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textile treasures from japan-couldn't pass these up. if you don't buy them up from the etsy shop i have a few ideas for them myself...
Wishing you a very Happy Makar Sankranti to You From UrBIz Family
#UrBiz #Lohri2017 #Textile #garments #Manufacture #wholesaler #delhi #onlinePortal
Get all textile cloth market mumbai address, phone , supplier contact , phone and trader all info find from b2b textile market place textileinfomedia
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Here I am uploading couple of sets with more than 20 images each, that contain the work of some big team, each member has their introduction below! We are using some nice textile design works to create them!
Set 2 ©2012 textile design by Arina
(※whodidit登校後に追加→投稿ページのURL)
textile design : Arina Oda (オリジナルジャカードanuenue) |Website| Facebook|
photographer : Ilko Allexandroff |Website| Facebook|
fashion design : Akira Ito(plug-design-office) |Website|
hair&make-up : Rissa |Flickr|
model : Kinako Kocteau |Flickr|
cloth styling : Satoshi Shirakawa(Noel Graphic) |Website|
making video by Akira Ito(plug-designer): CLICK & CLICK
Some comments:
The whole photoshoot takes place in Kyoto, we have been using some restaurant for the indoor shots, and the area around Kamogawa for the shots outside! I am using Shoot-through umbrella as main light for the indoor shots!
Strobist info:
I will insert later the individual lighting information of each shot later, can't upload it as a batch! Also later this month after my new Wordpress based homepage is completed I will have an article about the photos there!
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Display of work by Textiles student Sarah Hussain in the Manchester School of Art's degree show in 2008.
Prehispanic textiles from tombs in the Puno district on display in the local archaeological museum and former house of Don Carlos Dreyer.
Our Textiles And Apparel Are Unique And Only Found In Guatemala
Ancient Maya women had two natural types of cotton to work with, one white and the other light brown, called cuyuscate, both of which were commonly dyed.
The preparation of cotton for spinning was very burdensome, as it had to be washed and picked clean of seeds.
Ethical Fashion Guatemala, Artisans of Guatemala, Guatemala, Artisans, Fashion, Ethical Fashion, Handmade, Organic, Natural, Renewable, Sustainable Textile, Textiles, Yarns, Fabrics, Weaver, Woven, Art, Leather products,Ethical Fashion Guatemala,Hiptipico Ethical Fashion Brand, Ethical Fashion Brand
My personal year-long project in keeping a stitched journal blogged here lolanovablog.blogspot.com/2014/01/year-of-horse-stitched-...
These pieces were hanging up outside of one of the numerous tourist shops at the edge of the old Arabian section of Granada, across from the Alhambra.
Display of work by Textiles student Olivia Peacock at the Manchester School of Art degree shows in 2010.
Display of work by Textiles student Ruth Clifford in the Manchester School of Art degree shows in 2006.
Display of work by Textiles student Naomi Engelmann in the Manchester School of Art's degree show in 2008.
This series of images was photographed at the exhibition "A Decade of Art Quilting" by Linden Lancaster at the G.R.A.I.N. Store, Nathalia Victoria from October 8 to November 18, 2017
From Barfoot's series of coloured lithographs of 1840 depicting the cotton manufacturing process.
Original text written to accompany Lithograph No.5:
"When the COTTON has been carded, it is brought to the Drawing-Frame, which you see on the left of the picture. Here the long strips of Cotton are drawn from the Cans between sets of small iron or brass rollers; the motion of these rollers is slow. You see that four of these strips are then drawn together, through a small brass tube or funnel, by another pair of rollers at the front, and as these rollers are turning round four times as quick as the other, they reduce the four united strips to the same thickness that each one was before it left the Can. But it is made a great deal longer, and the fibres of the Cotton are more completely drawn into the right position. The Bobbin-Frame, which appears the third in the picture, receives the Cotton from the drawing; here it passes between rollers similar to the first set in the Drawing-Frame, but weighted so as to hold more firmly, whilst a set of Spindles, by means of Flyers on the tops of them, twists the Cotton a little, and thus turns it into a soft string, when it runs upon large Bobbins about nine inches long. The Jack-Frame, the second in the picture, then carries on the process by working the slightly twisted string finer and tighter, and running it on Bobbins of smaller size. When the Cotton is intended to be spun into a very fine thread, it has still to undergo a similar process, called stretching, and is made into rovings. I wonder what the Girl has done amiss who is being rebuked by the Overlooker!"
The textiles products are the back bone of Pakistani economy and returns a lot of foreign exchange to the exchequer of Pakistan.
Textile museum in Oaxaca, Mexico. Part of the private textile collection of Irmgard W. Johnson (www.museotextildeoaxaca.org.mx/)
From Barfoot's series of coloured lithographs of 1840 depicting the cotton manufacturing process.
Original text written to accompany Lithograph No.4:
"In this Picture, we have a view of the outside of a set of double Carding-Engines. A Roller, covered with the matted Cotton by the Lap-Frame, is placed at the back, on the left, and the end of the sheet of cotton is taken by the Feeding-Rollers to the inside of the Machine. The Cotton then runs through Rollers and Clearers to the cylinders, which are in the form of large Drums, covered with leather Cards, thickly studded with fine pointed wires. On the outside are several small Wheels, surrounded with Teeth, which fit into each other, and thus the whole are set in motion together. The small Pulleys at the top are to lift up the covers of the cards that the inside of the Machine may be cleaned and oiled. After the Cotton has gone through the Cards, it is stripped off at the other end by a Crank, working up and down, with a brass, iron, or steel plate, which is called the Doffer, because it scrapes the Cotton from the front Cylinder. The Cotton is then drawn together by a Brass Funnel, which guides it between Iron or Brass Rollers; it is then formed into a soft rope or strip, and falls into a Can set to receive it. The firls you see in the picture are called Can-Tenders; their business is to press the Cotton slightly into the Can until it contains enough; and then, breaking the strip, to remove the full Can, and put an empty one in its place. But why should they be so careless as to let their Cans roll about the card-room floor!"