View allAll Photos Tagged Textile
Something simple and straightforward for a change ;-) Though I have a "what am I looking at?" version for the theme, too, which, again, I will probably upload later. This time I did not get that close,
because I wanted to have the "Organic" lettering in full, which is 6 cm (2,3622 inches) high. The width here is exactly 7 cm / 3 inches. It's a cotton tote bag, made from "organic cotton" (hopefully), by Swedish designer Gudrun Sjödén.
Zur Abwechslung mal was ganz Simples, Stoffbeutel aus "Bio-Baumwolle" (hoffentlich) mit entsprechendem Schriftzug von der schwedischen Designerin Gudrun Sjödén. Die Mode ist nicht ganz mein Fall, aber die Beutel sind hübsch.
Thank you for your kind comments, I appreciate every single one, and your faves! Vielen Dank für Eure tollen Kommentare und Faves!
A Happy Macro Mondy, Everyone!
Japanese Obi Fabric
Looking Close on Friday theme: Textile Texture
Thanks to everyone who took the time to view, comment, and fave my photo. It’s really appreciated. 😊
This cotton textile was woven on the island of Timor in Indonesia. The designs were created using the supplementary warp technique rather then the more common supplementary weft brocading.
The red color comes from the Mirinda citrifolia tree and the blue from the indigo plant.
A shot of some textile for the Macro Monday Groups theme of “Cloth/Textile” . Its quite interesting when you zoom into the detail HMM
Coptic textile showing a horseman with a border of warriors lions and rabbits.
Fifth or Seventh Century AD from Akhmin.
I had no chance to shooting in the past few days. I feel frustrated it :'(
So I rummaged through the room. And...I got it !!
Macro Mondays Cloth/Textile
actually colour photo - really surprised and delighted with what custom white balance can do with white sheets
also wanted to try to tell a story with the shot - create a landscape
so the fuzz up the main ridge is like people trying to get to the peek so the ridge and top of the ridge are in focus - as the rest of the range falls away.
And there's this big light in the upper left - have you climbed on these kind of days?
ok, it may be better in my head than in this shot :)
(in searching for something similar in the BIG just now, here's an example cdn.shopify.com/s/files/1/0923/0826/products/nepal-mounta... here i guess the fuzz is more like a tree line and this i1.wp.com/www.kirstenasmithphotography.com/Global-Travels...)
i'd be delighted to hear your thoughts on how to re-work this to get a better image....thank you
Workman hangs textiles to dry in Jaipur Factory.
Block printing in Jaipur, India, traces its origins to centuries-old traditions practiced by local artisans. The technique, known as "Dabu" or "Bagru" printing, flourished in Jaipur due to the city's patronage of the arts during the Mughal and Rajput eras. Believed to have been introduced by the Chhipa community, skilled craftsmen perfected the art of hand-carving intricate designs onto wooden blocks.
This weeks Macro Mondays theme is Cloth/Textile. I couldn't think of a more modern textile than the "hook" of "hook and loop", AKA Velcro.
HMM
as I was washing a few dishes today I wondered what I could do for textiles , then i noticed my dish cloth
Happy "Looking close... on Friday!" :-) with textile textures
... and many thanks for your views, faves and comments!
Playing at textile art display.
Cloth can become an evocative form of art, with the lighting and dimensions, it's just beautiful!
Taken at the 18th Biennale of Sydney in Cockatoo Island.
Most textiles designed by architect Josef Frank (1885-1967). The elephant pattern designed by Estrid Ericson in the 1930s.
Photo taken in the shop "Svenskt Tenn", Stockholm, Sweden.
www.svenskttenn.se/sv/ (website also in English)
This was one of those fun photo shoots where one idea leads to another until you end up somewhere completely unexpected.
For Macro Monday : “Member's Choice: Texture"
20160320-0581
De kleurrijke installaties van Fransje Killaars (1959) zijn driedimensionale schilderijen die bestaan uit handgeweven tapijten, stoffen en strengen wol in alle denkbare kleuren. Textiel vormt het basismateriaal in haar unieke oeuvre. Killaars is gefascineerd door de kracht van kleur, de relatie tussen mens en textiel en de verbondenheid van textiel met het dagelijks leven. Door de ongebruikelijke combinaties van kleur en materiaal ontregelt het werk de ruimte en de blik van de toeschouwer. Behalve autonome installaties maakt Killaars werk in opdracht in de publieke ruimte, zoals indrukwekkende installaties en wandbekledingen, samengesteld uit de voor haar typerende horizontale lagen stof en geïnspireerd op het principe van stofstalenboeken.