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Para "Lio de fotos"
Esta indicación antigua la encontré en el Viejo Montréal. No hay mucha composición en la foto pero espero poder tener el tiempo de hacer otra en la semana!
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Weingart Typography, Kunstdruck, Graphik, Antiquariat, Bücher, (Art print, graphics, antiquarian books ), 1962, Museum für Gestaltung zürich, Swiss Museum for Design and Visual Communication, graphics collection. Exhibition ‘Paradigm of Art, German Contemporary Art’ / “德国8”之《艺术之规——德国当代艺术》, CAFA / Central Academy of Fine Arts, 中央美术学院美术馆, Beijing / 北京, China / 中国, 2017
I have had the word ‘retweet’ stuck in my head for a few days now, so I had to do something with it to get it out of there.
Futura typography poster with small biography and description of Futura. Also features Casa Gutierrez by P&P architects as a comparison of the type.
2nd Typography piece detailing the English Alphabet and the Cyrillic Alphabet, as the piece is written in both English and Russian.
Titled: Каждый хочет править миром/ Everybody wants to Rule the World.
Completed on 15/01/2015
Finished with Graphic Ink Pen and Watercolour paints.
Size:A2
pizza!!
(yeah, i do love olives)
this project was conceived as a way to document my eating habits and routine, through the creation of an alphabet.
more on my website: www.doisedois.net
New Cuisine is a bouncy vibrant script font that connects smoothly and has loads of extra features. Available here: www.myfonts.com/fonts/stephen-rapp/new-cuisine/
We are very proud to present a new font called Henderson Slab.
www.myfonts.com/fonts/sudtipos/henderson-slab/
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This time we have the pleasure to work with Mariano Sigal and the crew from Cinco who made a wonderful work creating a wonderful story about some strange marionettes with bodies made of letters!
To see the whole project check
www.behance.net/gallery/41257895/Henderson-Slab
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About Henderson Slab
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A few bold caps drawn by Albert Du Bois for the 1906 Henderson Sign Painter book started me in the direction of looking at how sign painters approached slabs after the industrial revolution. The usual happened from there. My exercise in the early lettering roots of what eventually became the definition of geometric typography ended up having a life of its own. The majuscules led to minuscules, one idiosyncratic bold weight led to six more, and uprights led to italics. What was kind-of-interesting in the early twentieth century persuaded me to make it interesting enough a century later. This of course meant alternates, swashes, the standard baggage that keeps calling my name.
Henderson Slab is a family of seven weights plus italics, all full of open features and extended Latin language support. Part of this family’s appeal is its coverage of nearly the entire of the slab serif through the last 100 years — the basis is the manual, humanist origins, the swashed forms come right out of the phototypesetting era, and the alternates and mostly modern constructs of contemporary ideas. The result is a set with the ability to function in modern spaces, from corporate to editorial, in text or display, while both winking and nodding at the roots of what is now considered a geometric endeavor.
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Get the font with a 50% off intro discount
How typography impacts Design. Whenever typography is used effectively, it may evoke different feelings and create a mood to enhance the branding of your business.
© 1978 International Typeface Corporation
bought this at the TDC Book Fair
a bit more info on my blog:
designrelated.com/inspiration/view/Karen/page/1/entry/314...
and if you are around May 30th in NYC try to stop by the TDC Book Fair:
The interior cover page/ title page of my typography book. You'll have to forgive the bad quality of the photo.
In this video you can learn how to do typography in details .With two examples i will learn you how to do typography .
Video link :
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Free fonts sites links :
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IF you are beginner wants to learn check my playlist links bellow
Tutorial Playlists
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Adobe illustrator : www.youtube.com/playlist?list=PLGtehj1NxPje0DeGwN_tj87q7D...
Tip of the day (Adobe illustrator ):
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www.youtube.com/playlist?list=PLGtehj1NxPjdDTxBVl-7v8NpEk...
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Economy: Whitney was designed to work in crowded environments, so its shapes are especially space-efficient in text sizes.
A type family originally developed for New York’s Whitney Museum, Whitney contends with two different sets of demands: those of editorial typography, and those of public signage.
Typefaces for catalogs and brochures need to be narrow enough to work in crowded environments, yet energetic enough to encourage extended reading. But typefaces designed for wayfinding programs need to be open enough to be legible at a distance, and sturdy enough to withstand a variety of fabrication techniques: fonts destined for signage need to anticipate being cast in bronze, etched in glass, cut in vinyl, and rendered in pixels.
While American “gothics” such as News Gothic (1908) have long been a mainstay of editorial settings, and European “humanists” such as Frutiger (1975) have excelled in signage applications, Whitney bridges this divide in a single design. Its compact forms and broad x-height use space efficiently, and its ample counters and open shapes make it clear under any circumstances.
www.typography.com/fonts/font_overview.php?productLineID=...