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Trade promotion by Paul E. Werner, c. 1880
bought this at the TDC Book Fair
a bit more info on my blog:
designrelated.com/inspiration/view/Karen/page/1/entry/314...
and if you are around May 30th in NYC try to stop by the TDC Book Fair:
Plate scanned from:
Paleografia Artistica di Montecassino
Publisher: Litografia di Montecassino, 1876
Italian
We are full compromised with our real culture, the antique pre colombian design. To reborn the forgotten artistic movements of a killed empire. We developed our Aymara type, designing a contemporanean inca's typography.
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Soon available to buy.
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by Aaron Burns & Company, a division of Rapid Typographers, Inc., 1965.
Herb Lubalin Study Center of Design & Typography at Cooper Union; East Village, Manhattan
Confusion of my mind. again .
I get indigestion from useless thinking.
I feel the necessity of arrange my thoughts.
give me some digestive pill.
Just my bookshelf. No, just parts of my bookshelf, this is the upper part of my "typography"-bookshelf (there is also a "design"-bookshelf). Left half is reserved for type specimen books only. Due to my focus there are quite some type specimen in books on the right side as well, but these books are not mainly type specimen books. Also, there is another bookcase not to be seen here, reserved for type magazines exclusively, and a lockable one with the more precious pieces. Er, OK thats it. Just as some you have asked.