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This was a textile assignment from my sophomore year. We had to do about 300 sketches of different types of things; abstract, fluid, typographic, etc. Then pick 3 to use. We then created rules for ourselves, such as, place the first sketch in the center, duplicate and rotate 90 degrees to the left and move down 3 inches and to the right 1 in. Repeat. After the rules were created, we then followed the rules to create the designs.
Textile museum in Oaxaca, Mexico. Part of the private textile collection of Irmgard W. Johnson (www.museotextildeoaxaca.org.mx/)
Alacha stripe textile
Handwoven fabrics such as these were commonly used for clothing, household articles, or animal trappings. These particular pieces were backed with chit and joined with many others to make a large and very decorative patchwork camel trapping. Silk warp/cotton weft; 3x3”; Uzbek; first quarter of the twentieth century
Tuttle, Don. "Alacha Stripes." Photograph. Meller, Susan. Russian Textiles: Printed Cloth for the Bazaars of Central Asia. New York: Abrams, 194.
Anne Wilson: Wind/Rewind/Weave
Knoxville Museum of Art
WOVEN STRIPES + BANDS
Log of sources
WOVEN STRIPES + BANDS (2.63MB)
This log presents a diversity of woven textiles showing warp stripes and weft bands from various countries and time periods. Libby O'Bryan was the primary researcher of images. Emily Nachison added material, color corrected, and formatted the images with text. Olivia Valentine worked from this image bank to create the flat screen display in the exhibition.
Flat view of a fabric that has raised black squares made with longer fibers in the weave. Side lighting creates shadow to show the corner of the raised black area. For a textile macro project.
these guys didn't negotiate price at all..they had one price (which was a very fair price) and that was it. I liked that and they were both really friendly..so I bought a bunch of stuff from them.
Here is a closer look at the lienzo from Ixtayutla that shows the woven designs that were used to stamp the cotton cloth
Pelle BE avec camion benne - aucune information disponible sur la date précise et le photographe.
BE shovel with dumper. no information available about the timeline and photographer.
Petal collar my design - bottom cut off and band from TSW eDress added. I cut the band out of the portion cut off. Note that band was cut out of the reverse nap of this knit (upside down) for more definition.
Abode of Devi Rajballavi, Rajbalhat in the Jangipara sub - division of Hooghly District in West Bengal is famous for its temples and textile.
Here a lady works on a hand loom in Rajbalhat, Hooghly.
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Merci Anne... Elle est sous mes yeux...posée sur le bureau, je l'admire souvent.
Il faut aller voir la galerie de l'Artis'Anne www.flickr.com/photos/artisanne_textile/
et son blog où les textes se mêlent aux textiles
cargocollective.com/heykaygray
The 3rd layer (Metallic Pantone plate) to my Elec Pre-Press postcard assignment. A textile of a bunch of Girl fights.
I really like how this turned out.
With fabrics from Mood NYC. includes Marc Jacobs plaid voile, silk floral, handmade striped bias tape, vintage lace that I do not have enough of! Mood is... Country mori grunge!
New Stock for the Ruby Pear. Details on my blog.
Similar designs also available online. See my profile for details.
The textile museum exhibits many kinds of Indonesian traditional weaving such as Javanese batik, Batak ulos, and ikat. There are also displays of traditional weaving instruments and equipments for textile production. (source: Wikipedia)
Yesterday I got it all together - I cleaned the house, baked a cake, mowed the lawns and had afternoon tea with my family ... AND I finished the stitching on my big artwork!
Any suggestions for a title? I thought "River of Dreams" is a bit twee ...
These are samples of block prints made during my first semester of Surface Design in the textile arts program at Capilano College in North Vancouver. Most are carved blocks, there are found object prints in there, too.
Adult Care Connect and Direct, Textile Hall, Manchester Road, Bury BL9 0DG
Two-storey building with front of dressed Yorkshire stone. Above the porch of the central doorway is a semi-circular carved panel of two female figures representing Spinning (her right hand resting on a spinning wheel) and Weaving (holding a shuttle, a power loom at her feet). On the upper storey between the two windows either side of the central porch are carved panels depicting the textile trades. The left-hand side panel represents carding, a male operative standing in front of a carding engine. The right-hand side panel depicts two female operatives doffing bobbins on a roving frame.
Bury's Textile Operatives' Hall was built by the cotton spinning, carding and weaving unions. There had been a recognition among the local unions that it would be advantageous for them to have their own building instead of meeting in rented rooms or in local public houses. This desire began to take a practical form when in August 1892 the three main unions established a joint building committee to examine the practicalities of erecting a building. It was decided to go ahead and land was obtained on the town's principal street, Silver Street. In January 1893 the plans prepared by the Bury architect, David Hardman, were accepted and work was soon under way. Care was taken to employ workers on union rates. The building which included meeting rooms as well as offices for trade union officials clearly marked the growing presence of the unions in the affairs of the town.' Evidence of this growing self- confidence was evident on the main facade where decoration in the form of sculptured panels was introduced. The panels were the work of the Manchester firm, Whittick and Royle. These depicted different processes in cotton industry, further announcing the building's presence at the beginning of one of the town's principal streets. The finished building cost £6,000. The Textile Operatives' Hall was opened by Lady Dilke in May 1894 in a ceremony which included a massive and colourful demonstration of trade unions through the town
Thanks to The Public Monuments and Sculpture Association
Bury Times 26th October 2021 By Chris Gee
COUNCIL bosses have now agreed plans to dispose of a former police HQ site, a park ranger base and office buildings to generate much-needed funds.
The council’s cabinet approved the disposal of the land and building assets, with income estimate from the sales, alongside others previously approved, thought to be around £8m.
They said the reasons to rid themselves of the assets were to generate capital sums to support other council projects and to help community groups take on the management of property.
Among the sites to be sold or transferred are the formerTextile Hall in Manchester Road, the old police headquarters site on Irwell Street, the ranger base and park lodge at Clarence Park, Walmersley Road and the huge 2,300 square foot Humphrey House office building on Angouleme Way.
Architect David Hardman
Born 1856
Married 13 November 1878 Jane Ann Kirkby at All Saints Church Elton
Died 3 January 1916 at Heather Lea Bury New Road, Besses o’ th’ Bar
Burial 7 January 1916 at All Saints Stand
David Hardman was born in 1856, the son of David and Amelia Hardman at Bury where his father was a cotton fuller. By 1871 he was an architectural pupil and ten years later a draughtsman before commencing independent practice in Bury. His first known works date from 1890
Of his sons David Arthur Hardman trained as an architect but was employed as a journalist by 1911. William Percy Hardman trained as an engineer/architect before emigrating to the United States in 1911.
manchestervictorianarchitects.org.uk/architects/david-har...