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Beautiful but deadly...

One of the gallery picture from Textile India Android App

Textile Mural, Ramsden Street, Huddersfield

(A4 sketchbook) These sketchbook pages shows the starting point of my project theme in textile class. The colours of sea life is what attracted me to choosing the tropical underwater theme. These images and colours directly tie in with my final project and were great inspiration and reminders of what I was aiming for. I also included a small hand painted study of sea urchins the bottom right hand corner of the right page and a pencil study of fan coral at the top left hand corner of the left page.

Proceso de creación de una falda con naranjas y madera de balsa.

This is for my textiles project, only a sample at the moment.

I used twigs off a bush to make the letters, ribbons to connect them and pins to hold it together to become a wall hanging. Our project has to involve ephemeral and sustainability materials. I'm basing my project on tea, as it something I like and doesn't last long :)

Wholesale

Product name: Chenille Rings

Export Market: Worldwide

WhatsApp/Viber: +20 120-438-1590

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CANAVA for Textile Products:

We manufacture and supply finished home textile products and fabrics worldwide to the very best retailers and brands.

Canava is continually developing new collections and fabrics with the highest quality textiles in the industry. Operating twenty-four hours a day, six days a week. Our team is here to solve your most challenging textile needs.

At Canava Textile we believe strongly in encouraging innovation at all levels of the organization.

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We Manufacture:

Upholstery fabrics

Digital printing

Ready made and made to measure curtains

Cushions and accessories

Bed linen

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Custom textile manufacturing:

We have a state of the art design and manufacturing facility and can design, print and manufacture production quality samples within 24 hours and, additionally, offer short lead-time production and super-fast turnaround.

Design NOT owned by me. For sampling purposes ONLY.

Qing Dynasty lasted from 1644 -1911.

Currently in a museum.

Craft Candy workshop - Constructed Textile Jewellery with Gemma Nemer on Sat 2nd May 2009.

I love the cover of this book!

second floor of the oriental textile mill building. the building is home for kraftmen's bakery and textile restaurant

Tullie Textiles group meets on the second Sunday of the month at Tullie House Museum and Art Gallery between 2-4 pm. Each month we see a different object from the collections and I demonstrate a different textile skill or technique. The group is free to attend. July 2017: Ribbon Roses

Craft Candy workshop - Constructed Textile Jewellery with Gemma Nemer on Sat 2nd May 2009.

Visits to a textile museum and the workshop of the Quito School woodworkers in San Antonio de Ibarra, Ecuador.

Design NOT owned by me. For sampling purposes ONLY.

Gemma Ormrod - Textiles

 

Degree Shows 2010

Wednesday 23rd - Tuesday 29th June 2010

Norwich University College of the Arts

Norwich, Norfolk, England, UK

  

Work from Carleton Day Centre's Wednesday Art Group. A partnership project between Carlisle Day Services and Prism Arts. In this block of sessions we're exploring textiles and our theme is the Natural World. January-March 2017.

An employee works at a textile plant in Liaocheng, Shandong province in this picture taken March 26, 2008. China's textile and garment exports in February dropped 32.9 percent from the previous month, largely due to weakening U.S. and European demand and the severe winter storms, customs authorities said, Xinhua News Agency reported. Picture taken March 26, 2008. REUTERS/China Daily (CHINA). CHINA OUT. NO COMMERCIAL OR EDITORIAL SALES IN CHINA.

new update website view on www.abrasiontesters.com.

Abrasion Resistance Tester

Objective:

To determine the abrasion resistance of the sample fabric.

Theory:

A number of important points require consideration before abrasion resistance tests are carried out. The choice of the method may be governed by the type of apparatus available, the precision demanded and so forth. Some of the more important points are condition of the specimen, choice of testing instrument, choice of abrasive motion, direction of abrasion, choice of abradant, backing the specimen, cleanliness of the specimen and instrument, tension on the specimen, pressure between abradant and specimen, end-point of the test etc. Now there are various abrasion resistance testing instruments available for example, the WIRA abrasion tester, the LIRA abrasion tester, the Taber abraser, the Shiefer machine, the Wyzenbeek abrasion tester, the Stoll universal wear tester, the LINRA wear tester, the BFT abrasion tester etc. The abrasion tester we used here is made by Qinsun Instrument. In this instrument abrasion surfaces wrapping by sand paper are used to abrade the fabric samples. A counter is used to count the no. of abrasion. This is an electrical tester.

Abrasion Tester is used to determine the abrasion resistance of fabrics when rubbed against a standard abradant or a wire mesh screen with a backward and forward motion over a curved surface. Particularly it’s suitable for? automotive and furniture industry fabric manufacturers working to US standards.

Procedure:

At first cut the fabric into 4 pieces according to the measurement of the instrument.

Weigh these 4 pieces of fabric samples.

Now place these samples in the instrument under a certain load as supplied in the instrument.

Now start the machine and observe the counter of abrasion no.

After an abrasion of 200 bring out the first sample and weigh it.

After an abrasion of 300 bring out the second sample and weigh it.

Similarly after abrasion of 400 and 500 bring out the third and fourth sample and take their weight.

Now put the weights before and after abrasions in a table and find out their wear index.

These are my initial designs for my A2 textiles project from my sketchbook. Here I was looking further into the idea of laser cutting a sheer fabric to layer onto my base fabrics. The middle design was the design which strongly inspired my final design.

Dimensions: 16.5 x 11.7 in

  

Textiles Project. Brief: Memory and Surface.

Batik and Machine embroidery.

A3 Sketchbook. January 2014

Near the Plaza in Antigua

Beautiful silk textile imported from Rajasthan, India. Constructed out of 2 different silk textiles, this piece is all hand sewn together. The front side has a batik pattern in bright gold, pink, and deep blue/purple (and is not centered). The backside is a grey pink and one side features a pretty border pattern (see picture). Due to the nature of this hand made piece there are some loose threads. Large in scale, could even be used as a table runner!

 

33" x 80"

 

$110

Textile art by Kirsten Aune, Duluth, Minnesota.

This is some research, development and two final pieces I created whilst in a textiles rotation. The heading was shapes of the city so I extrapolated the triangular shape from photographs I had taken from Edinburgh city centre and used them as the basis for the design.

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