts. This, I realized, was a whole other animal.
Over and above all the technical challenges — motion control gear, constantly changing light, aperture flicker — shooting a timelapse forces you to look inside: after setting up your shot, there’s often not much you can do for hours, but sit up there and ponder while the camera does it's thing. The relationship between the cold glass, steel and concrete below coupled with the often majestic clouds, sky and sun/moon never ceases to be a source of wonder. And so the purpose of what you’re doing becomes a frequent question in your mind.
With City Rising I wanted to bring others up to this perspective, and from here, show them the city as they have never seen it before — where the boundary between earth and sky is unclear and the placid beauty of the city lays spread out below, quietly humming along. City Rising takes the viewer straight through rush hour traffic to the highest urban peaks and the clouds above it all, all in under four minutes.