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I have been trying to get inside Temple Church for some years now. Lat time was in January when the warden assured me it would be open on Saturday, only to find after travelling up from Dover that the door was locked, despite the sign on the door saying it was due to be open.
Anyway, all good things come to those that wait.
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The Temple Church was consecrated in honour of the Blessed Virgin Mary on 10 February 1185 by Heraclius, Patriarch of Jerusalem.
The whole Temple community had moved from an earlier site in High Holborn, considered by the 1160s to be too confined. The church was the chapel serving the London headquarters of the Knights Templar, and from them it took its name. The Templars – as the knights were popularly known – were soldier monks.
After the success of the First Crusade, the order was founded in Jerusalem in a building on the site of King Solomon’s temple. Their mission was to protect pilgrims travelling to and from the Holy Land, but in order to do this they needed men and money. For more details of the Templars and this early history of the Church, see The Round Church, 1185.
The London Temple was the Templars’ headquarters in Great Britain. The Templars’ churches were always built to a circular design to remind them of the Church of the Holy Sepulchre at Jerusalem, a round, domed building raised over the site of the sepulchre where Jesus was buried. At first, the Templars were liked and respected. St Bernard of Clairvaux became their patron and they gained many privileges from popes and much support from kings.
In England, King Henry II was probably present at the consecration of the church; King Henry III favoured them so much that he wished to be buried in their church. As a consequence of this wish, the choir of the church was pulled down and a far larger one built in its place, the choir which we now see. This was consecrated on Ascension Day 1240 in the presence of the king. However, after Henry died it was discovered that he had altered his will, and he was buried in Westminster Abbey.
On 10 February 1185 Heraclius, Patriarch of Jerusalem, processed into the Round for the church’s consecration. The King was almost certainly present. A grand church for a grand occasion; for the Round had no such quiet austerity as we see in it today. The walls and grotesque heads were painted: the walls most probably with bands and lozenges of colour. The Round was proudly modern: Heraclius entered through the Norman door to find the first free-standing Purbeck columns ever cut; above them curved in two dimensions Gothic arches rising to the drum. A chancel, some two thirds of the present chancel’s length, stretched to the east. There the Patriach’s procession will have come to rest for Mass. And there the altar stayed. What, then, – on that great day or later – was the function of the Round?
Its most important role was played by its shape. Jerusalem lies at the centre of all medieval maps, and was the centre of the crusaders’ world. The most sacred place in this most sacred city was the supposed site of Jesus’ own burial: the Church of the Holy Sepulchre. Here the crusaders inherited a round church. It was the goal of every pilgrim, whose protection was the Templars’ care. This was the building, of all buildings on earth, that must be defended from its enemies.
In every round church that the Templars built throughout Europe they recreated the sanctity of this most holy place. Among the knights who would be buried in the Round was the most powerful man of his generation: William the Marshal, Earl of Pembroke (died 1219), adviser to King John and regent to Henry III. His sons’ effigies lie around his own. The Marshal himself (who lies recumbent and still) took the Cross as an old man; his sons (drawing their swords) did not. Their figures lie frozen in stone, forever alert in defence of their father’s long-forgotten cause. Such burial was devoutly to be desired; for to be buried in the Round was to be buried ‘in’ Jerusalem.
The Patriarch Heraclius may well have been the most ignorant, licentious and corrupt priest ever to hold his see. Our reports of his character, however, reach us from his enemies. The great Western chronicler of the Crusades, William of Tyre, was for decades Heraclius’ opponent and rival. In 1180 William had (and had been) expected to be appointed Patriarch of Jerusalem. But the king of Jerusalem was swayed by his mother, said to be a mistress of Heraclius – who was duly appointed Patriarch. William himself was honorably reticent in the face of this reverse. His followers were less restrained. ‘Ernoul’ tells (with more indignation, it seems, than accuracy) how his hero William was excommunicated by the new patriarch, went into exile and died at the hands of Heraclius’ own doctor in Rome. William’s narrative was expanded and continued in Old French as L’Estoire d’ Eracles: its story starts with the Emperor Heraclius who recovered the True Cross in 628 – and includes a prophecy that the Cross, secured by one Heraclius, would be lost (as it was) by another.
Can anything redeem our Heraclius’ reputation? Far more was at stake on his visit than at first appears. He was in London as part of a larger mission:- King Baldwin IV of Jerusalem was dying. His kingdom was riven by factions and under threat from Saladin. He had drawn up in his will the rules for the succession: if his nephew, due to become the child-king Baldwin V, were to die before the age of ten, a new ruler should be chosen through the arbitration of four potentates: the Pope, the Emperor Frederick Barbarossa, the King of France and Henry II of England. Late in 1184 a deputation headed west from the Kingdom of Jerusalem: Heraclius, the Grand Master of the Templars and the Hospitallers’ Grand Prior. They visited the Pope, Frederick, Philip II Augustus – and finally Henry. The emissaries reached Reading. As credentials they brought the keys of the Tower of David and the Kingdom’s royal standard. According to some English chroniclers, they offered the Kingdom itself to Henry. The incident is hard to analyse. To plead for protection was to offer the power that would make such protection effective. Did that call for the Kingdom itself? The apparent offer of keys and standard may have been misread; for the ambassadors were reworking a performance already presented to Philip of France. (One French chronicler later derides Heraclius: he was offering the keys to any prince he met.) But the Kingdom of Jerusalem was in desperate straits; and behind the pageant may have lain hopes for the subtlest solution of all: to side-step Jerusalem’s factions; and instead to secure one – any one – of Europe’s leaders as king. How strange, to entrust any such delicate mission to the buffoonish Patriarch of myth.
The story offered welcome ammunition to Henry II’s enemies. Gerald of Wales, bitterly opposed to the Angevins, sees here the turning-point in Henry’s reign: the king failed to rise to this one supreme test; from then on his own and his sons’ adventures faced ruin. Gerald inherited the topos from an old story with a quite different cast. His new version gave Heraclius a starring role. The Patriarch confronted Henry, Gerald tells us, at Heraclius’ departure from Dover. Here is the king’s last chance. ‘Though all the men of my land,’ said the king, ‘were one body and spoke with one mouth, they would not dare speak to me as you have done.’ ‘Do by me,’ replied Heraclius, ‘as you did by that blessed man Thomas of Canterbury. I had rather be slain by you than by the Saracen, for you are worse than any Saracen.’ ‘I may not leave my land, for my own sons will surely rise against me in my absence.’ ‘No wonder, for from the devil they come and to the devil they shall go.’
Gerald’s Heraclius was no coward, and no fool. ‘That blessed man Thomas of Canterbury’ had been killed in 1170. The penance of the four knights who killed him was to serve with the Templars for fourteen years. Henry himself promised to pay for two hundred Templar knights for a year; and in 1172 he undertook to take the Cross himself. Thirteen years had passed. Henry was growing old. Such a vow, undischarged, threatened his immortal soul – as both Heraclius and he knew well. Henry must tread carefully. He summoned a Great Council at Clerkenwell. Surrounded by his advisers, he gave Heraclius his answer: ‘for the good of his realm and the salvation of his own soul’ he declared that he must stay in England. He would provide money instead. Heraclius was unimpressed: ‘We seek a man even without money – but not money without a man.’ Virum appetimus qui pecunia indigeat, non pecuniam quae viro.
***
Our church’s consecration was deep within the diplomatic labyrinth at whose centre lay the future of Jerusalem. The Templars had come a long way. The Order was founded in 1118-9 by a knight of Champagne, Hugh of Payns, who led a group of his fellow-knights in vows of poverty, chastity and obedience. At their foundation they were deeply suspect: it was unnatural for one man to be soldier and monk together. A handful of such ambivalent knights had little chance, it might seem, of attracting support. In the twelfth century the significance of their seal was well known: Matthew Paris, monk of St Albans, explained that the two knights on one horse recalled their lack of horses and poor beginnings.
In Champagne and Burgundy lay the Order’s origin and the seed of its success. Over the course of fifty years a star-burst of spiritual energy illumined all of Europe; and its centre lay in a small area of eastern France. Hugh’s town of Payns was near Troyes, the local city of one Robert, who became a Cluniac monk. In 1075 this Robert, already an abbot, left his monastery with a group of hermits to found a new house: at Molesme. The list of those influenced by Robert and his houses reads as a roll-call of Europe’s spiritual leaders. There was Bruno, who lived briefly as a hermit near Molesme before establishing the most ascetic of all houses, La Grande Chartreuse; Bruno had already been master to Odo, who later became Pope Urban II and preached the First Crusade. When Robert moved again, in search of a yet more rigorous life, he took with him Stephen Harding, later Archbishop of Canterbury. They set up their house at Citeaux.
Harding would in time become abbot. The rigour of the house made it few friends among the local nobility. Its future was uncertain. And then arrived as remarkable a monk as any of that remarkable age: Bernard. He spent three years at Citeaux before a local lord, Hugh Count of Champagne, gave him in 1116 an area of inhospitable woodland well to the north, back in the neighbourhood of Payns. It was known as the Valley of Gall. Bernard gave it a new name: Clairvaux, the Valley of Light.
Bernard secured single-handed the Templars’ future. Hugh of Champagne became a Templar; so did Bernard’s own uncle Andrew. The Templars’ constitution, the Rule, shows all the marks of Bernard’s influence; at the Council of Troyes in 1129 he spoke up for the Order; and, most influential support of all, at the repeated request of Hugh of Payns Bernard wrote In Praise of the New Knighthood.
The New Knighthood’s first half is well-known: in a text advising and praising and warning the knights, Bernard speaks as well to their critics. He is under no illusions: Europe was as glad to be rid of these warring knights as the Holy Land (in Bernard’s eyes) was glad to see them; their army could be a force for good – or for lawless violence. In the tract’s second half Bernard turns to the Holy Land and to Jerusalem itself. Here was his sharpest spur to the pilgrims’ understanding and to the Templars’ own.
Bernard reads Jerusalem itself like a book. In the tradition of Cassian’s fourfold reading of scripture, dominant throughout the Middle Ages, Bernard saw beneath the appearance of the city’s famous sites a far more important spiritual meaning. The land itself invited such a reading:- Bethlehem, ‘house of bread’, was the town where the living bread was first manifest. The ox and ass ate their food at the manger; we must discern there, by contrast, our spiritual food, and not chomp vainly at the Word’s ‘literal’ nourishment. Next, Nazareth, meaning ‘flower’: Bernard reminds us of those who were misled by the odour of flowers into missing the fruit.
And so to Jerusalem itself:- To descend from the Order’s headquarters on the Temple Mount across the Valley of Josaphat and up the Mount of Olives opposite, – this was itself an allegory for the dread of God’s judgement and our joy at receiving his mercy. The House of Martha, Mary and Lazarus offers a moral: the virtue of obedience and the fruits of penance. And above all: in the Holy Sepulchre itself the knight should be raised up to thoughts of Christ’s death and of the freedom from death that it had won for his people: ‘The death of Christ is the death of my death.’ Bernard draws on Paul’s famous account of baptism, and finds in the pilgrims’ weariness the process of their necessary ‘dying’: ‘For we are buried with him by baptism into death: that like as Christ was raised up from the dead by the glory of the Father, even so we should walk in newness of life. For if we have been planted together in the likeness of his death, so we shall be also in the likeness of the resurrection. How sweet it is for pilgrims after the great weariness of a long journey, after so many dangers of land and sea, there to rest at last where they know their Lord has rested!’
***
The Temple Church is now famous as a backwater, a welcome place of calm. The tides of history have shifted; their currents have dug deep channels far from our own Round Church. It was not always so. The effigies of the Marshal and his sons bear telling witness to the Temple’s role in the court’s and nation’s life. In the 16th century the chronicler Stow described the Templars’ seal. The story of their poverty was by then forgotten or incredible. Stow saw rather an emblem of Charity: a knight on horseback takes a fellow Christian out of danger. Perhaps there had always been romance in that picture of knights sharing a horse. The Order’s Rule, after all, allowed each knight three horses and a squire.
The effigies testify as well to a rich ‘reading’ of Jerusalem. The New Knighthood is double-edged: all that Bernard writes in praise of Jerusalem frees the faithful from the need to travel there: it is the spiritual sense of the city that matters – a sense as readily grasped at home. To find ‘Jerusalem’, as Bernard would have it, the faithful should rather come to Clairvaux, and not just on pilgrimage. So resolute a reading was hard to sustain. Bernard might detach Jerusalem from the benefits its contemplation could bring; but those around him sooner attached Jerusalem’s blessings to such places as fostered its contemplation.
Our effigies seem to us frozen in stone, their figures forever poised to fight battles that ended 700 years ago. But these knights’ eyes are open. They are all portrayed in their early thirties, the age at which Christ died and at which the dead will rise on his return. The effigies are not memorials of what has long since been and gone; they speak of what is yet to come, of these once and future knights who are poised to hear Christ’s summons and to spring again to war.
By 1145 the Templars themselves wore white robes with red crosses. White was linked with more than purity. In the Book of Revelation the martyrs of Christ, clad in white robes washed in the blood of the Lamb (Rev 7.14), are those who will be called to life at the ‘first resurrection’. For a millennium they will reign with Christ; at its end Satan will lead all the nations of the earth against ‘the beloved city’ (Rev 20.9). The final battle will be in Jerusalem. Our knights have good reason to draw their swords. For buried in ‘Jerusalem’, in Jerusalem they shall rise to join the Templars in the martyrs’ white and red. Here in the Temple, in our replica of the Sepulchre itself, the knights are waiting for their call to life, to arms and to the last, climactic defence of their most sacred place on earth.
Little more than fifty years after the consecration of the chancel, the Templars fell on evil times. The Holy Land was recaptured by the Saracens and so their work came to an end. The wealth they had accumulated made them the target of envious enemies, and in 1307, at the instigation of Philip IV King of France, the Order was abolished by the Pope. The papal decree was obeyed in England and King Edward II took control of the London Temple.
Eventually he gave it to the Order of St John – the Knights Hospitaller – who had always worked with the Templars. At the time, the lawyers were looking for a home in London in order to attend the royal courts in Westminster. So the Temple was rented to two colleges of lawyers, who came to be identified as the Inner and Middle Temples. The two colleges shared the use of the church. In this way, the Temple Church became the “college chapel” of those two societies and continues to be maintained by them to the present day.
It was King Henry VIII who brought about the next change in the church. In 1540 he abolished the Hospitallers and confiscated their property. The Temple again belonged to the Crown. It was then for Henry to provide a priest for the church, to whom he gave the title ‘Master of the Temple’.
‘Be of good comfort,’ said Hooker: ‘we have to do with a merciful God, rather to make the best of that little which we hold well; and not with a captious sophister who gathers the worst out of every thing in which we err.’
Richard Hooker was appointed Master of the Temple in 1585. England was in alarm. The threat from Catholic Europe had revived: there had been rebellion against the Queen and Settlement in 1569; in 1570 the Pope had excommunicated Elizabeth and declared her subjects free from their allegiance; Mary Queen of Scots was linked with ever further conspiracy against her cousin; and the danger of Spanish invasion was growing.
England’s radical reformers were convinced: England’s only hope of spiritual and political safety lay in the example of Calvin’s godly state, Geneva. The ‘head and neck’ of English Calvinism were Thomas Cartwright and Walter Travers. Since 1581 Travers had been the Reader (lecturer) of the Temple. In 1584 the Privy Council ordered the Inner Temple to continue his stipend ‘for his public labours and pains taken against the common adversaries, impugners of the state and the authorities under her Majesty’s gracious government.’ Hooker and Travers were to be colleagues. Their differences soon became clear. To recover the purity of the primitive church, Travers would be rid of all that intervened and would forge the English church anew. Hooker was steeped in classical and medieval thought; saw the roots of his own (and Travers’) understanding in Aristotle, Augustine, Thomas and Calvin himself; and acknowledged –even valued – the differences to which such a rich tradition could give rise: ‘Be it that Peter has one interpretation, and Apollos has another; that Paul is of this mind, and Barnabas of that. If this offend you, the fault is yours.’ As then, so now: ‘Carry peaceable minds, and you may have comfort by this variety.’ When Hooker carefully and bravely explored the possibility that individual Catholics could be saved, the scene was set for the most famous public debated of the day. ‘Surely I must confess unto you,’ said Hooker: ‘if it be an error to think that God may be merciful to save men, even when they err, my greatest comfort is my error. Were it not for the love I bear unto this “error”, I would neither wish to speak nor to live.’
We hear of Hooker’s preaching at the Temple: ‘his voice was low, stature little, gesture none at all, standing stone still in the pulpit, as if the posture of his body were the emblem of his mind, immovable in his opinions. Where his eye was left fixed at the beginning, it was found fixed at the end of the sermon. …The doctrine he delivered had nothing but itself to garnish it.’ Travers, by contrast, was a natural orator, and he was himself a distinguished thinker; he later became the first Provost of Trinity College, Dublin. Hooker held his ground and deepened his reasoning. It was to disclose and offer the comfort of faith that he spoke: ‘Have the sons of God a father careless whether they sink or swim?’ The Temple sermons that survive stress the simple conditions of salvation: ‘Infidelity, extreme despair, hatred of God and all godliness, obduration in sin – cannot stand where there is the least spark of faith, hope, love or sanctity; even as cold in the lowest degree cannot be where heat in the first degree is found.’
The debate was brought to an end by Archbishop Whitgift: In March 1586 Travers was forbidden to preach. In 1591 Hooker resigned, and was appointed vicar of Bishopsbourne in Kent. Here he developed his thought in his masterpiece, Ecclesiastical Polity, the foundational – and still, perhaps, the most important – exploration of doctrine in the history of the Anglican church. Hooker elaborated a theory of law based on the ‘absolute’ fundamental of natural law: this is the expression of God’s supreme reason and governs all civil and ecclesiastical polity. ‘Of Law there can be no less acknowledged, than that her seat is the bosom of God, her voice the harmony of the world: all things in heaven and earth do her homage, the very least as feeling her care, and the greatest as not exempted from her power: both angels and men and creatures of what condition soever, though each in different sort and manner, yet all with uniform consent, admiring her as the mother of their peace and joy.’ Hooker’s influence has pervaded English thought ever since. He was admired by Laud and by the puritan Baxter, extolled by the Restoration bishops, and brought once more to prominence by Keble and the Oxford Movement; he has now been rediscovered (in a recent monograph by Richard Atkinson) within the modern evangelical church. His reach has extended far beyond theologians. Ecclesiastical Polity was the starting-point for Clarendon’s History and seminal for Locke’s philosophy; its self-critical balance touched Andrew Marvell; and Samuel Pepys read it at the recommendation of a friend who declared it ‘the best book, and the only one that made him a Christian.’
THE BATTLE OF THE PULPIT
In 1585 the Master of the Temple, Richard Alvey, died. His deputy – the Reader, Walter Travers – expected to be promoted, but Queen Elizabeth I and her advisers regarded his views as too Calvinist, and Travers was passed over.
Instead a new Master, Richard Hooker, was appointed from Exeter College, Oxford. On Hooker’s arrival, a unique situation arose. Each Sunday morning he would preach his sermon; each Sunday afternoon Travers would contradict him. People came to call it the Battle of the Pulpit, saying mischievously that Canterbury was preached in the morning and Geneva in the afternoon. There was a lasting result of all this: Hooker published his teaching as Ecclesiastical Polity and came to be recognised as the founding father of Anglican theology.
By the end of the 16th century, the two Inns of Court had erected many fine buildings at the Temple, yet their position as tenants was not a secure one. In order to protect what they had built up from any future whims of the Crown, they petitioned King James I for a more satisfactory arrangement. On 13 August 1608 the King granted the two Inns a Royal Charter giving them use of the Temple in perpetuity.
One condition of this was that the Inns must maintain the church. The Temple and the church are still governed by that charter. In gratitude, the Inns gave King James a fine gold cup. Some years later, in the Civil war, his son Charles I needed funds to keep his army in the field. The cup was sold in Holland and has never been traced.
In February 1683, the treasurers of the two Societies of the Temple commissioned an organ from each of the two leading organ builders of the time, Bernhard Smith (1630-1708) and Renatus Harris (1652-1708). The organs were to be installed in the halls of the Middle and Inner Temple, to enable them to be played and judged. Smith was annoyed to discover that Harris was also invited to compete for the contract; he was under the impression that the job had already been offered to him. Smith petitioned the treasurers and won permission to erect his instrument in the church instead of in one of the halls. It was set on a screen which divided the round from the quire. This advantage was short-lived as Harris sought and obtained approval to place his organ at the opposite end of the church, to the south side of the communion table. It is thought that both organs were completed by May 1684.
Harris and Smith engaged the finest organists to show off their respective instruments and were put to great expense as the competition intensified and each instrument became more.
In 1841 the church was again restored, by Smirke and Burton, the walls and ceiling being decorated in the high Victorian Gothic style. The object of this was to bring the church back to its original appearance, for it would have been brightly decorated like this when first built. Nothing of the work remains, however, for it was destroyed by fire bombs exactly a century after its completion. After the Victorian restoration, a choir of men and boys was introduced for the first time. The first organist and choirmaster was Dr Edward John Hopkins who remained in this post for over 50 years, 1843-96, establishing the Temple Church choir as one of the finest in London, a city of fine choirs. This tradition of high-quality music was maintained by Hopkins’ well-known successor, Henry Walford Davies, who stayed until 1923.
In 1923 Dr GT Thalben-Ball was appointed organist and choirmaster. This musician, later world- renowned, was to serve the church even longer than his predecessor, John Hopkins, retiring in 1982 after 59 years in office. One reason for his fame was the record made in 1927 of Mendelssohn’s Hear My Prayer by Thalben-Ball and the boy soloist Ernest Lough. The recording became world-famous and brought visitors to the church from all parts of the globe.
In 1941 on the night of 10 May, when Nazi air raids on London were at their height, the church was badly damaged by incendiary bombs. The roof of the round church burned first and the wind soon spread the blaze to the nave and choir. The organ was completely destroyed, together with all the wood in the church. Restoration took a long time to complete. The choir, containing a new organ given by Lord Glentannar, was the first area of the church to be rededicated in March 1954. By a stroke of good fortune the architects, Walter and Emil Godfrey, were able to use the reredos designed by Wren for his 17th-century restoration. Removed by Smirke and Burton in 1841, it had spent over a century in the Bowes Museum, County Durham, and was now re-installed in its original position. The round church was rededicated in November 1958.
Probably the most notable feature of today’s church is the east window. This was a gift from the Glaziers’ Company in 1954 to replace that destroyed in the war. It was designed by Carl Edwards and illustrates Jesus’ connection with the Temple at Jerusalem. In one panel we see him talking with the learned teachers there, in another driving out the money-changers. The window also depicts some of the personalities associated with Temple Church over the centuries, including Henry II, Henry III and several of the medieval Masters of the Temple.
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Roberto Sebastian Antonio Matta Echaurren was born in Santiago, Chile in 1911. He studied architecture at the Universidad Catolica in Santiago. In 1933 Matta traveled to Paris and worked for two years as a draftsman in the Paris studio of famed architect Le Corbusier. While visiting his aunt in Madrid, he met Federico Garcia Lorca and Pablo Neruda. Neruda introduced Matta to Salvador Dali and Andre Breton. Impressed by Matta's drawings, Breton invited him to join the Surrealist group in 1937. Influenced by his association with the Surrealists and by Marcel Duchamp's theories of movement and process, Matta began to explore the realm of the subconscious and to develop an imagery of cosmic creation and destruction. His early works, the Psychological Morphologies and the Inscape series, were organic in style and content. By 1939 the war in Europe drove Matta to exile in New York, where he was an important influence on the young New York School artists, especially in his use of automatist techniques.
In 1940 he held his first solo exhibition at the Julien Levy Gallery in New York City. A 1941 trip to Mexico with his wife and his friend Robert Motherwell intensified his interest in the pre-Columbian heritage of Latin America. In 1942 Matta was included in the New York exhibitions Artists in Exile at the Pierre Matisse Gallery and The First Papers of Surrealism at the Whitelaw-Reid Mansion. In the mid-1940s his early abstractions gave way to paintings in which mechanical and insect-like shapes float and collide in a cosmic space charged with dynamic tension. In 1948, Matta returned to Europe and broke with the Surrealist movement. He settled in Paris in 1954. During the 1960s and 1970s Matta traveled to Cuba, South America, Egypt, and Africa. Although known primarily as a painter, Matta has also explored the media of sculpture, ceramics, and tapestry.
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Coletiva The Big Bang Theory
Johnny Galecki (Leonard)
São Paulo - 04/05/2011
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Revendo algumas coisas antigas encontrei as fotos que fiz na coletiva do pessoal do The Big Bang Theory no ano passado.
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Beverly Hills, CA: Paley Center for Media - Warner Brothers exhibit - "Television Out of the Box." Clothes and items from the "Big Bang Theory."
Greetings mate! As many of you know, I love marrying art, science, and math in my fine art portrait and landscape photography!
The 45surf and gold 45 revolver swimsuits, shirts, logos, designs, and lingerie are designed in accordance with the golden ratio! More about the design and my philosophy of "no retouching" on the beautiful goddesses in my new book:
www.facebook.com/Photographing-Women-Models-Portrait-Swim...
"Photographing Women Models: Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype"
If you would like a free review copy, message me!
Epic Landscape Photography! New Book!
www.facebook.com/epiclandscapephotography
And here's more on the golden ratio which appears in many of my landscape and portrait photographs (while shaping the proportions of the golden gun)!
www.facebook.com/goldennumberratio/
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The dx4/dt=ic above the gun on the lingerie derives from my new physics books devoted to Light, Time, Dimension Theory!
www.facebook.com/lightimedimensiontheory/
Thanks for being a fan! Would love to hears your thoughts on my philosophies and books! :)
http:/instagram.com/elliotmcgucken
instagram.com/goldennumberratio
Beautiful swimsuit bikini model goddess!
Golden Ratio Lingerie Model Goddess LTD Theory Lingerie dx4/dt=ic! The Birth of Venus, Athena, and Artemis! Girls and Guns!
Would you like to see the whole set? Comment below and let me know!
Follow me!
I am working on several books on "epic photography," and I recently finished a related one titled: The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography: An Artistic and Scientific Introduction to the Golden Mean . Message me on facebook for a free review copy!
www.facebook.com/goldennumberratio/
The Golden Ratio informs a lot of my art and photographic composition. The Golden Ratio also informs the design of the golden revolver on all the swimsuits and lingerie, as well as the 45surf logo! Not so long ago, I came up with the Golden Ratio Principle which describes why The Golden Ratio is so beautiful.
The Golden Number Ratio Principle: Dr. E’s Golden Ratio Principle: The golden ratio exalts beauty because the number is a characteristic of the mathematically and physically most efficient manners of growth and distribution, on both evolutionary and purely physical levels. The golden ratio ensures that the proportions and structure of that which came before provide the proportions and structure of that which comes after. Robust, ordered growth is naturally associated with health and beauty, and thus we evolved to perceive the golden ratio harmonies as inherently beautiful, as we saw and felt their presence in all vital growth and life—in the salient features and proportions of humans and nature alike, from the distribution of our facial features and bones to the arrangements of petals, leaves, and sunflowers seeds. As ratios between Fibonacci Numbers offer the closest whole-number approximations to the golden ratio, and as seeds, cells, leaves, bones, and other physical entities appear in whole numbers, the Fibonacci Numbers oft appear in nature’s elements as “growth’s numbers.” From the dawn of time, humanity sought to salute their gods in art and temples exalting the same proportion by which all their vital sustenance and they themselves had been created—the golden ratio.
The Birth of Venus! Beautiful Golden Ratio Swimsuit Bikini Model Goddess! Helen of Troy! She was tall, thin, fit, and quite pretty!
Read all about how classical art such as The Birth of Venus inspires all my photography!
www.facebook.com/Photographing-Women-Models-Portrait-Swim...
"Photographing Women Models: Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype"
Fangruida, male, Han nationality, 195o was born on May 13, Shanghai (other biography considered 195o April, in fact repeated the baseless assertion, should be May 13, the other is not accurate, this shall prevail. Fangruida(1950, born in Shanghai on May 13, physicists, astronomers, cosmologists, geologists, biologists, aerospace scientist, physician, philosopher, thinker, religion, anthropologists, sociologists, composers, painters, writers, economists, inventors, educators). Fang Rui Da, also known as Fang Rui, Fang Rui, Fangruida, ruida-Fang, male, Han nationality, was born in Shanghai 1950,4-, formerly known as wood south , Ye Hao, luxuriantly, Fonda, deer of Yu, Xu opened tanghaijing, etc., physicists, philosophers, astronomers, writers, economists, cosmologists, who study at universities abroad, Ph.D. Foundation, vistor, senior Seminar, Australia University, Cornell University, Moscow State University, the University of Geneva, University of Technology, National People's Congress, Hunan University, College of agriculture, etc., vistingscholar, once Chinese and foreign universities, research institutes, laboratories, laboratory, and foreign commercial enterprises, technology companies, etc. the work and research, he served in various roles. senior researchers, professors, and now Switzerland, Belgium, and other consulting and technical advisers, technical experts, business director, professor, design experts. including discovery research : Central Park divects Theorem (in 1985, in Rome, Paris, Belgium, super spin vector field, super spin Theorem): in lathepoential "field" theorems times tribal spin spinvector initial steering state, the ground state spin differential and integral calculus , (1965-1988, Europe, France, the Netherlands, fill fields Theorem (1976-1986 years in Argentina, Japan, Germany, China research); from the center of Jupiter theory (1986-1993-2000, UK, USA, France) : space and time simple shear model (1965-1986, Norway, Sweden, Russia, Canada, andsantiago, etc.): hole seismic wave field (1982-1997, Australia, China): large cross-border activities (1986-1996, in the United States, South Africa, Switzerland, Chile, New Zealand): rotary mechanism of gene derived TE superconductivity neurons (from 1973 to 1990, in Copenhagen, Stockholm, Bern, etc.), cancer of the nervous reflex arc gene . superconducting effect, seismic sanrosoy instruments, etc. natural and hybrid orbital trajectory language (in Europe 1992-1999 abroad, study neurophysiology, brain research .- the main invention: medicine treator aid earthquake sanrosoy instrument etc., research papers and inventions, works, works. Nature and Natural <> <>, <>, <>, <> had been a number of international awards nominees or candidates. Scientific discoveries and technological inventions and other writings, and other works. Chinese and foreign celebrity biographies, biographies of Cambridge, the world scientists, the world famous encyclopedia, IBC / AbI celebrities such as dictionaries and the world's main site collection. The main site in the world, international websites have relevant information.
Works, books, poetry and so on. (Electronic version of the main books, papers, studies, work, etc., online, e-books, etc.)
Natural Sciences Proceedings. Natural essence and principle (Research Monographs
Study of spin in the world economic system and ultra-spin particles in the universe
On the large-cell fusion
Criticism of the nature of world criticism 500000000000000000000000 years / nature
A new interpretation of literary theory
Poetry series, Amazon River campfire
Niaofei mangroves
Mars lander / cheat death
Flowery field
Universal ECONOMY through Jesus Christ
5,4,3,2,1 theoretical academic monograph in the world game
Selected famous Fangruida classic / classical poetry 30 square Investor / Fangruida natural philosophical works featured interpretations
Legend Qinhuai
Moonlight night
In the Rose Garden / Fangruida classic quotations Featured
Moving to Mars, vast beautiful paradise awaits you (31 high-tech cutting-edge technology
rainbow. cloud. fog. summer. Rain, and other works, or works.
fangruida life especially beloved of Nature and Science, as a natural scientist a matter of course, his famous "discovery is a natural father, the invention is Mother Nature," "no superman in the world, the only permanent hard work in the vast world of farming Cardiff only "" moving to Mars, vast beautiful kingdom of heaven awaits you. "known all over the world of mankind.
Fangruida, mâle, de nationalité Han, 195o est né le 13 mai, Shanghai (autre biographie considéré 195o Avril, en fait répété l'affirmation sans fondement, devrait être le 13 mai, l'autre est pas exact, ce qui prévaut. Fangruida (1950, né en Shanghai le 13 mai, les physiciens, les astronomes, les cosmologistes, géologues, biologistes, aérospatiale scientifique, médecin, philosophe, penseur, religion, anthropologues, sociologues, compositeurs, peintres, écrivains, économistes, inventeurs, éducateurs). Fang Rui Da, également connu sous le nom Fang Rui, Fang Rui, Fangruida, Ruida-Fang, mâle, de nationalité Han, est né à Shanghai 1950,4-, anciennement connu sous le nom de bois sud, Ye Hao, luxuriance, Fonda, cerfs de Yu, Xu a ouvert tanghaijing, etc., physiciens, philosophes, astronomes, écrivains, économistes, cosmologues, qui étudient dans des universités à l'étranger, Fondation Ph.D., vistor, Séminaire supérieur, Université Australie, Cornell University, Université d'Etat de Moscou, l'Université de Genève, Université de technologie, populaire nationale Congrès, Université du Hunan, Collège de l'agriculture, etc., vistingscholar, une fois les universités chinoises et étrangères, des instituts de recherche, des laboratoires, des laboratoires et des entreprises commerciales étrangères, les sociétés technologiques, etc. le travail et la recherche, il a occupé divers rôles. chercheurs chevronnés, professeurs, et maintenant la Suisse, la Belgique, et d'autres conseillers de conseil et techniques, experts techniques, directeur d'affaires, professeur, experts de conception. y compris la recherche de découverte: Central Park divects Théorème (en 1985, à Rome, Paris, Belgique, super champ de vecteurs de spin, super essorage Théorème): dans lathepoential "terrain" théorèmes fois de spin tribal spinvector état de direction initiale, l'état de spin différentiel de masse et intégrales calcul, (1965-1988, Europe, France, Pays-Bas, remplir les champs Théorème (1976-1986 ans en Argentine, le Japon, l'Allemagne, la recherche de la Chine), du centre de la théorie de Jupiter (1986-1993-2000, Royaume-Uni, États-Unis, France): l'espace et le temps modèle de cisaillement simple (1965-1986, Norvège, Suède, Russie, Canada, andsantiago, etc.): champ d'ondes sismiques de trou (1982-1997, Australie, Chine): grandes activités transfrontalières (1986- 1996, aux États-Unis, Afrique du Sud, Suisse, Chili, Nouvelle-Zélande): mécanisme de rotation du gène dérivé de neurones supraconductivité TE (de 1973 à 1990, à Copenhague, Stockholm, Berne, etc.), le cancer du gène arc réflexe nerveux . effet, les instruments de sanrosoy sismiques, etc. langue de la trajectoire orbitale naturelle et hybride (supraconducteurs en Europe 1992-1999 à l'étranger, l'étude neurophysiologie, recherche sur le cerveau .- l'invention principale: œuvres aide treator instrument séisme sanrosoy médecine, etc., documents de recherche et les inventions, , travaux. Nature et naturel <> <>, <>, <>, <> avait été un certain nombre de candidats ou candidats de bourses internationales. Les découvertes scientifiques et les inventions technologiques et autres écrits, et d'autres œuvres. Chinois et étrangers biographies de célébrités, des biographies de Cambridge, les scientifiques du monde entier, l'encyclopédie de renommée mondiale, des célébrités IBC / abi tels que les dictionnaires et la collecte de site principal du monde. Le site principal dans le monde, les sites Web internationaux ont des informations pertinentes.
Works, des livres, la poésie et ainsi de suite. (Version électronique des principaux livres, papiers, études, travail, etc., en ligne, e-livres, etc.)
Délibérations Sciences naturelles. essence et le principe naturel (Monographies de recherche
particules d'étude de spin dans le système économique mondial et ultra-spin dans l'univers
Sur la fusion à grandes cellules
La critique de la nature de la critique du monde 500000000000000000000000 ans / nature
Une nouvelle interprétation de la théorie littéraire
série Poésie, Amazon River feu
mangroves Niaofei
Mars lander / mort triche
champ fleuri
ÉCONOMIE universelle par Jésus-Christ
5,4,3,2,1 monographie universitaire théorique dans le jeu mondial
Sélectionné célèbre Fangruida classique / poésie classique 30 interprétations carrés Investisseur / Fangruida œuvres philosophiques naturelles en vedette
Légende Qinhuai
nuit de lune
Dans les citations classiques Rose Garden / Fangruida vedette
Moving to Mars, vaste beau paradis vous attend (technologie de pointe 31 high-tech
arc en ciel. nuage. brouillard. été. La pluie, et d'autres ouvrages ou travaux.
vie fangruida particulièrement aimé de la nature et de la science, en tant que scientifique naturel une question de cours, sa fameuse «découverte est un père naturel, l'invention est Mère Nature", "pas superman dans le monde, le seul travail permanent dans le vaste monde de l'agriculture Cardiff ne "" déplacer vers Mars, vaste beau royaume des cieux vous attend. "connu dans le monde de l'humanité.
Fangruida, мужчина, Хан национальности, 195o родился 13 мая, Шанхай (другая биография считается 195o апреля фактически повторил необоснованные утверждения, должно быть 13 мая другой не является точным, это будет иметь преимущественную силу. Fangruida (1950 года рождения Шанхай 13 мая, физики, астрономы, космологи, геологи, биологи, авиакосмической ученый, врач, философ, мыслитель, религия, антропологи, социологи, композиторы, художники, писатели, экономисты, изобретатели, преподаватели). Fang Rui Da, также известный как Fang Rui, Fang Rui, Fangruida, Ruida-Fang, мужчина, Хан национальности, родился в Шанхае 1950,4-, ранее известный как дерево на юг, Е. Хао, пышно, Fonda, олени Ю., Сюй открыл tanghaijing и т.д., физики, философы, астрономы, писатели, экономисты, космологи, которые учатся в университетах за рубежом, доктор философии Фонда, vistor, старший семинар, Австралия университет, Корнельский университет, Московский государственный университет, Женевский университет, технологический университет, Национальный Народный Конгресс, Хунань университет, колледж сельского хозяйства и т.д., vistingscholar после того, как китайские и зарубежные университеты, научно-исследовательские институты, лаборатории, лаборатории и иностранных коммерческих предприятий, технологических компаний и т.д. работы и научных исследований, он служил в различных ролях. старшие научные сотрудники, преподаватели, а теперь Швейцарии, Бельгии и других консультационных и технических консультантов, технических экспертов, бизнес-директор, профессор, проектные эксперты. в том числе исследования открытие: Центральный парк divects теорема (в 1985 году в Риме, Париже, Бельгии, супер поле вектора спина, супер спина теорема): в lathepoential "полевых" Теоремы времен Племенные спина spinvector начальное состояние рулевого управления, основное состояние спин дифференциальных и интегральных исчисление, (1965-1988, Европа, Франция, Нидерланды, заполнить поля теорема (1976-1986 годы в Аргентине, Японии, Германии, Китая исследований), от центра теории Юпитера (1986-1993-2000, Великобритания, США, Франция): пространство и время простая модель сдвига (1965-1986, Норвегия, Швеция, Россия, Канада, andsantiago и т.д.): отверстие поле сейсмических волн (1982-1997, Австралия, Китай): крупные трансграничные мероприятия (1986- 1996, в Соединенных Штатах Америки, Южной Африки, Швейцарии, Чили, Новая Зеландия): поворотный механизм гена происходит сверхпроводимость нейроны ТЕ (с 1973 по 1990 г. в Копенгагене, Стокгольме, Берне и т.д.), рак нервной рефлекторной дуги гена . сверхпроводящие эффект, сейсмические sanrosoy инструменты и т.д. естественный и гибридную орбитальную язык траектории (в Европе 1992-1999 за рубежом, исследование нейрофизиологии, исследования мозга .- основное изобретение: медицина treator помощь землетрясения sanrosoy инструментов и т.д., научно-исследовательских работ и изобретений, работ , работает. Природа и природные <> <>, <>, <>, <> был проведен целый ряд международных наград кандидатов или кандидатов. Научные открытия и технические изобретения и другие произведения, а также другие произведения. Китайские и зарубежные знаменитости биографии, биографии Кембриджа, мировых ученых, всемирно известной энциклопедии, IBC / ABI знаменитости, такие как словари и основного семейства сайтов в мире. Основным местом в мире, международные веб-сайты имеют соответствующую информацию.
Работы, книги, поэзия и так далее. (Электронная версия основных книг, бумаги, исследований, работы и т.д., он-лайн, электронные книги и т.д.)
Естественные науки Труды. Естественная сущность и принцип (Исследования Монографии
Изучение спина в мировой экономической системе и ультра-частицы со спином во Вселенной
На слиянии крупных клеток
Критика природы мировой критики 500000000000000000000000 лет / природы
Новая интерпретация литературной теории
Поэзия серии, реки Амазонки костра
Niaofei мангровые
Mars Lander / Обман смерти
Флауэри поле
Универсальный ЭКОНОМ через Иисуса Христа
5,4,3,2,1 теоретическая академическая монография в мировой игре
Выбранный знаменитый Fangruida классический / классическая поэзия 30 квадратных Инвестор / Fangruida природные философские произведения признакам интерпретации
Легенда Qinhuai
Лунная ночь
В Rose Garden / Fangruida классических цитат Рекомендуемые
Переезд на Марс, обширный красивый рай ждет вас (31 высокотехнологичную передовые технологии
радуги. облако. туман. лето. Дождь, и другие работы, или работы.
fangruida жизнь особенно любимой природы и науки, как естествоиспытатель вопрос, конечно, его знаменитая "открытие является естественным отец, изобретение мать-природа", "нет сверхчеловек в мире, единственный постоянный упорный труд в огромном мире фермерства Кардифф только "" движется на Марс, огромное красивое царство небесное ждет вас. "известны во всем мире человечества.Fangruida, männlich, Han-Nationalität, 195o wurde am 13. Mai geboren, Shanghai (andere Biographie betrachtet 195o April, in der Tat die unbegründete Behauptung wiederholt, sollten 13. Mai sein, das andere ist nicht korrekt, diese maßgebend. Fangruida (1950, geboren in Shanghai am 13. Mai, Physiker, Astronomen, Kosmologen, Geologen, Biologen, Luft- und Raumfahrt Wissenschaftler, Arzt, Philosoph, Denker, der Religion, Anthropologen, Soziologen, Komponisten, Maler, Schriftsteller, Ökonomen, Erfinder, Lehrer). Fang Rui da, auch bekannt als Fang Rui, Fang Rui, Fangruida, ruida-Fang, männlich, Han-Nationalität, nach Süden in Shanghai 1950,4-, früher bekannt als Holz geboren wurde, Ye Hao, üppig, Fonda, Hirsch von Yu, Xu geöffnet tanghaijing usw. Physiker, Philosophen, Astronomen, Schriftsteller, Ökonomen, Kosmologen, die im Ausland an Universitäten Studie, Ph.D.-Stiftung, vistor, Senior Seminar, Australien University, Cornell University, der Staatlichen Universität Moskau, der Universität Genf, University of Technology, nationalen Volks Kongress, Hunan University, College of Landwirtschaft usw., vistingscholar, einmal chinesischen und ausländischen Universitäten, Forschungseinrichtungen, Laboratorien, Labor-und ausländischen Handelsunternehmen, Technologieunternehmen, usw. die Arbeit und Forschung diente er in verschiedenen Rollen. Senior Forscher, Professoren und jetzt die Schweiz, Belgien und andere Beratung und technische Berater, technischen Experten, Business-Direktor, Professor, Design-Experten. Entdeckungsforschung einschließlich: Central Park divects Satz (1985 in Rom, Paris, Belgien, super Spin Vektorfeld, super Spin Satz): in lathepoential "Feld" Theoreme mal Stammes-Spin spinvector anfänglichen Lenkzustand, der Grundzustand Spin Differential- und Integral Kalkül, (1965-1988, Europa, Frankreich, den Niederlanden, füllen Felder Satz (1976-1986 Jahre in Argentinien, Japan, Deutschland, China Forschung) vom Zentrum von Jupiter Theorie (1986-1993-2000, UK, USA, Frankreich): Raum und Zeit einfach Scher Modell (1965-1986, Norwegen, Schweden, Russland, Kanada, andsantiago usw.): Loch seismische Wellenfeld (1982-1997, Australien, China): große grenzüberschreitende Aktivitäten (1986- 1996 in den Vereinigten Staaten, Südafrika, Schweiz, Chile, Neuseeland): Drehmechanismus von Gen abgeleitet Supraleitung Neuronen TE (1973 bis 1990, in Kopenhagen, Stockholm, Bern, etc.), Krebs des Nervenreflexbogen-Gen . supraleitende Effekt, seismische sanrosoy Instrumente usw. natürliche und Hybrid Sprache Umlaufbahn (in Europa 1992-1999 im Ausland, Studium der Neurophysiologie, Hirnforschung .- die Haupterfindung: Medizin treator Hilfe Erdbeben sanrosoy Instrument usw., Forschungsarbeiten und Erfindungen, Werke arbeitet. Natur und der natürlichen <> <>, <>, <>, <> hatte eine Reihe von internationalen Auszeichnungen Kandidaten oder Kandidaten gewesen. Wissenschaftliche Entdeckungen und technische Erfindungen und andere Schriften, und andere Werke. Chinesische und ausländische Berühmtheit Biographien, Biographien der Cambridge, die Welt Wissenschaftler, der weltberühmten Enzyklopädie, IBC / AbI Berühmtheiten wie Wörterbücher und die Haupt-Website-Sammlung der Welt. Der Hauptstandort der Welt, haben internationale Websites relevante Informationen.
Werke, Bücher, Poesie und so weiter. (Elektronische Version der wichtigsten Bücher, Papiere, Studium, Arbeit, usw., online, e-Bücher, etc.)
Naturwissenschaften Proceedings. Natürliche Wesen und Prinzip (Research Monographien
Studium der Spin in das Weltwirtschaftssystem und ultra Spin-Teilchen im Universum
Auf der großen Zellfusion
Die Kritik an der Natur der Welt Kritik 500000000000000000000000 Jahre / Natur
Eine neue Interpretation der Literaturtheorie
Poetry-Serie, Lagerfeuer Amazonas
Niaofei Mangroven
Mars Lander / Schippe
Blumige Feld
Universal-Wirtschaft durch Jesus Christus
5,4,3,2,1 theoretische wissenschaftliche Monographie in der Welt Spiel
Ausgewählte berühmte Fangruida klassisch / klassische Dichtung 30 Quadrat Investor / Fangruida naturphilosophischen Werke vorsehen Interpretationen
Legend Qinhuai
Moonlight Nacht
Im Rosengarten / Fangruida klassischen Zitaten Hervorgehoben
Der Umzug in Mars, große schöne Paradies erwartet Sie (31 High-Tech-Spitzentechnologie
Regenbogen. Wolke. Nebel. Sommer. Regen und andere Arbeiten oder Arbeiten.
fangruida Leben besonders geliebt von Natur und Wissenschaft, als Naturwissenschaftler selbstverständlich, seine berühmte "Entdeckung ein natürlicher Vater ist, ist die Erfindung von Mutter Natur", "kein Übermensch in der Welt, die einzige dauerhafte harte Arbeit in der weiten Welt der Landwirtschaft Cardiff "nur" auf dem Mars, große schöne Himmelreich bewegen wartet auf Sie. "auf der ganzen Welt der Menschheit bekannt.
Fangruida、男性は、漢族が、195oが5月13日に生まれた、上海195o 4月と考え（他の伝記が、実際には根拠のない主張を繰り返し、5月13日でなければならない、他のは正確ではない、これが優先するものとします。で生まれFangruida（1950、上海5月13日に、物理学者、天文学者、宇宙論、地質学者、生物学者、航空宇宙科学者、医師、哲学者、思想家、宗教、人類学者、社会学者、作曲家、画家、作家、経済学者、発明者、教育関係者）。牙ルイダ、としても知られています牙ルイ、牙ルイ、Fangruida、ruida-牙、男性は、漢族は、以前は南木材として知られ、上海1950,4-で生まれた、イェジンハオは、豊かに、フォンダ、ゆうの鹿は、徐は、などをtanghaijingを開設し、物理学者、海外の大学で学び、哲学者、天文学者、作家、経済学者、宇宙論、博士財団、vistor、シニアセミナー、オーストラリア大学、コーネル大学、モスクワ大学、ジュネーブ大学、技術大学、全国人民代表中国と外国の大学、研究機関、研究室、実験室、等外国の商業企業、技術企業、仕事や研究一旦議会、湖南大学、農業の大学など、vistingscholarは、彼は様々な役割で提供しています。今の上級研究員、教授、スイス、ベルギー、およびその他のコンサルティングおよび技術顧問、技術専門家、ビジネスのディレクター、教授、デザインの専門家。 （ローマ、パリ、ベルギー、スーパースピンベクトル場、スーパースピン定理で1985年、）セントラルパークdivects定理：lathepoential「フィールド」の定理回部族スピンspinvector初期操舵状態、基底状態のスピン微分・積分における創薬研究など、ヨーロッパ、フランス、オランダ、フィールド定理（アルゼンチン、日本、ドイツ、中国の研究で1976から1986年の年を）埋める微積分、（1965から1988;木星理論（1986-1993-2000、イギリス、アメリカ、の中心からフランス）：空間と時間単純せん断モデル（1965から1986、ノルウェー、スウェーデン、ロシア、カナダ、andsantiago、など）：ホールの地震波動場（1982年から1997年、オーストラリア、中国）：大型クロスボーダー活動（1986- 1996年、米国、南アフリカ、スイス、チリ、ニュージーランド）に：遺伝子の回転機構は、コペンハーゲン、ストックホルム、ベルン、など）、神経反射弓遺伝子の癌で、1973年から1990年まで（TE超伝導ニューロンを導出しました。ヨーロッパ1992-1999に効果、地震sanrosoy機器など自然と混成軌道軌道言語を（超伝導海外で、研究神経生理学、脳研究.-主な発明：医学treator援助地震sanrosoy機器など、研究論文や発明、作品、動作します。自然と自然<> <>、<>変化し、<>で5000000000000、 <>国際的な賞の候補者または候補者の数でした。科学的発見や技術的発明やその他の記述、および他の作品。中国と外国の有名人の伝記、ケンブリッジの伝記、世界の科学者、世界的に有名な百科事典、辞書などのIBC /のAblセレブや世界の主要なサイトコレクション。世界の主要なサイトは、国際的なウェブサイトは、関連する情報を持っています。
ように作品、書籍、詩と。 （主な書籍、論文、研究、仕事、など、オンライン、電子書籍の電子版など）
自然科学文集。ナチュラルエッセンスと原則（研究叢書
世界経済システムと宇宙の超スピン粒子のスピンの研究
大細胞融合上
世界の批判500000000000000000000000年/自然の性質を批判
文学理論の新解釈
詩シリーズ、アマゾン川のキャンプファイヤー
Niaofeiのマングローブ
火星着陸船/死をごまかします
花のフィールド
イエス・キリストを通してユニバーサルECONOMY
世界のゲームで5,4,3,2,1理論的学術研究論文
選択された有名なFangruidaクラシック/古典詩30平方投資家/ Fangruida自然哲学的な作品特集解釈
伝説秦
月夜
注目のローズガーデン/ Fangruida古典的な引用で
火星への移行、広大な美しい楽園はあなたに（31ハイテク最先端技術を待ちます
虹。雲。霧。夏。雨、および他の作品、または作品。
自然科学者としての自然科学、特に最愛fangruida生活、当然のことながら、彼の有名な世界では「ノースーパーマン、広大な世界で唯一の永久的なハードワーク "発見は、自然の父である、本発明は、母なる自然、です」 「唯一のカーディフ農業の「火星への移動、天の広大な美しい王国はあなたをお待ちしております。」全人類の世界に知られています。
Fangruida, varón, nacionalidad Han, 195o nació el 13 de mayo, Shanghai (otra biografía considera 195o de abril, de hecho, repitió la afirmación sin fundamento, debe ser de 13 de mayo, el otro no es exacta, esta prevalecerá. Fangruida (1950, nació en Shanghai el 13 de mayo, físicos, astrónomos, cosmólogos, geólogos, biólogos, científico aeroespacial, médico, filósofo, pensador, religión, antropólogos, sociólogos, compositores, pintores, escritores, economistas, inventores, educadores). Colmillo Rui Da, también conocido como Colmillo Rui, fang Rui, Fangruida, ruida-fang, varón, nacionalidad Han, nació en Shanghai 1950,4-, conocida anteriormente como la madera al sur, Ye Hao, exuberante, Fonda, venados de Yu, Xu abrió tanghaijing, etc., físicos, filósofos, astrónomos, escritores, economistas, cosmólogos, que estudian en universidades extranjeras, Ph.D. Fundación, vistor, Seminario de alto nivel, Australia, la Universidad de Cornell, la Universidad Estatal de Moscú, la Universidad de Ginebra, Universidad de Tecnología, Nacional de Personas congreso, la Universidad de Hunan, la universidad de la agricultura, etc., vistingscholar, una vez que las universidades chinas y extranjeras, institutos de investigación, laboratorios, laboratorio, y las empresas comerciales extranjeras, empresas de tecnología, etc. los trabajos e investigaciones, se desempeñó en diversas funciones. investigadores de alto nivel, profesores y ahora Suiza, Bélgica, y otros asesores de consultoría y técnicos, expertos técnicos, el director de negocios, profesor, expertos en diseño. incluyendo la investigación de descubrimiento: Central Park divects Teorema (en 1985, en Roma, París, Bélgica, campo vectorial giro súper, súper teorema espín): en lathepoential "campo" teoremas tiempos de giro tribal SpinVector estatales de dirección inicial, la diferencia de giro estado fundamental e integral cálculo, (1965-1988, Europa, Francia, los Países Bajos, rellene los campos Teorema (1976-1986 años en Argentina, Japón, Alemania, la investigación de china); desde el centro de la teoría de Júpiter (1986-1993-2000, Reino Unido, EE.UU., Francia): el espacio y el modelo de corte simple de tiempo (1965-1986, Noruega, Suecia, Rusia, Canadá, andsantiago, etc.): campo de ondas sísmicas orificio (1982-1997, Australia, china): grandes actividades transfronterizas (1986- 1996, en los Estados Unidos, Sudáfrica, Suiza, Chile, Nueva Zelanda): mecanismo giratorio del gen deriva neuronas superconductividad TE (Desde 1973 a 1990, en Copenhague, Estocolmo, Berna, etc.), el cáncer del gen arco reflejo nervioso efecto., instrumentos sanrosoy sísmicos, etc. lengua trayectoria orbital híbrido natural y (superconductores en Europa desde 1992 hasta 1999 en el extranjero, la neurofisiología estudio, la investigación del cerebro .- la invención principal: la medicina ayuda Treator terremoto sanrosoy del instrumento, etc., documentos de investigación y las invenciones, las obras , trabajos. Naturaleza y natural <> <>, <>, <>, <> habían sido una serie de premios de los candidatos o candidatos internacionales. Los descubrimientos científicos y los inventos tecnológicos y otros escritos, y otras obras. biografías de celebridades chinas y extranjeras, biografías de Cambridge, los científicos del mundo, la enciclopedia famoso, celebridades IBC / ABI, como diccionarios y colección de sitios principal del mundo. El sitio principal en el mundo, sitios web internacionales tienen información relevante.
Las obras, libros, poesía y así sucesivamente. (Versión electrónica de los principales libros, documentos, estudios, trabajo, etc., en línea, libros electrónicos, etc.)
Ciencias Naturales Proceedings. esencia natural y el principio (monografías de la investigación
Estudio de giro en el sistema económico mundial y ultra-espín partículas en el universo
En la fusión de células grandes
Las críticas a la naturaleza de las críticas mundiales 500000000000000000000000 años / naturaleza
Una nueva interpretación de la teoría literaria
serie poesía, fogata río Amazonas
manglares Niaofei
Mars Lander / la muerte del tramposo
campo florido
ECONOMÍA universal por medio de Jesucristo
5,4,3,2,1 monografía académica teórica en el juego mundo
Seleccionado famoso clásico Fangruida / poesía clásica 30 interpretaciones obras filosóficas naturales Inversor / Fangruida cuadrados destacados
Leyenda de Qinhui
noche de luna
En las citas clásicas Rose Garden / Fangruida destacados
Pasando a Marte, vasta hermoso paraíso le espera (tecnología de vanguardia 31 de alta tecnología
arco iris. nube. niebla. verano. Lluvia, y otras obras o trabajos.
fangruida vida de predilección de la Naturaleza y la Ciencia, como un investigador de la naturaleza una cuestión de rutina, su famoso "descubrimiento es un padre natural, la invención es la madre naturaleza", "no superman en el mundo, el único trabajo permanente en el vasto mundo de la agricultura Cardiff única "" mover a Marte, vasta hermoso reino de los cielos le espera. "conocida en todo el mundo de la humanidad.
Fangruida изображения
Fangruida изображения
Behold, the Lord maketh the earth empty, and maketh it waste, and turneth it upside down, and scattereth abroad the inhabitants thereof.
Isaiah 24:1 King James Version
Greetings mate! As many of you know, I love marrying art, science, and math in my fine art portrait and landscape photography!
The gold 45 revolver lingerie is designed in accordance with the golden ratio! More about the design and my philosophy of "no retouching" on the beautiful goddesses in my new book:
www.facebook.com/Photographing-Women-Models-Portrait-Swim...
"Photographing Women Models: Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype"
Fine Art Ballet Photography: Nikon D810 Elliot McGucken Fine Art Beautiful Ballerina Dancer Dancing Ballet in Pointe Shoes!
Dancing for Light Time Dimension's Theory dx4/dt=ic: The fourth dimension is expanding relative to the three spatial dimensions at the rate of c!
New ballet & landscape instagrams!
www.instagram.com/elliotmcgucken/
Nikon D810 Epic Fine Art Ballerina Goddess Dancing Ballet! Dr. Elliot McGucken Fine Art Ballet!
Marrying epic landscape, nature, and urban photography to ballet!
A pretty goddess straight out of Homer's Iliad & Odyssey!
New Instagram! instagram.com/45surf
New facebook: www.facebook.com/45surfAchillesOdysseyMythology
Join my new fine art ballet facebook page! www.facebook.com/fineartballet/
The 45EPIC landscapes and goddesses are straight out of Homer's Iliad & Odyssey!
I'm currently updating a translation with the Greek names for the gods and goddesses--will publish soon! :)
"RAGE--Sing, O goddess, the anger of Achilles son of Peleus, that brought countless ills upon the Achaeans. Many a brave soul did it send hurrying down to Hades, and many a hero did it yield a prey to dogs and vultures, for so were the counsels of Zeus fulfilled from the day on which the son of Atreus, king of men, and great Achilles, first fell out with one another. " --Homer's Iliad capturing the rage of the 45EPIC landscapes and seascapes! :)
Ludwig van Beethoven: "Music/poetry/art should strike fire from the heart of man, and bring tears from the eyes of woman."
Follow my Fine Art Ballet instagram & facebook!
Fine Art Ballet Photography: Nikon D810 Elliot McGucken Fine Art Beautiful Ballerina Dancer Dancing Ballet in Pointe Shoes!!! Black Leotard! Classic Ballet!
Golden Ratio Fine Art Ballerina in Classical Ballet Pointe Shoes! Swimsuit Bikini Lingerie Model Goddess LTD Theory Lingerie dx4/dt=ic! The Birth of Venus, Athena, and Artemis ! Greek Goddess From Hero's Odyssey Mythology!
Greetings mate! As many of you know, I love marrying art, science, and math in my fine art portrait and landscape photography!
The gold 45 revolver lingerie is designed in accordance with the golden ratio! More about the design and my philosophy of "no retouching" on the beautiful goddesses in my new book:
www.facebook.com/Photographing-Women-Models-Portrait-Swim...
"Photographing Women Models: Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype"
If you would like a free review copy, message me!
And here's more on the golden ratio which appears in many of my landscape and portrait photographs (while shaping the proportions of the golden gun)!
www.facebook.com/goldennumberratio/
'
The dx4/dt=ic above the gun on the lingerie derives from my new physics books devoted to Light, Time, Dimension Theory!
www.facebook.com/lightimedimensiontheory/
Thanks for being a fan! Would love to hears your thoughts on my philosophies and books! :)
http:/instagram.com/elliotmcgucken
instagram.com/goldennumberratio
Beautiful swimsuit bikini model goddess!
Golden Ratio Lingerie Model Goddess LTD Theory Lingerie dx4/dt=ic! The Birth of Venus, Athena, and Artemis! Girls and Guns!
Would you like to see the whole set? Comment below and let me know!
Follow me!
I am working on several books on "epic photography," and I recently finished a related one titled: The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography: An Artistic and Scientific Introduction to the Golden Mean . Message me on facebook for a free review copy!
www.facebook.com/goldennumberratio/
The Golden Ratio informs a lot of my art and photographic composition. The Golden Ratio also informs the design of the golden revolver on all the swimsuits and lingerie, as well as the 45surf logo! Not so long ago, I came up with the Golden Ratio Principle which describes why The Golden Ratio is so beautiful.
The Golden Number Ratio Principle: Dr. E’s Golden Ratio Principle: The golden ratio exalts beauty because the number is a characteristic of the mathematically and physically most efficient manners of growth and distribution, on both evolutionary and purely physical levels. The golden ratio ensures that the proportions and structure of that which came before provide the proportions and structure of that which comes after. Robust, ordered growth is naturally associated with health and beauty, and thus we evolved to perceive the golden ratio harmonies as inherently beautiful, as we saw and felt their presence in all vital growth and life—in the salient features and proportions of humans and nature alike, from the distribution of our facial features and bones to the arrangements of petals, leaves, and sunflowers seeds. As ratios between Fibonacci Numbers offer the closest whole-number approximations to the golden ratio, and as seeds, cells, leaves, bones, and other physical entities appear in whole numbers, the Fibonacci Numbers oft appear in nature’s elements as “growth’s numbers.” From the dawn of time, humanity sought to salute their gods in art and temples exalting the same proportion by which all their vital sustenance and they themselves had been created—the golden ratio.
The Birth of Venus! Beautiful Golden Ratio Swimsuit Bikini Model Goddess! Helen of Troy! She was tall, thin, fit, and quite pretty!
Read all about how classical art such as The Birth of Venus inspires all my photography!
www.facebook.com/Photographing-Women-Models-Portrait-Swim...
"Photographing Women Models: Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype"
Golden Ratio Fine Art Lingerie Bikini Swimsuit Model Goddess LTD Theory Lingerie dx4/dt=ic! The Birth of Venus, Athena, and Artemis!
Greece lives in a theory street, passing by bankrupt phrases. Perhaps we will not crash after all.
Theory and reality, people of Greece owes, people of Portugal, of Ireland, of Italy owes… And, people of Germany owes, yes, millions of people of Europe, of the US, owes billions to… somewhere… billions of people of Africa, Asia, people of the world owes trillions (?) to a few… to whom ?
We will live, but soon maybe Greece will belong to non Greeks, to banks owners perhaps. It's a new kind of business, to sell and buy countries.
Fake money, monopoly games, ghosts against people… theory and reality
And then peope against ghosts.
We don't know these days against whom we must fight, sometimes we turn against our selves, do we deserve it ?
Revolution, but where is a goddam King, a goddam dictator, things are not simple anymore !
Zuma Beach Abstract Ocean Art Malibu Beach Sunset Red Orange Yellow Clouds Surfriders Beach California Fine Art Landscape Nature Fuji GFX100 Photography! Elliot McGucken Fuji GFX 100 California Master Fine Art Medium Format Photographer! Lens for FUJIFILM GF MF!
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
“On entering a temple we assume all signs of reverence. How much more reverent then should we be before the heavenly bodies, the stars, the very nature of God!” --Seneca the Younger
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Season of mists and mellow fruitfulness
Close bosom-friend of the maturing sun
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimm'd their clammy cells. --To Autumn. by John Keats
Nikon D810 Photos Pretty Swimsuit Bikini Ballerina Model Goddess Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens for Nikon DSLR Cameras!
Instagram: instagram.com/45surf
Beautiful ballerina and professional ballet dancer! You've seen her dancing ballet in other photos! Here she is modeling 45SURF ! :)
Nikon D810 Photos Pretty 45surf Swimsuit Bikini Model Goddess with Super Sharp Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens For Nikon!
Pretty Swimsuit Bikini Model Goddess!
She was tall, thin, fit, and most beautiful!
All the best on your epic hero's odyssey from Johnny Ranger McCoy!
Facebook:
www.facebook.com/45surfAchillesOdysseyMythology
Instagram: instagram.com/45surf
blog: 45surf.wordpress.com
Modeling the new black & gold & "Gold 45 Revolver" Gold'N'Virtue swimsuits with the main equation to Dynamic Dimensions Theory on the swimsuits: dx4/dt=ic. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Odyssey Physics here:
herosodysseyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!
Instagram: instagram.com/45surf
Fine art swimsuit model, ballerina, and ballet photography!
Nikon D810 Photos Pretty Swimsuit Bikini Fitness Model Goddess Nikon 70-200mm f2.8 ED VR II AF-S Nikkor Zoom Lens for Nikon DSLR Cameras!
45SURF Fine Art!
Malibu PCH 69 Stingray Corvette Convertible & Pretty Bikini Model Goddess! 45Epic 45SURF Swimsuit Bikini Model! Beautiful Golden Ratio Composition Photography Surf Goddess! Athletic Action Portraits Fitness Models! High Res! Nikon D800E Sexy Hot dx4/dt=ic! NIKKOR 70-200mm f/2.8G ED VR II! Black Stingray Corvette 1969 and Wire Wheels on the Pacific Coast Highway!
Swimsuit bikini model girls with the famous 45SURF surfboard dx4/dt=ic physics t-shirt! Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ...
Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Follow me friends!
facebook.com/goldennumberratio
Epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
Epic Art & Gear for your Epic Hero's Odyssey:
Enjoy my physics!! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical
Beautiful Surf Goddesses! Athletic Action Portraits of Swimsuit Bikini Models! Athena, Artemis, Helen, and Aphrodite!
Nikon D810 AF-S NIKKOR 70-200mm f/2.8G ED VR II from Nikon Beach Portraits Santa Barbara! White Summer Dress! 45Epic 45SURF Swimsuit Bikini Model! Beautiful Golden Ratio Composition Photography Surf G
Epic north rim Grand Canyon sunset with a summer thunderstorm breaking!
New Instagram!
Celebrating Dr. E's LAw of Moving Dimensions ^& Dynamic Dimensions Theory dx4/dt=ic which derives from Homer's Odyssey! "Tell me, O muse, of that ingenious hero who travelled far and wide after he had sacked the famous town of Troy. Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his men safely home; but do what he might he could not save his men, for they perished through their own sheer folly in eating the cattle of the Sun-god Hyperion; so the god prevented them from ever reaching home. Tell me, too, about all these things, O daughter of Jove, from whatsoever source you may know them." --Homer's Odyssey! herosodysseyphysics.wordpress.com
Drove 60 miles down a rocky dirt road for these shots and camped overnight to shoot this Torweap / Tuweep sunrise! Toroweap, a Paiute terms,"dry or barren valley." And it was! I slept five feet from the edge all night, as I was shooting night shots of a dead tree on the edge, with the canyon and silvered river down below.
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Nikon D810 & Nikon 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens Photos of Tuweep Toroweap Overlook Grand Canyon Arizona! Dr. Elliot McGucken Fine Art Landscape & Nature Photography for Los Angeles Gallery Show !
Will be busy printing and framing in nice large, matted formats and frames and museum glass! Five of these photos will be printed on 40" x 60" floating wall mounted metal sheets! I think I know which--will share photos of the photos hanging on the walls!
And I am mounting some on plexiglass/acryllic--front mounting them! Some I am printing on lossy fuji-crystal archival paper too, and then front mounting 40"x60" versions to plexiglass--will send photos!
The secret to HDR photography is that you want people to say, "Woe dude--that's unreal!" And not, "Dude--that's not real!" "Unreal" is the word they use when they're trying to figure out the photo--what makes it cool--is it a photo? Is it painted? How'd it come to be--how'd you bend the light that way? "That's not real," is what they say if you have the saturation/HDR/ etc. turned up too high. :)
Some (almost) final edits for my Los Angeles Gallery Show! Printing them on metallic paper at 13" x 19" and mounting and framing them on a 4mm 18x24 white mat and 2" dark wood frame. Also printing some 40" x 70" whihc is over three feet by five feet! Wish you all could come (and hang out with the goddesses)!
Let me know your favs.!
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I booked a major photography show at a major LA gallery in December! Will also be giving some lectures on the story--the Hero's Odyssey Mythology--behind the photography!
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Preparing for some gallery shows this fall to celebrate 300,000,000 views! Printing a few dozen photographs in ~ 30"x40" formats and mounting/framing. Here are some close-to-final edits. HDR photography 7 exposures shot at 1EV and combined in photomatix: 36 megapixel Nikon D800E with the awesome Nikon 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens. 45SURF Hero's Odyssey Mythology Photography!
Epic Scenic HDR Landscapes Shot with Nikon D800E: Hero's Odyssey Mythology Photography!
Shot with the Nikon Nikkor wide-angle 14-24 mm 2.8 lens!
Seven exposures @ 1EV finished in photomatix.
Enjoy the Hero's Odyssey Mythology Photography, and all the best on a hero's odyssey of your own making!
These were shot with Nikon's best D810 with the 14-24mm wide-angle Nikkor lens. 7 exposures were taken at 1 EV intervals, and combined in photomatix to bring out the shadows and highlights.
Rather large HDR (high dynamic range) photo--you can see great detail both near and far! View the detail at full size!
The Nikon 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens rocks!
High Dynamic Range (HDR) photos rock in capturing the full dynamic range of the scene!
All the best on your epic hero's odyssey from Johnny Ranger McCoy!
Toroweap / Tuweep in the Grand Canyon, Arizona is Beautiful!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Nikon D810 Sunrise Photos of Toroweap (Tuweep) Overlook Grand Canyon Arizona! Dr. Elliot McGucken Fine Art Landscape & Nature Photography for Los Angeles Gallery Show !
All the best on your epic hero's odyssey!
New Instagram!
New blog! 45surf.wordpress.com Ask me anything! :)
2017 edition. First published in 2008. Written by a transwoman professor of gender and women’s studies this seemingly comprehensive history only goes back to the 1850’s with anecdotes of cross dressing adventurous women who sought to join the army and otherwise escape their lot. This was also the time when Western medicine took an interest in such cases which were mostly trans women. Trans men having blended much more easily into the public sphere did not band together to form societies, but simply lived their lives integrated with society so their stories are largely lost to history.
Once photography became available many more stories came to light of transgender individuals who furthered the cause by funding outreach and studies. In the ‘70s feminist theory began to reject anything seen as tied to patriarchy including butch femme relationships and transexual persons because they were seen to ape stereotypes of gender roles. Lesbians and transexual women have been at odds ever since and gender non-conforming women became more allied with transgenderism.
A short paragraph in a boxed aside under the heading “religion and transgender” speaks to the cross dressing of indigenous people as part of their shamanic rituals and possible beliefs in reincarnation. Also mention of the seven different genders in Judaic text, but the section mostly focuses on religiours prohibitions of cross gender behavior. The indigenous history of transgender people which informs societal acceptance of modern transgender people in Asia and the Native American Two Spirit concept is never mentioned at all. Interestingly at the Queer California exhibit for which this author was a consultant the section on Native American transgender traditions is clearly separate from the exhibits in the transgender room and no relationship between the two is to be construed. (2/21/21 Note update: this is likely due to push back from Native people who see trans activist culturally appropriating their cross sex identities as transgender in the modern definition that denies biological sex. I can confirm from my own culture that these identities did not deny biological sex and did not claim to be born in the wrong body as current ideology is trying to state.)
The reference to Leslie Feinberg has no mention of her pivotal book Transgender Warriors that drew out these gender non-conforming traditions from ancient pagan history. She is only mentioned in relation to her pamphlet Transgender Liberation: A Movement Who’s Time Has Come and is relevant to this text only in terms of her contributions to the movement being broadened to include all non normative expressions of gender including her own male presentation at certain times of her life. No mention that it was her wish to be transparent as a woman and that she passed as a man for economic viability and safety.
The bulk of this book concerns detailed accounts of feminist theory and academic discussions between feminists and trans feminists including the origin of the term TERF (trans exclusionary radical feminists) coined by a group of feminists that is now considered a slur. This back and forth around the topic of what constitutes gender and the resulting oppression by the patriarchy will likely go on forever since American society has no transgender roots with which to frame such gender expression and play. Meanwhile all those discarded by the straight presenting assimilationist during the run up to gay marriage equality in the ‘90s paved the way for this revolution by finding a home under the term Queer while the term transgender began to include all the non-gender conforming persons.
Because of the exclusion of the ancient pagan history covered in Leslie’s book I feel that this author is framing transgender history exclusively in a modern context in order to point to a future that is trending towards a cyborg and technocratic brave new world of gender self identity that justifies discarding any relationship to either history or biology. This is what is meant by the subtitle of the book “The Roots of Today’s Revolution”.
What I see is that this framing is a way of attempting to speak for all gender non-conforming people under a leadership dominated by transexuals. This dynamic playing out now in the arena of children and how those questioning their gender are being groomed with trans affirming therapy towards a transition outcome. Since the word transgender as the public understands it describes people who medically change their biological sex. The push to accept transgender people and children frames the issue as that of being a medical condition to be assisted by society with access to free hormones and surgery on demand and as early as possible. In terms of youth who don’t yet know their orientation they are to be given puberty blocker drugs to delay the changes in their body. This then stops the physical changes that is a normal part of puberty. What we all went through and was part of coming to gradual acceptance or maybe not so gradual rude awakening to our gender reality. A point that can now be argued is a bad thing because of the stress it might cause to trans identifying youth. While youths as young as 16 can be given hormone treatment and double mastectomies for their “chest dysphoria” (an aversion to one’s newly acquired breasts).
This framing totally overshadows and in turn oppresses those persons who are gender non-conforming, but may have no wish to be other than their natal birth identity. Who may in fact just be homosexual. And who are creatives who embody both sexes in a gender non-conforming fashion and use this gender ambiguity as their own super power. As art and theatre classes are cut from our increasingly techno dominant society how we nurture this creativity is being dropped.
In an increasingly medicalized society the transgender agenda is being boiled down by public perception to be basically a pro heterosexual solution which, in a still homophobic world, is preferable for living a normal life. And in an increasingly misogynistic world is preferable to becoming a woman. We are currently letting children browsing the echo chamber of the internet decide with the help of adult transexual mentors and coaches what their identities should be. We may have to wait another decade for the detransitioning of all those youths (mostly girls) who opted for this heteronormative option in order to hear and understand how this happened. A process that is now emerging. This will then call for a more critical assessment of the transgender revolution.
I started at the bottom, much as I did with companion piece Festival. The order gradually breaks down and chaos reigns. But it's quite a colourful and cheerful version of chaos - nothing too much to worry about.
Type theory, in one sense, is the view that some category of abstract entities—sets, in the simplest example, but there are analogous views of properties, relations, concepts, and functions—come in a hierarchy of levels, with an entity of one level applying to (having as members, or having as instances, or ...) entities only of a lower level.
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