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Chapter Two.
To Navigate Is Necessary
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In collaboration with bazsa
Its a bit like string theory but less dimensions
Starting to think about the group Arachtober
Last 2 (or maybe 3) years I managed to post a spider or spiderweb picture for each of the 31 days of the month. I assume/hope it will run again this year - it will be the 17th year of the group
the idea is to post spiders to Flickr during October. Spiders must be posted to Flickr during October and added to the group the day they are posted (so no pictures that have been posted to Flickr previously - they must be fresh posts (but can have been taken years previously))
If you only have a few spider pictures (or even just one) you can still participate in the group and feel the fun! Some great pictures, interesting facts and chat about spiders.
My pleasurable and mindful activity for the coming week will be to get some spider/web pictures so I have enough material for at least the first week or so.
Altered Images - Beckoning Strings
"Tonight, I can't sleep,
the heart's all wires
The moon is widowed,
the stars,
retired"
Piano Magic || Luxembourg Gardens
Tectonic Asphalt Theory describes the small-scale movements of a road surface which causes it to drift apart over time.
So… that makes me wonder… if we wait long enough… will Smith street morph into West street… and will Adderly street one day lead us directly to Greenmarket Square!? Heh heh… I suspect NOT! :)
I still don’t have anything new to post… so I’m still scratching around in my archives… here’s hoping for a cloudy blue sky later this afternoon!!
Nikon D300, Sigma 18-200mm at 18mm, aperture of f11, with a 1/60th second exposure.
Click here to view this one large.
Click here to check out my Vertorama tutorial.
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All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
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“The clearest way into the Universe is through a forest wilderness.” --John Muir
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“The mountains are calling and I must go.” --John Muir
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All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Best wishes on your Epic Odyssey!
Homer: Tell me, O muse, of that ingenious hero who traveled far and wide after he had sacked the famous town of Troy. Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his men safely home. . . --Homer's Odyssey, Book I
Elements of theory :
five friends , they are linking by a friendship since a long time .
Text of theory :
'' the elements must be strongly attracted together and the mid of elements affect on the remaining elements '' .
The objective of theory :
every one have a friendship same that , he must interested in all elements in that relation to keep it as is and no change .
theory written by :
eng. mando
The broken windows theory, defined in 1982 by social scientists James Wilson and George Kelling, drawing on earlier research by Stanford University psychologist Philip Zimbardo, argues that no matter how rich or poor a neighborhood, one broken window would soon lead to many more windows being broken: “One unrepaired broken window is a signal that no one cares, and so breaking more windows costs nothing.” Disorder increases levels of fear among citizens, which leads them to withdraw from the community and decrease participation in informal social control.
The Calling of Saint Matthew is an oil painting by Caravaggio that depicts the moment Jesus Christ calls on the tax collector Matthew to follow him. It was completed in 1599–1600 for the Contarelli Chapel in the church of the French congregation, San Luigi dei Francesi in Rome, where it remains. It hangs alongside two other paintings of Matthew by Caravaggio, The Martyrdom of Saint Matthew (painted around the same time as the Calling) and The Inspiration of Saint Matthew (1602).
More than a decade earlier, Cardinal Matthieu Cointerel (in Italian, Matteo Contarelli) had left funds and specific instructions in his will for the decoration of a chapel based on themes related to his namesake, Saint Matthew. The dome of the chapel was decorated with frescoes by the late Mannerist artist Giuseppe Cesari, Caravaggio's former employer and one of the most popular painters in Rome at the time. But as Cesari became busy with royal and papal patronage, Cardinal Francesco Del Monte, Caravaggio's patron and also the prefect of the Fabbrica of St Peter's (the Vatican office for Church property), intervened to obtain for Caravaggio his first major church commission and his first painting with more than a handful of figures.
Caravaggio's Calling of Saint Matthew hangs opposite The Martyrdom of Saint Matthew. While the Martyrdom was probably the first to be started, the Calling was, by report, the first to be completed.[citation needed] The commission for these two lateral paintings — the Calling and the Martyrdom — is dated July 1599, and final payment was made in July 1600. Between the two, at the altar, is The Inspiration of Saint Matthew (1602).
The painting depicts the story from the Gospel of Matthew (Matthew 9:9): "Jesus saw a man named Matthew at his seat in the custom house, and said to him, "Follow me", and Matthew rose and followed Him." Caravaggio depicts Matthew the tax collector sitting at a table with four other men. Jesus Christ and Saint Peter have entered the room, and Jesus is pointing at Matthew. A beam of light illuminates the faces of the men at the table who are looking at Jesus Christ. This is a depiction of a moment of spiritual awakening and conversion, which was something many Baroque artists were interested in painting, especially Caravaggio.
There is some debate over which man in the picture is Saint Matthew, as the surprised gesture of the bearded man at the table can be read in two ways.
Most writers on the Calling assume Saint Matthew to be the bearded man, and see him to be pointing at himself, as if to ask "Me?" in response to Christ's summons. This theory is strengthened when one takes into consideration the other two works in this series, The Inspiration of Saint Matthew, and The Martyrdom of Saint Matthew. The bearded man who models as Saint Matthew appears in all three works, with him unequivocally playing the role of Saint Matthew in both the "Inspiration" and the "Martyrdom".
A more recent interpretation proposes that the bearded man is in fact pointing at the young man at the end of the table, whose head is slumped. In this reading, the bearded man is asking "Him?" in response to Christ's summons, and the painting is depicting the moment immediately before a young Matthew raises his head to see Christ. Other writers describe the painting as deliberately ambiguous.
Some scholars speculate that Jesus is portrayed as the Last Adam or Second Adam as titled in the New Testament. This is displayed in Christ's hand as it reaches out towards Matthew. It is almost a mirrored image of Adam's hand in The Creation of Adam by Michelangelo, the namesake of Caravaggio. Twice in the New Testament, an explicit comparison is made between Jesus and Adam. In Romans 5:12–21, Paul argues that "just as through the disobedience of the one man the many were made sinners, so also through the obedience of the one man the many will be made righteous" (Romans 5:19, NIV). In 1 Corinthians 15:22, Paul argues that "as in Adam all die, so in Christ, all will be made alive," while in verse 45 he calls Jesus the "last/ultimate/final Adam".
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This photo annoys me for so many reasons. Nothing is turning out the way I want it to lately & that boils my blood.
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This was the only pylon along the pier which was wearing a shirt. Not sure if this is a new marketing plan from Nintendo?
Palais Bourbon's library - National Assembly of France - Paris - Open day in monuments and beautiful buildings 09/2008
[Savoir] Bibliothèque du Palais Bourbon Assemblée nationale - Paris - Journées du patrimoine 09/2008
This is my entry for TQ, the theme is "Color Theory" (the photo has to be mostly one color). Hopefully it's fairly obvious which color I chose ^^; This isn't at all close to my original idea, but I had some technical difficulties with the first one so I settled for Donnie on the Vespa.
GO TO YOUTUBE... AND COMMENT N RATE
www.youtube.com/watch?v=wGY8zdo6_MU&feature=channel_page
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what are you working on today, herr doktor?
my new project, my boy, having to do with string. . . .
string theory? great! the end of particle physics!
yes, well, you see. . .
so you've made a new breakthrough?
breakthrough? in a sense.
a new theory of relativity, no doubt?
er. . .
doktor, you are a genius!
yes, well, see, I have a this nice ball of string. see?
a ball of string? why are you mentioning that?
all my string. now in one ball. see?
what does this have to do with quantum field theory?
oh nothing. but the cat likes to play with it.
the cat?
isn't she cute?
totally
All of last week I felt a calling to race into the city to take some high contrast black & white architectural images. Alas the weather wasn't cooperating.
The second calling was to investigate e-front curtain settings on my Sony camera. This came up in a comment on Simons (Simon's utak) image of 'Minolta Rokkor's crazy bokeh'.
The other day it had rained lightly overnight, and I headed out in the morning - to our front garden. I grabbed what I thought would be an interesting Bokeh lens for the test. The wonderful Helios 40, 85mm f1.5 early M39 silver version with a short extension tube. Wide-open of course. Any Bokeh is good Bokeh. Though in hindsight, this might have been too much Bokeh.
To cut to the chase. I did run some unscientific comparisons. Couldn't see any noticeable difference. More importantly I like the silent shooting - using just the electronic shutter. I use this mode 98% of the time. Running in this mode - then apparently the Bokeh should have less structure. So far so good.
Conclusion, it you want crazy Bokeh - then put on a crazy vintage lens. I don't think that I'll pursue this any further.
If you would like to investigate further, then I'd recommend a fellow Melbournian, Mark Galer. An excellent stills photographer and few in the world know more about all the Sony camera settings than he does.
If you are reluctant to click on the link below, then search YouTube for
mark galer e-front curtain
I know very little about chaos theory, I just thought it worked as a title for this. One thing just randomly led to another and voila! Whatthehellisthis?!?!?!?! I have a freshly installed Photoshop CS3 that needed playing with. (Thanks Hendrik.)
I created this image to reflect the Ventral Vagal Complex which is discussed in Stephen Porges' Polyvagal Theory. The VVC is the beginning and end of our stress response system and our brains are in the 'social engagement' system. This means we are calm, connected, mindful and in the present, our defenses are low, we are relaxed, curious and feel safe.
"The Splatter Theory" part of the "Stay At Home" series of photos taken during these challenging times. The Blue and Green colors are used to raise the awareness of an incurable condition called Neurofibromatosis, thought fundraising and research a cure may be found! Some day....
Happy Window Wednesday! This scene is from inside OMSI (Oregon Museum of Science nd Industry) on the banks of the Willamette River in Portland, Oregon.