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Didn't have a long lens with me so I had to crop this image quite a bit. I will try it again with a telephoto.
This was supposed to be a test shot.
Here is the story. So my buddy Kyle called me a few min ago and asked if he could borrow my Mamiya medium format camera. I told him he could and he came over right away. Since I had a few frames in a roll left to shoot I was super excited for an opportunity to shoot some more film. (It's just so much easier to grab the digital.) Anyway, we grabbed my strobes and headed back to the ally way since I think it produces some pretty kick ass back lighting as the sun goes down.
We meticulously set everything up. I balanced the strobe and the ambient with my light meter and finally decided to pop off a digital just to be safe. Then I started firing away. I took a couple shots, bracketed a few and then was done with the roll. As I reached down to put everything back in the bag I realized I had changed my shutter speed earlier to take a natural light photo before we started setting up the strobes. Unfortunately all the photos we took will not turn out due to the fact that we went WAY past the sync speed.
Either way, I still have the one photo I took as a test. Here it is.
Strobist info: SB800 with shoot through umbrella camera right.
Test roll 1 from the Canon EOS 3. There's a bit of a learning curve, but all in all, I'm happy with the purchase.
There does seem to be a tendency to overexpose, which I'll need to work on.
Canon EOS 3
Lens unknown (not sure which one I had on)
Kodak Portra 400
Scanned by Englewood Camera
© Web-Betty: digital heart, analog soul
I don't particularly enjoy using topaz on any of my covers but I thought that maybe I should try it once in a while preferably without overdoing it :)
Wanted to keep this as simple as possible.
I made this since I honestly hate the lighting on the original cover so this was basically a test cover for both, a new colouring and topaz.
Setup used for sharpness series shown at www.flickr.com/photos/edhiker
/4156643226/
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The telescope holder and tripod is very useful for testing telescopes up tp 8 inches.
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IMG_0022_T1i_on_27in_Scope
Piping Technology & Products, Inc., recently performed its snubber cycle test to prove the durability of a MSA 35 mechanical snubber manufactured for an engineering and construction company at Pine Bluff, Arkansas.
The cyclic test, performed using PT&P’s in-house, horizontal, hydraulic press, is designed to test snubbers at their two modes of operation. At high rates of loading, especially impact, the snubber is expected to provide very high resistance to movement. At low speeds snubbers are to provide very low resistance to movement. Testing a snubber at a low speed displays the normal wear and tear over an extended period of time.
In this case, a cyclic test was performed, in which the MSA 35 Mechanical Snubber with a load rating of 50,000 pounds and design travel of 6 inches was measured at a slow speed response. The low speed force remained at a fairly constant 500 pounds for the 50 hours and 5000 cycles it sustained. This value meets the common criteria that the drag force should be 2% or less than the rated load.
In addition to the snubber cycle drag test, Piping Technology & Products, Inc. has administered other tests such as the burst test for expansion joints. The tests executed by PT&P allow companies to attain the most precise and reliable data available to them. Using this to their advantage, customers will be able to compare data about the recently ordered products, to their individual standards of dependability and durability.
Piping Technology & Products, Inc. and its wholly owned subsidiaries are recognized leaders in manufacturing pipe hangers/pipe supports (variables, constants, cryogenic supports cold shoes, hot shoes, mechanical/hydraulic snubbers, slide bearing plates), expansion joints/compensators (metallic, fabric, rubber, slip-type) and ASME Code Fabrication. PT&P has engineering drawing production stress analysis and full in-house finite element analysis that are used to prove designs. The design software is developed in-house and the calculations contrived are further checked using hand calculations.
Enhanced widescreen version of the original Test Card F
en.wikipedia.org/wiki/Test_Card_W
This can now be found on your Freeview box if you're in the UK, instructions here
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A Cupcake Central cupcake tasting event where VIP Guests were invited to taste test and critique our new cupcake flavours and designs as part of our rebranding and launch of our first flagship Cupcake Central storefront.
it's taken me a year to get this appointment for a patch test. at the moment i have 117 concentrated allergen samples taped onto my back to find out what i am allergic to. i am not allowed to do any physical activity until friday because i'm not supposed to sweat because the samples will slip off and i will be forced to go through this one-week-torture test again. non merci.
all i know is the upper right quadrant of my back is an itchy mess and i could barely sleep last night.
the doctor said there is only a 50% chance of them finding the culprit. hmmm.. i'll find out friday.
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in other news, i'm so pissed. i broke my lens after i took this photo. what a pain.
Speedlite Speedlight Test.
Backdrop: Lastolite Gold Panlite
3 Sigma 530 DG Super's.
1 Mounted on a stand above left of camera @ 1/64 Power 85mm.
1 Mounted behind the model as background light @ 1/128 Power 17mm.
1 Mounted on Camera as trigger.
All Speedlites bare.
Lastolite Trigrip Silver Reflector as fill.
Canon 50mm 1.2L
Canon 1Ds II Manual Mode ISO 100 Aperture f/3.2 Shutter 1/250
All the goodies used in a urine test.
Strobist: one SB800 bounced off ceiling. White reflector placed in front of set-up for small amount of fill. Also had ambient light coming from a window--camera right.
Nicholas Latifi (CDN) Williams Racing FW43.
Formula One Testing, Day 2, Thursday 27th February 2020. Barcelona, Spain.
[alex sig]
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Unit 8, AMCO Building, Acanthus Road, North Moons Moat, Redditch, B98 9EX
second test with the SB-600 with the radio trigger. A part of my work is making photographies for real estate. A recurrent problem is the huge luminosity difference between windows and back of the room, especially with an ultra wide angle.
In this house, it's reinforced by the veranda at left, much brighter than the living room in the right corner (upper image). I tried the SB-600 on-camera, but it doesn't solve anything. So I bought those cheap transceivers.
I left the SB-600 with an omni-bounce behind the stairs, and made a few trials and errors until I got a sufficiently good one - I was in a hurry, people were eating just outside the field. Composition is better in the first one.
An added benefit is the color temperature of the flash corresponds to the daylight, not incandescent like the upper one. I think I need a second flash behind me.