View allAll Photos Tagged Textile
Getting use to the buttons and wheels on my new camera by shooting objects around the house and in the house. I really liked the way this silk rose came out! I hope you do too. I liked the fact that you can see tiny patterns on some of the petals.
( A special thank you to all of my MM friends!!)
Gepolsterter Stuhlsitz.
Auswahlfoto:
Für“Looking close....on Friday!“
Thema:“ Textile Texture“ am 14.05.2021
Thanks for views,faves and comments:-)
created for Macro Mondays' theme of the week. If you have time: www.fluidr.com/photos/30939846@N07/sets/72157652288287286
LEBASTEX Fabrics & Textile
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New style necklace - first of its kind- made from various vintage textiles, adorned with hand beading and 80' sequins.
Hope Silk Mill, Leek was extended in 1928-1929 in an Art deco style and it is this section that has survived. The mill is still used in the textile trade, being occupied by a business manufacturing specialist sports wear such as rugby shirts.
Rainy day at textile industry ruins...solo visit, 2023
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Greetings to UrbanPhoto, Trojan, Adi for important clues :)
The small village of Hvammstangi, sometimes called "Iceland's seal watching capital," sits on the eastern side of the Miðfjörður fjord.
Hvammstangi is an important service center for the surrounding area. It is a regional provider of education, and it has been an important trading center since 1846. The town has a growing tourism and administration industry. The fishing industry (providing mainly shrimp) is also very important to the town's economy. The town also owns the largest textile factory in Iceland. The town is also home to the Icelandic Seal Center.
Stone Dam Mill was a steam powered worsted spinning mill built for William Huntriss. It is now warehouse shop. The mill was built c1836 for worsted spinning and extended c1855. In 1889 Hugh Campbell moved to Halifax to start his own business manufacturing gas engines. He set up a workshop in Stone Dam Works, Well Lane, Halifax, financed by local people who admired his workmanship. As the business developed he had new premises built and moved out of the Stone Dam site. The building is Grade II listed.
Local market in Antigua, Guatemala.
Textiles is perhaps Guatemala's best-known and most popular artisanal activity; It is also one of the most important export products in the country. The most popular fabrics are produced by indigenous women, creating intricate designs with multiple colors; but in general, typical fabrics are produced by both, women and men, women use the traditional back-strap loom with wooden sticks, while men use a big pedal loom to produce them.
www.spanishacademyantiguena.com/blog/2018/10/01/guatemala...
Abandoned textile mill (1851-2004)
Punched tapes are controlling the weaving looms, for the production of certain patterns
Local market in Antigua, Guatemala.
Textiles is perhaps Guatemala's best-known and most popular artisanal activity; It is also one of the most important export products in the country. The most popular fabrics are produced by indigenous women, creating intricate designs with multiple colors; but in general, typical fabrics are produced by both, women and men, women use the traditional back-strap loom with wooden sticks, while men use a big pedal loom to produce them.
www.spanishacademyantiguena.com/blog/2018/10/01/guatemala...
still life photography of mostly textile
This and the next two are photos that I put in an exhibition in my home town---all photography, flat lay- mostly textiles scrunched together to look like flowing skirts--I guess you could call it mixed media although the finished product is a pure photograph, enhanced with photoshop----Lynne
The Copernicus Sentinel-2B satellite takes us over Semarang, Indonesia. A port city on the north coast of Java, Semarang is the fifth-largest city in the country, covering some 374 sq km and home to just over 1.5 million people.
This true-colour image shows the heart of the bustling regional commercial centre in the bottom-left, where a range of industries from fishing to glass manufacture and textiles operate. Exports of rubber, coffee, shrimp, tobacco, and cacao, among other products, pass through the city’s harbour, which can also be seen in the bottom-left of the image.
The Java Sea dominates the left part of the image. Flood management remains an ongoing challenge for the area, with the city being prone to tidal flooding.
The island nation of Indonesia is particularly vulnerable to sea-level rise. Some parts of Semarang, such as the residential area of Candi Baru, shown in the bottom-left of the image, stand just above sea level.
In the right of the image we can see mainly agricultural land, with rice fields stretching across the landscape. Land subsidence has been widely reported in the area, particularly in the northern part of Semarang, accelerated by population increases and urban development.
The impacts of subsidence include the wider expansion of (coastal) flooding areas, cracking of buildings and infrastructure, and increased inland seawater intrusion.
Sentinel-2 is a two-satellite mission for land monitoring, providing imagery of soil and water cover, inland waterways and coastal areas, for Europe’s Copernicus environmental monitoring programme. Wide swath Sentinel-2 data can also contribute to monitoring land-use change that triggers erosion, forest and wildfires, and the onset of floods.
This image, which was captured on 9 May 2018, is also featured on the Earth from Space programme, here www.esa.int/spaceinvideos/Videos/2018/11/Earth_from_Space...
Credit: contains modified Copernicus Sentinel data (2018), processed by ESA, CC BY-SA 3.0 IGO
Jakob Lena Knebl, Ashley Hans Scheirl, Austria Pavilion, 2022 Venice Biennale
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Jakob Lena Knebl and Ashley Hans Scheirl present stage-like installations, in which they unfurl their entire artistic cosmos – from paintings, sculptures, textile works, photographs, text, and video to a fashion collection and a publication in the form of a magazine. The artists focus on the situation of the symmetrical architecture of the Austrian Pavilion, that is both divided and connected by a colonnade. The two sections each bear the mark of one of the two artists. While distinguishing the two distinct positions, this also ensures that they remain in conversation with each other to emphasise the artist duo at appropriate points. Various materials, modes of operation, symbols, and forms appear to oscillate between the two presentations, duplicated and mirrored and translated into the preferred artistic practice in each case.